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American families depicted in television comedy shows outwardly appear as stereotypical characters. Extreme contrasting types are used to exaggerate real life: wealthy or poor, urban or rural, and sophisticated or naïve. This is not only for entertainment value, it seems: the characteristics of these families can represent the diversity within the families across our nation. As a show develops it can reach out to the audience by touching on more realistic values. A demonstration of how a television family deals with an issue can make that family appear to be even more similar to each other and comparable to real American families as well. In this paper, the Cosby show and Rosanne will be compared.
The Cosby Show episode portrays the Huxtable family to possess a formal inclination regarding appearances. Denise invited her husband Martin’s ex-wife Paula to join the Huxtable family for Thanksgiving dinner. This decision resulted in expressed concern from Martin and Denise’s mother, Mrs. Huxtable. (“Cosby”). In the show, the piqued interest of remaining guests and played ou...
In the article “TV’s Callous Neglect of Working- Class America” written by Noel Murray explains the modern day TV shows un-relatable plots to Americans today. Murray describes how shows in the ‘50s through the ‘90s were relatable to Americans and how they lived their lives. The TV shows then were able to get such great reviews because the jobs the actors had in the shows were average money making jobs. The characters are meticulously when it came to how they used the money they earned. However, as the years have passed, the shows that are on today are not as relatable to Americans. The shows express the fantasy, perfect life that everyone strives to have, but in reality, it is not possible for every family. The programs on today do not convey the difficulties that average Americans face each day, causing the shows to become more and more relatable to average TV viewers.
According to the Bureau of Labor Statistics (2007) women’s labor force participation raised from 33.9% in 1950 to 57.5% in 1990. The TV shows Married with Children and Roseanne are similar and different in the way they portray that statistic through their gender roles. Married with Children shows the more traditional type of gender roles, while Roseanne shows gender roles that were not as common in past decades. Both shows exemplify gender roles that were common and rare compared to decades prior. The TV shows, Married with Children and Roseanne are similar and different because of the gender roles each television show displays.
This essay will discuss how national attitudes towards the working-class and the impoverished are represented in American Television. The purpose of this paper is to comprehend that television shows are not solely designed to entertain consumers but also contain a hidden agenda whose task is to protect certain ideological perspectives and therefore constant framing strategies take place. The paper will commence the analysis by discussing how males and females are represented in the television show Friday Night Lights, secondly it will look at the
He also wants to have a family and life like ones on television. From the shows he learns the way white people dress up to eat, their politeness. A perfect life, compared to his. As he eats dinner, he replays the show in his mind, he notices that his family's "loud with belly laughs and marked by our pointing forks at each other." (29) He finds this different and wishes his family to change; he does so by asking his brother and sister to wear shoes to dinner. However, his family did not cooperate and continued their life as usual.
Younger generations and the more vulnerable in society can be influenced in avoiding peer pressure, but for the individuals filled with wisdom, the shows can reflect based on American modern society. Everybody Loves Raymond and Full House are great shows who faces similar life obstacles a typical person living in the US has today. As a result, most modern family comedy sit-coms are reflecting our society’s generations and the more vulnerable. Based on the success of early family sit coms, American’s adapted to a fast pace lifestyle with the help of modern
Though not immune to criticism, Modern Family and Full House still claim glimpses of societal pressure when showing aspects of the “American family.”
The word sitcom is short for Situation Comedy. A good sitcom story idea places the star (or supporting character) into a situation in need of a resolution, which will cause the character to respond in unexpected, exaggerated, and hugely sidesplitting ways (Rannow, pg. 13). A comedy now days are different from how they were in the 1960's and 1970's though. Today directors use sexual content and foul language to make people laugh and do not usually have a purpose or point to get across to the audience with each show. In earlier comedy, such as The Brady Bunch, Director Jack Arnold tried have a lesson learned in each episode while still maintaining a sense of humor, minus the foul language and sexual content. Although the show is not extremely funny to most people it is still a classic show that deserves to be remembered.
Americans love their television, and television loves the American family. Since the 1970’s, the depiction of the American family on television has gone through many changes. In the 70s, the Brady Bunch showed an all-white nuclear family. Today, Modern Family, shows a family of blended races, ages, and sexualities. For thirty years, the sitcom family has reflected the changing society of its time and there is no exception of this for the families in The Brady Bunch and Modern Family. The lifestyle, social aspects, and economics situations of the Bradys and the Pritchett-Dunphys are similar in their attempts to portray the lives of families of their time, but differ drastically in the types of families they represent. The characters in Modern
This essay will examine my thoughts and those of David Sterrit on the critically acclaimed television show The Honeymooners. First, I will talk about the Honeymooners and it’s setting in postwar America. Secondly, the social and cultural issues the series portrayed. Next, would be the psychological perspective and the aesthetics of the show. Finally, the essay would conclude with my thoughts on how the Honeymooners were impacted by these aspects, but also how the show managed to leave a legacy in television today.
That 70’s show is about Eric Forman and his teenage friends and also is family members that live in Point Place Wisconsin through the time period of 1976-1979. The biggest surprise about the series is that despite it being only a three year time frame it managed to run for eight seasons that was seen on Fox from 1998 to 2006 which became the networks second longest running live action sitcom only trailing the show married with children. Despite the fact that the show wasn’t really based in the 70’s the production of the show did a good job to make it seem like they lived in the 70’s with cars, music etc… It’s kind of weird that the show was named “that 70’s show” when it didn’t officially take place during the 70’s.
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
Since television came into existence, it has evolved into a useful tool to spread ideas, both social and political, and has had a great effect on the generations growing up with these heavily influential shows. To these younger generations, television has taken the role of a teacher, with the task of creating a social construction by which many of us base our personal beliefs and judgments on. This power allows television shows take the opportunity to address problems in a manner that many audiences can take to heart. Many television shows present controversial topics in a comical matter, in some ways to soften the blow of hard-hitting reality at the same time bringing attention to the issue being addressed. In the television show, Everybody Hates Chris, season one, episode four entitled “Everybody Hates Sausage”, the stereotypes that continue to fuel racism are examined in a satirical motif, and class is presented in a comical way, but carries serious undertones which present a somewhat realistic view of the different social strata within the United States.
On September 20, 1984 a show aired that changed the way we view gender roles on television. Television still perpetuates traditional gender stereotypes and in reflecting them TV reinforces them by presenting them as the norm (Chandler, 1). The Cosby Show, challenged the typical gender stereotyping of television, daring to go against the dominant social values of its time period. In its challenge of the dominant social view, the show redefined the portrayal of male and female roles in television. It redefined the gender role in the work place, in social expectations, and in household responsibilities. The Cosby Show supported Freidan in her view of “castigating the phony happy housewife heroine of the women’s magazines” (Douglas 136).
As gender roles were enhanced, the nuclear family was birthed. This ideal family, mainly portrayed in popular culture, had a working father, homemaking mother, and children. Television shows depicting this type of household, Leave it to Beaver, and I Love Lucy, were not representative of the reality of America. Not all of Americans were white, and not all women were happy living as housewives (Boyer 101). Although most did not fit the mold
In the days of black-and-white television and homemade apple pie, there existed a hallmark of perfection: the “all-American family”. This was composed of a mother who was always perfectly pressed and had dinner ready on time, a father with a good job who wore a suit to work every day, and two children who brought home perfect grades and were star athletes. This was the dream given to many Americans; a perfect family in the public eye, like the Cleaver family in the show “Leave It to Beaver”. This family had no marital disputes, no broken lamps, and no bills left unpaid, or so it seemed. Like these picture-perfect families, Allegra Goodman’s Sandy Glass wished to portray the perfect person, family, and lab, even when it was all collapsing in on itself.