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Character development introduction
An essay on character development
Character development introduction
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“Success consists of going from failure to failure without loss of enthusiasm” (Winston Churchill). Truth be told, Sir Andrew’s equation does not consist of enduring enthusiasm. But Sir Andrew is a man who is very well acquainted with the people of Illyria and the modern readers of Shakespeare’s Twelfth Night as an unintelligent, craven and arrogant fool of a knight who would absolutely not find any success if he were to live in 2014. It is very clear to anyone that Sir Andrew Aguecheek was put in Twelfth Night to comically please Shakespeare’s audience. His foolish, yet leech like attitude and personality towards others would not prove this otherwise. Like a leech sucks blood, Sir Andrew sucks up attention and converts it into something that would want to make the reader laugh at his failures. If he were transported to the modern day 2014 he would fail to succeed, but the real question is how?
To begin, Sir Andrew would not have any success if he were to live in 2014 because he is unintelligent. He lacks the knowledge to understand the circumstances he is put upon. This is most evident throughout the story as he constantly gets used by Sir Toby, both Sir Andrew’s money and dignity are being drained down the sink. Sir Andrew’s highly noticeable foolishness had even drawn Fabian to wonder if he is “a dear manikin to….Sir Toby” (3.2 49)? Sir Toby reveals that he had just “been dear to him...some 2000 strong or so” (3.2 50) indicating how Sir Andrew is unaware he is being tricked, but someone of a much lower status and education (Fabian and Feste) can easily understand what is going on. Constantly overlooking the most simplest of situations will not allow Sir Andrew to be successful in 2014 because he will cons...
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...n and arrogant. As Winston Churchill had said, “Success consists of going from failure to failure without loss of enthusiasm”. Unfortunately for Sir Andrew he just goes on from failure to failure with a continuous loss of enthusiasm. He would try to do something good in 2014, but he would just attract negative attention, just like blood attracts leeches. Sir Andrew is extremely lucky that he lives in a time where his hilarious yet upsetting qualities do not harm him as much as it would if he were to live in 2014. Nonetheless if he did live in 2014, he would beg god to “have mercy upon” (3.4 161) his soul.
Works Cited
Churchill, Winston. "Success Quotes." BrainyQuote. Xplore, n.d. Web. 10 Apr. 2014. .
Twelfth Night. Habrace Shakespeare. 55 Horner Avenue, Toronto, Ontario, M8Z 4X6, 1990
Andrew’s behavior is a lot like that in the movie. It suggests that is why Andrew decided to join the rest of the students smoke in the library. He reasons logically with the fact that if everyone else is stressed out and smokes, then maybe it will help him relieve his anger and stress towards detention and his father. In addition, Andrew can also understand how everyone else in detention portrays him in real life: A jock who is popular and is able to get away with everything. He recognizes what “crowd” everyone is a part of and in his teenage mind, he thinks that it is logical to not associate with anyone unless they are in the same “crowd” as him. Toward the end of the movie, however, his reasoning changes. He sees Allison as another person instead of the “clique” she belongs to. He then realizes that just because someone is from a different “group” it is okay to associate yourself with them showing his cognitive transition into the adult
Lack of education and nurturing at such a young age can explain the cognitive deficiencies that were discovered when Andrew was returned to his mother. A study done about cognitive delays and change of white
President Andrew Johnson lifted himself out of extreme poverty to become President of the United States. He was a man with little education who climbed the political ladder and held many different high offices. As a strict constitutionalist, Johnson believed in limiting the powers of the federal government. President Johnson was one of the most bellicose Presidents who “fought” Congress, critics, and many others. President Andrew Johnson faced numerous problems post-Civil War Era including reconstructing the Southern states to combine peacefully with the Union, his battles with Congress, and his career ending impeachment.
Kenneth Branagh creates his own individualistic adaptation of this classic through the use of visual imagery, characterization, and setting. Branagh cut many lines and speeches from the text to better support his interpretation of a more open and informal society of warm-hearted, affectionate characters. Though Shakespeare's mood is more formal, Branagh remains true to the essence of the play as all of the same characters and most of the dialogue are justly included in the film. Although distinct differences can be made between Branagh’s film and Shakespeare’s written work, they both share a common denominator of good old-fashioned entertainment; and in the world of theater, nothing else really matters.
This type of work showed Andrew how stressful life could be. At one factory he was working in, his coworkers told him that in a few months the factory would close and move overseas where people would do the same work for less money.
Andrew is funny, it is not intentional. His faults include a lack of wit, a
Feste, the fool character in Twelfth Night, in many ways represents a playwright figure, and embodies the reach and tools of the theater. He criticizes, manipulates and entertains the other characters while causing them to reflect on their life situations, which is similar to the way a playwright such as Shakespeare interacts with his audience. Furthermore, more so than the other characters in the play he accomplishes this in a highly performative way, involving song and clever wordplay that must be decoded, and is thus particularly reflective of the mechanisms at the command of the playwright. Feste is a representation of the medieval fool figure, who is empowered by his low status and able to speak the truth of the kingdom. A playwright speaks the truth by using actors and fictional characters, who are in a parallel low status in comparison to the audience, as they lack the dimensionality of real people. Thus, the role Feste plays in the lives of the characters in the play resembles the role the play itself plays in the lives of the audience watching the performance. This essay will explore this comparison first by analyzing similarities between the way in which Feste interacts with other characters and the way the playwright interact with the audience, and then focus on the similarities between the aims and content of these interactions.
Written during a time of peace immediately following the conclusion of the War of the Roses between the Yorks and the Lancasters, William Shakespeare’s play Richard III showcases a multi-faceted master of linguistic eloquence, Richard, Duke of Gloucester, a character who simultaneously manages to be droll, revolting, deadly, yet fascinating. Richard's villainy works in a keen, detestable manner, manifesting itself in his specific use or, rather, abuse of rhetoric. He spends a substantial amount of time directly interacting and therefore breaking the fourth wall and orating to the audience in order to forge a relationship with them, to make members not only his confidants of murderous intentions, but also his accomplices and powerless, unwilling cohorts to his wrongdoings. Through the reader’s exploration of stylistic and rhetorical stratagem in the opening and final soliloquies delivered by Richard, readers are able to identify numerous devices which provide for a dramatic effect that make evident the psychological deterioration and progression of Richard as a character and villain.
Dobson, Michael. “Twelfth Night” in The Oxford Companion to Shakespeare. New York: Oxford University Press, 2001.
Wells, Stanley, and Gary Taylor, eds. "Twelfth Night, or What You Will". William Shakespeare: The Complete Works. Oxford: Clarendon P, 1998.
What is so interesting about Shakespeare's first play, The Comedy of Errors, are the elements it shares with his last plays. The romances of his final period (Pericles, Cymbeline, The Winter's Tale, The Tempest) all borrowed from the romantic tradition, particularly the Plautine romances. So here, as in the later plays, we have reunions of lost children and parents, husbands and wives; we have adventures and wanderings, and the danger of death (which in this play is not as real to us as it is in the romances). Yet, for all these similarities, the plot of The Comedy of Errors is as simple as the plots of the later plays are complex. It is as though Shakespeare's odyssey through the human psyche in tragedy and comedy brought him back to his beginnings with a sharper sense of yearning, poignancy, and the feeling of loss. But to dismiss this play as merely a simplistic romp through a complicated set of maneuvers is to miss the pure theatrical feast it offers on the stage - the wit and humor of a master wordsmith, the improbability of a plot that sweeps...
Atkin, Graham. Twelfth Night : Character Studies. London: Continuum, 2008. eBook Academic Collection (EBSCOhost). Web. 13 Apr. 2014.
Logan, Thad Jenkins. "Twelfth Night: The Limits of Festivity." Elizabethan and Jacobean Drama. N.p.: Rice University, 1982. 223-38. Vol. 22 of Studies in English Literature, 1500-1900. Rpt. in Studies in English Literature, 1500-1900. N.p.: n.p., n.d. N. pag. Print.
Andrew in particular shares an insightful perspective in the relationship he has with Teresa, the woman with whom he admits to be attracted to. Andrew shares that, “After a time I realized she had come into the focus of my attention, I mean, I had to be interested in her, and at the same time I accepted the fact that I had to.” (Wojtyla, p. 24) From this quote Andrew shares a sense of purpose as well as reassurance as he identifies that what is happening to him lead to her, Teresa, being his ‘life’s companion’. However, from what he finds to be a sign towards his future, due to his attraction, he also shares that he was not however completely drawn to her as many would find true love be like but reassures himself and collects his thoughts in the realization that he does want her and would not want to change that. His attraction to her is uncontrollable and from this inability to change his feelings he knows that this, that he is meant for Teresa by some unknown spiritual force; as this force is constantly pulling him to her he knows to accept
The name most associated with excellence in theatre is William Shakespeare. His plays, more than any other playwright, resonate through the ages. It may be safe to say that he has influenced more actors, directors, and playwrights than any thespian in the history of the stage. But what were his influences? During the Middle Ages theatre was dominated by morality, miracle, and mystery plays that were often staged by the church as a means to teach the illiterate masses about Christianity. It wasn’t until the early sixteenth century that Greek tragedy experienced a revival, in turn, inspiring a generation of renaissance playwrights.