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Role of women in shakespeare play
Characterization of women in Shakespeare
Role of women in shakespeare play
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Women in Elizabethan England lived in a society that was largely dominated by men. They were expected to be obedient and submissive to their husbands. They were viewed as property rather than people. Both Beatrice of Much Ado About Nothing and Viola of The Twelfth Night are strong, independent women that are living in a male dominated world.
Gender roles are prevalent themes throughout the two plays. After her cousin, Hero, is publically humiliated and jilted at the altar by Claudio, Beatrice wishes she could get proper revenge on her own. After begging Benedick to avenge Hero for her she proclaims: “Oh, that I were a man for his sake! Or that I had any friend would / be a man for my sake! But manhood is melted into curtsies, / valor into compliment, and men are only turned into tongue, / and trim ones, too. He is now as valiant as Hercules that / only tells a lie and swears it. I cannot be a man with wishing. / Therefore, I will die a woman with grieving.” (Much Ado 4.1.310-15)
Beatrice would never be taken seriously by Claudio if she tried to defend Hero’s honor; she needs Benedick to do it for her. No one in Messina would possibly take Beatrice’s word against Claudio’s. In the minds of the men, she is, after all, just a silly woman with no morals that would also supposedly cheat on her soon-to-be husband if given the chance.
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If you can’t beat them, join them. Due to her disguise, she doesn’t have to live up to the highly patriarchal society’s standards for women. While discussing Olivia with Cesario, Orsino says that “There is no woman’s sides / Can bide the beating of so strong a passion / As love doth give my heart. No woman’s heart / So big, to hold so much. They lack retention” (Twelfth Night 2.4.90-93). Cesario is able to refute Orsino’s misogynistic claims about women by cleverly arguing that his sister was able to love just as deeply as him or any other
Shakespeare represents Beatrice as a very feisty, cynical and sharp woman during the play. We can especially see this when she uses her wit to shock the messenger saying, in act one scene one, that ‘he is no less than a stuffed man.’ This is exceedingly disrespectful to fashion such a rude comment about a man who is just about to arrive back from war. One thing Shakespeare clearly shows us is that Beatrice would not be the ideal woman for most men. To emphasize this he contrasts Beatrice with a weak and quiet character such as Hero who acts upon every mans instruction, we can see this when Beatrice says to Leonato that its her ‘cousins duty’ to say ‘father as it please you.’ Shakespeare makes such a clear contrast between the two women to the extent that Beatrice steals most of Hero’s attention from the other male characters in the play. Furthermore he shows us how Beatrice is perhaps a threat to the patriarchal society at the time, we can see this on page fifty-nine where she implys that it is her duty to please herself, whether or not her father consents. This is unlike Hero, who cannot do anything unless a man is fighting her corner, however Beatrice is willing to
The difference between Beatrice,Benedick,and the other two Claudio and Hero though is that, these two are very headstrong characters with a different outlook on love, but have very much love for one another. Benedick believes in just being a bachelor and spending the rest of his life messing with as many women as he pleases, well as for Beatrice she believes there is no man good enough and willing to show her the love she wants so she much rather be left alone. But the fact that they honestly want to believe what they say is what makes this get way more interesting. What they don’t know is that they are going to soon become curious trying to figure out what they truly feel for one
Don Pedro and his men return from the war and visit the house of Leonato and his brother, Antonio. This sudden meeting reunites Beatrice with her archrival, Benedick, and it is here that Claudio and Hero fall in love.
When Benedick hears that Claudio has fallen in love for Hero, he is enraged. He thought that Claudio would live a bachelor’s life like him. Benedick tells him that men who are in love are not masculine. Near the end of Act IV, Benedick’s complete change is evident when Benedick chooses love over friendship. Benedick challenges Claudio, previously his closest friend in the world, to duel to the death over Claudio’s accusation as to Hero’s unethical behavior. After Beatrice complains to him about Claudio’s mistake, Benedick gives in, “Enough, I am engaged. I will challenge him.” At this point, there is no doubt that Benedick has switched his allegiances entirely over to Beatrice. But then again, Benedick was relieved that Hero was proved guilty so he would not have to fight his close friend Claudio.
Beatrice and Benedick show their apparent distaste for each other right from the first scene. Beatrice mocks Benedick to the Governor of Messina, claiming that she always beats him in a battle of wits and the last time they crossed paths Benedict’s “five wits went halting off, and now is the whole man governed by one” (1,1,50). Clearly relishing resuming their ‘merry war’, Beatrice cuts Benedick down at the first opportunity, telling him “I wonder that you still will be talking, Signor Benedick, nobody marks you” (1,1,105). Incredulously, Benedick retorts, “what my dear lady distain! Are you yet living?” (1,1,95). So, the dynamic of the two is set and it goes on from there in the same vein. Yet, the reader, even at this early stage may ponder if the lady doth protest too much.
The play Twelfth Night, or What You Will by William Shakespeare is a 1601 comedy that has proven to be the source of experimentation in gender casting in the early twenty-first century due to its portrayal of gender in love and identity. The play centrally revolves around the love triangle between Orsino, Olivia, and Viola. However, Olivia and Orsino both believe Viola is a boy named Cesario. Ironically, only male actors were on the stage in Shakespeare’s time. This means that Olivia, Viola, and other female characters were played by young boys who still had voices at higher pitches than older males.
In Twelfth Night, by William Shakespeare, gender identity and alternative sexualities are highlighted through the depiction of different characters and personalities. In the play, Viola disguises herself as a man thereby raising a merry-go-around of relationships that are actually based on a lie rather than actual fact. Viola attracts the attention of Olivia since she thinks that Viola is a man but even more fascinating is the fact that Orsino is attracted to Viola although he thinks that she is a man. In another twist Viola is attracted to Orsino and has fell in love with him although their love cannot exist since Orsino thinks that Viola is a man.
William Shakespeare said: “Women may fall when there's no strength in men” (Romeo and Juliet). Throughout history gender role have been a big, whether someone is a feminist or someone believes there is no equality between males and females; everyone has different opinions when it comes to the matter of gender roles. The same thing can be said about William Shakespeare who was a feminist (Shakespeare of Stratford). This ideology can be seen in his play Much Ado about Nothing. In this comedy Shakespeare focuses on two pairs of lovers named Claudio and Hero who are set to be married in a week but before their marriage day, they plan to conspire with Don Pedro, the prince of Aragon to trick their friends Beatrice and Benedick to admit their love for each other. Don John, the brother of Don Pedro, meanwhile plots to prevent marriage of Claudio and Hero by accusing Hero of being unfaithful. Don John initially succeeds in his plan as Hero is accused and ashamed at the marriage ceremony, but at the end Claudio and Hero are united and marry each other. Also, Beatrice and Benedick finally declare their love for each and dance at the end of the play. Shakespeare uses a lot of sources for this comedy and one of them is “Orlando Furioso” written in 1591, which gave Shakespeare the idea of Hero and Claudio’s marriage and Don John’s plot to prevent it. Another source Shakespeare used to write the play is the courtier written in 1588, which gave him the idea of the romance between Beatrice and Benedick. And also “La Prima de la Novelle” written in 1554 by Matteo Bandello gave Shakespeare the idea of putting the setting in Messina, Italy (Shakespeare in quarto). Because Shakespeare was a feminist, some of the women appear as supporting and central...
Shakespeare's works were fictional so even though he portrayed women in a positive way, society wished to oppress women and portray the kind of independence that Beatrice shows as being a negative thing. Shakespeare used his characters as a subtle way of empowering women by casting strong women in a positive light.
Beatrice's courtship with Benedick greatly contrasts with the courtship of Hero and Claudio. Hero gladly and willingly submitted to marriage, and she accepted the role of the relatively powerless woman. In contrast Beatrice chose her submission after openly criticizing the institution of marriage.
...he other hand, Beatrice and Benedick are comedy-makers and Beatrice is not ruled by her father as Hero clearly is. It does take Don Pedro’s benevolent plot to bring Benedick and Beatrice together, however. A modern audience would prefer Beatrice to Hero as she is her own self and admirable. The relationships also differ because Benedick and Beatrice’s relationship slowly grew whereas Claudio and Hero’s relationship was love at first sight. Perhaps it was a little hasty as we see in Act 4 how their love turns sour.
William Shakespeare's Twelfth Night as a Feminist Play The play Twelfth Night was written in the Elizabethan days, near the end of the ruling of Queen Elizabeth I. It was also during The Renaissance, which is also the rebirth of learning, which this play was born. It was a period of change, questioning and vitality. People no longer believed everything they were told, but tried to find things out for themselves. As to whether Twelfth Night is a feminist play, would have several differing points to show against or for it.
...o asks Hero about Claudio she responds with: "So you walk softly, and look sweetly, and say nothing, I am yours for the walk, and especially when I walk away." (2.1.81-83). Beatrice is what a woman should be. A more modern view of feminism would have had Beatrice not only make her own decisions but follow through with them on her own. While Much Ado About Nothing seemingly questions the traditional gender roles of men and women in Messina through Beatrice's resistance to them, at the same time, the play decidedly ends Benedick saying, "Peace! I will stop your mouth" (5.4.96), silencing Beatrice with a kiss. Still, it cannot be denied that Beatrice, for a time, equates herself with men and the power they hold. Unfortunately, she gives in to love and in so doing, she relinquishes her independence and self-control in the male-dominated world of Much Ado About Nothing.
...d such harm and destruction. In the end it is Beatrice herself who says it was love that forced her to kill. She ultimately made that moral decision. She confessed to Alsemero at the play’s conclusion,
This love story of Benedick and Beatrice, we are shown a love/hate relationship they have for each other. Beatrice doesn’t hold back as she verbally insults Benedick even prior to his arriving by stating “It is so, indeed: he has no less than a stuffed man: but for the stuff, ---well, we are all mortal”. () I can only laugh as this relationship is so witty, candid and such a play on words that are used as almost like a weapon. One has to question why there is such hatred between Beatrice and Benedick, because we know that he is a war hero and respect as such. I think Shakespeare wanted their bantering back and forth to almost be a flirtatious relationship, but neither wants to admit it how they truly feel. This deflection of real feelings is another example of deception that carries on in this play. Their verbal exchanges are harsh but in reality, the truth of their relationship is being hidden behind these words as though they were wearing masks. There is a strong connection between these two when Beatrice was exchanging words with Don Pedro about Benedict when she said “indeed, my lord, he lent it me awhile; and I gave him use for it, a double heart for his single one: marry, once before he won it of me with false dice, therefore your grace may well say I have lost it”.