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Role of fools in twelfth night
Fools in Shakespeare plays
Role of fools in twelfth night
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Twelfth Night Essay In Shakespeare’s time, fools, or clowns, were often very prominent in plays as higher ranked people often had them to remain entertained throughout their everyday lives. As with most of Shakespeare’s comedies, his play, Twelfth Night, features a fool. The fool in this play goes by the name of Feste, but he is not like ordinary fools. Most fools tend to be overly silly and simple-minded, but Feste is witty and has a unique sense of humor many of the characters do not quite understand. As surprising as it may seem, Feste is one of the smartest characters in the play despite his title. Throughout the play, Feste makes amusing comments and provides entertainment for all of the other characters, but especially proves there are other characters which fit the stereotype of a fool better than …show more content…
He left this ring behind him, would I or not. Tell him I’ll none of it. Desire him not to flatter with his lord, nor hold him up with hopes. I am not for him. If that the youth will come this way tomorrow, I’ll give him reason for ‘t. Hie thee, Malvolio. (1.5.307-313) Olivia falls in love with Cesario after only speaking with him one time, and sends Malvolio after him with the ring to let him know. Olivia is foolish to claim her love for somebody she does not even know. Little does Olivia know, Cesario is just Viola dressed as a man. Olivia is too naive to actually spend time getting to know Cesario and just claims her love for him anyways. Olivia eventually asks Cesario to marry her, to which he declines for he is actually a woman in disguise. Olivia goes on to mistake Sebastian for Cesario and asks him to marry her. OLIVIA: Let thy fair wisdom, not thy passion, sway in this uncivil and unjust extent against thy peace. Go with me to my house, and hear thou there how many fruitless pranks this ruffian hath botched up, that thou thereby mayst smile at this. Thou shalt not choose but go.
Olivia’s public status shows her as a caring and high-class lady, a persona with a stark contrast to her inner self as a bold and tenacious woman. When Olivia pines for Cesario, she takes action and confesses, “But, would you undertake another suit, / I had rather hear you to solicit that/ Than music from the spheres” (3.1.108-110). This confession shows Olivia’s yearning for Cesario to woo her, revealing a bold inner character and desire that doesn’t align with how others perceive her. Another example is after Cesario denies having married her and redirects the topic back to Duke Orsino, Olivia replies, “If it be aught to the old tune, my lord/ It is as fat and fulsome to mine ear/ As howling after music” (5.1.104-106). Olivia dismisses the Duke’s affections and rebukes him as a man would, saying his courting is gross and disgusting. This shows she is not the fragile and polite woman one may perceive her to be, but an abrasive woman who can speak her mind. Olivia breaks out of her social identity as a frail, polite, and proper Elizabethan lady and reveals her true inner character as a strong and empowered woman.
During the weeks leading up to matrimony, Olivia fell madly in love with Cesario, who though looks and sounds just like Sebastian, is truly Viola dressed as a man. Sebastian does not realize this as he meets Olivia for the first time. He is amazed that a woman of her statue and beauty would feel so strong for him and he wastes no time.... ... middle of paper ...
Feste is a jester, clown or fool who moves between the homes of Olivia and Orsino. During the Renaissance, monarchs and some noble families had fools or clowns in their households as entertainers- to sing, make witty observations and play practical jokes. Shakespeare usually includes at least one clown in most of his comedies. This is how Feste earns his living, along with giving other characters shrewd advice. Despite being a professional fool, Feste often seems the most intelligent person in Twelfth Night. Feste seems to be a pivotal character in the play, and his presence makes the play much more than just a tale of romance.
Cesario is actually shipwrecked Viola, believing her brother had drowned. dressed up as a man to work for Orsino. Viola consequently falls in. love with Orsino, who believes her to be Cesario. In addition, the adage is a remark.
Feste, the fool character in Twelfth Night, in many ways represents a playwright figure, and embodies the reach and tools of the theater. He criticizes, manipulates and entertains the other characters while causing them to reflect on their life situations, which is similar to the way a playwright such as Shakespeare interacts with his audience. Furthermore, more so than the other characters in the play he accomplishes this in a highly performative way, involving song and clever wordplay that must be decoded, and is thus particularly reflective of the mechanisms at the command of the playwright. Feste is a representation of the medieval fool figure, who is empowered by his low status and able to speak the truth of the kingdom. A playwright speaks the truth by using actors and fictional characters, who are in a parallel low status in comparison to the audience, as they lack the dimensionality of real people. Thus, the role Feste plays in the lives of the characters in the play resembles the role the play itself plays in the lives of the audience watching the performance. This essay will explore this comparison first by analyzing similarities between the way in which Feste interacts with other characters and the way the playwright interact with the audience, and then focus on the similarities between the aims and content of these interactions.
Orsino too realises his love for Viola and so Orsino and Viola are, at last, joined together. However, because Viola has done this, Olivia now realises that she has, in fact, married Sebastian rather than Viola or Caesario as she first thought. This, at first causes a problem, but then Olivia and Sebastian realize that they really do love each other. Viola then explains that her women's clothes are with the captain that brought her ashore and helped her after the shipwreck.
The plot deepens as Cesario proceeds to woo Olivia for the Duke. It is only the second time that Cesario appears at Olivia’s home when Olivia openly declares her love for Cesario. Throughout this time, Sir Andrew has been nursing a hope to win Olivia’s love. When he plans to give up hope of her love, Sir Toby suggests that Sir Andrew fight with Cesario to impress Olivia. Cesario, however, refuses to fight. At the same time, Viola’s brother, Sebastian, who is also shipwrecked, makes his way to safe lodging in Illyria with Antonio the sea captain. After the fight between Cesario and Sir Andrew begins, Antonio intervenes to save Cesario, whom he takes for Sebastian. But the Duke’s officers promptly arrest Antonio for a past offense. Then, Olivia later comes upon Sir Andrew and Sebastian bickering at her home. Olivia, thinking Sebastian is Cesario, leads Sebastian to marriage in a nearby chapel. Finally, Cesario inevitably reveals that he is Viola and Sebastian recognizes her as his sister. The Duke reciprocates Viola’s love offerings and proposes to her. Olivia assures Malvolio...
Finally, Olivia officially tells Viola (Caesario) that she loves him after Viola delivers another message to Olivia. Olivia tells Caesario that she has been in love with him ever since she first saw him, and that she cannot hold it anymore. She cares not about what her society would think about her for falling in love with a person not from her class. The reader knows that Viola is not interested at all in Olivia since she is in love with Orsino. Lady Olivia’s love for Caesario illustrates a universal truth about life that when someone is in love, he/she will do whatever it takes to show the other person that they love them. They are willing to sacrifice everything they’ve got for their love. In this case, Olivia is sacrificing her social status and reputation.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
The confusion that Sebastian creates when he returns would not occur. without Viola's disguise, in the middle of the room. Sir Andrew believes that the woman of his desires. Olivia, is spending too much time with Cesario, and challenges him to a duel. As he put it, Olivia was doing "more favors to the Count's servingman than ever.
This could be Feste disguising that he is not comfortable with his role in life as playing the role of the fool. This disguise can be taken as a self-deception on Feste’s part. Shakespeare explores the theme of deception and self-deception in Twelfth Night by creating its characters to use deception in disguise to create comedy in the play, which is one of the major themes of the play, Twelfth Night. The characters go to the extremes of deception by deceiving everyone and even deceiving their own selves just to get what they want which is the love that they desire. From this we can even sometimes associate deception with their madness to get what they want.
The.. In conclusion, Twelfth Night is full of lighthearted moments and this. is expressed through both the main and the subplots, in which the fool. is the one to control comedy and humour in the play. Feste's role in the.
Feste, the amusing clown, plays a most important part in the play. He is able to take on several roles, and is indeed "for all waters"; from serious to comic, learned to nonsensical, the wit or the practical joker; just as the occasion seems to suggest. Because he is a part of both the main and sub plot, Feste is the character, who links both parts of the play together, making Twelfth Night a whole.
In the play, Twelfth Night by William Shakespeare, Feste's role in the play extends beyond providing comic relief. Feste is Lady Olivia's court jester, and is characterized as being wise, witty, foolish, and humorous. However, in the play Feste also plays the function as the play’s wise observer. As the result of Feste not being involved in any of the play's conflicts, compared to other characters. He also gives useful advice to aid characters in the novel.
In the next scene, Act I, Scene V, Cesario will arrive at the home of Countess Olivia, and