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Short note- William Shakespeare's twelfth night comedy
Critical Review of The Twelfth Night by Shakespeare
Twelfth night shakespeare comedy
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On Thursday April 14, 2016 my wife and I attended University of South Carolina at Aiken’s production of William Shakespeare’s Twelfth Night in the O’Connell Theater. As we walked into to the theater the mood changed from being formal out front with the ticket takers to a more laid back beachy atmosphere inside. The theater was small but cozy, most of the attendees were dressed in very casual attire. We chose our seats on the front row, they were so close I could use the simulated golf course at a foot stool. The energy of the audience was very vibrant much like the set that towered over the stage mimicking a feel of Key West Florida. The stage had bright colors and lights reminding me of episodes of Miami Vice. There was music playing from …show more content…
The sets were built with a feeling of south Florida the setting of our play. You could see the main home of Lady Olivia enveloping half of the stage. The home covered in the pastel colors of Sonny Crockets wardrobe of 1980’s Florida brought alive the location of this productions. There was also a putting green if you will at the edge of the stage pulling the audience in closer the characters word. Also towering the stage was a wooden boardwalk entrance that seem to lead to a beach with an ocean portrayed by the audience. The light was bright and vibrant for a majority of the play. However there were scenes that took play during a stormy ship wreck that made you feel cold and wet. The sound during the shipwreck scene also help promote this cold wet atmosphere. Throughout the play sound played a big role in helping to set the location and mood of the performance. Between the environmental sounds and music played by the fools there was no doubt of the 1980’s locale. As for the costumes of the play, they were extravagant with color and line, a factor that was exploited in the 1980’s especial in the Miami and southern regions of Florida. I think the most exuberant costume was that of Malvolio when he puts of the yellow garments trying to swoon Lady Olivia. As you can tell I think the design elements were right on cue with the location and setting of the
The Hippodrome setting played a big role in the success of the play, because the seats were close to the stage, which made the audience feel more intimate with the actors. The set was filled with everyday electronics and video games that were popular with today’s generation, and it was good way to capture the attention of the younger audience. The costumes worked for the actors because they were outfits that teens and young adults would wear, which made it easier to relate to the characters. The lighting for the production was awesome because it went well with the sound effects. For example, when Ian was doing a simulation for his new job, he set off a missile and when it exploded the lights changed from blue to red to symbolize seriousness of the situation.
Firstly I would set this play in the 21st century so that a modern audience could relate to it. Algernon, one of the main characters in the play, would live in a luxury apartment in the centre of London, over looking the River Thames. His apartment would have a minimalist theme to it and would be influenced by aesthetic; for example he would have a piece of abstract art on the wall for no reason other than that he thinks it looks nice.
The set was well done and gave me an impression of a hotel room upon first sight. It was easily identifiable as a upper class hotel room, fitting the proclaimed prestige of the guest they were expecting. The set was identifiable as coming from the 1930‘s mainly due to the old time props, such as the telephone and the giant radio they had. Fitting of a comedy, almost every part of the set was used at least once for some kind of comedic effect. The characters would get them selves wrapped up in a telephone chord, or they’d be chasing each other around furniture, they’d shove each other through doors, or even hide in the closet or bathroom.
There was a warm, low glow over the stage area, that begged the audience to observe the period details. The use of revelation of form lighting on the stage devoted to George’s time in Panama created a three-dimensional tent at the beginning of the play and in a later scene, the tent looked two dimensional. It was incredible that with lighting the tent could appear to change form and the illusion of nature lighting to depict moonlight was equally impressive. The lighting for the silhouettes of Esther and George and Mayme and George was very dramatic. During the play, there was a soft pink glow which softened the scenes and added to the mood. The camera flash, sound, and antique picture projected on the cloth was very realistic and impressed the audience. Using selective visibility lighting to light specific rooms on the stage worked to isolate the different scenes. I realize looking back, that my attention was focused only on the lighted areas. My favorite use of lighting was the scene where Esther, Mrs. Van Buren, and Mayme were under spotlights talking to each other after Esther’s wedding night. It was a very powerful scene.
For instance, a musical number about a character’s tragic past might include soft, golden lighting, while a scene about dancing in a dance class might include purple lights to show the overall mood of the scene. In addition, the costumes used in the musical added even more life to the musical by providing a visual representation of each character and his or her personality. The costumes allowed the audience to determine the character traits of each character while also deciding the type of homes the characters came from. For instance, one of the characters was dressed in pants and a shirt that would normally be seen worn by an older man or a father. This leads the audience to believe that the character might be an older person who has a family of his own.
I watched this piece at Cambridge University's Mumford Theatre on the 13th of October 2004 with my theatre studies class. I chose this piece for my essay because it was a Trestle theatre production, which focuses on mask theatre. The uses of masks generally have a lack of facial expressions in mask theatre, causing the set and lighting to be heightened, ideal for this essay. In this essay I shall assess the play in regards to the contribution of set and lighting.
As I sat in my seat I was amazed at how well put together the stage was. The props were used effectively, as they gave the illusion of what Memphis would look like in that time period during an evening setting; There was a water tower in the back with “MEMPHIS” on the
After Olivia has her very first conversation with Cesario (Viola), where he tries to woo her for Duke Orsino, she immediately falls in love with him. After Cesario leaves her palace, Olivia says to herself ‘Thy tongue, thy face, thy limbs, actions and spirit do give thee fivefold blazon. Not too fast; soft, soft. Unless the master were the man. How now? Even so quickly may one catch the plague?’ Here Olivia states that Cesario’s external features are what attract her to him. Her metaphor contains a s...
Shakespearean plays are renown for their combination of comedy and drama that both engage the audience as well as entertains. The mood of The Twelfth Night sways between drama and comedy, like most of Shakespeare’s plays, which alter between the two realms of theatre to produce depth, and in this case, deception. Feste’s final song gives the impression of a darker mood that dampens the celebrations of love between the play’s characters in 5.1, in which he questions the meaning of love and if it even exists. The song itself is not meant to dampen the mood as the prompt suggests, but instead, serves as segway into a broader message. Feste’s song, and the events leading up to it, are all planned and intended techniques used by Shakespeare to present his message to his audience.
Shakespeare’s Twelfth Night is a play with themes that parallel the folly of the festival it is named after. The main storyline of the plot plays on this a lot by mixing up the stereotypes around gender that were very present at the time. However, a sub-plot involving secondary characters defines this theme even more. It takes the idea even further by relating servants’ attempts to blur the lines between social classes. Twelfth Night’s Maria and Malvolio both have great aspirations to rise above their social class. However, Maria succeeds where Malvolio fails because of her capability to make use of the satiric ambiance of her mistress’s household to achieve her goals.
There is a certain degree of expectation with the genre of comedy that despite whatever difficulties appear within the play, by the end these will be resolved and the play will have a traditional happy-ending with a marriage or a celebration in the final scene. The “Twelfth Night” is no exception to this rule. Despite problems of confused identities and sexualities, the play ends with marriage for the major characters because they “have learned enough about their own foolishness to accept it wisely, and their reward, as it should be, is marriage.”(Schwartz 5140). There is a resolution of harmony to a certain extent and an endorsement of romantic love yet despite the happiness evident in the last scene, there are many elements in the play that causes the audience to wonder whether the happiness is forced or genuine. The words of a departing Malvolio, “I’ll be revenged on the whole pack you.”(Twelfth Night 5.1.365) leads to a conflict being unresolved. The marriage of Olivia and Sebastian also leads the audience to question whether Shakespeare has pushed the limitations of comedy to far, as Olivia marries Sebastian who she believes to Cesario and whose identity is only revealed after. The appearance of Antonio in the last scene also casts a sombre ambience over events; he is not united with the one he loves though he was willing to sacrifice his life for what he believed to Sebastian’s safety. The last discourse of the play from Festes once again returns to the melancholic mood that was apparent in the opening and it is this mood that remains with the audience.
asks him if he would like to go hunting. But Orsino is so much in love
The male-male friendship in Twelfth Night between Antonio and Sebastian is one that has caused speculation of homoerotic desire within the perspective of the modern audience today. The context in which the play was written was one where there was a lack of sexual identity and men were much more open about demonstrating their affection for their male friends, making the line between friendship and homoerotic male relationships nearly indistinguishable. This made the line between male platonic and homoerotic friendships very difficult to distinguish. Shakespeare seems to be playing with this blurred line, with the swapping of gender roles and close relationship between the two men. Moreover, the gender swapping is the play could be reflective
The mirror-like double plot in, “Twelfth Night,” highlights the struggles for identity, power, and true love. The plot with Sir Toby Belch, and Malvolio often reflects the journey for love traversed by Orsino, Viola, Sebastian, and Olivia. These plots eventually further each other, intertwining, colliding at a pivotal moment in Act 5 Scene 1—when Cesario, or Viola’s, true identity is discovered. In Act 2 Scene 3, Malvolio overhears the drunken Sir Toby Belch and Sir Andrew mocking him, calling him a Peg-a-Ramsey.
Through realms varying from social science to the arts, society is asking itself how former, “solidified” ways of innovation are relevant to the ever-changing idea of normalcy. Within the turn of the 21st century, Western culture has sought bold opportunities to escape the traditional role of identity paradigms, particularly in modern theatre productions. In attempt to mold a new individualistic approach to the idea of “self”, breaking the mold of social, personal, and leadership archetypes through reforms of the individualistic “norm” leaves wavering uncertainty in the air. Florida State University’s (FSU) production of Shakespeare’s Twelfth Night exhibits an honorable intention of drawing together moments of authentic Shakespearean intent