In The Turn of the Screw, by Henry James, a young governess begins seeing ghosts at the estate she works at, causing her to become suspicious of the seemingly perfect children she watches over. Many argue whether the governess is sane or insane - she is either a victim of real ghosts or a victim of her own mind. Mayoclinic.org states that some symptoms of mental illness include “detachment from reality” “excessive worries” and “paranoia and hallucinations” which accurately applies to the governess and what she goes through. The governess in The Turn of the Screw is clearly insane because she confuses fantasy from reality, hallucinates, and acts extremely irrationally. The governess is evidently insane because she confuses fantasy from reality. …show more content…
In the beginning of the story, the governess had fallen in love with her employer, but she never saw him again. She is forced to repress her feelings and carry on with her job. However, one day as she is strolling outside by herself, she begins to daydream. She states that “it would be as charming as a charming story suddenly to meet someone… someone would appear there” (James 15). At this moment, she is fantasizing about someone appearing to her, and how lovely it would be to meet someone. She eagerly desires for company in her daydream. As she fantasizes, she mentions that her “imagination had, in a flash, turned real” (James 15). Right after she imagines meeting somebody, she suddenly claims to actually see someone on the watch tower. This shows that she confuses her fantasy from reality because she allows her imagination to seemingly become real. There is no way to prove that someone really did appear, and it seems odd that this happened right after she daydreamed about it. Therefore, this incident portrays her as slightly less sane than she originally seemed to be. Her confusion between fantasy and reality is evident in the rest of the story because each time she thinks about Quint or Jessel, they suddenly appear to her. This shows how the ghosts are only a part of her imagination, and she is unable to differentiate what is real and what is not. The governess blurs the lines between fantasy and reality which proves that she has mental instability, and is therefore insane. The governess is insane because her visions of the ghosts are mere hallucinations that nobody else can see. She is the only one who is able to see the ghosts because they are figments of her imagination. When the governess tries to point out the ghost of Miss Jessel, Mrs. Grose asks her “where on earth do you see anything? … She isn’t there… and nobody’s there” (James 70). Mrs. Grose clearly states that she does not see the ghost of Miss Jessel because there is no ghost there. If these ghosts were real, surely Mrs. Grose would confide in the governess that she had seen them too. However, after all the supposed ghost sighting incidents, Mrs. Grose never mentions seeing anything strange. Flora also tells the governess “I see nothing. I never have. I think you’re cruel. I don’t like you!” (James 71). She cries out in frustration that she has never seen any ghosts, and she is obviously upset at the governess’s ridiculous claims. The fact that both Flora and Mrs. Grose do not see any ghosts gives credibility to the fact that the ghosts only exist because of the governess’s delusions. The ghostly apparitions are merely hallucinations that haunt the governess’s mind. The governess’s visions of the ghosts must be all in her head because she is the only one at Bly to ever see them. The governess is clearly insane because she acts extremely irrational by allowing her paranoia and suspicions to consume her mind.
She tells Mrs. Grose about her wariness of the children when she claims that “their unnatural goodness; it’s a game… it’s a policy… and it’s a fraud!” (James 41). She makes ridiculous accusations that these innocent children are secretly in a scheme with ghosts. The governess allows her skepticism of the children to control her thoughts, despite the children denying her claims. She does not trust the children, and she starts to believe the ghosts are out to get them. She unreasonably blames the children for acting up, becomes obsessed with the idea that they are up to no good, and worries that something bad will happen. Her unreasonableness, obsession, and excessive worries contribute to her insanity. The governess also admits that “in the state of my nerves… I must have gripped my little girl with a spasm” (James 41). At this point in the story, she is distressed because she believes Flora is lying, so she lashes out and hurts her. Even if it was unintentional, she still acted irrationally on the spot due to her current unstable mental state. This sudden, unreasonable action shows her extreme mental instability because she is unable to control her actions. On top of being delusional, the governess also acts senselessly upon her delusions, which clearly reveals her
insanity. Although there is evidence that implies that the governess is insane, many argue that she is actually sane. One of their reasons is that the governess was able to correctly describe Peter Quint and Miss Jessel. The governess wonders “how, if I had ‘made it up,’ I came to be able to give… a picture disclosing, to the last detail, their special marks” (James 33). The governess suggests to herself that she must be sane because she clearly saw the ghost of Peter Quint without even knowing it was him. However, Mrs. Grose is the one who identifies the governess’s description of Quint to be accurate. Although Mrs. Grose claims that the man the governess describes is Quint, there is no way to be sure that she is telling the truth. Mrs. Grose is the governess’s companion and she is also inferior to her in rank, so it is likely that she is easily influenced by the governess and what she says. She could be lying or possibly going along with whatever the governess says, and is therefore an unreliable source of reassurance for the governess. Many people also believe that Miles sees the ghost of Peter Quint, since he shouts out his name at the end of the story, and thus the governess is not insane. However, as Miles shouts “Peter Quint - you devil!” there is uncertainty as to what he means (James 86). Because the dash is there, it is ambiguous whether or not Miles is talking to Quint or about Quint. This quote can be interpreted many ways, and because Miles dies right after, there is no way to be sure what he means when he says it. Although it may seem too harsh to call the governess insane, it is proven that she has an unstable mindset, thus implying that she has a form of mental illness. She is forced to repress her feelings and bottle up her emotions, thus driving herself towards insanity. Her absurd thoughts and actions throughout the story strongly suggest that she is not completely sane. Her confusion of fantasy and reality, her hallucinations, and her irrational actions establish her as a mentally unstable woman, who is therefore insane.
The effects of new digital technologies and their policy implications result in a complex issue that is always evolving. “Change of State: Information, Policy, and Power” by Sandra Braman presents a breakdown of policy development for the constant evolution of the technological world and how it affects the state and society. She theorizes that the ‘information state’ is in the process of replacing the welfare state, to the detriment of the citizen and the democratic process. Braman “looks at the ways in which governments are deliberate, explicit, and consistent in their use of information policy to exercise power, exploring not only such familiar topics as intellectual property rights and privacy but also areas in which policy is highly effective but little understood,” (The MIT Press 2014). She argues that development of information policy cause transformation in the nature of governance, making the state more powerful and the citizen lose their rights, freedom and identity.
The Turn of the Screw by Henry James continues to stir up an immense amount of controversy for such a short novel. Making a definite, educated decision on the actual truth considering the countless inquiries that develop while reading this story proves more difficult than winning a presidential election. That being understood, taking one particular side on any argument from a close reading of the story seems impossible, because the counter argument appears just as conceivable. Any side of the controversy remains equally disputable considerably supported by textual evidence from the novel. One issue which, like the rest, can be answered in more than one ways is why Mrs. Grose believes the Governess when she tells her about her ghost encounters. Usually one would second-guess such outlandish stories as the ones that the governess shares throughout the story, yet Mrs. Grose is very quick to believe our borderline-insane narrator. One of the explanations for such behavior could be the underlying fact that Mrs. Grose and the governess have a similar socio-economic background, therefore making them somewhat equals even if the governess does not always seem to think that way. This fact makes them susceptible to trusting and believing each other, and to believing that the ghosts are there, for the people that the ghosts are presenting used to be servants and therefore from a similar socio-economic background. To add on to that, Bruce Robbins proposes in his Marxist criticism of The Turn of the Screw that the idea of a ghost is synonymous to that of a servant, subconsciously making the two lower-class workers of Bly more vulnerable to believe that the ghosts were real; in other words, servants we...
The issue whether the governess was insane or not may never be solved. Not only because critics seem to be able to find as much evidence as possible to prove their arguments but also, the reliability of the account of the governess colors the whole story with great ambiguity. We are not certain of the state of mind of the governess when she wrote down the story and when she related the story to Douglas. However, as we closely examine the state of mind of the governess, her reliability does appear to be in question. Beidler provided two readings of The Turn of the Screw and in the second one he declared: ¡§the governess saw only what she wanted to see¡¨ (Beidler 9). She was so exhausted from her prolonged insomnia that she envisioned a story with ghosts for herself to fulfill her growth as a governess.
Ever since the new governess shows up to the household, Bly, in The Turn of the Screw, the story of the residents’ lives change forever. Things go from peaceful, beautiful, and orderly to chaotic, ugly, and messy. Every step the governess makes seems to worsen things, but why? Is it the children making things go awry? Or could it be the ghosts messing with the balance of the peace? Or maybe, is it the one person who you would expect to trust the most who is doing the most damage. The protector is the destroyer. The savior is the killer. In The Turn of the Screw, by Henry James, the governess is insane because all her actions from sleeping and sensing demons, to assuming far-fetched notions and being the hero in every situation demonstrates
In the governess's insane pseudo-reality and through her chilling behavior, she managed to bring downfall to Flora and Miles, the children of Bly. With compulsively obsessive actions, irrational assumptions, and demented hallucinations, the governess perceived ghosts bearing evil intentions were attempting to corrupt and destroy the children she had taken the role of care for. In reality, the governess herself brought tragedy to the children through her own selfishness and insanity.
Postpartum Without the Parta: An Analysis of Psychosis in The Turn of the Screw After women experience childbirth, it is common for them to experience postpartum depression. For the women suffering this type of depression, they can experience different instances of fear, insomnia and moments of anxiety and paranoia. In the novella The Turn of the Screw by Henry James, the narrator begins to show the signs for postpartum depression and psychosis, without having any children and shows a hidden sexual desire about the children. Because of her fear, panicked actions and hasty generalizations throughout the novella, it is clear for readers to question the governess’ sanity and see that she is in a deep stage of psychosis. The Turn of the Screw starts off with the governess arriving at the home to begin her job.
Through out the short novella, 'The Turn of the Screw,' by Henry James, the governess continually has encounters with apparitions that seem to only appear to her. As Miles' behavior in school worsens so that he is prevented from returning, and as Flora becomes ill with a fever, the governess blames these ghosts for corrupting the children, Miles and Flora, and labels them as evil and manipulative forces in their lives. But why is it that these ghosts only seem to appear to the governess even when the children are present at the time of the sightings by the governess? Evidence from the short story leads the reader to believe that the ghosts are not real but are merely the evidence of the fragmenting sanity of the governess.
and tries to protect them. In the classic novel, The Turn of the Screw, the governess and the
The Turn of the Screw by Henry James has been the cause of many debates about whether or not the ghosts are real, or if this is a case of a woman with psychological disturbances causing her to fabricate the ghosts. The story is told in the first person narrative by the governess and is told only through her thoughts and perceptions, which makes it difficult to be certain that anything she says or sees is reliable. It starts out to be a simple ghost story, but as the story unfolds it becomes obvious that the governess has jumps to conclusions and makes wild assumptions without proof and that the supposed ghosts are products of her mental instability which was brought on by her love of her employer
However, the governess begins to become increasingly morally questionable as the story goes on, due to her seemingly more and more erratic theories and sightings concerning the ghosts. The
...t want to be the only one who does. It is another feeble attempt to prove her sanity to herself and to others. However, because she “is so easily carried away”, she soon believes that the children do in fact see the ghosts by reading into their every remark and behavior. By piecing all of this together, the governess proves to herself that she is not insane. The governess in The Turn of the Screw, is a highly unreliable narrator. From the beginning of the story, her energetic imagination is displayed to the reader. With this knowledge alone, it would not be irrational to conclude that she had imagined the appearances of Peter Quint and Miss Jessel. However, these facts in addition to her unsubstantiated inferences allow the reader to intelligently label the governess as an unreliable narrator. Works Cited Poupard, Dennis. “Henry James.” Twentieth-Century Literary Criticism: Volume 24. Ed. Paula Kepos. Detroit: Gale research.; 1990. 313-315.
The governess in the novella The Turn of the Screw by Henry James has a questionable character. She explicitly states that she sees apparitions of past Bly residents, making her an honest narrator; however, there are times when her rationality is uncertain. The governess is insane because the ghosts she sees stem from her hallucinations, her excessive anxiety drives her to madness, and the other residents cannot see the ghosts.
The next unclear situation is when the Governess learns of Miles’ expulsion. This is one of the main mysteries within this story. The question, “What does it mean? The child’s dismissed his school,” is the only question that the reader has throughout the conversation between the Governess and Mrs. Grose (165). Even though their conversation does inform the reader that the school has “absolutely decline[d]” Miles, it doesn’t clarify what exactly he has done to be expelled (165). The Governess comments, “That he’s an injury to the others” and “to corrupt” are her own opinions as to why Miles was expelled (165, 166). Nevertheless, her comment does not help the reader in any way because the remark in and of itself is unclear. Her first comment suggests that Miles might be causing physical harm to other students but her second ...
Turn of the Screw written by Henry James tells the story of a governess and her recollection of events at the country home of Bly. The story begins at a Christmas gathering where everyone is sharing different ghost stories around the fire. One man has a manuscript or diary of a former governess which details her experience at a “haunted house (302).” The audience begs for him to read it, and so he does. As soon as he begins to read the story, the book’s point of view shifts to the governess’s. Over the course of the governess’s interviews with her employer, she immediately falls in love with him. In an attempt to win her master’s approval, she becomes extremely protective over the children. She views herself as their guardian or rather their “hero” in shielding them from the ghosts that she assumes the children are communicating with. The question that strikes every reader is whether the ghosts perceived by the governess are real or not. This also questions the credibility of the governess’s narration. In reading Turn of the Screw, the governess is proven to be an unreliable narrator through her recollection of events at Bly. Because of the governess’s loves for the master and quest for heroism, her insanity is exposed through her hallucinations.
...and her attitude to her father and his work began to change. So while the killing was underway her and her brother were picking up sticks to make a teepee out of. Suddenly there was a lot of commotion and Flora was running free. Her father told her to shut the gate. She ran to the gate and just had just enough time to close it. Instead of closing the gate she opened it wide and let the horse run free. Laird got there just in time to see her do it. When her father and Henry showed up they thought that she didn’t get there in time. They simply got the gun and the knives they used and jumped in the truck. On the way out they stopped and picked up Laird who was begging to go.