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Henry james art of fiction analysis
Henry james art of fiction analysis
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Turn of the Screw: The Governess is Sane
The governess’s sanity in Henry James’s Turn of the Screw is often disputed in literature. Because the governess sees ghosts in the novel, she is often argued as insane. The definition of sanity proves otherwise, stating that it is the “state of being sound of mind or having appropriate judgment skills” (Psychology Dictionary). The governess is sane because she behaves rationally, protects the children above all costs, and is not the only character witnessing a supernatural presence.
The governess behaves in a rational manner and therefore could not be deemed insane by the widespread definition of sanity. As a sane person, the governess acts with rationality. Though she feels that the ghosts may
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inhabit themselves in the children, she states that, “until further evidence, [she accuses] nobody” (James 36). The governess waits to come to a definitive conclusion before making any accusations. By not anxiously jumping to conclusions, the governess carries herself in an appropriate and rational manner. The governess fits the definition of sanity, as she behaves in a rational manner and exhibits appropriate judgment skills. She claims that, “[she goes] on…as if [she] were crazy; and it’s a wonder [she’s] not…it has only made [her] more lucid” (James 47). An insane person would not understand why others around them find them insane. Because the governess is rational enough to understand why the people surrounding her may find her insane, she can be deemed sane. Her over all judgement is appropriate for the situations she is in. Because she makes sound, rational decisions, she could not be considered insane. The governess makes her first priority to protect the children as well, contributing to her sanity. As soon as the governess sees the Peter Quint, she puts the safety of the children above all else. After seeing Mr. Quint, the governess describes herself as “a screen—[she] was to stand before them [for] the more [she] saw, the less they would” (James 27). The governess behaves rationally and is able to carry out her job successfully. This is something only a sane person could do, as an insane person could not carry out the task of protecting the children and keeping them safe from whatever dangers there may be. The governess also states that, “[she] was there to protect and defend the little creatures” (James 27). The governess understands her place in the household. She knows what her job is and does not fail to carry out her duties in terms of protecting the children. A sane person is one who can carry out their regular duties without being affected by their mental state. Because of the governess fits this description, it is obvious that she can only be classified as sane because she not only feels compassion for the children, but fulfills her duties by putting their needs before her own. An insane person could not be trusted with a child and would be incapable of carrying out such a duty. It is often argued that the children do not see the ghosts thereby making the governess insane.
After the governess accuses Flora of seeing ghosts, Flora shows contempt for her. Flora claims that, “[she sees] nobody…[she thinks the governess is] cruel [and she doesn’t] like [her]” (James 71). Flora is adamant about not seeing the ghost and being accused of such upsets her. Not only does her contempt for the governess prove that she is not carrying out her duties well, but her not seeing the ghost furthers the point that the governess is insane and unreliable. However, that argument is inadequate, as Miles also has a ghostly encounter, thus, proving the governess’s sanity. Miles is touched with a supernatural presence, as proven by his reaction when the candle blows out. Though the windows are closed in Miles room, in comes “a gust of frozen air, and a shake of the room… The boy gave a loud, high shriek… ‘why, the candle’s out!’” (James 64). Though Miles later claims this as a prank of his own, he is obviously spooked by a supernatural presence, hence the scream. Because he has felt a supernatural presence and could not give a rational explanation for it, it proves that the supernatural presence is not specific to the governess, supporting her …show more content…
sanity. Though the evidence supports the governess’ sanity, others may argue that she is insane.
This may be argued when Mrs. Grose yells to the governess as she stares at Miss Jessel, “‘Where on earth do you see anything?’” (James 70). Though this could be used to argue the governess’s insanity, a further look into the text would prove otherwise. Mrs. Grose says to Flora after the governess sees Miss Jessel, “‘nobody’s there-- and you never see nothing my sweet!… poor Ms. Jessel’s dead…We know don’t we, love?... It’s all a mere mistake and a worry and a joke-- and we’ll go home as fast as we can!’” (James 71). Mrs. Grose sounds shaken up and tries to escape the situation, implying that there is something making her feel threatened. This is explained by the fact that Miss Jessel truly is present. She tries to be rational by assuring both herself and Flora that Miss Jessel is dead. Though her words are directed at Flora, she is also comforting herself, trying to rationalize what has happened. If multiple people are seeing the ghost, then neither one of them can be considered less sane than the other. The governess is not the only one seeing Miss Jessel, thus, refuting the argument that she could be considered insane or unreliable. The governess is clearly a sane and reliable narrator because she is rational in her behavior, protects the children at all costs, and is not the only character feeling a supernatural presence. Because the governess displays overall rational
behavior, she is mentally stable. She obviously exhibits the appropriate behavior when interacting with the children as well. Though the other characters feign doubtfulness about the ghosts, the governess recognizes the paranormal activity and acknowledges it in order to protect the children. Because seeing ghosts is a fairly common occurrence and feeling their presence is not specific to the governess, she is clearly a sane and reliable narrator.
The Turn of the Screw by Henry James continues to stir up an immense amount of controversy for such a short novel. Making a definite, educated decision on the actual truth considering the countless inquiries that develop while reading this story proves more difficult than winning a presidential election. That being understood, taking one particular side on any argument from a close reading of the story seems impossible, because the counter argument appears just as conceivable. Any side of the controversy remains equally disputable considerably supported by textual evidence from the novel. One issue which, like the rest, can be answered in more than one ways is why Mrs. Grose believes the Governess when she tells her about her ghost encounters. Usually one would second-guess such outlandish stories as the ones that the governess shares throughout the story, yet Mrs. Grose is very quick to believe our borderline-insane narrator. One of the explanations for such behavior could be the underlying fact that Mrs. Grose and the governess have a similar socio-economic background, therefore making them somewhat equals even if the governess does not always seem to think that way. This fact makes them susceptible to trusting and believing each other, and to believing that the ghosts are there, for the people that the ghosts are presenting used to be servants and therefore from a similar socio-economic background. To add on to that, Bruce Robbins proposes in his Marxist criticism of The Turn of the Screw that the idea of a ghost is synonymous to that of a servant, subconsciously making the two lower-class workers of Bly more vulnerable to believe that the ghosts were real; in other words, servants we...
The issue whether the governess was insane or not may never be solved. Not only because critics seem to be able to find as much evidence as possible to prove their arguments but also, the reliability of the account of the governess colors the whole story with great ambiguity. We are not certain of the state of mind of the governess when she wrote down the story and when she related the story to Douglas. However, as we closely examine the state of mind of the governess, her reliability does appear to be in question. Beidler provided two readings of The Turn of the Screw and in the second one he declared: ¡§the governess saw only what she wanted to see¡¨ (Beidler 9). She was so exhausted from her prolonged insomnia that she envisioned a story with ghosts for herself to fulfill her growth as a governess.
As humans, we can’t help but to jump to conclusions, but the governess’s assumptions are too misguided and are taken too far without substantial proof. When she first arrives at Bly, she automatically infers that Ms. Grose, although not showing any hint of it, is relieved that the governess is there and simply “wish[es] not to show it” (7). This could be the case, or, as it would seem to any sane person, Ms. Grose could just be unmoved by the governess’s arrival. Her second assumption with Ms. Grose is when they agree on one thing and the governess assumes that “on every question [they should] be quite at one” (9). Some people can hope that a person may have similar ideas to them, but they wouldn’t expect to agree on everything all the time. People understand that we all have different views, but obviously the governess does not. Then, the governess goes on to guess that Miles got kicked out of school because “he’s an injury to others” (11). She has no specific proof that shows he was kicked out for any reason but she is quick to make the inference. She hasn’t talked to the school, the uncle, or even Miles himself to find out what happened, but instead goes along with her own imagination. She also makes many assumptions about the ghost when she hasn’t even been talking to them. She deduces the ghost of Peter Quint “was looking for Miles” but she only had a feeling to base that off of
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The main character, the Governess, is the perfect example of a morally ambiguous character. It is impossible to label her as purely good or evil, and much debate of this novel is on the trustworthiness of her narration. The Governess is a twenty year old daughter of a country parson who accepted the job of caretaker of two children. She's something of a romantic, being swept off her feet by her employer and viewing her job as a kind of calling. However, behind the innocent young woman, there are two ways of viewing her character. Some defend her as a sane heroine, while others claim she is an insane anti-hero...
Through out the short novella, 'The Turn of the Screw,' by Henry James, the governess continually has encounters with apparitions that seem to only appear to her. As Miles' behavior in school worsens so that he is prevented from returning, and as Flora becomes ill with a fever, the governess blames these ghosts for corrupting the children, Miles and Flora, and labels them as evil and manipulative forces in their lives. But why is it that these ghosts only seem to appear to the governess even when the children are present at the time of the sightings by the governess? Evidence from the short story leads the reader to believe that the ghosts are not real but are merely the evidence of the fragmenting sanity of the governess.
with Mrs. Grose, she learns that they are ghosts and former employees of the Gentleman
The governess sees a woman on the other side of the lake and jumps to the conclusion that Flora has seen her and is choosing to act like she didn’t. The child was playing with a boat and had her back turned to the lake. Why would she think that she had to have seen her? There is no proof and does not even ask the child if she saw anything. She automatically assumes it’s Miss Jessel, the previous governess who died and that she is after Flora. She tells her story to Mrs. Grose drawing her in more deeply into believing her crazy hallucinations and Mrs. Grose asks her if she is sure its Miss Jessel and the governess replies “Then ask Flora—she’s sure!” and then immediately comes back to say “no, for God’s sake don’t! She’ll say she isn’t—she’ll lie” ((James 30). She comes to the conclusion that the child will lie about it when there is no reason to suspect that she would. Again, this is her jumping to conclusions, because there is not any proof to say that the children have seen or know anything about the ghost’s. “Thus a very odd relationship develops between the governess and the children, for the more she loves them and pities them and desires to save them, the more she begins to suspect them of treachery, until at last she is convinced that they, in league with the ghosts, are ingeniously tormenting her’ (Bontly 726). “The ghosts appear, thus, when the governess is both aware of the corruption which threatens the children and convinced of her own power to preserve them untainted” (Aswell 53). It’s the governess fabricating all this up in her mind again so she can play the part of
However, the governess begins to become increasingly morally questionable as the story goes on, due to her seemingly more and more erratic theories and sightings concerning the ghosts. The
The governess only hardly indicates that she is scared the ghosts will physically destroy or kill the children. In fact, Miles’s death comes as a surprise to us as readers. This is because we are unrehearsed in the book to think of the ghosts as a physical threat. Till she sends Flora away, the governess does not seem to consider removing the children from the ghosts. She even does not try to scare away the ghost from the house. Instead, the governess’s abilities focus on the ‘corruption’ of the children by the ghost. Before she could realize about quint, the governess thinks that Miles has been corrupting other kids. Although the word corruption is an understatement that permits the governess to remain unclear about what she means. The clear meaning of corruption in this text means exposure to information of sex. According to governess, the children’s exposure to knowledge of sex is a far more dangerous aspect than confronting the living dead or being killed. Therefore, her attempt to save the children is to find out what they know, to make them admit rather than to forecast what might happen to them in the future. Her fear of innoce...
...t want to be the only one who does. It is another feeble attempt to prove her sanity to herself and to others. However, because she “is so easily carried away”, she soon believes that the children do in fact see the ghosts by reading into their every remark and behavior. By piecing all of this together, the governess proves to herself that she is not insane. The governess in The Turn of the Screw, is a highly unreliable narrator. From the beginning of the story, her energetic imagination is displayed to the reader. With this knowledge alone, it would not be irrational to conclude that she had imagined the appearances of Peter Quint and Miss Jessel. However, these facts in addition to her unsubstantiated inferences allow the reader to intelligently label the governess as an unreliable narrator. Works Cited Poupard, Dennis. “Henry James.” Twentieth-Century Literary Criticism: Volume 24. Ed. Paula Kepos. Detroit: Gale research.; 1990. 313-315.
...tion was given by the spirit that was only conversed between her and another person at the time if her life. The spirit appeared and sounded like Nelly Butler as she did when she was alive and even allowed the witnesses to get as close as they wanted allowing them the opportunity to find evidence of foul play. Where the idea of fraud breaks down is when the apparition shapeshifts, there is no evidence strong enough to give a reasonable argument that it was something other than the spirit of Nelly Butler caused it to happen. The evidence given by George Butler has to be the strongest evidence available; he actually was able to put his hand through the apparition and conversed on a topic only he and Nelly discussed when she was alive. With all the evidence composed, a strong case has been built that the spirit haunting Sullivan really was the spirit of Nelly Butler.
... through her hug, squeezing the life out of him because of her own fears of the supposed ghosts. Miles response is so ambiguous it leaves the reader with only theories with no way of knowing for a fact what really happened.
... the Screw, it seems quite clear that the supernatural events the governess records were merely only real in her unstable mind and were the result of some internal issue. Her insanity drover her through a chain of assumptions and hallucinations. Nonetheless, the book altogether was very ambiguous. It is rare that one would find information explicitly confirmed or established. Because of the book’s obscurity, one can draw many conclusions and opinions about the book. From reading this book, the reader will find that establishing a right or wrong answer is unattainable. Although one may be able to support their theory thoroughly, it is ultimately based upon the matter of one’s interpretation. However, no matter how you interpret the story, the credibility of the governess’ narration, will still remain questionable due to the book‘s obscurity of events and dialogue.
In his 1948 essay, Robert Heilman explores the suggestion that The Turn of the Screw is a symbolic representation of the conflict between good and evil. Heilman interprets the apparitions of Peter Quint and Miss Jessel as evil forces. He explains that the ghosts only appear to the governess because evil lurks in subtlety before it strikes. It is the duty of the governess to "detect and ward off evil." She must protect the children from the awful ghosts. The governess describes Miles and Flora as beautiful little cherubs whose only fault is their gentleness (James, 18-19). Heilman views the children's beauty as a "symbol of the spiritual perfection of which man is capable." Heilman explains the ghosts' attempts to reach the children by explaining that evil forces will always try to conquer and possess the human soul. Heilman continues to draw from the descriptions of Miles and Flora to support his theories. He points out that the two children are described as having an "angelic beauty" and a "positive fragrance of purity" (James 9, 13). The governess describes them as if they are perfect and beautiful in every way. This repeated vision of beauty, radiance, and innocence parallels the image of Eden. The house at Bly also resembles this image, "I remember the lawn and the bright flowers..." (James 7). The governess makes mention of the "golden sky" and of Flora's "hair of gold," which Heilman believes connects Bly and Flora with these images of golden hues (James 7, 9).