How can a person convey truth in a story about the past? Is it even worth looking for truth when the audience knows that this story has been reiterated a dozen times with each time being slightly different? The author of The Things They Carried, Tim O’Brien, would say that the truth does not lie in the events told, but the emotions conveyed. The reason personal stories are told throughout time is not to pass on objective facts of a human’s life, culture, history, etc. but to convey a deeper meaning than chronological events. The question must not be, is this story true, but instead, what is reason behind the telling of this story. In TTTC, the point of each story and each reiteration is the psychological need to work through the trauma the characters faced in Viet Nam.
The analysis of O’Brien’s latest novel can be centered on the meaning behind the telling of each story. The questions that will be answered in this paper are, why do the characters spend so much time looking for truth/moral/meaning in their stories, and, what is the purpose of them reliving, repeating, and changing their stories for the sake of an audience that might not understand them. It is known that TTTC is a war fiction novel so the subjects will be the soldiers in and out of combat, as well as real studies used when encountering veterans using coping mechanisms to function during and post-war.
The first act of a soldier struggling with post-war life is the chapter, “Speaking of Courage,” when the character, Norman Bowker, is trying to work through the loss of a fellow soldier as he drives around his childhood hometown. “The war was over and there was no place in particular to go” (O’Brien 131), “As he came up, a pair of red flares puffed open, a soft blur...
... middle of paper ...
...
O’Brien, Tim. The Things They Carried. New York: Mariner, 2009. Print.
Calloway, Catherine. "`How To Tell A True War Story': Metafiction In The Things They Carried." Critique 36.4 (1995): 249. MasterFILE Premier. Web. 4 May 2014.
Muldoon, Orla T., and Robert D. Lowe. "Social Identity, Groups, And Post-Traumatic Stress Disorder." Political Psychology 33.2 (2012): 259-273. Business Source Premier. Web. 4 May 2014.
Wesley, Marilyn. "Truth And Fiction In Tim O'brien's If I Die In A Combat Zone And The Things They Carried." College Literature 29.2 (2002): 1. Biography Reference Bank (H.W. Wilson). Web. 4 May 2014.
Goodfriend, Wind. The Psychology of Joss Whedon. Dallas: Benbella, 2007. Excerpt.
Chambers, John, Ed. The Post War Impact of Vietnam. The Ox. Companion to Ame. Military Hist., 1999. Web. 4 May 2014. .
‘The Things They Carried’ by Tim O’Brien provides a insider’s view of war and its distractions, both externally in dealing with combat and internally dealing with the reality of war and its effect on each solder. The story, while set in Vietnam, is as relevant today with the conflicts in Iraq and Afghanistan as it was in the 1960’s and 1970’s in Southeast Asia. With over one million soldiers having completed anywhere from one to three tours in combat in the last 10 years, the real conflict might just be inside the soldier. O’Brien reflects this in his writing technique, using a blend of fiction and autobiographical facts to present a series of short narratives about a small unit of soldiers. While a war story, it is also an unrequited love story too, opening with Jimmy Cross holding letters from a girl he hoped would fall in love with him. (O’Brien 1990).
The Things They Carried represents a compound documentary novel written by a Vietnam veteran, Tim O'Brien, in whose accounts on the Vietnam war one encounters graphical depictions of Post Traumatic Stress Disorder (PTSD). Thus, the stories "Speaking of Courage," "The Man I Killed," "How to Tell a True War Story," "Enemies" and "Friends," "Stockings," and "The Sweetheart of The Song Tra Bong "all encompass various examples of PTSD.
In The Things They Carried, an engaging novel of war, author Tim O’Brien shares the unique warfare experience of the Alpha Company, an assembly of American military men that set off to fight for their country in the gruesome Vietnam War. Within the novel, the author O’Brien uses the character Tim O’Brien to narrate and remark on his own experience as well as the experiences of his fellow soldiers in the Alpha Company. Throughout the story, O’Brien gives the reader a raw perspective of the Alpha Company’s military life in Vietnam. He sheds light on both the tangible and intangible things a soldier must bear as he trudges along the battlefield in hope for freedom from war and bloodshed. As the narrator, O’Brien displayed a broad imagination, retentive memory, and detailed descriptions of his past as well as present situations. 5. The author successfully uses rhetoric devices such as imagery, personification, and repetition of O’Brien to provoke deep thought and allow the reader to see and understand the burden of the war through the eyes of Tim O’Brien and his soldiers.
O’Brien, Tim. “How To Tell a True War Story.” The Compact Bedford Introduction to Literature. Ed. Michael Meyer. Boston: Bedford St. Martins, 2003. p. 420-429.
In the book “The Things They Carried”, O’Brien uses imagery, figurative language and repetition to convey his message. O’Brien’s purpose for story telling, is to clear his conscience of war and to tell the stories of soldiers who were forgotten by society. Many young men were sent to war, despite opposing it. They believed it was “wrong” to be sent to their deaths. Sadly, no one realizes a person’s significance until they die. Only remembering how they lived rather than acknowledging their existence when they were alive.
Some authors choose to write stories and novels specifically to evoke certain emotions from their readers as opposed to writing it for just a visual presentation. In order to do this, they occasionally stretch the truth and “distort” the event that actually occurred. The Things They Carried, by Tim O’Brien, is a compilation of short stories about the Vietnam War with distortion being a key element in each of them.
Another unique aspect to this book is the constant change in point of view. This change in point of view emphasizes the disorder associated with war. At some points during the book, it is a first person point of view, and at other times it changes to an outside third person point of view. In the first chapter of the book, “The Things They Carried,” O’Brien writes, “The things they carried were largely determined by necessity (2).
Costello, Mary. "Vietnam Aftermath." Editional Research Reports 1974 1 (1974): 1. CQ Researcher Online. Web. 5 Mar. 2014.
Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing the character’s psychological burdens.
In Tim O’Brien’s novel, “The Things They Carried,” imaginations can be both beneficial and corrosive. This novel consists of story, truth and real truth. Throughout the novel, imagination plays a big role. Tim O’Brien wrote his book about the war, mainly based on his memory of the war. He did not remember every detail of the war, thus he made up some false details to the stories to make it seem more interesting.
The novel The Thing They Carried is a compilation of short stories that share underlying themes and characters. One of the stories is called “How to tell a True War Story”. In this story the narrator expands on a central theme of the distinction between truth and fiction when writing a war story. The story, like most of the other stories in the novel jumps erratically between events, which oftentimes creates confusion and a sense of the surreal in the story. Throughout the story the narrator repeatedly shows that when writing a war story the “story truth is truer sometimes than happening truth.”(O’Brien pg. 171) This quotation encompasses the theme and supports it. The narrator’s use of stylistic devices coupled with stories such as “How to Tell a True War Story” and “Good Form” exemplifies how fiction can fully represent the truth whilst the facts fall miserably short.
O’Brien’s unique verisimilitude writing style fills the novel with deep meaning and emotion. Analyzing the novel through a psychological lens only adds to its allure. Understanding why characters act the way they do helps bring this novel to life. The reader begins to empathize with the characters. Every day, the soldiers’ lives hang in the balance. How these soldiers react to life-threatening situations will inspire the reader. Life has an expiration date. Reading about people who are held captive by their minds and who die in the name of war, will inspire the reader to live everyday as if they are currently in the
O’Brien, Tim. How to Tell a True War Story. Literature and Ourselves. Sixth Edition. Eds.
Tim O’Brien’s novel The Things They Carried challenges the reader to question what they are reading. In the chapter “How to Tell a True War Story”, O’Brien claims that the story is true, and then continues to tell the story of Curt’s death and Rat Kiley’s struggle to cope with the loss of his best friend. As O’Brien is telling the story, he breaks up the story and adds in fragments about how the reader should challenge the validity of every war story. For example, O’Brien writes “you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil” (69), “in many cases a true war story cannot be believed” (71), “almost everything is true. Almost nothing is true” (81), and “a thing may happen and be a total lie; another thing may not happen and be truer than the truth (83). All of those examples are ways in which O’Brien hinted that his novel is a work of fiction, and even though the events never actually happened – their effects are much more meaningful. When O’Brien says that true war stories are never about war, he means that true war stories are about all the factors that contribute to the life of the soldiers like “love and memory” (85) rather than the actual war. Happening truth is the current time in which the story was being told, when O’Brien’s daughter asked him if he ever killed anyone, he answered no in happening truth because it has been 22 years since he was in war and he is a different person when his daughter asked him. Story truth
Truth can be defined as conformity to reality or actuality and in order for something to be “true” it must be public, eternal, and independent. If the “truth” does not follow these guidelines then it cannot be “true.” Obviously in contrary anything that goes against the boundaries of “truth” is inevitably false. True and false, in many cases does not seem to be a simple black and white situation, there could sometimes be no grounds to decide what is true and what is false. All truths are a matter of opinion. Truth is relative to culture, historical era, language, and society. All the truths that we know are subjective truths (i.e. mind-dependent truths) and there is nothing more to truth than what we are willing to assert as true (Hammerton, Matthew). A thing to me can be true while for the other person it may not be true. So it depends from person to person and here the role of perception comes into play. As truth is a vital part of our knowledge, the distinctions between what is true and what is false, shape and form the way we think and should therefore be considered of utmost importance. We often face this situation in real life through our learning curves and our pursuit of knowledge to distinguish between what is true and what is false. The idea of there being an absolute truth or also known as universal truth has been debated for centuries. It depends on many factors such as reason, perception and emotion.