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Tim O'Brien on how to tell a true war story
Words to describe the theme of the ones who walk away from omelas
Tim O'Brien on how to tell a true war story
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The “Baby Boom” era occurred between the years of the late 1950s thru the 19970s and shaped America and its culture into the type of country it is today. It helps to understand these times to prevent history from repeating itself while better understanding how people were feeling during that time. Also, to better understand what was happening during that time by reading the literature that was written during that time period. Through Tim O’Brien’s “How to Tell a True War Story” to Ursula K. Le Guin’s “The Ones Who Walk Away from Omelas”, they reflect the cultural, economic, political, and intellectual upheavals the United States was experiencing. These stories affect your way of thinking about these times, especially the war.
The Vietnam War was one of the major events that occurred during the “Baby Boom” era. The era was called the baby boom because the United States was going into war and all the men were being drafted so men wanted to pursue their women. However, the Vietnam War started because the country chose to support South Vietnam to fight for anti-communism against North Vietnam (Dudley 91). The war started in 1961 and lasted until 1975, and had many names such as “American War”, “Second Indochina War” and communists labeled it the “War of Liberation” (Lawrence 1). Also, John F. Kennedy was president during this time, specifically in 1961-1963, but his term ended early due to his assassination (Dudley 91). Although by 1963, sixteen thousand troops were in South Vietnam. The war was very emotional and traumatic to the ones who served. As expressed in O’Brien’s How to Tell a True War Story, his friend, Bob Kiley or better known as Rat, writes a letter to his friend’s sister because he passed away. Rat wanted to express h...
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...eronautics and Space Administration. N.p., 25 Jul 2005. Web. 23 Apr 2014.
Guin, Ursula K Le. The Ones Who Walk Away from Omelas. Literature and Ourselves. Sixth Edition. Eds. Gloria Mason Henderson, Anna Dunlap Higgins, Bill Day, Sandra Stevenson Waller. New York: Pearson Education, 2009. 729-734. Print.
Lawrence, Mark Atwood. The Vietnam War A Concise International History. San Diego: Oxford University Press, 2008. 1-5. eBook.
O’Brien, Tim. How to Tell a True War Story. Literature and Ourselves. Sixth Edition. Eds. Gloria Mason Henderson, Anna Dunlap Higgins, Bill Day, Sandra Stevenson Waller. New York: Pearson Education, 2009. 789-799. Print.
Rielly, Edward J. The 1960s. American Popular Culture Through History. Westport, CT: Greenwood Press, 2003. 9-11. Print.
Schmidt, Mark Ray. The 1970s. America's Decades. San Diego: Greenhaven Press, Inc, 2000. 193-201. Print.
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
Capturing the realities of war is not everyone's cup of tea. One has to be feel the emotions that inspire vivid imagery in words. True war stories can be written based off of true events that have occurred and bring out emotions in the poets who witness them. Brian Turner, author of 2000 lbs, stated in an interview that while in Iraq, he felt “very isolated from the relevance of what felt like a prior life”(poemoftheweek.com). Its seems like a split from life at home to a warzone with conflicting feelings. He began capturing his experiences of the war in the form of poetry. Brian Turner turned his Iraq war experience and his masters degree in literature and poetry into an opportunity to oppose the resolution of conflict through war. Tim O’Brien is a Vietnam Warr veteran who struggled with PTSD and Turner’s opinions in his story, “2000 lbs,” share similarities with “How To Tell A True War Story”. Turner’s poem 2000 lbs describes a suicide
O’Brien, Tim. “How To Tell a True War Story.” The Compact Bedford Introduction to Literature. Ed. Michael Meyer. Boston: Bedford St. Martins, 2003. p. 420-429.
King, Rosemary. "O'Brien's 'How to Tell a True War Story.'" The Explicator. 57.3 (1999): 182. Expanded Academic ASAP.
Several stories into the novel, in the section, “How to tell a true war story”, O’Brien begins to warn readers of the lies and exaggerations that may occur when veterans tell war stories.
“Here’s a little riddle for you. What's the difference between the army and the Cub Scouts? Cub Scouts don't have heavy artillery!” Adrian Cronauer tried to bring a kind of relief to the people of the war through his radio show. Cronauer was a United States Air Force sergeant and radio broadcaster who inspired the movie Good Morning, Vietnam. The Vietnam War, which was by far the longest war the United States has participated in, went on from 1945 until 1975. Even though the United States was involved with the war since the 50’s, by aiding France, they did not send troops until 1965. The Vietnam War began because North Vietnam wanted to combine both parts of Vietnam into one big country, but South Vietnam did not want this. The United States helped South Vietnam from keeping the countries separate and keeping communism out of their country. The war seemed like it would never end so a cease-fire was arranged in January 1973; although the war did not officially end until April 30, 1975. In this war, almost 60,000 Americans died and about 2 million Vietnamese died. The United States only got involved because they wanted to prevent communism from spreading throughout the rest of the world. Good Morning, Vietnam is not historically accurate because it did not portray Adrian Cronauer or the Vietnam War in the correct way.
The truth to any war does not lie in the depths of storytelling but rather it’s embedded in every person involved. According to O’Brien, “A true war story does not depend on that kind of truth. Absolute occurrence is irrelevant. A thing may happen and be a total lie; another thing may not happen and be truer than the truth” (pg. 80). Truths of any war story in my own opinion cannot be fully conveyed or explained through the use of words. Any and all war stories provide specific or certain facts about war but each of them do not and cannot allow the audience to fully grasp the tru...
According to the Indian Times, madness is the rule in warfare (Hebert). The madness causes a person to struggle with experiences while in the war. In “How to Tell a True War Story”, the madness of the war caused the soldiers to react to certain situations within the environment differently. Tim O’Brien’s goal with the story “How to Tell a True War Story” is to shed light on the madness the soldiers face while in the war. Tim O’Brien tells the true story of Rat experiences of the war changing his life.
O’Brien, Tim. “How to Tell a True War Story.” The Things They Carried. Boston and New York: Mariner Books, 2009. 64-81. Print.
King, Rosemary. "O'Brien's 'How to Tell a True War Story.'" The Explicator. 57.3 (1999): 182. Expanded Academic ASAP.
“Now every road and highway…was littered with the corpses of human beings and animals…the wounded were left to die. Children ran frantically, shrieking for their mothers…there was no food, water, soap, or medical supplies. Like polluted waters became carriers of disease (Kasenkina 93).” This is a typical scene of war demonstrated in literary works. In literature war is a very common, yet important subject and it is generally demonstrated in plays, short stories, and novels. Some of the pieces of literature in where war is shown include: The Crucible by Arthur Miller, “The Minister’s Black Veil” by Nathaniel Hawthorne, “The Story of an Hour” by Kate Chopin, and Leap to Freedom by Kasenkina. In these pieces of literature war is shown as a horrid event that always has both physically and psychologically bad outcomes. In many literary works including the ones mentioned above the good outcomes in war are misrepresented and suppressed by the bad outcomes in war.
O’Brien, Tim. “How to Tell a True War Story.” The Things They Carried. Boston: Houghton Mifflin, 1990. Print.
In the chapter “How to Tell a True War Story,” Tim O’Brien shows many examples of surreal nature of the war. He gives many examples as to how the story people tell may be different from what actually happened because the memory and pictures may get mixed up which can lead to the story being untrue even though it felt real. An example of surrealism is when the group found a random baby buffalo just minding its own business. The things that Rat Kiley did to the buffalo was just surreal and unbelievable.
Leo Tolstoy once said, “There is only one thing, and only one thing, in which it is granted to you to be free in life, all else being beyond your power: that is to recognize and profess the truth (Vethuizen 19). Although there is a great deal out of our control, understanding and speaking the truth is one that is entirely in control of each other. Expressing the truth is something that most humans feel the need to confess and express. Truth is the accurate depiction of events as they happened. In Tim O’Brien’s “How to Tell a True War Story,” the narrator throughout the story goes through the different steps on how to tell a “true” war story. Throughout the story, he continuously finds difficulty in how war stories are told and because of that
this in life. And you get paid for it too. I'll promise I would send