Othello, a tragic play written by William Shakespeare centers around three main characters and the conflict that arise as a result of the character’s perception of the world. Each character's self-influenced perception of truth and appearance either blinds them from deception or enables them to manipulate others. Othello is virtuous, trustworthy, and naïve and believes that people are what they appear to be which ultimately results in his demise. Lagos, on the other hand, is a complicated character as he is the exact opposite of what he represents himself to be and it is for that reason that he is capable of developing such an evil plot and having the peace of mind to pull it off. The relationship between the characters and the text …show more content…
This is apparent in the opening act as Lagos immediately reveals to Roderigo his plot for revenge against Othello. Lagos states "There are others who, giving every appearance in manner and even facial expression of being obedient still look out for themselves, and only giving an outward show of loyalty to their masters, watch out for their own prosperity and when they have secretly lined their own pockets, become their own masters. These fellows have guts and that's the kind of man I am." (1.i. 47-55). This statement shows that Lagos can not be trusted, however, Roderigo lacks the intelligence to decipher that what is being relayed to him is Lagos intent to become his own master at anyone's expense. Instead, Roderigo percieves Lagos to be his friend and therefore expects him to be loyal. Furthermore, Roderigo had never crossed Lagos so he doesn't consider that he can conceive such a plot against him. Roderigo like many of the other characters judge Lagos off of his outward appearance rather than his true evil …show more content…
Othello is an outsider in Venice since he is of a different race and religion, however, Othello's courage, valiance, and skillfulness as a soldier in the Venetian army earned him a prestigious title and respect within the Venetian government. Although he was given the honor of high rank, Othello was certainly reminded that he was an outsider considering that most references to him by other characters were racial epithets; the most commonly used being "The Moor". This is one instance where he is made weak because despite the fact that he is respected by many he still carries a sense of insecurity that he is reminded of each day. "Othello's good nature and strong morals allow him to see people as he is, honorable and trustworthy, especially those who have been entrusted to fight alongside him. Subsequently, he has no reason to be suspecting of Lago's or any of the other men in Venice considering he has never wronged any of them. Othello assures Lago that he has his trust when he mentions "I know you care about me and are trustworthy, and you weigh your words before saying them, therefore, these hesitations of yours frighten me all the more, for in a dishonest and disloyal rogue such things are tricks of the trade, but in a man who is upright they indicate hidden thoughts..."(III.iii. 118-125) "Of course, men should be who they appear to be" (III.iii.
Othello is also the protagonist of the play, nevertheless he was still considered the hero as well. Othello’s refusal to face reality lead to his downfall. His flaw is his insecurities as a Moor and his inability to accept the success he has earned, the importance he has places in his honour and reputation caused his ultimate downfall. Iago easily manipulated Othello because Iago knows Othello’s flaw. Othello cannot stand the thought of his reputation being marred as a general and a Moor in the Venetian army. Like a soldier, honour was what Othello hold dear to his heart. Although Othello is a highly respected general in the Venetian army, he is still a Moor. Because he has been a soldier his entire life, his way of thinking have affected his confidence in perception. As a black man in a white people’s world Othello was discriminated and considered an
Othello is the Cultural Other in Venetian society, and while he is very learned, it is probable that he is not fully aware of the social and cultural mores that govern Venice. As a Moor, Othello was reared outside Venice, and thus remains separate and exoticized. Although a great military man, and accepted by the elite of Venice, there is still a foreign-ness to him. The characters in the play, for the most part, call Othello "the Moor" (1. 1. 37, 1. 1. 161, 1. 2. 56). By calling Othello "the Moor," his proper name is taken away and he is left as an object. He is only accepted because of his military prowess, and seems to be used almost as a commodity; he is sent to Cyprus, with little warning--almost at the whim of the Duke. It is only because he is valuable to Venice that he is not punished for marrying the white Desdemona; Brabantio's anger is a clear indication that miscegenation is not an acceptable practice. Therefore, being a stranger to Venetian society, even a vague inkling that he is only a body used to fight may lead to insecurity that only exacerbates the deep-seeded, pre-existing ...
Othello is a story of trust, and tragedy. A story of love, and loss. Who caused the aforementioned tragedy, and loss? Why, ‘honest’ Iago, of course. Iago is begrudgingly an ensign in the Venetian military, Under the command of The moor, Othello. Iago loathes the moor, for he chose Michael Cassio, a far younger, and less experienced man to be his lieutenant. Iago vows revenge on Othello, and swears to ruin his life. Now, Iago’s need for power is what drives him to do the awful things he does to Othello, Cassio, and all the others around him.
Othello is tied to Iago by strings of doubt, jealousy, and anger towards this woman who emasculated him by supposedly sleeping with another man. Had Othello refused to immediately believe Iago’s accusations, not only verbally, but mentally and physically as well, he would have figured out that they were lies and it was actually “honest Iago” who was deceitful, not his wife. In this world we must be prepared to question everything and everyone because everybody has some selfishness in them and will be willing to go to great extremes to reach the top, even if it means objectifying others and using them to their advantage. When we blindly believe others, we give them a power over us that only we should have, therefore it is best to keep their “truth” in consideration, but remember never to fail to at least attempt to confirm that truth and create our own. When we do fail to attempt this is when we give up our individuality and become as equally inanimate as a tool that those who do choose to create truth will use and toss away.
In Shakespeare’s Othello, the character of Othello is seen as an unfit man due to his propensity to jealous and his weak character. Leavis’ evaluation of Othello’s character can be seen to be true to a very high extent because during the course of the play, Othello evolves into a weak, jealous character who is easily manipulated and made jealous by the scheming of Iago. We can see this change in his character through the use of a number of techniques such as stage directions, soliloquies, dialogue and stage action. This makes it easier for the audience to follow and plot exactly where during the play Othello begins to show jealous and a weak character.
Othello: The play's protagonist and hero. A Christian Moor and general of the armies of Venice, Othello is an eloquent and physically powerful figure, respected by all those around him. In spite of his elevated status, he is nevertheless easy prey to insecurities because of his age, his life as a soldier, and his race. He possesses a "free and open nature," which his ensign Iago uses to twist his love for his wife, Desdemona, into a powerful and destructive jealousy
Othello starts out as a very nice, considerate person. He calmly takes on whatever comes his way and does not like confrontation. He verbally recognizes that he is an outsider, whether because he is proud of or self-conscious and defensive about his difference from other Venetians. For example, in spite of his articulacy in Act I, scene iii, he exclaims, “Rude am I in my
Throughout the novel, up until his insanity, Othello is described as a temperate man whose honor does not allow him to believe assumptions unless he has been shown proof. Firstly, when the men of Brabantio, Desdemona’s father, confront Othello’s men, Othello calmly says, “Keep up your bright swords, for the dew will rust them.” (10). Othello is confronted on the matter of his elopement with Desdemona with force and with words. Not only is he very cool about his dealings with violence, but also when he is asked to tell the story of how he had Desdemona fall in love with him he states the truth, and he doesn’t leave out any details of how he accomplished it. He openly admits that had any other man told his story, that man also would have won her heart. Only a truly honorable man can admit that it was a story, and not his personality that truly won the woman’s heart. Othello’s honor is shown by his trust in the people he knows and loves. When Iago tells Othello that he believes Cassio and Desdemona are having an affair, Othello does not believe Iago initially.
Othello has had Iago as his ensign for many years. They have gone to battle many times over. In war, every little thing can affect the outcome, everything is vital information. During this time, Othello, when he was upset or unsure of what to do, has learned to trust and listen to Iago’s insights about strategy and war. Othello shows that his trust in Iago extends beyond the battlefield when he asks Iago to take care of his wife during the voyage to Cyprus. It’s this trust that backfires on him. When Othello hears Iago’s off hand remark about Cassio, he trusts that Iago would not have said anything if it wasn’t something to worry about. Then, Iago, knowing how Othello thinks of his character, makes Othello think there is more to his thoughts than he is willing to speak of. Iago knows just what to say and how to articulate it to make Othello think the worst. He even manages to look like a friend who wants to keep...
Roderigo is consumed by jealousy. Roderigo is jealous of the marriage of Othello and Desdemona. Roderigo loves Desdemona. With romance in Roderigo is able to be controlled by Iago thinking the down fall 0f Othello and Cassio would get Roderigo Desdemona. Roderigo is the biggest pawn Iago possesses. And probably the saddest character in the whole drama.
Iago knows very well that trust and deceit must go hand in hand in order for him to achieve his vengeance on Othello and Cassio. Hence, as he plans the downfalls of them, he is continually trying to obtain their undoubting trust. He slowly poisons people’s thoughts, creating ideas in their heads without implicating himself. Iago even says himself that the advice he gives is free and honest and thus, people rarely stop to consider the possibility that Iago is fooling them.
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
Othello is a man who comes from a hard life. In the time period the play is set in, racism is common and Othello is a target for it due to his dark skin. He fought in many battles and was put into slavery for a time. Now he is a high ranking General in the army. Othello, for all that he has been through, is also kind, caring, and trusting of those close to him. He cares and trusts his comrades and is loving and kind to his wife, Desdemona. Othello is also r...
From the beginning, Othello is noble, quick to act, judicious, trusting, and gives much weight to the importance of duty. These are all traits that serve to make him great at the beginning of the play, and later, ironically, become key elements in his downfall. These aspects can be considered the internal causes of Othello’s tragic flaw. “Othello's nature is all one piece. His trust, where he trusts, is absolute.
Othello can be described as an isolated Moor, who competes in society with all whites, which makes him seem inferior to the crowd. However, he manages to cleverly outsmart Brabantio with the help of Desdemona into keeping his wife. Othello’s speech