Being a Mrs.
During the 19th century men and women’s roles in life were drastically different as the men were the social-workers and the women were housewives. Marriage for women was completely different from now. The play “Trifles” illustrates a specific scenario related to a woman named Minnie Wright, whose husband became too much for her. Women during the 19th century didn’t have much say or rights, while the men thought that they were superior and had the majority of the power in the household. Since most men thought they were greater, most women or wives were too afraid to leave the marriage. Marriage meant a whole different thing during the 19th century, and during the play “Trifles” and other various plays, marriage is shown in the 19th
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century to be unequal and unfair towards the women and even during the 21st century women can still me mistreated. Women during the 19th century didn’t have a full understanding of who they were and what they could really do. Compared to now in the 21st century women have a lot more rights and equality in the world. During the play “Triffles,” Minnie Wright is described by Mrs. Hale; to have a very silent life inside of her lonely house, “I could’ve come. I stayed away because it weren’t cheerful-and that’s why I ought to have come. I-(looking out left window)-I’ve never liked this place. Maybe because it’s down in a hollow and you don’t see the road. I dunno what it is, but it’s a lonesome place and always was. I wish I had come over to see Minnie Foster sometimes. I can see now-(Shakes her head.)(Glaspell, 732B) The bird was a symbol of life to Minnie Foster and when her husband took that from her she took his life. Many Americans would assume now during the 21st century that if a women was mistreated unfairly by her significant other that she would leave; but that wasn’t the case for Mrs.
Wright. Marriage was more dedication and real, than it is now. Getting a divorce in the 21st century is almost more normal than not, it is happening to more and more people sadly. This relates to the play Triffles because it is inferred in the play that she killed her husband when two women Mrs. Hale and Mrs. Peters find a bird. The bird was Minnie’s friend, it resembled her as a person as described by Mrs. Hale, “She-come to think of it, she kind of like a bird herself-real sweet and pretty, but kind of timid and-fluttery,” (Glaspell733,T). Minnie Wright and other women in marriages during this time were supposed to appear nice well-mannered women who were supposed to please to their husband. Minnie Wright and her relationship with her husband changed and when her husband harmed her bird, which was the last straw for Minnie Wright. Mrs. Hale and Mrs. Peters two local friends of Minnie’s, find the bird during the investigation, and say]
Mrs. Hale (lifting the silk): Oh, Mrs. Peters-its- (Mrs. Peters bends closer)
Mrs. Peters: It’s the
bird. Mrs. Hale: But, Mrs. Peters-look at it! Its neck! Look at its neck! It’s all- other side to. Mrs. Peters: Somebody – wrung- its- neck. (Glaspell 733M) Minnie Wright was mistreated by her husband and for some reason he wrung out the bird’s neck. That put Minnie over the edge in her silent distilled life, and you can infer that she was the one who hung the rope around Mr. Wright’s neck, during his solemn slumber. This was unusual for a women to kill her husband because of the dreariness inside of her own life. Even now in the 21st century there are still cases of women being mistreated. During the play “Poof!” it goes into a more hateful and harmful life between a marriage which relates to the play Triffles because of the mistreatment of the marriage. In “Poof,” a play about a lifeless housewife and her husband who magically blew up into a pile of ash after an argument they were having, left the lifeless housewife with regret about killing her husband and question. It relates to “Triffles,” because of the way the house wives were mistreated and the way their husbands died during terrible times in the relationship. Even though that Samuel, Laureen’s husband beat her and was a more mean to her than Mr. Wright was to Minnie. The housewife of “Poof,” Loureen, talks to her friend after her husband blew up into ash talking about what happened and she says,” Loureen: You think im playing, “Florence: How many times have I heard you talk about being rid of him. How many times have we sat at this very table and laughed about the many ways we could do it and how many times have you done it? None.”(Nottage,738M) Since this play took place in the 21st century it can just go to show you that even now during this time marriage. Marriage in these various plays show how the lives of women can be very detrimental and can be unforgiving for some. The husbands in both stories end up murdered for one reason or another. The play “Triffles,” and “Poof!” both show two different scenario’s related to women in two different centuries. Women even today are still being mistreated by their husbands and both of these plays go into metaphoric and symbolic ways of describing a women’s destructive life and how their relationships with their husbands had to come to a drastic ending.
Minnie Wright, John’s wife, is the main suspect. This time, Sheriff Peters asked to bring his wife Mrs. Peters, the county attorney George Henderson, and his neighbors Martha and Lewis Hale to the crime scene. He intended for Lewis Hale, Mr. Henderson and him to solve the case. While Lewis Hale tells the group the details of how John Wright was found, Mrs. Peters and Martha Hale begin looking around the house to judge the state of the crime scene. Before even looking for evidence, Lewis Hale says “Oh, well, women are used to worrying over trifles” (160) to the dismay of Martha Hale and Mrs. Peters. Martha Hale notices that the Wrights’ house was unkempt and sad-looking, which was strange because Minnie Wright used to be a cheerful and meticulous homemaker. Again, Lewis Hale dismisses this as an inconsequential detail, stating that Minnie was just not a good homemaker, even though his wife Martha already told Mr. Henderson that “farmers’ wives have their hands full” (160). A few moments later, the men explore the house, but not before Mr. Hale ironically questions “But would the women know a clue if they did come upon it?” (161). The women began to
Even before this event, the struggles of women in society were surfacing in the media. Eliza Farnham, a married woman in Illinois during the late 1830s, expressed the differing views between men and women on the proper relations between a husband and wife. While Farnham viewed a wife as being “a pleasant face to meet you when you go home from the field, or a soft voice to speak kind words when you are sick, or a gentle friend to converse with you in your leisure hours”, a recently married farmer contended that a wife was useful “to do [a man’s] cookin and such like, ‘kase it’s easier for them than it is for [men]” (Farnham, 243).
The main idea showed in Trifles, the male character, and the empathy described by the females is why the author shows everyone that in every section of this play. Throughout the play, the women were being ignore and belittled by men. With their role, it is showing how back in the early 1900’s men were figured as gods. Women had to give all attention to the children, housekeeping and especially taking care of their spouse. Even though the women think very different as to what men use to think, they still maintain a close relationship in respecting the man 's job. According to Elke Brown, “ As a sheriff 's wife, she is married not only to Mr. Peters, the person but also to his profession”. The women are giving their world just so the men can be satisfied with the job they have and not cause any other problem other than their job. During the play, the men are only looking for hard concrete clues. They seem not to see the reality behind minor things. Mrs. Peters is directed by this belief until she remembers the stillness in her house after a child had died. This memory produces a dominant bond between her and Minnie 's experience of isolation and loneliness. The scene where exactly Mrs. Peters herself attempts to hide the box with the dead canary in it. She is well aware that this action that happens, which can apply to on the society and the way her husband wants the things done. Just because her husband stands
The plays Trifles, by Susan Glaspell, and Giving Up the Ghost, by Cherrie Moraga, focus on women's interaction in various contexts. Despite the seventy-eight years between their performance dates and the drastic difference in settings and narrative content, the main female characters are comparable, as Mrs. Hale, in Trifles, points out, "We all go through the same things -- it's just a different kind of the same thing" (Norton Anthology of Literature by Women, 1359). These plays show the varying degrees of closeness women can have in female relationships, and the role circumstances play.
In the 19th Century, women had different roles and treated differently compared to today’s women in American society. In the past, men expected women to carry out the duties of a homemaker, which consisted of cleaning and cooking. In earlier years, men did not allow women to have opinions or carry on a job outside of the household. As today’s societies, women leave the house to carry on jobs that allow them to speak their minds and carry on roles that men carried out in earlier years. In the 19th Century, men stereotyped women to be insignificant, not think with their minds about issues outside of the kitchen or home. In the play Trifles, written by Susan Glaspell, the writer portrays how women in earlier years have no rights and men treat women like dirt. Trifles is based on real life events of a murder that Susan Glaspell covered during her work as a newspaper reporter in Des Moines and the play is based off of Susan Glaspell’s earlier writing, “A Jury of Her Peers”. The play is about a wife of a farmer that appears to be cold and filled with silence. After many years of the husband treating the wife terrible, the farmer’s wife snaps and murders her husband. In addition, the play portrays how men and women may stick together in same sex roles in certain situations. The men in the play are busy looking for evidence of proof to show Mrs. Wright murdered her husband. As for the women in the play, they stick together by hiding evidence to prove Mrs. Wright murdered her husband. Although men felt they were smarter than women in the earlier days, the play describes how women are expected of too much in their roles, which could cause a woman to emotionally snap, but leads to women banding together to prove that women can be...
Kate Chopin’s “The Story of the Hour” and Charlotte Perkins Gillman’s “The Yellow Wallpaper” are viewed from a woman’s perspective in the nineteenth century. They show the issues on how they are confined to the house. That they are to be stay at home wives and let the husband earn the household income. These stories are both written by American women and how their marriage was brought about. Their husbands were very controlling and treated them more like children instead of their wives. In the nineteenth century their behavior was considered normal at the time. In “The Story of the Hour” and “The Yellow Wallpaper,” both women explore their issues on wanting to be free from the control of their husband’s.
Susan Glaspell’s play, Trifles, was written in 1916, reflects the author’s concern with stereotypical concepts of gender and sex roles of that time period. As the title of the play implies, the concerns of women are often considered to be nothing more than unimportant issues that have little or no value to the true work of society, which is being performed by men. The men who are in charge of investigating the crime are unable to solve the mystery through their supposed superior knowledge. Instead, two women are able decipher evidence that the men overlook because all of the clues are entrenched in household items that are familiar mainly to women during this era. Glaspell expertly uses gender characterization, setting, a great deal of symbolism and both dramatic and verbal irony, to expose social divisions created by strict gender roles, specifically, that women were limited to the household and that their contributions went disregarded and underappreciated.
The movement for female right is one of the important social issue and it is ongoing reaction against the traditional male definition of woman. In most civilizations there was very unequal treatment between women and men with the expectation being that women should simply stay in the house and let the men support them. A Doll's House by Henrik Ibsen, and Trifles, by Susan Glaspell, are two well-known plays that give rise to discussions over male-female relationships. In both stories, they illustrate the similar perspectives on how men repress women in their marriages; men consider that women should obey them and their respective on their wives is oppressed showing the problems in two marriages that described in two plays. Therefore, in this essay, I will compare two similar but contrast stories; A Doll's House and Trifles, focusing on how they describe the problems in marriage related to women as victims of suppressed right.
One striking characteristic of the 20th century was the women's movement, which brought women to the forefront in a variety of societal arenas. As women won the right to vote, achieved reproductive freedom through birth control and legalized abortion, and gained access to education and employment, Western culture began to examine its long-held views about women. However, before the women’s movement of the 20th century, women’s roles were primarily of a domestic nature. Trifles by Susan Glaspell indicates that a man’s perspective is entirely different from a woman’s. The one-act play, Trifles, is a murder mystery which examines the lives of rural, middle-aged, married, women characters through gender relationships, power between the sexes, and
In the 1800’s, women were considered a prize to be won, an object to show off to society. They were raised to be respectable women whose purpose was to marry into a higher social class in order to provide for their family. These women were stuck in a social system which seemed impossible to escape. Henrik Ibsen, a Norwegian playwright, saw these barriers and wrote one of the most controversial plays of his time, “A Dolls House”. In his play, Ibsen argues the importance of opposite sex equality in marriage by using his character, Nora Helmer, to bring to light how degrading the roles of women were in the 1800’s.
In her essay, Woman in the Nineteenth Century, Margaret Fuller discusses the state of marriage in America during the 1800‘s. She is a victim of her own knowledge, and is literally considered ugly because of her wisdom. She feels that if certain stereotypes can be broken down, women can have the respect of men intellectually, physically, and emotionally. She explains why some of the inequalities exist in marriages around her. Fuller feels that once women are accepted as equals, men and women will be able achieve a true love not yet known to the people of the world.
In a society filled with tensions, uncertainties, and conflicting views of order, authority, religion, status, sex and the self, Dekker and Shakespeare use interclass marriage to juxtapose different views on controversial topic. Discussions of marriage on a narrative level create conflict in order for the plot to advance; however, they also reveal social and economic anxieties that were present during the Renaissance. Shoemaker’s Holiday begins with a dialogue between the Earl of Lincoln and Oatley about their children’s love affair. Oatley declares “Poor citizens must not with courtiers wed”, which is true of marriages before the Renaissance (SH I.1.12). He doesn’t want his money to be squandered away by a spendthrift aristocrat even though
The “Anthology of American Literature” observes that Susan Glaspell “insisted that the truth about women lives and struggles for identity, equality, and power be seen and heard” (1259). In the Play “Trifles”, the men make a very big mistake by assuming that women’s identity is solely derived from the relationship with the dominant gender, men. Prosecutor Henderson tells Mrs. Peters that, the fact that she is married to a law enforcement officer implies that she is married
“There is no perfect relationship. The idea that there is gets us into so much trouble.”-Maggie Reyes. Kate Chopin reacts to this certain idea that relationships in a marriage during the late 1800’s were a prison for women. Through the main protagonist of her story, Mrs. Mallard, the audience clearly exemplifies with what feelings she had during the process of her husbands assumed death. Chopin demonstrates in “The Story of an Hour” the oppression that women faced in marriage through the understandings of: forbidden joy of independence, the inherent burdens of marriage between men and women and how these two points help the audience to further understand the norms of this time.
Some men may say that a woman’s place is in the kitchen; but on the other hand, a select handful of men and all women will disagree. In Susan Glaspell’s “Trifles”, the setting is mainly the main living quarter, which contains the kitchen and living room. The kitchen is where the cooking and cleaning takes place, usually done by a woman, and the living room is where the family comes together and spend times together. In this story, the women stay inside the entire time and the men spent all of the play going through what had happened, in the barn, and trying to find a motive. The men felt as if the women were too fragile to handle debate and controversy. This is ironic since Mrs. Hale and Mrs. Peters are left alone in the main living quarters, which is a woman’s “place”, but yet, this is where the ladies and the reader find out the most information about Mrs. Minnie Wright’s life and slowly begin to solve the mystery. The reader soon discovers about how happy and cheerful Mrs. Wright was before she was married. She was a lovely girl who loved singing in the church choir, like the canary she had acquired and loved, she also wore vivid dresses and was absolutely good-natured. On the contrary, her home is very dark and gloomy now and she is grim, alone, and depressed. Her house has been left a mess and without things being put in order such as, unwashed pans, a loaf of bread outside the bread-box, an...