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About determination
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Surviving such a horrific environment requires that the narrator of This Way for the Gas, Ladies and Gentlemen, rely on either the fight, flight, or freeze trauma response. He is unable to fight such a substantial threat or flee such a well-guarded camp. Therefore, freezing, or detaching from his current situation, is his only hope. Freezing is a common response, when faced with insurmountable fear or trauma, even in society today. Through his unconscious detachment, the narrator creates an emotional barricade between himself and the horrors of the camp. Tadeusz Borowski uses the narrator’s unemotional tone and descriptions to illustrate the freeze trauma response. The withdrawn and emotionless writing style, utilized by Borowski, reflects …show more content…
his sense of detachment from the horrors around him. While the narrator’s testimony is utterly disturbing, his tone comes across as though he is an outsider, far removed from the events. He speaks in the manner that a journalist, reporting on the situation would. His blunt description of the men dying in his same barracks seems cruel and callous. All around camp he is taking part in and bearing witness to horrific events, yet he seems unmoved. This apathetic behavior is a result of his detached state and his suspension within the freeze response. His brain is allowing him to escape in thought, what he cannot physically escape. His brain has allowed him to escape in thought, what he cannot physically escape. He feels as though he is outside his own body looking in on the horrific events. This feeling is similar to what many rape victims describe. Survivors often report an inability to fight back or flee a predator. Often the victim, paralyzed with fear, is unable to move. In many cases, their minds drift without their control. Some will report the event as an out of body experience. They see the attack as if it is happening to someone else and they are helpless to stop it. Others report their minds wandering to familiar and mundane situations far removed from the attack, such as completing chores or running errands. This sense of detachment protects the victim the initial pain associated with the rape. Attempting to detach from the appalling conditions, the narrator seeks to dehumanize those around him.
Whenever placed in a morally compromising position, he detaches from the situation by viewing the victims as less than human. Forced to carry the corpses of crushed infants out of the cattle cars, he refers to the innocent victims as chickens. Referring to other dead bodies as mounds of meat, also helps him escape his current reality. By removing the human aspect, the narrator is better equipped to handle horror of his assigned task. Without this detachment, he would shut down, overcome by disgust and descend into madness. His fellow prisoners, particularly the Greeks, take on animal traits as well. He criticizes the way they scramble for food, comparing them to insects and pigs. This detachment from reality allows him to forget momentarily that the food he hoards for his own survival could keep others alive as well. Many Americans practice a similar form of detachment in their avoidance of refugees. Afraid that they or their loved ones could be in danger if refugees are allowed to stay in the United States, they do what they feel is necessary to survive. In an attempt to overcome the perceived threat, they detach themselves. The need to survive takes overtakes their brains and citizens turn a blind eye to the suffering of others. Frightened, they perpetuate the idea that American lives are worth more than those overseas. Rather than seeing everyone as part of the human race, they see people either American or not. They view refugees as beneath them and concern themselves only with the needs of their
nation. In an attempt to escape his own immoral actions, the narrator escapes into a detached world of fantasy. Part of freezing is accepting that one cannot fight or flee and the narrator does this. However, he continues to detach from his surroundings by falling into fantasy. He allows his mind to escape, while his body performs the tasks necessary for his survival. The narrator’s mind tries to perceive the job of cleaning out the cattle cars like any other job. Comparing the systematic slaughter of thousands to a well-run business allows him an escape from reality. The S.S. soldiers represent the typical boss figures. The well-dressed men are precise, composed, and authoritative. Through this fantasy, he sees his role as essential and therefore, less monstrous. This escape into fantasy is common for victims of trauma caught within the freeze response. Most children will develop an imaginary friend at some point. However, victims of childhood abuse often find themselves spending copious amounts of time in their own fantasy world. Children in abusive homes do not typically have the options to act on the fight or flight trauma responses. Therefore, they utilize the freeze response, and their brains enter a fantasy world as a way of detaching. It can be difficult for children to let go of these fantasies and recognize the difference between fantasy and reality. Some victims remain plagued by this issue long after the initial physical or emotional abuse occurs. Borowski’s brutal testimony perfectly illustrates the natural human response to freeze and detach from one’s surroundings when faced with extreme fear or trauma. The narrator spends much of his time at camp, detaching, either through dehumanizing the prisoners or escaping into fantasies. Freezing offers him the ability to detach from his surroundings and protect his sanity.
War is cruel. The Vietnam War, which lasted for 21 years from 1954 to 1975, was a horrific and tragic event in human history. The Second World War was as frightening and tragic even though it lasted for only 6 years from 1939 to 1945 comparing with the longer-lasting war in Vietnam. During both wars, thousands of millions of soldiers and civilians had been killed. Especially during the Second World War, numerous innocent people were sent into concentration camps, or some places as internment camps for no specific reasons told. Some of these people came out sound after the war, but others were never heard of again. After both wars, people that were alive experienced not only the physical damages, but also the psychic trauma by seeing the deaths and injuries of family members, friends or even just strangers. In the short story “A Marker on the Side of the Boat” by Bao Ninh about the Vietnam War, and the documentary film Barbed Wire and Mandolins directed by Nicola Zavaglia with a background of the Second World War, they both explore and convey the trauma of war. However, the short story “A Marker on the Side of the Boat” is more effective in conveying the trauma of war than the film Barbed Wire and Mandolins because of its well-developed plot with well-illustrated details, and its ability to raise emotional responses from its readers.
In Night, he informs his reader of many examples on how a myriad of good people turn into brutes. They see horrific actions, therefore, they cannot help by becoming a brute. They experience their innocent family members being burned alive, innocent people dieing from starvation due to a minuscule proportion of food, and innocent people going to take a shower and not coming out because truly, it is a gas chamber and all f...
Has your skin ever tasted the scorching coldness to the point of actually flavoring death, has your stomach ever craved for even a gram of anything that can keep you alive, has your deep-down core ever been so disturbed by profound fear? No never, because the deep-freeze, starvation, and horror that Kolya and Lev experienced were far worse to the point of trauma. In the novel, City Of Thieves, author David Benioff describes the devastating and surreal situations and emotions that occurred to Benioff’s grandfather, Lev and Lev’s friend, Kolya, during WWII the Siege of Leningrad in Leningrad, Russia. Both Lev and Kolya share some similarities such as their knowledge of literature; even so, they are very contrastive individuals who oppose
In Eliezer Wiesel’s novel “Night”, it depicts the life of a father and son going through the concentration camp of World War II. Both Eliezer and his father are taken from their home, where they would experience inhuman and harsh conditions in the camps. The harsh conditions cause Eliezer and his father’s relationship to change. During their time in the camps, Eliezer Wiesel and his father experience a reversal of their roles.
The killings made by the slaves are saddening, too. Mutilating the whites and leaving their bodies lying is inhumane. It is such a shocking story. This book was meant to teach the reader on the inhumanity of slavery. It also gives us the image of what happened during the past years when slavery was practised.
When the buffalo was originally taken in, Rat had a soft and nurturing mind-set towards the buffalo. He displayed his affection by stroking the nose of the buffalo and offering food, which seemed like a natural and normal response to do to animal that had just been taken in. In a way, Rat was trying to make the buffalo a pet and use it to replace Curt as a friend. However, to most people, this was uncharacteristic of the typical soldier. The classic soldier was viewed as being callous and uncaring. By Rat displaying this type of amiable characteristic, it went against the ideology of how a soldier reacts to war. A soldier should maintain distant from the war and just do the job that he was given without showing emotion. However, the simple fact that Rat showed any sentiment at all proposed that death evokes feelings because his friend just died and he was abl...
The sullen narrative This Way for the Gas Ladies and Gentlemen poignantly recounts the events of a typical day in a Nazi concentration camp during World War II. The author, Tadeusz Borowski, was Polish Holocaust survivor of Auschwitz, the series of death camps responsible for the deaths of the largest number of European Jews. Recounted from a first-person point of view, the novel unfolds at dawn as the unnamed narrator eats breakfast with a friend and fellow prisoner, Henri. Henri is a member of Canada, the labor group responsible for unloading the Jewish transports as they arrive into the camps. They are interrupted by a call for Canada to report to the loading ramps. Upon the arrival of the transport, the narrator joins Henri in directing the prisoners to either life, in the labor camps, or to death, in the gas chambers. In reality the path is neither one of life or death, rather it is routing prisoners to inevitable death or immediate death. Regardless of how many times he is asked, the narrator refuses to disclose to the transport prisoners what is happening to them or where they are being taken. This is camp law, but the narrator also believes it to be charitable to “deceive (them) until the very end”(pg. 115). Throughout the day the narrator encounters a myriad of people, but one is described in great detail: a young woman, depicted as being unscathed by the abomination that is the transport. She is tidy and composed, unlike those around her. Calmly, she inquires as to where she is being taken, like many before her, but to no avail. When the narrator refuses to answer, she stoically boards a truck bound for the gas chambers. By the end of both the day and of the novel, the camp has processed approximately fifteen thousand p...
Trauma can be defined as something that repeats itself. In The Things They Carried, by Tim O’Brien, trauma recurs in soldiers for different reasons. However, although their reasons for trauma are different, the things they carried can symbolize all the emotions and pasts of these soldiers. One man may suffer trauma from looking through letters and photographs of an old lover, while another man could feel trauma just from memories of the past. The word “carried” is used repeatedly throughout The Things They Carried. Derived from the Latin word “quadrare,” meaning “suitable,” O’Brien uses the word “carried” not to simply state what the men were carrying, but to give us insight into each soldiers’ emotions and character, his past, and his present.
(It should be noted that when describing hardships of the concentration camps, understatements will inevitably be made. Levi puts it well when he says, ?We say ?hunger?, we say ?tiredness?, ?fear?, ?pain?, we say ?winter? and they are different things. They are free words, created and used by free men who lived in comfort and suffering in their homes. If the Lagers had lasted longer a new, harsh language would have been born; only this language could express what it means to toil the whole day?? (Levi, 123).)
A man begins to cry. Not because of sorrow or joy, but because he’s terrified. The man who once enjoyed viewing the firework show that symbolized the freedom of his nation now cowers, because of the hardships he endured to maintain the freedom of his nation. Like many war veterans, the man suffers from PTSD. Billy Pilgrim, a WWII veteran, also suffers from PTSD. While Kurt Vonnegut wrote his novel Slaughterhouse-five before PTSD became an official diagnosis, the protagonist of his story, Billy Pilgrim, displays the disease’s symptoms. Vonnegut uses Billy Pilgrim’s non-linear voyage through time as symbol to reflect his theme of the destructiveness during and after war.
Political prisoners and criminals alike were subject to brutal conditions in the Soviet gulags at Kolyma in the 20th century. In Varlam Shalamov’s Kolyma Tales, the stories of many different prisoners are told and much is revealed about how humans react under these pressures, both naturally and socially. Being in an extreme environment not only takes a toll on one’s physical well-being, but on one’s mental and emotional state as well. The stories show that humans can be reduced to a fragile, animalistic state while in the Kolyma work camps because the extreme conditions force many men to focus solely on self-preservation.
For example, livestock are often kept in small, enclosed spaces during the night, are shipped in small rail cars, and live essentially to grow up and die. These treatments are paralleled by Wiesel’s experiences in concentration camps: he slept in very crowded bunks and was transported literally in cattle cars. Furthermore, one person Wiesel overhears as he enters Birkenau says that "....We can't let them kill us like that, like cattle in the slaughterhouse. We must revolt (31)”, referring to how so many were killed in crematoriums. However, arguably the most important factor that distinguishes humans from animals is a personal identity. Humans have names, families, heritage, and so much more that wild animals lack. What the Nazis aimed to do in concentration camps was to remove every part of a prisoner’s identity, systematically and without
It’s important to examine how Foer is able to accurately represent trauma in his story, Extremely Loud and Incredibly Close. Todd Atchinson states, “Trauma literature depicts a survivor’s personal struggle in responding to and representing the mass atrocities suffered through the threats to individual, cultural and inhuman eradication.” Breaking that down, he is arguing that trauma literature like Extremely Loud and Incredibly Close attempt to follow a person’s journey to redefine themselves after facing a tragedy that as threatened their individual and cultural identities. The hardest part of this is creating a text that is both realistic and relatable, with a narrator that can be trusted to relay important information accurately throughout the story. Now if a reader were to try to think of a trusty narrator, Oskar might not pop into her mind right away. However, it appears that Fo...
Schwartz, Leslie. Surviving the hell of Auschwitz and Dachau: a teenage struggle toward freedom from hatred.. S.l.: Lit Verlag, 2013. Print.
This passage, which is taken from the closing pages of Primo Levi’s ‘If This Is A Man’, describes the final days in the concentration camp. To put it into context; the Germans, who were keen to save themselves, have abandoned Levi and the others, who are too ill to travel, to fend for themselves. Levi focuses on the irony of their situation; after suffering the horrors of the camp Levi and his fellow abandoned prisoners are finally free, but in reality they do not receive the benefits normally associated with freedom, they are in fact in many ways worse off than before. In this extract Levi highlights how despite the freezing conditions, there is a thaw in human relationships.