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Theories of grief and loss
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Effects of stress in our life
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Recommended: Theories of grief and loss
It is easy for individuals to feel alone in the world after they go through a traumatic event. For many, however, a life changing experience can bring them closer to others. In Colum McCann’s novel Let the Great World Spin, characters find their place in the huge city of New York only after suffering. Trauma is a watershed experience marked by severe pain, the negative effects of which can stay with a person for a lifetime if they do not find a healthy way to move on. Stressful events can, however, be beneficial because they bring unlikely people together and widen individuals’ world views, creating a closer knit society through a shared experience. A person who normally feels as if he has no place can share the experience of trauma, especially death, with others and then be better able to survive his agony. Pain can change a personality, dictate how someone picks friends, and even keep New York …show more content…
When two people recognize that they have both experienced a similar struggle, they are brought together. This is what happens with Ciaran and his priest brother’s prostitute friends in Let the Great World Spin. When he first arrives in Brooklyn, Ciaran feels out of place and cannot understand why his brother Corrigan lives there. There is no starker contrast then that between the old beach village they are from in Ireland and the needle ridden streets of New York. Ciaran struggles as an adult to find his place in the city, even though it seems like everybody else knows where they belong. When Ciaran finds that his brother’s closest friends are the prostitutes that work on the streets outside his apartment, he is shocked. Ciaran thinks they are taking advantage of his brother’s kindness, saying “there you go on your knees to all the tramps and the lepers and the cripples and dopeheads”(McCann 40). This all changes, however, when Corrigan is the victim in a
Diane Urban, for instance, was one of the many people who were trapped inside this horror. She “was comforting a woman propped against a wall, her legs virtually amputated” (96). Flynn and Dwyer appeal to the reader’s ethical conscience and emotions by providing a story of a victim who went through many tragedies. Causing readers to feel empathy for the victims. In addition, you began to put yourself in their shoes and wonder what you would do.
“Picking up the pieces of their shattered lives was very, very difficult, but most survivors found a way to begin again.” Once again, Helen was faced with the struggle of living life day-to-day, trying not to continue feeling the pain of her past.
Loss and How We Cope We all deal with death in our lives, and that is why Michael Lassell’s “How to Watch Your Brother Die” resonates with so many readers. It confronts the struggles of dealing with death. Lassell writes the piece like a field guide, an instruction set for dealing with death, but the piece is much more complex than its surface appearance. It touches on ideas of acceptance, regret, and misunderstanding, to name a few. While many of us can identify with this story, I feel like the story I brought into the text has had a much deeper and profound impact.
All through the times of the intense expectation, overwhelming sadness, and inspiring hope in this novel comes a feeling of relief in knowing that this family will make it through the wearisome times with triumph in their faces. The relationships that the mother shares with her children and parents are what save her from despair and ruin, and these relationships are the key to any and all families emerging from the depths of darkness into the fresh air of hope and happiness.
The very beginning of the article, Dr. Khullar appeals to the emotions of a reader, reminiscing about an interaction between himself and a dying patient. He explains how the patient had no one to call and would die alone, causing himself to think that “the sadness of his death was surpassed only by the sadness of his solitude” (Khullar). The feeling of sadness and loneliness is continued using other scenarios that one likely is familiar with, such as “a young man abandoned by friends as he struggles with opioid addiction” or “an older woman getting by on tea and toast, living in filth, no longer able to clean her cluttered apartment” (Khullar). Dr. Khullar also uses this strategy through the use of various phrases such as “barren rooms devoid of family or friends,” or a quote from a senior: “Your world dies before you do” (Khullar). These scenarios and terminology evoke a feeling within a reader that results in acknowledgement of the material and what is being
In Colum McCann’s novel, Let the Great World Spin, tragedies strike every character, and the way in which the different characters seek closure and counseling ends up shaping their personalities. While the approaches used to combat their grieving varies from character to character, McCann makes a compelling argument in support of seeking out grief counseling within a community. Many of the characters, such as Lara and Claire seem to initially internalize their feelings, and continually beat themselves up due to their guilt ridden and grieving conscious. Yet when they find their respective groups, which on the surface, seem to differ greatly between Lara and Claire, both characters are relaxed in their element. Claire finds comfort in Gloria, the polar opposite of her, while Lara finds comfort in the reparations she attempts to make with Corrigan’s family, namely Ciaran.
What does it feel like to die? Does it hurt the person or the loved ones left behind? Alexandra Kleeman’s short story ‘You, Disappearing’ gives the reader a sense of death and it’s possible outcomes while giving the tale of fear and love. While some are concerned of their own demise, others give no thoughts towards time and when it will end. Kleeman writes in a strong figurative language, for example, death is hard not be concerned about due to there being no way to fully understand the spiritual and physical aspects to why it happens and seemingly enough, those who know are already dead. The main character in this short story is strongly in love with her deceased partner, and represents herself through the story with a constant need of approval and appreciation of her own life. Portraying the fear of loss by an apocalyptic setting, Kleeman grants characterization to seemingly unrelated objects by tying them together from senses and memories in her short story, “You, Disappearing.”
Trauma can impact someone’s life to where they can’t make connections with anyone. Even connecting with family it would be hard.Trauma changes the way they see the world and other people. In both Good Will Hunting and The Catcher in the Rye, Will and Holden go through traumatic events that change their lives. This makes them see everything negatively and impacts their ability to cope.
When death has taken someone from your life, you think of everything you said to them, your last words, memories, and the talks that happened. During this assignment, one will see the grieving process from me about a tenant that I took care of, and the impact this lady’s passing away, left me. Polan and Taylor (2015) says “Loss challenges the person’s priorities and importance of relationships.” (pg 226) When an individual loses someone that you see everyday and take care of, this effects you because, you build a relationship and get to know each other on a personal level. When my tenant was passing away it was painful. I didn’t know what to feel when I seen what was happening and knew what was taking place.
In James Patterson’s thriller novel, I, Alex Cross, Alex Cross and his family living in the nation’s capital must solve a beloved niece’s murder, and uncover the truth about the power players of the country -- all while nurturing the growing wound of the loss of a family member. The idea and importance of the connection between loss and familial support and love runs through the entire story, and one key lesson suggests that no matter how the loss of a family member affects the family, the results will often be similar, if not the same: the remaining members strive to support one another and often work together to find the true reason for the loss, always leading to a better and brighter future for everyone.
Not many people can relate to Louise Edrich’s story, “The Red Convertible.” It may be fictional, but there is more to it than a story to entertain the readers. The Red Convertible is about Lyman and his changed older brother, Henry who comes back from his service with Post-traumatic stress disorder. Post-traumatic stress disorder can last for years or be lifelong. In Edrich’s “The Red Convertible,” the characters and plot conveys the theme “what doesn’t kill you, makes you wish you were
"It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between taken and being missed, lives are changed." I learned that all lives connect somehow and that our choices affect others whether we know it or not. "Strangers are just family you have yet to come to know," perhaps one day in heaven. I began to realize the nights I spent thinking I was alone were the only true nights I wasted in my life because through this interconnection of lives, "you can no more separate one life from another than you can separate a breeze from the wind.
The theme of this book is that the human capacity to adapt to and find happiness in the most difficult circumstances. Each character in the novel shows this in their way. For instance, their family is randomly taken from their home and forced to work but they still remain a close nit family. In addition, they even manage to stick together after being separated for one of their own. These show how even in the darkest time they still manage to find a glimmer of hope and they pursued on.
It is common for those experiencing grief to deny the death altogether. Many people do this by avoiding situations and places that remind them of the deceased (Leming & Dickinson, 2016). However, by simply avoiding the topic of death and pain, the mourner only achieves temporary relief while in turn creating more permanent lasting agony (Rich, 2005). In this stage, mourners will begin to feel the full weight of the circumstance. Whether the death of a loved one was sudden or long-term, survivors will feel a full range of emotions, such as sadness, guilt, anger, frustration, hopelessness, or grief. While many of these emotions can cause serious suffering, it is important for the survivor to feel whatever emotions come up and deal with those feelings, rather than trying to suppress any
middle of paper ... ... Being free of pain is something that we feel within us to be intrinsically joyful, and no reason can be used to explain further why we wish to be joyful, or in good health. These things we just sense, and even a murderer, who rejects morality on the social level, will do whatever he can to avoid the displeasures of his inner being. His sentiments, if only for himself, remain within him. “One thing can always be a reason, why another is desired.