Jason and the Argonauts is interesting in it’s approach to traditional heroism and narrative theming. So Jason is the center of the myth, hence the name. He was the son of King Aeson whose half-brother Pelias overthrew him and slayed his progeny, sparing his brother for some reason. Jason’s mother protected him by sending him to be raised by a centaur and 20 years later, Jason goes to take the throne. Well there’s the first element, a call to adventure, first of two in a way. On the way we find another element of the Hero’s Journey: some supernatural aid. The goddess Hera disguised as an old woman asked Jason to help her across a river; he does and loses a sandal in the process. How is this aid? Years earlier an oracle prophesied to Pelias …show more content…
But there is barely a test for Jason presented here. The fleece presents the reward after an ultimate test. Usually in the hero’s journey the test would require some application that shows the character’s growth, normally in this type of story it would be in combat or cleverness. There’s nothing of worth that Jason does here, in what’s supposed to be his ordeal. Earlier in one of the adventures, Jason mistakenly lands in an island filled with giants. It ends in disaster, many of the sailors get lost, Herakles has to fight off many raiding giants, and the crew accidentally kill the king. This mistake could be a set up to show growth as an out-of-his-element Jason can contrast with a later Jason that has learned from his mistake, it doesn't happen here. Earlier I mentioned Hera as a form of supernatural aid, I consider many of the gods to be in their own space creating a sort of dichotomy between the women as non-goddesses in the story versus the full goddesses. One could easily point out the manner in which gods can do much of the heavy lifting in these myths. Here is why the character of Medea, her role in the story, is …show more content…
It is also very malleable, I spoke of Hera and Medea in the context of supernatural aid. Entering the unknown is simple for myths of undefined, or underdefined, rules. Going to and fro a place is also common excluding tales that focus on wanderers. If we were to look at the hero’s journey from the viewpoint of Medea from here on out, the primary difficulty with this would be the fact that the tale is concerned with Jason. But like I said, this strays from the archetypical journey not only in Jason’s test but from then on. Let’s suggest Medea’s journey would start with wanting to aid Jason, her ultimate reward could be marriage and considering the societal factors this could be the perceived ideal especially with Jason homebound to become king. Medea would have no supernatural aid as she is herself a form of one but for the sake of stretching this analysis we can attribute her herbs. After killing her brother and throwing the pieces to the sea in order to distract her father king and flee(nothing says she had to be good), Medea continues to play an active role in the myth further overshadowing Jason’s deeds, or what little there
Jason and Medea are both responsible for Jason’s success in his quest for the Golden Fleece; however, Medea seems to be more responsible rather than Jason himself. Although it may be Jason who accepted the quest himself, Medea has helped Jason throughout the whole story. She’s provided gifts, tactics/advice, and assistance, so it’s difficult to give most of the credit to Jason. Without Medea Jason wouldn’t of been able to complete the task. This means that he wouldn’t of been able to return to rule the throne over Pelias.
Initially, In the movie Medea is not the one with the magical powers to help Jason. Instead, Jason receives help even as a child from the goddess Hera. She grants him help that is set as a limit from Zeus. The gods are using this control because it is a game to them.
Jason was confounded by how to pass this trial and was saved at the last moment by Aeetes'
Euripedes tugs and pulls at our emotions from every angle throughout The Medea. He compels us to feel sympathy for the characters abused by Medea, yet still feel sympathy for Medea as well. These conflicting feelings build a sense of confusion and anxiety about the unfolding plot. In the beginning, the Nurse reveals the recent background events that have caused Medea so much torment: "She herself helped Jason in every way" (13) and now he "has taken a royal wife to his bed" (18). Right away we are angry with Jason for breaking his wedding vows, and we are building up sympathy for Medea as the Nurse describes her acts of suffering. When we first see Medea, she speaks passionately to the women of Corinth and convinces them to side with her. She evokes their sympathy by drawing further attention to her suffering and speaking in terms that bring them all to common ground. Aegeus becomes Medea’s first victim when he, unknowingly, provides the final building block in her plan for revenge against Jason. We sympathize for Aegeus in his ignorance. Medea now has confidence in her plan, so she reveals it to the women of Corinth. She is going to send her children to Jason’s bride with a poisoned dress that will make her die in agony. We are still compelled to sympathize with Medea at this point because she has justified her reasons for seeking revenge. However, the princess is oblivious to Medea’s plot; she will accept the gift for its beauty then meet an unexpected, agonized death. The image of pain and agony elicits our sympathy as well. Medea presents her most perverse speech when she explains how she will kill her own children then flee Corinth. Alone, these acts provoke pure disgust, but Euripides has developed Medea’s character as a coercive force; we still sympathize with her for her plight, yet we also hate her for her decisions. The women of Corinth try to persuade her away from this morbid choice, but their arguments are ineffective. Euripides employs stichomythia in the exchange between the women and Medea to show Medea breaking down boundaries between self and other, which prevent sympathy (811-819). Euripedes focuses on suffering, ignorance, and rhetoric to leave us torn in our sympathy for every character.
When people think of Jason, they most likely think of the Golden Fleece. It wasn’t so easy for him to get it though. According to the Encyclopedia of Myths, when Jason was about twenty, he decided to head back to Iolcus to claim the throne back. On his way, he came upon a river. He stopped to help an old lady cross. In the process, he lost a shoe. This lady was actually Hera in disguise. When Jason had arrived at Iolcus, Pelias had noticed he had only one shoe. The king had been warned about a man with only one shoe. He told Jason that in order for him to win back the throne, he had to steal the Golden Fleece, which Pelias thought to be impossible. Jason got a magical ship named Argo. He then assembled a team and headed across the sea to steal it. His army would soon be called the Argonauts. Jason became the leader. Some of the famous Argonauts included Hercules and Orpheus. In order to get the Fleece, Jason had to “yoke two fire-breathing bulls to a plow, saw a field with dragons teeth” and win a fight against the warriors who had come from the dragon teeth, according to the Encyclopedia of Myths. He was able to complete all of these things because he had the help of Medea, the king of Colchis’s daughter. Some believe Madea was a sorceress. Many believe Hera had convinced Aphrodite to make Medea fall in love with Jason. From then on, Medea helped Jason steal the Fleece (“Jason”).
Courageous, powerful, and reckless, Medea left her home without her father's blessing to accompany Jason to the land of Corinth, after using her magic powers to slay the dragon that guarded the golden fleece. She also killed her own brother to slow Jason's chasers. For a while, Medea and Jason lived in harmony in Corinth where they had two children. Later, Jason left Medea for Kreon's daughter. She became grief-stricken at her loss and filled with rage at Jason's betrayal. This, is explained by her nurse during the prologue in World Literature Volume A (pg697), "she'll not stop raging until she has struck at someone",
She gave the children the dress she made and the diadem, submerged with poison and instructed her to give these gifts to the princess under the false impression that she wants to please her so she may convince her father to allow the children to stay in Corinth. After the death of the king and the princess, Medea kills her two children. The only time the children have spoken and they plead to live. There is no future for the children, to escape their mother’s wrath and anger and her drive to hurt and destroy everything and everyone that Jason loves and cares about. Medea contributes to the work as a whole because we see her side of the story and understand the motives behind her action and the consequences as the result of her madness. Medea is the rising action and the climax of the play. We also see Jason side of the story from his conversations with Medea and his explanation was awful. He is the reason for the conflict and issues for Medea but Jason does not take care of the problems he created nor does he take the responsibility for the consequences of his actions. He married a sorceress and not a normal Greek
Standards that women are held accountable and judged for while men it is acceptable for this behavior. In Medea 's situation, to prove her love to Jason she did whatever she needed to do to be with him and did not let anyone step in her way. She gave birth to two boys which would continue Jason 's bloodline however, that was not enough for Jason as he left Medea for his new Glauce. Jason 's main priority was to gain higher social status that leads to title, money, and land as well as having children as his legacy. Within Sappho she states, “Why am I crying? Am I still sad because of my lost maidenhead?” (Sappho, 36). After losing her virginity, she lost insight of her vision which she wanted her future to be as she received mistreatment from society including her relationship with her lover changing. In that result, within their situations they were incapable of maintaining their relationship with their lovers as well as love and sex not being enough to endure life
Jason sent on an impossible mission by a king in order to remove him from the country. Both Jason's quest for the Golden Fleece and Odysseus' journey home is thrust upon them. Jason does not feel the same need to complete his journey unlike Odysseus whom yearns to return home out of a feeling of nostos. Jason's story is more a story of multiple heroes where the Odyssey surrounds the story of one man, a king, and his followers. Odysseus was the "thinking man's hero," One of the famous warriors of the Trojan War, it was Odysseus who retrieved the slain body and armor of Achilles in the thick of heavy fighting. It was Odysseus who devised the stratagem of the Trojan Horse. His virtue was his mind, a supernatural type of ingenuity and intelligence that he used to overcome the trials of his journey, such as: The Cyclops, Circe, and how to deal with his wife's multitude of suitors. Jason is much more human with less personal devices to help him achieve his goal. Jason must rely on the supernatural talents and gifts of his fellow-man in order to survive. Yet both men are very human when it comes to their faults and both can be seen and the anti-hero. Odysseus can be seen as such because is the new form of hero, the think before you kill, type of hero. His cr...
In the beginning of the play, we learn that Medea along with her two children have been abandoned by Jason. Jason is Medea’s husband who leaves her to be with the daughter of Creon, the king of Corinth. Jason knows that by being with his daughter he will one day be able to achieve power and glory. The decision by Jason to leave Medea for Creon daughter is optimally the quarter stone for Medea’s quest for revenge. There are a few conversations in the play between Medea and Jason, which shows Jason does still have some feelings for Medea. They also show his true love for his two children, but Jason’s lust for power and glory is seen as the most important thing. He makes excuses for abandoning his family by saying: he is doing this for the best interest of them. Although the reader can conclude that he is doing this for his own best interest. Jason seems to have no realization of how truly mad Medea has become for him leaving her. Media’s love and devotion towards Jason controls her life. Jason’s decision to leave her optimally turns Media into a sociopath. With this state of mind, Medea optimally...
When Jason left Medea to marry Glauce, Medea was plagued with sadness and then with anger. The man she loved, the man that she gave up her life for, had betrayed her. In the patriarchal society that Medea lived in, it was not acceptable for a woman to protest any decision made by her husband. Medea went against all social standards and took revenge on Jason for the wrongs that he had committed. She was willing to take any chance and sacrifice even her most valued possessions. Medea knew that the best way to avenge the wrongs of Jason was to kill Glauce and the children. It was a huge sacrifice for Medea to kill the children that she loved, but she allowed herself to look past that love and only see her hate and contempt for Jason. Medea was willing to go against every rule that society set, so that her husband wouldn't get away with leaving her for political reasons.
In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth. Medea then kills the children. Later, she refuses to let Jason bury the bodies or say goodbye to the dead children he now loves so dearly. Jason is cursed with many catastrophic flaws that lead to his downfall and that of others around him.
The problem set at the beginning of the play is that Jason has decided to marry another wife, Glauce. Medea is angered and will not let Jason off without punishment. The loss of Jason is not only a matter of passion; Medea has been completely humiliated by Jason's decision to take a new bride. Her pride shows again when she refuses Jason's aid. Though her situation is difficult, she would rather destroy all than accept help from one who has wronged her so horribly. Living as a barbarian among Greeks has made her more defensive, more full of hurt pride. To punish Jason, Medea had her children deliver poisoned gifts to the new bride, to kill her children, Glauce, and Creon. . Medea is not without feeling, nor is she a sociopath. She comprehends the difference between right and wrong, but chooses to follow the dictates of rage.
The stories characters, Medea and Jason, can be seen as representations of two different responses to life. For hundreds of years, society has judged each others actions and reactions based on just cause. This story, to me, has a type of underlying theme that drags the reader into a moral debate, which forces you to really question your own belief system.
In The Medea, Medea gives up her home, murdered her brother and tossed the pieces of his corpse and betrays her family to escape with her lover Jason. Against her father's wishes she helps Jason recover the Golden Fleece. Afterwards, Medea and Jason fall in love, get married and Medea gives birth and raises two sons. Unfortunately, Jason abandons Medea and marries King Creon's beautiful daughter. Medea alternates her role from a lover and partner in crime to an obsessive prideful monster. Me...