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Critical review on his coy mistress
To his coy mistress essay analysis
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Hidden Meanings
(A Comparing of To His Coy Mistress by Andrew Marvell and To the Virgins, to Make Much of Time by Robert Herrick)
Before the Renaissance, marriage was all about money which had to do with arranged marriages. This all changed during this time, and Shakespeare hit on this idea in his play of Romeo and Juliet. They became lovers not through arranged marriage, although Juliet was to be wed to another. Romeo used interesting tactics of language to get Juliet to speak to him. The literature book explains this doing as the phrase by Horace, “Carpe Diem.” Adams clarifies this term by saying, “Make the most of your opportunities. It comes rarely.” This phrase translates to seize the day. The textbook will use this as a coverup for
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what two poems of this time are actually referring to. In the poems, To His Coy Mistress by Andrew Marvell and To the Virgins, to Make Much of Time by Robert Herrick, they are similar in using the theme of time fleeing, and two males speaking to a woman who does not respond, while the poems differ to the fact that one speaks to one girl, and the other speaks to many. Beginning, a similarity in Marvell’s Mistress and Herrick’s Virgins, is that they both use the theme of time and existence of that time on earth being a very short period.
Unbeknownst to what the textbook is trying to not let readers know about these poems, it is evident that they use this theme to try and persuade the female species to be with them. Marvell expresses in lines 21-24, “But at my back I always hear time’s winged chariot hurrying near: and yonder all before us lie deserts of vast eternity.” This implies that time flies by and it will be gone before one knows it. Time can be used in many different ways. According to Koulouthros, “Time is a tool. It can be manipulated, shared, divided, and saved.” The men in these poems are trying to point out that time is limited and you are only young once, therefore, do not let that time go to …show more content…
waste. To continue, two male poets are speaking to a woman who does not respond in Marvell’s Mistress as well as in Herrick’s Virgins.
With this in mind, one may ask, does this type of manipulation actually work? Both males are greatly trying to persuade, but is this actually effective? One may never know as clearly the woman does not respond. These males, like Romeo of Shakespeare, use language to try and convince women to do something. Often times, these women are trying to be persuaded to do something they don’t want to do. The men are very manipulative with their words, being very careful as to which words to use. This tactic of persuasion is defined by Petty as, “an active attempt by a person, group, or entity (such as a corporation), usually through some form of communication, to change a person’s mind.” Marvell uses this tactic by telling the woman he wants to be with her for forever. In Mistress line 44 it reads, “Thorough the iron gates of life.” These men know exactly what language to use to get a woman’s attention and they use it in these poems, even when the woman does not
respond. In conclusion, the poems To His Coy Mistress by Andrew Marvell and To the Virgins, to Make Much of Time by Robert Herrick differ in the number of girls that the poets are addressing. As mentioned above, Marvell wants to spend the rest of his life with one girl, however, Herrick has a different plan. In Herrick’s poem lines 1-4 he presents, “Gather ye rosebuds while ye may, old time is still a-flying: and this same flower that smiles today tomorrow will be dying.” These lines obviously reflect back to the theme of time fleeing, yet there is one distinct difference between these words and the words of Marvell. The term rosebuds is plural, meaning he will gather and be saying these words to many females, the opposite of Marvell. Herrick could be thinking what quote McDonagh points out is an outrage that states, “Life is short. Have an affair.” While Herrick may see this as standard, he and Marvell use their language to attract different people; singular and plural females. The two poems are very similar as far as intentions, yet completely different as far as life motives. Both Herrick and Marvell understand the idea of Carpe Diem and use this to their advantage to convince women to possibly do things they would be uncomfortable doing, They are obviously very aware with the concept that you should seize every day. As Finlayson puts it as clearly as the poets do, “The longer you put something off the harder it becomes to get around to doing what you put off.” The poets use their understanding and essence of time and speaking to women even if they do not respond to get what they want in that moment. The two men have a slightly different approach to this “Carpe Diem” saying as one speaks to one woman while the other speaks to multiple women.
Back in their day it was more common to marry young but it does not make it right. They got married without other people knowing, including the important people like their parents. They faced consequences because they thought they were in love when truly they only had feelings for each other. Romeo and juliet were young and impatient. In modern life normally people wait for love until they are older. It gives them a chance to experience new things and learn life lessons without love affecting their decisions. In modern life people think about the consequences like broken hearts or decisions affecting their future because of one person. People in modern life are smarter and more patient when it comes to love.
The tone of “To the Virgins, to Make Much of Time” and “To His Coy Mistress” are different. In Herrick’s poem, his tone is relaxed. For instance when he writes, “Gather ye rosebuds while ye may, /Old times is still a-flying,” his word choice has a very relaxed and casual tone. His attitude reflects the relaxed tone in his poem. In Marvell’s poem, his tone is serious. Marvell’s purpose is to persuade his mistress to have sex with him. He tries to lure her in when saying, “Had we but World enough, and Time.” He starts out very seriously, in attempt to convince his mistress. The relaxed tone of “To the Virgins, to Make Much of Time” and serious tone of “To His Coy Mistress” point out the difference in the way the writers feel about their characters.
During the Elizabethan era marriage was like a business contract, if the money is there then so is the signature. Love was never a part of the play and this showed in both Hortensio and Petruchio, who Shakespeare uses to expose this superficial approach to the supposedly romantic notion of marriage.
Romeo and Juliet was first published around 1595. At this time in England the family was one of the most central and pivotal figures of social order. Children were expected to honor and obey their parents and seek their assistance in any decisions made. Especially in choices made concerning marriage. At this time children were finally able to take a more active role in choosing their husband/wife, but parents were essentially given the final decision (Amussen 94). Romeo and Juliet took it upon themselves to make such an important decision and hardly even considered their parents in the process. During the first half of the 17th century the average age for a woman to marry was 26 and for a man, 28 (Amussen 86). Shakespeare’s central characters are barely entering their teen years. As a son coming of age, and more importantly the singular male heir for the Montague family, Romeo should be entering University to prepare himself for handling the family fortune, not marrying in secret. This is merely the beginning of his show of irresponsibility towards his family and ultimately the role he is meant to play in society.
Andrew Marvell's "To His Coy Mistress is a sieze the moment kind of poem in which an anonomyous young man tries to woo the hand of his mistress. This kind of poem gives the reader the idea that time is not only precious, but scarce. The speaker uses many smooth tatics to persuade the young girl, starting with compliments and ending with a more forceful, morbid appraoch. "To His Coy Mistress" is not only witty but imgagistic, full of wordplay, and percieved differently by both males and females.
Robert Herrick’s “To the Virgins, to Make Much of Time” is mainly about seizing the day and not letting time pass by. In lines one through four, it speaks of gathering flowers before they die because time will continue to pass by. Lines five through eight is about the sun rising and setting every day. Next, in lines nine through twelve, the writer speaks of how the beginning years of life are the best years but as time continues, age will follow. L...
The speaker continues to argue that time is not in favor of his mistress’s nervousness or his age. For instance, he says, “But at my back I always hear time’s winged chariot hurrying near” (lines 21 and 22). In other words, he is saying his time is running out quickly. There can be many reasons why his time is running short, but according to the poem there is one reason he could be in a rush to make love with his mistress. The speaker says, “And yonder all before us lie deserts of vast eternity” (lines 23 and 24). “Deserts of vast eternity” (line 24) expresses his concern of not being able to have children, which would make him sterile. As men age, their sperm count becomes less and less, which makes conceiving a child nearly impossible.
Before meeting Juliet, Romeo thought he was deeply in love with Rosaline. Romeo says, “When the devout religion of mine eye, Maintains such falsehood, then turn tears to fire; And these who, often drowned, could never die, Transparent heretics, be burnt for liars. One fairer than my love? The all-seeing sun Ne 'er saw her match since first the world begun.”(Act 1, Scene 2) Here, Romeo rambles on about how there never was a girl so perfect as Rosaline. However, no more than two acts later into the play, Romeo is singing praises into the ears of Juliet, attempting to bed her the night they met. Ann Lander’s poem, “Love or Infatuation?” states, “Love is not based on sex. It is the maturation of friendship that makes sex so much sweeter. You must be friends before you can be lovers.” Romeo and Juliet knew nothing of each other before that fateful night, and in fact were enemies because of their family 's schism. Their relationship is solely driven off off sex, as Romeo stated, “Wilt thou leave me so unsatisfied?” (Act 2, Scene 2) To be able to have intercourse, Romeo and Juliet rushed to be wed under the secrecy of Friar Lawrence. “The Differences” says, “Infatuation says, "We must get married right away. I can 't risk losing him." Love says, "Be patient. Don 't panic. Plan your future with confidence." Romeo and Juliet did not plan their relationship at all, instead they rushed through it, throwing caution into the wind. If given time and different circumstances between their families, Romeo and Juliet would have had to keep their relationship secret. Alas, they were unable to do so, therefore Romeo and Juliet are not in love, but instead have an intense sexual desire between
Andrew Marvell in his poem describes a young man convincing his fair mistress to release herself to living in the here and now. He does this by splitting the poem up into three radically different stanzas. The first takes ample time to describe great feelings of love for a young lady, and how he wishes he could show it. The idea of time is developed early but not fully. The second stanza is then used to show how time is rapidly progressing in ways such as the fading of beauty and death. The third stanza presses the question to the young mistress; will she give herself to the young man and to life? Although each stanza uses different images, they all convey the same theme of living life to the fullest and not letting time pass is seen throughout. Marvell uses imagery, symbolism, and wonderful descriptions throughout the poem. Each stanza is effective and flows easily. Rhyming couplets are seen at the ends of every line, which helps the poem read smoothly.
A Comparison of Andrew Marvell's To His Coy Mistress and John Donne's The Sunne Rising
Abrams, M.H., ed. The Norton Anthology of English Literature. 6th ed. Vol. 2. New York: Norton, 1993.
Comparing To his Coy Mistress by Andrew Marvell and To his Mistress Going to Bed by John Donne
Soon enough, she will not have her youthful looks anymore and that her long withheld virginity will go to waste. He dementedly adds the part that no man will be able to enjoy her company but the grotesque worms surely will. By that time, he would sorrowfully no longer possess those lustful feelings towards her anymore (longshot but, I’m guessing Marvell was not into necrophilia). She is rattled, shaken by the talk of time hurrying near and her body withering away to nothing; that’s precisely how he wants it. “Broken” girls are sadly easier to seduce than well put together girls are, e.g., a girl with “daddy
In addition, after learning of the feast being held at her house and the suitors attending, Juliet states “I’ll look to like, if looking liking move.” (I.iii.98). From this comment, the reader is told that Juliet is not keen on looking for marriage as she telling the Nurse and Lady Capulet that she will take into consideration her father’s choice of fiancé if he is good looking. One can infer from this that Juliet’s heart is not in the idea of marriage as she refuses to get to know the man better. However, after meeting Romeo and falling in love with him, the idea of marriage suddenly becomes very appealing to Juliet. During Romeo and Juliet’s conversation on the balcony, Juliet says “If that thy bent of love be honourable, /Thy purpose marriage, send me word tomorrow, /By one that I’ll procure to come to thee, /Where and what time thou wilt perform the rite, /And all my fortunes at thy foot I’ll lay, /And follow thee my lord throughout the world” (II.ii.142-148). Here the reader is able to see how Juliet has matured and is willing to marry if she is promised true love and happiness. It also shows her understanding of the way marriage will impact her individuality, yet that she is mature enough to make her own decisions about life. Furthermore,
‘Time’ is personified as an antagonist that sets out to vanquish youth, beauty, and love, and the objective of the speaker is to avoid being caught in its chase. Thus, the pace and intensity of the poem’s language dramatically accelerates with every stanza: With the exaggeration of the erotic blazon, the poem opens up slowly, stretching for thousands of years until “the conversion of the Jews”. The pace dramatically shifts in the second stanza as soon as “time’s winged chariot” was mentioned; the narrative voice becomes paranoid with all the bad possibilities that could prevent him from getting laid. Finally, the third stanza becomes the final sprint as the speaker exuded the last bit of his passionate lust to offer his lover the final solution: sex, immediately. With fiery diction such as “instant fires”, “devour”, or “tear our pleasure with rough strife”, the voice of the speaker grows loud and rapid, as if screaming “RUN!” to the reader.