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Setting, tone, and theme of to his coy mistress
To his coy mistress essay analysis
To his coy Mistress analysis
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The speaker of “To His Coy Mistress” is a man with a high libido addressing an unwilling woman who is guarding her virginity. Marvell uses figures of speech to unify his theme of Carpe Diem, to seize the day, in order for the speaker to seduce the woman. The first Stanza of the poem signifies that his love is as everlasting as time. Whereas, in the second Stanza he realizes that time is of the essence and the woman must give in to his desires. The third Stanza the speaker brings the woman back from the imaginative dead, and explains to her that she must seize the opportunity since she is youthful.
In “To His Coy Mistress,” the persona speaks of his high libido and the theme of Carpe Diem in which the “Coy Mistress” should go to bed with him and seize the day. At first the speaker uses a hyperbole when he tells the woman that he would love her until Armageddon when he states, “I would/ Love you ten years before the flood/ and you should, if you please, refuse/ Till the conversion of the Jews” (Marvell lines 7-10). This shows he is patient and will wait for her to give into his sexual desires. He exaggerates when he explains to her that he has until the end of time for the woman to make her decision. The speaker even alludes to the Bible, referencing the conversion of the Jews during Armageddon. This is used as irony because the Mistress wants to preserve her virginity, but by using a Biblical reference he is trying to seduce her into losing her sanctified virginity. Marvell also expresses the speakers patience when he writes, “We would sit down and think which way/ to walk, and pass our long love’s day/ Thou by the Indian Ganges’ side” (3-5). He suggests that the woman could wait for him if she stayed youthful, which is a contr...
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...the persona, a young man, to a coy Mistress who has denied his sexual needs. The persona strains to seduce the woman by expressing his thoughts on youth and impending death. The first Stanza of the poem shows the speaker to be tolerant and waits for the Mistress’s response for sex. The Mistress, as he finds out, is a challenging woman to win over, because she holds her virginity as holy. The persona derives extreme notions, when she is dead her virginity’s sole purpose is worm food, and grasps attention by the graphic image of her death. The speaker embodies the theme of Carpe Diem and tries to force his ideas upon her so that he may have sex with her.
Works Cited
Marvell, Andrew. “To His Coy Mistress”. Portable Legacies; Fiction, Poetry, Drama, Nonfiction. Ed.Jan Zlotnik Schmidt and Lynne Crockett. Wadswort Cengage Learning: Boston 2009. 670-671. Print.
Murphy, B. & Shirley J. The Literary Encyclopedia. [nl], August 31, 2004. Available at: http://www.litencyc.com/php/speople.php?rec=true&UID=2326. Access on: 22 Aug 2010.
Throughout the entire poem, coyness is not regarded as an attractive behavior in the long term view of objective reality. Time is always of the essence, and death puts an end to all physical and emotional interactions between people. This is expressed in the line “that long-preserved virginity, and your quaint honor turn to dust, and into ashes all my lust” (Marvell). As time progresses, so does the process of decay, and this is what leads to the cycle of life and death. Marvell conveys both the biological and emotional need to propagate the concept of carpe diem, seizing the day and taking initiative in the face of time’s constant war against mortality.
Comparing Tone in To the Virgins, to Make Much of Time and To His Coy Mistress
'To His Coy Mistress' is a lyric of seduction. It is about a young man
American Literature. 6th Edition. Vol. A. Ed. Nina Baym. New York: W.W. Norton & Company. 2003. 783-791
James Dickey illustrates the pleasures and guilt that comes with an affair. The rush one gets with the fear of getting caught (Dickey 351). The narrator in the poem seems to have no problem with the affair because he clearly states he will call again if he can, proving that he is barely fazed by not remaining faithful. It is clear that both the narrator and the mistress are pressed for time in this sick lust affair they are having. Both equally nervous about being caught by a significant other or someone, but they don’t seem to care enough to end their relationship. In this case, there seems to be no act of fidelity because the narrator says he’ll see her next week (Dickey
The Flea and To His Coy Mistress are two poems written by poets living during the Renaissance Period. To His Coy Mistress was written by Andrew Marvell and The Flea was written by John Donne. Both of these poets were well-educated 'metaphysical poets', and these poems illustrate metaphysical concerns, highly abstract and theoretical ideas, that the poets would have been interested in. Both poems are based around the same idea of trying to reason with a 'mistress' as to why they should give up their virginity to the poet.
Throughout his life... was a man self-haunted, unable to escape from his own drama, unable to find any window that would not give him back the image of himself. Even the mistress of his most passionate love-verses, who must (one supposes) have been a real person, remains for him a mere abstraction of sex: a thing given. He does not see her --does not apparently want to see her; for it is not of her that he writes, but of his relation to her; not of love, but of himself loving.
Through his writing, Andrew Marvell uses several strategies to get a woman to sleep with him. In his seduction poem, “To His Coy Mistress,” Marvell first presents a problem and then offers his solution to the problem. Marvell sets up a situation in which he and his lover are on opposite sides of the world: “Thou by the Indian Ganges’ side/ Shouldst rubies find; I by the tide/ Of Humber would complain….” (5-7). He has set up a circumstance in which his lover is in India and he is in England; however, this situation can be interpreted as a metaphor for sexual distance. Marvell then goes on to profess his love for this woman, telling her that he will always love her, saying “...I would/ Love you ten years before the flood” (7-8) and saying that his “vegetable love should grow/ Vaster than empires and more slow” (11). This suggests that he is promising permanence in their relationship. In doing so, Marvell is also trying to pacify his lady’s fears of sexual relations. He wants his lover to feel secure and confident about having intercourse with him.
In Andrew Marvell's poem "To His Coy Mistress," he's arguing for affection. The object of the speaker's desire wants to wait and take the relationship slow, while the speaker pushes for instant gratification. This persuasive poem makes the point that time waits for no one and it's foolish for two lovers to postpone a physical relationship.
Andrew Marvell's "To His Coy Mistress is a sieze the moment kind of poem in which an anonomyous young man tries to woo the hand of his mistress. This kind of poem gives the reader the idea that time is not only precious, but scarce. The speaker uses many smooth tatics to persuade the young girl, starting with compliments and ending with a more forceful, morbid appraoch. "To His Coy Mistress" is not only witty but imgagistic, full of wordplay, and percieved differently by both males and females.
In the case of To His Coy Mistress by Andrew Marvall, a not-so-gentle gentleman is trying to woo a “coy” young lady with claims of love. This poem is strewn with hyperbole to the point that it becomes exactly the opposite of love. When there is such over exaggerated praise, it starts to lose the real meaning of the message. If you take a look at lines 13-18, you can see the obvious amplification:
Marvell uses many images that work as tools to express how he wishes to love his mistress in the first stanza of the poem. From line 1 to 20 Marvell tells his mistress how he wishes he had all the time in the world to love her. In the very first line Marvell brings up the focus of time, “Had we but world enough and time/This coyness, lady, were no crime”. The second line shows the conflict that the author is facing in the poem, her coyness. Marvell continues from these initial lines to tell his mistress what he would do if he had enough time. In lines, three and four Marvell talks of “sitting down” to “think” where they will walk on their “long love’s day”. All of these word...
The Norton Anthology of English Literature. Sixth Edition Volume1. Ed. M.H.Abrams. New York: W.W.Norton and Company, Inc., 1993.
Greenblatt, Stephen, eds. The Norton Anthology English Literature. 9th ed. Crawfordsville: R.R. Donnelley & Sons, 2012. Print.