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The drama of Shakespeare
The drama of Shakespeare
The drama of Shakespeare
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Titus Andronicus was said to be one of Shakespeare’s first plays, and one of his WORST! There are theories that he did not even write the play himself. However, the play is much more appreciated now in the 21st century. Even though the Elizabethan society lacked many of the resources we have today, it still had an impressive advancement for back then. The advancement in theatre and its plays like Titus Andronicus, as well as cultural revolution and gaining of knowledge, prove 1550’s Elizabethan tragedy to be superior in theatre. In Elizabeth’s monarch run, she went to war with Spain. England’s relations with Spain were ruined from two main events. One cause of this was because of a decision of King Philip II, saying that he thought it was the right moment to “save” England in the name of Catholicism and reconcile Spain’s loss of treasures (Ashby 19). Prior to this, in the early 1500’s, there was a religious uprising entitled “the Protestant Reformation” (Ashby 44). This is why Spain attempted the invasion for Catholicism. In preparation for what was to come, the Treaty of Blois was signed in 1572 with France to unofficially show Spain threatened England more than France (“Encyclopædia”). The other cause was the execution of Elizabeth’s relative, Mary (Ashby 17). The date of her execution was on February 8, 1587 (“Encyclopædia”). As stated by Ruth Ashby, the armada happened in July 1588. “English commanders sent fire ships among the Spanish galleons at night to confuse them. The English Attack next morning and the armada retreated” (19-20). Though the plan was successful, Elizabeth went into debt after the conflict. According to Encyclopædia Britannica, the expenses of around twenty years of war severely corrupted Elizabeth’s finan... ... middle of paper ... ... connection between the play and the Elizabethan. I did notice that Aaron’s symbolism in Titus Andronicus connected with the Elizabethan society. In the Elizabethan times, racism existed which is why Shakespeare made the most evil person in the story have darker skin color. I believe that Shakespeare was trying to communicate the faults of Rome’s government, rather than connecting it with his government under Elizabeth I. Ultimately, the Elizabethan society thrived off of what consisted within it. Changes in culture added variety in society. Theatre had just started to become popular and began to take a huge role during those times. Not to mention, Shakespeare started writing his fantastic plays, all of which are studied and thoroughly appreciated in the 21st century. With these perks, 1550 Elizabethan tragedy can be considered as the most remarkable time in theatre
This is a comparative analysis that seeks to examine Shakespeare's play, Titus Andronicus, and compare it to several scenes from Julie Taymors’ film, Titus. The main focus is to see whether the film stays true to the play when it comes to violence and dialogue. Both are filled with grotesque scenes that have to do with rape, mutilation, murders and even cannibalism. The most important topics are revenge and violence, for that reason violence is going to be the center of focus in this analysis.
Shakespeare’s Titus Andronicus demonstrates how aggressive challenges and divisions are born out of conflicting belief systems. For example, because the Roman citizens, the Goths, and Aaron the Moor all differ in matters of consciousness, tension ensues. Nicholas Moschovakis comments extensively about these clashes in his essay ““Irreligious Piety” and Christian History: Persecution as Pagan Anachronism in Titus Andronicus,” and Moschovakis not only magnifies persecution, but he remarks extensively about the major elements in Titus Andronicus that can be understood as anachronistic. While Moschovakis carefully and thoroughly observes the Shakespearean realms of violent “human sacrifice,” the “relevance of Judeo-Christian sacrificial discourses,” the anti-papist Elizabethan attitudes, and other religious and pagan traditions, Moschovakis plainly admits that “Titus evades all attempts to be read as partisan invective” (Moschovakis 462). Because Shakespeare included a wide range of conflict and overlapping belief systems, assertions tend to become, as Moschovakis puts it, “curiously inconsistent” and “overshadowed” (Moschovakis 462). What can be claimed as transparent in Titus Andronicus, and what I think is appealing to the masses, is that Shakespeare drew upon the major controversial motifs in human history and religion, and he included the evils of hypocrisy which allow for realistic interest regardless of what your religious or political stance is. Moreover, I would argue that Shakespeare exposes a more obvious anachronistic element that can serve in expanding Moschovakis’ arguments. Titus Andronicus demonstrates the time honored obsession over first born sons, and because the play includes a first born son in each family t...
Shakespeare's first tragedy has been a topic of discussion since the day it was written. Titus Andronicus "was staged on 24 January 1594 by the Earl of Sussex's Men at the Rose Theatre" (Welsh 1). Though this tidbit of information seems somewhat irrelevant to Titus, we must note that there are certain standards and practices established by a play from its first performance. It is also important to establish the general attributes that audiences attribute to Shakespearean performance.
The Elizabethan era lasted from 1558 through 1603. In American history, this time period is known as the golden age because during this England became much more of a wealthy nation. In this era, the nation was able to invest in arts and exploration. Many writers and poets, such as Shakespeare, shaped the ways of theatre and literature. This era is also vastly known for its ways of handling crime and punishment. In the Elizabethan era, unsparing, common crime and punishment flourished for reasons fluctuating because of social class, gender, religion, and the satisfaction of antiquated torture devices.
Shakespeare is known for his eloquent word choice and illusive images, and Titus Andronicus is no exception to that. Titus Andronicus being focused around blood, rape and murder, has to be conveyed in a very specific way to promote the concise narrative Shakespeare imagined. More specifically as shown in act 2 scene 1, Shakespeare makes sure the reader knows the background behind Tamora and Aarons complex relationship. In this monologue Aaron addresses Tamora and his love for her using images, cultural references, and poetic devices to further support his desires. Through specific descriptions and illusive images, Shakespeare sets forth scene 2 by alluding to the reader Aarons true intentions to take advantage of Tamora and her power to seek vengeance on Rome.
Shakespeare portrays how his ideal king is defined as an ultimate hero in the historic play, Henry V. This play helps everyone in the Elizabethan time period understand the reality of being a ruler. During this summary of the Elizabethan time period and Henry V, I will be talking about Queen Elizabeth and how she affected the time period all together including social class and the Hundred Years War. The Globe also played a major role in the Elizabethan era. It hosted many different types of plays with many different audiences. Henry the V is a major part in this time period because it shows just how people lived in the royal family. It makes people wonder how someone could go through this all without going insane. That is why the Elizabethan era is one of the greatest of all time.
The premise of the play Titus Andronicus can be easily summed up in one word. That word is simply ‘honor’. Honor means a different thing today than it did during the Roman Empire or Shakespeare’s life, but it is important to know honor’s definition in order to understand Titus Andronicus. Honor was used to justify murdering multiple times throughout the play. Titus killed two of his own children to protect his honor. Titus’s honor was also destroyed by Lavinia being raped and mutilated and Aaron tricking Titus into cutting off his hand, an important symbol of his honor. The word ‘honor’ has a huge impact on the play Titus Andronicus.
Shakespeare, William. "Titus Andronicus" The Norton Shakespeare. Ed. Stanley Wells & |Gary Taylor. New York/London, W.W. Norton Company,1997. 371-434
Miola, Robert. Titus Andronicus and the Mythos of Shakespeare's Rome, in Shakespeare Studies, 14 (1981), 85-98.
When Shakespeare wrote Titus Andronicus, the issues of race were at their peak. It was the time where blacks were seen as barbarous and villainous, and that is exactly what Shakespeare gave his audience when he presented the character Aaron the Moor. Unfortunately white Europeans did not sympathize or connect with this character, mostly because Aaron seemed to symbolize the black population as a whole. Shakespeare makes it very clear that Aaron has a hard time of gaining the likeness and approval of not only the audience, but also the characters in Titus Andronicus. In his article, Uddalak Dutta states that “Shakespeare seems to attest that “blackness” is, indeed, not merely skin-deep but an essential character trait” (927). Aaron’s characterization is one that cannot be matched by any other character in Shakespeare’s plays. Aaron embodies the characteristics of
In 1588, when King Phillip II launched an attack that, logically, should have decimated the English fleet, known as the Spanish Armada, he justified it by citing the Papal Bull that excommunicated Elizabeth in 1570.
William Shakespeare's play, Titus Andronicus, is a very convoluted play that could have easily failed to connect with its audience when first performed on stage. With poor props, setting and theatrical effects, Shakespeare’s major themes in the play could easily have been lost on the audience. Over four hundred years after it opened at The Globe Theatre, film director, Julie Taymor used techniques including time travel, costume choice and a mixture of ancient Roman and contemporary artifacts to emphasize and revamp the major ideas of Shakespeare's Titus Andronicus.
Elizabeth I unified England with the Elizabethan settlement. The Elizabethan settlement was a series of reforms that created a middle ground between the Protestants and the Catholics. The Church of England kept some Catholic rituals, while Elizabeth I allowed English to replace Latin in church services. These seemingly small changes ended years of religious turmoil.
Through comedy and tragedy Shakespeare reveals the vast expanses and profound depths of the character of life. For him they are not separate worlds of drama and romance, but poles of a continuum. The distinction between tragedy and comedy is called in question when we turn to Shakespeare. Though the characters differ in stature and power, and the events vary in weight and significance, the movements of life in all Shakespeare's plays are governed by the same universal principles which move events in our own lives. Through myriad images Shakespeare portrays not only the character of man and society but the character of life itself.
The name most associated with excellence in theatre is William Shakespeare. His plays, more than any other playwright, resonate through the ages. It may be safe to say that he has influenced more actors, directors, and playwrights than any thespian in the history of the stage. But what were his influences? During the Middle Ages theatre was dominated by morality, miracle, and mystery plays that were often staged by the church as a means to teach the illiterate masses about Christianity. It wasn’t until the early sixteenth century that Greek tragedy experienced a revival, in turn, inspiring a generation of renaissance playwrights.