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Tim burton cinematic techniques essay
Tim burton cinematic techniques essay
Tim burton cinematic techniques essay
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Tim Burton uses camera angles not only to show what is happening in scenes, but also to help set a mood. Tim Burton uses all of the camera angles in this film. “As she begins the tale we see Edward, like Batman, watching over the town from a lonely point high above.” In this scene Edward is seen looking over the town from his castle. A low angle is used to give the audience a powerless feeling and in doing so gives Edward a big brother feeling. “There's a lovely scene where Edward is touring his new home for the first time and falls in love with Peg's daughter, Kim, after only seeing her photo.” In the scene, Edward picks up a photo of Kim and falls in love. They use an eye level camera angle to show Edward’s face full of emotions and adds
to the mood as well as lighting and editing.
Edwards gets caught and every friend of his from the neighborhood turns on him. Edward Scissorhands has an overall mood of self-discovery for most of the characters. In the film, Burton uses close-up shots in order to convey an unusual tone towards Peg’s curiosity. For example, when Peg goes to Edward’s house, she continues to walk into the house after seeing topiary in the garden. This achieves divergent tone because Peg being comfortable to walk into a dark home for a customer which contributes to the overall mood of self-discovery, because we discover what kind of person Peg is.
Tim Burton also uses great Lighting to make Edward look like shouldn't be there, for example, it shows Edward cramped into a small car and with bright colors in the background. In the scene where they enter Edwards garden it seem so beautiful up close, but like hell far away because its very dark over there, then when it enters back into the house it seems like it would be from a horror movie. And the make up on his face makes it more fit with the lighting because of the scars with his pale white face and his crazy black hair.
Tim Burton's style can show the character's emotion, for example, in the movie Edward Scissorhands, when Ed first saw Kim in one of the pictures, Ed had a huge smile in his face, making him happy because he thinks that Kim looks beautiful. The audience thinks that's loving and it that it's kind-hearted. Another time Tim uses a close-up is in the movie Corpse Bride, he uses the close-up when a man was running away from a monster that was chasing him in a dark and scary forest. While the man was running there was always a close-up on his face to show his expression of the ghost girl that was chasing him. Now I
In the films Paradise Bent, Muxes–Authentic, Intrepid Seekers of Danger and the Gender and Sexuality section of Explorations in Cultural Anthropology explore the identification of gender and sexuality (Croall and Altmann 2000)(Islas 2006)(Boyd and Lassiter 2011). The introduction to gender and sexuaity in the book Explorations in Cultural Anthropology, Boyd and Lassiter (2011) discuss how once a baby is born, they are being socialized “into one of the two ‘appropriate’ roles- male or female” (Boyd and Lassiter 2011: 218). The baby is expected to meet the expectations he/she is born into (Boyd and Lassiter 2011). For example, in the films, it is greatly commented by the muxes and fa’afafines that they didn’t follow the gender ideologies, the
In the making of the film “Gattaca”, the director Andrew Niccole has used the film technique: camera angles to represent the theme of the film. The definition of camera angles is the position of the camera to allow the viewer to understand the relationships between the characters. I found this definition by searching on the internet and comparing the definition in the dictionary.
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
The results help to shape the meaning of this film. Multiple eye-level shots between characters’ conversations, signifies equality between both individuals. The scene when the Richmond High principal and Coach Carter are arguing is a classic example of this. High angle camera shots are also used throughout the film to show characters in a state of vulnerability. When Damien is speaking to Coach Carter about playing for Richmond and not St Francis, a high camera angle portrays Damien in a position of authority, looking down upon vulnerable Coach Carter.
The movie Shock Doctrine revolves around the concept of the same name. The film begins by discussing psychological research on the effects of shock therapy. It is evident that a person under extreme stress and anxiety commonly experienced during a crisis functions and performs inadequately. It is noted that the studies are conducted by a man by the name of Milton Friedman, from the University of Chicago; the studies took place in the past, and some of the subjects are still recovering in the aftermath. From this research, interrogation techniques were learned and the concept of the shock doctrine was formed. Essentially through causing a crisis, the population of a country can be shocked into complying with accepting laws that favors the United States and capitalism. This theory coexists with Friedman’s belief in that government regulation is bad, and through a crisis a country would better itself with deregulation. The video uses Chile as an example and shows how America allowed a crisis to occur in Chile, through coups, interrogations and subterfuge. In the end a new government is formed that allows capitalism. Unfortunately afterwards violence and riots occur, as the rich gain most of the wealth and poverty rises. In addition to Chile, Argentina, Russia and even Iraq underwent the shock doctrine. Almost in every account, poverty rises and violence ends up erupting. The movie ends by showing how the US was in the process of the shock doctrine, and still is but the population has taken notice. Protests such as Occupy Wall Street are some of the initiatives necessary to bring awareness to the problems of class inequalities in order to prevent capitalism from benefitting the rich and increasing the wealth gap among the classes.
In the film, “North by Northwest” we see a series of shots that creates suspense and danger. The point of the film is very vague and it ends without a resolution to the main conflict. The incredible camera work and techniques that Alfred Hitchcock did created a feeling of danger and suspense, making the audience want to see more. Also, Hitchcock's film main character Roger O. Thornhill creates suspense with his mistaken identity and fight for his escape. The film uses a handful of shots, for example, medium shots, close ups, long shots and shot-reverse-shots. I found particularly interesting how a handful of shots can create suspense and the feeling of danger can create a misleading plot.
The choice of camera angles is very important in communicating ideas about the central character. The initial shot to open the film is of Shane pausing on the hill. We can see the beautiful environment which was the setting for the film (Jackson Hole, Wyoming), with the Grand Tetons as its backdrop. This is an important mo... ... middle of paper ... ...
The Bolshevik Revolution was a defining turning point in Russian history. This overall revolution consisted of two individual revolutions in 1917 which resulted in the overthrow of the Tsarist government and the formation of a socialist society led by Vladimir Lenin’s radical Bolsheviks. For a moment with such enormous weight like the Bolshevik Revolution, there will be various interpretations on the true results of that moment and the meaning and value of these results. The film Man with a Movie Camera deals with the results of the Bolshevik Revolution and the early Soviet Society it birthed as it utilizes footage of one day in this early Soviet Union, thus making it worthy of examination. In the film Man With a Movie Camera, Vertov impressively
The use of camera angles was a clear way of defining a characters personality. The warden, Norton, is often seen from a low angles which highlights his high status in the prison and his authority.”Your arse belongs to me”. This effective way of showing Norton's position of power allows the audience to understand the significance of him. The prisoners, however are frequently shown from a high angle which emphasizes their lack of power and authority. The ...
One popular camera technique used in films is panning. Camera panning can emphasize emotion in films. According to a writer on camera techniques, "Following the subject's gaze down to the floor may symbolize rejection or desperation and loss. The moves work because they are related to your story" (Stevenson). In the movie Requiemfor a Dream, panning came into play in a particularly important scene. Marion, a main character, was walking down a hallway. She just had sex with someone she didn't like to get some money for drugs. The camera was right in front of her face, and portrayed the emptiness in her eyes. She was glancing towards the floor and looked like she was going to throw up. The camera also followed her face so closely, that you could tell how fast she was walking. The panning portrayed her feelings and actions so well, that it made the scene more interesting. It was a lot better than just seeing a view of someone head-on.
Burton uses close-up camera angles to show significant items in his film Charlie and the Chocolate Factory. Tim Burton uses a close-up camera angle when Charlie finds the golden ticket to show how it is significant to the story. The golden ticket is significant because it is like his ticket to a new and better life. In Edward Scissorhands there is a close-up of the hands his inventor was going to give him which is very significant to the story because if his inventor finished him and
However, in stark contrast to The General, other films were being made around the world that did not follow a simple Hollywood structure, but rather were more experimental with what a movie could be. Man With a Movie Camera (1929), a very ahead of its time, utilized a completely different style of filmmaking that resonated strongly with the ideals of the Soviet Union. Thus, Man With a Movie Camera sought out to make the everyday people of the Soviet Union the stars of the film. This idea was completely revolutionary as well, and almost by necessity, introduced a new style of editing to fit the story—or rather the documentation—that director Dziga Vertov was trying to tell.