Of the many characters in Poe’s The Narrative of Arthur Gordon Pym one of the most notable, yet slowly fading characters is Tiger. Moreover, depending on the point in the story Tiger is either described as a key part of Pym’s life, or he is a mere addition thrown into the story as an afterthought. Poe introduces Tiger while Pym is in the cargo hold of the ship. Tiger stays with Pym through his most trying time in the cargo hold: when he feels abandoned and completely alone for several days. Pym describes this by saying that after he found Tiger with him, he felt “a giddy overpowering sense of deliverance and reanimation…” (18). However, after several days Tiger, desperate for survival, attacks Pym. After recovering from his near starvation Tiger plays a key role in the victory of Pym against the mutineers by saving Augustus during the fight. Tiger’s name isn’t used again, and he isn’t directly mentioned for the rest of the story; however, he is referenced when Pym says, “The dog was still growling, over Jones…” (58). This particular passage shows degree in which Tiger becomes insignificant to Pym by the end of his life because the very last time he is referred to Pym doesn’t call him by name. Based on close reading of the passages that include Tiger, a parallel is made between Pym and his life in Nantucket versus his life on the ship. When recalling finding Tiger in the cargo hold he says, “Rejoicing that he was with me to share my dread and solitude, and render my comfort by his caresses” (18). This shows that at this point in the story he cares for Tiger more than almost anyone else in his life. As the scenes with Tiger progress in the story it becomes clear that Pym is no longer attached to him, neither is Tiger attached to ... ... middle of paper ... ... be forever broken and forgotten. Meaning, the events made his mind completely disconnected from his past life in every way possible. Throughout the limited portion of The Narrative of Arthur Gordon Pym that Tiger is in he is a key character, but his importance decreases as Pym’s life becomes more focused on his new situation aboard the ship and less concerned with his life in Nantucket. Therefore, Tiger starts out being Pym’s “faithful follower and friend” (18). Yet, Tiger ends being discussed solely as “the dog”. Surviving the storm without any help from Tiger means that Pym no longer needs help from his former life and family. Moreover, Tiger’s death shows that even if Pym wants or needs help none will come from his life in Nantucket because the tie has been completely broken; making it imperative that he put all of his efforts into his life on board the ship.
As he begins to understand the people in his life and their actions, Jack learns that one can rarely make sense of an event until that event has become a part of the past, to be reconstructed and eventually understood in memory. T.S. Eliot expresses this idea in “The Dry Salvages”: “We had the experience but missed the meaning, / And approach to the meaning restores the experience / In a different form, beyond any meaning / We can assign to happiness" (194). Only by deliberately recalling the past can one understand the metaphysical and spiritual significance of his experiences. For this reason, Jack cannot make sense of the fateful day of Willie Stark’s murder until “long after…when I had been able to gather the pieces of the puzzle up and put them together to see the pattern" (Warren 407). The pattern of the past reveals the pattern of fallen human nature, thus opening man’s eyes to his own folly and enabling him to grow in wisdom.
...mption. He became a hollow shell of what he used to be, no longer living his life to his true potential.
darkest secrets. As a result, he was never able to become whole unless he acknowledged his shadow. For
Imagery is used by the poet to express her poetic concern. The poem "The Tiger" is completely an extended metaphor. As the central metaphor, the tiger symbolizes the poet's creativity and potential. However, such an image is expressed in a restricted way as the tiger is "behind the black bars of the page" which represents the poet's poetic inspirations that is also trapped under the fixed attitudes of society.
Crane was forced to contend with nature after his ship, the SS Commodore, sank into the ocean (Crane 18). He was constantly forced to act under the threat of death by drowning. If he didn’t step into nature to escape the sinking ship, he would drown. The same goes if his team didn’t row fast enough in their lifeboat. Crane’s goal was to leave nature’s cruel threats and return to civilization as fast as possible.
The protagonist, Pi is initially apprehensive to accept Richard Parker on the raft, but later comes to appreciate the tiger once he realizes this animal’s presence is crucial for his survival on the boat. First, Pi is scared and reluctant to accept his shadow self because it conflicts with his character and complicates his beliefs. This is evident when he says, “Together? We’ll be together? Have I gone mad? I woke up to what I was doing […]. Let go […] Richard Parker […] I don’t want you here […]. Get lost. Drown! Drown!!” (Martel 123). Though Pi recognizes his shadow self by encouraging Richard Parker to come on the boat, he soon realizes that he is about to accept his shadow self. He instantly regrets his decision and throws an oar at him in an effort to stop Richard Parker. His action symbolizes his denial and confusion he feels towards the extent of br...
He states that he is the provider of food and water for Richard Parker and the tiger is well aware that Pi is the one keeping him alive. He discusses the process of collecting rainwater and wraps the bags of water in a blanket in order to prevent them from splitting open. Richard Parker expects Pi to quickly give him food after fish, sharks, or turtles have been caught. Pi realizes as he is that he is eating like an animal, identical to Richard Parker. A storm arises and Pi falls into Richard Parker’s region of the boat. After the storm stops, Pi is unharmed, the bags of fresh water are not split open, and he finds a small amount of whistles. While Pi is resting, water splashes on his face. Suddenly he sees a whale directly next to the boat. Its eye is the size of Pi’s head. This enormous creature does not cause any harm. Pi begins to talk about birds, hopeful that one will reveal land. Nevertheless, none of the birds do so. He catches a masked booby and eats its lungs, stomach, liver, brain, eyes, and webbed feet. He gives the rest of the bird to Richard Parker. Lightning strikes from afar and comes closer. Richard Parker is terrified of the loud strikes while Pi believes it is a positive, religious
The reader is meant to think Pi manages to survive about a year at sea with an adult bengal tiger, and considering the reader's knowledge so far in the novel that makes sense. Amazed by this idea, the reader continues, each chapter becoming more, and more intriguing. Until just about the last chapter this novel seems almost logical, despite its unrealistic premise. Yann Martel does such a good job of conveying such convincing information about Pi’s journey with Richard Parker that there is not a thought in the reader's mind that this could just be a story. When the Japanese officials from the Ministry of Transport come, Pi tells them his unbelievable story, and to them it is too unbelievable. They ask him to tell a new story, a more realistic one. And Pi does, one that doesn’t have tigers, zebras, orangoutangs, or hyenas. Instead it is a story of Pi, his mother, the cook from the boat, and the sailor. In this new story Pi is represented as the tiger, his mother is the orangoutang, the cook is the hyena, and the sailor is the injured zebra. As it turns out Pi’s unbelievable story might not be as unbelievable as the reader originally thinks. Pi, as said in the quote above, is twisting his story to bring out its essence whether that is on purpose or
Writing in “Fact, Not Fiction: Questioning Our Assumptions About Crane’s ‘The Open Boat,’” Stefanie Eye Bates remarks, “By mentioning the men’s friendship, the atmosphere of congeniality and fraternity, the captain’s calm voice and the comfort the others took in it, Crane fully explains how he draws the conclusion that ‘although no one said it was so,’ the sense of unity was felt by all” (73). Since this bond of brotherhood is felt by all the men in the boat, but not discussed, it manifests in small ways as the men interact with each other. They are never irritated or upset with each other, no matter how tired or sore they are. Whenever one man is too tired to row, the next man takes over without complaining. When the correspondent thinks that he is the only person awake on the boat, and he sees and hears the shark in the water, the narrator says, “Nevertheless, it is true that he did not want to be alone with the thing. He wished one of his companions to awaken by chance and keep him company with it” (Crane 212). In reference to this scene, Shulman remarks that “the central theme of community [is] touchingly rendered here because the correspondent does not awaken his exhausted companions” (451). Nobody makes any statements about the bond that the men develop, but it is evident in small things like this, where the correspondent lets the other men sleep
...his family were probably too much for him to think about. This more than likely led to the unconscious repression of the event, person, or situation. The repression of these things into his unconscious is why he cannot recall anything relating to the situation.
that he chose to come back. He was burdened by the images and the vision after
Pi was afraid and surprised that Richard Parker was in the boat once he had lifted the blanket. Then Richard Parker had roared at him and tried to attack by his claws ,but pi had gotten away as soon as he did. Pi and Richard Parker started to roamed slowly around the boat in the middle of the ocean. Pi didn't trust Richard Parker because he knows that he only wanted to kill and eat pi. Pi tried to get rid of the tiger and then he tried avoiding the tiger, but as time goes on he got tired of trying get rid of Richard Parker. So then he began tame the tiger by using his whistle he had gotten from his locker. As he and Richard Parker started to get along through the past days,they have become really close friends.
...He is forced to see that the new hedonism he embraces with open arms is not without price to himself and those around him. It leads him deeper and deeper into sin and depravity until he cannot be redeemed for his faults. In a fit of madness he decides he no longer wants to have his own faults, the results of his impulsive, narcissistic, and selfish behavior visible to him. He takes a knife to the canvass and, in doing so, ends his own life. A life devoted to following his impulses without tempering them with reason, a life of thinking only of his own selfish desires and disregarding the hurt caused to the people around him. The legacy begotten by new hedonism.
Having just experienced the sinking of his family’s ship, and being put onto a life boat with only a hyena, Pi felt completely lost and alone. When he sees Richard Parker, the Bengal tiger from his family’s zoo, it is a familiar face to him. His initial reaction is to save the life of his familiar friend so that he may have a companion, and a protector aboard the lifeboat. Suddenly Pi realizes just what he is doing. He is saving the life of Richard Parker, by welcoming him, a 450 pound Bengal tiger, onto the small lifeboat. He experiences a change of heart when helping the tiger onto the boat. Pi realizes that he is now posing a threat on his own life. With Richard Parker on the boat, Pi is faced with not only the fight to survive stranded in the middle of the Pacific Ocean, but the fight to survive living with a meat eating tiger. The change of heart that Pi experiences might possibly mean that he is an impulsive thinker. It may mean that he often does something on impulse without thinking it through, and then later regrets his actions.
Through Islamic beliefs, Pi is able to find companionship with Richard Parker, a Royal Bengal tiger. Richard Parker displays that Pi does not stand alone in the position he finds himself in. Instead of going completely insane having nobody human present, Pi’s mind always remains occupied finding means of survival not only for himself, but for Richard Parker as well.