Jennifer R. Kinsey
Professor Natascha Gast
America Literature since the Civil War
March 30, 2014
This Side of Paradise
This Side of Paradise, by F. Scott Fitzgerald, I chose to write about the main character Amory Blaine. My goal is to show how unique and American Amory Blaine is from a very early age to adulthood. It will show how Amory Blaine can be compared to others in this century.
Amory Blaine is the son of a man that is ineffectual, inarticulate of having a habit of drowsing over the Encyclopedia Britannica (F. Scott Fitzgerald) who met Beatrice O’Hara, Amory’s mother, at Bar Harbor. Amory’s father became wealthy through the death of his two brothers, who were both successful brokers in Chicago. Being in an American family, the normalcy of growing up would be for the father to take care of the family. Amory’s mother, Beatrice, came from a very wealthy and well educated family from Lake Geneva, Wisconsin.
At an early age of five, Amory was already his mother’s companion; they set off to see the country in his father’s car up to he reached the age of ten. The life Beatrice and Amory were living, was not quite conventional, they are separate from most people, but unique and quite distinct from the other wealthy people around them. Beatrice was a sophisticated and well educated woman and who ensured Amory grew up the same. These are things which set him apart from his peers.
Amory attended school in Minnesota and lived with his Aunt and Uncle for two years after his mother had a nervous breakdown. Not a big fan of school, Amory was invited to a party hosted by a young lady named Myra. As all young boys become infatuated by pretty young girls Amory was no different and tempted Myra into kissing him. A gentle and subt...
... middle of paper ...
...Atlantic City. He realized for once he thought about someone else than his self, that he put his reputation on the line to help his friend Alec. At this time, Amory knows his life will be successful in the future. He knows he has acted selfishly in his earlier years but now he has begun to know himself and all that he can accomplish.
In conclusion to the story of Amory Blaine, he is genuinely an American. He has gone through the trials and tribulations that Americans go through. He was brought up in a wealthy family, went to college, then off to war, then to come back from war with no family or money. Amory finally started reflecting on his life and how it had become. Starting off in his youthful years he was an egotist but once he went through all the love and heart aches of different women and losing friends through the war, Amory realized he became a personage.
The novel The Cay has a main character named Phillip that gets stranded on an Island alone with an old man called Timothy. Through the experience that Phillip goes through, his character changes from a little brat to a mature adolescent. In The Cay, Phillip’s character reveals that through many conflicts, he developed gratefulness, love, and independence.
“Paradise Found and Lost” from Daniel J. Boorstin’s The Discoverers, embodies Columbus’ emotions, ideas, and hopes. Boorstin, a former Librarian of Congress, leads the reader through one man’s struggles as he tries to find a Western Passage to the wealth of the East. After reading “Paradise Found and Lost,” I was enlightened about Columbus’ tenacious spirit as he repeatedly fails to find the passage to Asia. Boorstin title of this essay is quite apropos because Columbus discovers a paradise but is unable to see what is before him for his vision is too jaded by his ambition.
Kristiana Kahakauwila's, a local Hawaiian brought up in California, perspective view of Hawaii is not the one we visually outwardly recognize and perceive in a tourist brochure, but paints a vivid picture of a modern, cutting edge Hawai`i. The short story "This Is Paradise", the ironically titled debut story accumulation, by Kahakauwila, tell the story of a group narrative that enacts a bit like a Greek ensemble of voices: the local working class women of Waikiki, who proximately observe and verbally meddle and confront a careless, puerile youthful tourist, named Susan, who is attracted to the more foreboding side of the city's nightlife. In this designation story, Susan is quieted into innocent separated by her paradisiacal circumventions, lulled into poor, unsafe naïve culls. Kahakauwila closes her story on a dismal somber note, where the chorus, do to little too late of what would have been ideal, to the impairment of all. Stereotype, territorial, acceptance, and unity, delineates and depicts the circadian lives of Hawaiian native locals, and the relationships with the neglectful, candid tourists, all while investigating and exploring the pressure tension intrinsically in racial and class division, and the wide hole in recognition between the battle between the traditional Hawaiian societal culture and the cutting edge modern world infringing on its shores.
idea of what Beatrice thinks he is like, so they do not have very high
Women in F. Scott Fitzgerald's first published piece This Side of Paradise , riddle the life of its main character, Amory Blaine. Despite his charm and his sense of confidence Amory fails, at least within the timeline of the text, to maintain a steady relationship. What Amory does achieve by the end is the conclusion that his generation is lost and that all he knows is himself. This is a serious change in philosophy from the beginning, where Amory believes he has the ability to master anything and anybody. Considering Amory has at least five loves within this philosophical development it seems likely that at least some of these lovers greatly influenced his final conclusions on himself and on the world. Thus, the question becomes not only how but which one of these women made the strongest impression on Amory and his verdict on the world? Three of those women will be examined here.
The boy is haplessly subject to the city’s dark, despondent conformity, and his tragic thirst for the unusual in the face of a monotonous, disagreeable reality, forms the heart of the story. The narrator’s ultimate disappointment occurs as a result of his awakening to the world around him and his eventual recognition and awareness of his own existence within that miserable setting. The gaudy superficiality of the bazaar, which in the boy’s mind had been an “oriental enchantment,” shreds away his protective blindness and leaves him alone with the realization that life and love contrast sharply from his dream (Joyce). Just as the bazaar is dark and empty, flourishing through the same profit motivation of the market place, love is represented as an empty, fleeting illusion. Similarly, the nameless narrator can no longer view his world passively, incapable of continually ignoring the hypocrisy and pretension of his neighborhood. No longer can the boy overlook the surrounding prejudice, dramatized by his aunt’s hopes that Araby, the bazaar he visited, is not “some Freemason affair,” and by the satirical and ironic gossiping of Mrs. Mercer while collecting stamps for “some pious purpose” (Joyce). The house, in the same fashion as the aunt, the uncle, and the entire neighborhood, reflects people
...the story. The boy, entering the new experiences of first love, has an idealistic and confused interpretation of love. Despite all the evidence of the dead house on a dead street in a dying city, he is determined to carry the girl’s image as a “chalice” through the “throngs of foes” and protect her in “places the most hostile to romance.” His quest ends when he arrives at Araby and realizes with great torment that it is not at all what he imagined. There was no enchantment at Araby. The boy has placed all his love and faith in a world that does not exist except in his imagination. He feels angry and betrayed. He realizes his own vanity (meaning the futility of life in Dublin), his own foolishness and waste of time, finally seeing himself as “the creature driven and derided by vanity.” He realizes that he has been blinded by an ideal of love and faith.
This Parisians bourgeoise lifestyle could well have been a gilded one for Béatrice, and would possibly have remained so indefinitely, had not the Great War come along and destroyed it forever. Not only did that War violently take her beloved, devoted father from the family, it also removed her brothers and uncles from her young life in exactly the same cruel manner.
With the help Mangan’s sister, the boy’s uncle, the priest, and the girl at the bazaar, the boy learns how to be a mature adult. The lessons that those characters have taught the boy will forever change him, as well as the reader, because of the many scenes of maturity, love and rejection. Joyce has captivated a diverse audience of readers that ranges from young, free-spirited kids to old, atrophying adults because of his astounding ability to relate the story to them. This story of the process of maturity will, in no doubt, teach the boy to never again chase after beauty alone, because if he does, he will once again wind up empty and detached with no meaning left in his life.
... to visit Ninny. Consequentially, the regular association shapes the bond of friendship and partiality that Evelyn feels for Ninny and the evident of intimate relationship is shown in Evelyn’s final decision to give Ninny a home. Ultimately though it is the stories that Ninny tells Evelyn that bring them together and thus we see how the supremacy of the story can create connections between people, maintain assertiveness and self-confidence.
John Milton divided the characters in his epic poem Paradise Lost into two sides, one side under God representing good, and the other side under Satan representing evil and sin. Milton first introduced the reader to the character Satan, the representative of all evil, and his allegiance of fallen angels that aided in his revolt against God (Milton 35). Only later did Milton introduce the reader to all powerful God, leader and creator of all mankind (John). This introduction of Satan first led the reader to believe acts of sin were good, just like Eve felt in the Garden of Eden when she was enticed by Satan to eat the fruit off of the Tree of Knowledge (Milton 255). The later introduction of The Almighty had the readers change their feelings towards sin, as the ways of God were introduced to them and these ways were shown to be the way to feel and believe. This levy of good vs. evil carried on throughout the poem with the interaction of Satan and his fallen angels with God and his son in Heaven.
Beatrice was almost always visually seen with an ecstatic smile on her face. That was who she was; a happy child. She would greet strangers with the beaming look, which gave her the infamous nickname from her older sister- Bea. Her love and campaign for the bees had also supported Merope’s decision of calling her Bea, but it was mostly due to beaming. It wasn’t Bea’s fault, as she couldn’t help herself. She was the optimist. Though, she couldn’t avail herself, that who she was deemed to be. The happy child. The free therapy of smiling lesson was taught by her mother to the sisters at a young age, but only Beatrice seemed to pursue it as she grew up. Her fondness toward the environment sprouted at a young age. Growing up in Australia, she
In Milton's Paradise Lost, the two images of sex in Books IV and IX sharply contrast one another in order to show the dichotomy of love and lust. The first act of sex is seen in Book IV and represents holy love. Before going into their bower, Adam and Eve make sure to praise God. This awe for their maker is seen when Adam and Eve "both stood,/Both turned, and under open sky adored/The God that made both sky, air, earth and Heav'n" (IV. 720-2). Even the heavens are in unison with Adam and Eve's love. While Eve decorates their "nuptial bed," there are "heaven'ly choirs" singing the "hymnenean sung" (IV. 709, -10). This love of Adam and Eve's is not "loveless, joyless, unendeared" but instead is "loyal, just, and pure" (IV. 766, 755). After their sacred act of sex, Adam and Eve are enraptured with joy and peace. They are "lulled by nightingales" and fall asleep naked, embracing one another (IV. 771). All is perfect in Paradise, but not for long.
This Side of Paradise, which is a largely autobiographical story about greed and love. It was centered on Amory Blaine, who was an ambitious Midwesterner who fell in love with two girls from high-class families. Ultimately he gets rejected by both. The novel was published in 1920. Almost overnight, Fitzgerald, at 24 became one of the country’s most promising new young writers.
The film, Paradise Now, begins with a woman named Suha, arriving at one of the guard stations entering into Palestine. The main characters, Said and Khaled, are shown working at a mechanic shop, going about their day. In that instance, Khaled and Said are having trouble with a customer, but Khaled over reacts causing him to get fired. Soon after, Suha arrives at the mechanic shop to pick up her car, and meets Said, having an instant connection, which foreshadows her importance in the film.