Dating back to 500 A.D, the future Empress of the Byzantine Empire, Theodora, was born. Theodora was born into a circus family for the Greens. The Blues and greens dominated public competitions that were organized by birth and association. These factions also competed for popularity in the arena. When her father, Arcacius, the Greens’ bearkeeper died, the Greens were about to expel her family. In order to save their family, her mother brought her and her three sisters into the arena as suppliants, where the Blues took them in because of their appeal to the crowd. From an early age, Theodora was required to contribute to the family’s financial fortunes by working as a seductive dancer and actress. Theodora financially grew because of her willingness to share sexual prowess with others. Theodora of the Byzantine Empire was determined to rise to power, and when she did, was a ruthless Empress who persuaded and influenced Justinian I and the government to benefit not only herself, but also her beliefs and opinions.
Before she was Empress, Theodora journeyed around Europe where she developed a taste of the higher-class lifestyle and found a purpose with the religion of the people of the Monophysites. As a young girl, Theodora was essentially a prostitute, providing sexual services to sustain herself and her family. Her determination for security demanded for a more permanent home with someone of higher ranks. She found her opportunity with Hecebolus, governor of Pentapolis. Theodora became the mistress of this bureaucrat and was able to live a life of wealth and easiness. Together, Theodora and Hecebolus traveled to Africa, where for some reason, they fell out of agreement and she was sent packing with no money of her own. She continu...
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...antinople and the banishing of all procurers. Theodora influenced the reform of family law, which outlawed the ban of women acting as guardians of their children, ended the death penalty for women charged with adultery, and altered the divorce laws, making them more beneficial to women. As a former actress who knew the hardships that come with the job, Theodora addresses the status of actresses. She prohibited making free or slave women work against their wishes, and she also readdressed Justinian’s law of actresses marrying higher ranked men. This led to both of Theodora’s sisters being able to marry men of higher rank. Theodora worked with Justinian to expand their palace to women and provide them with religious instruction and resources to make them more self-sufficient. By the time of her death, Theodora succeeded in improving the lives of many suffering women.
Throughout history, there have been countless women who have seized the opportunities afforded to them by fate to their advantage. Despite the oppression of patriarchal societies, these pioneers carved a place for themselves on the walls of the past. Clodia Metelli, who was a Roman aristocrat born in 95 BC, was one of most enigmatic female figures to emerge from ancient Rome. Clodia was a descendant of a powerful line of politicians, so she was soon swept into a world of wealth. Because she was connected to potent people, Clodia seized the opportunity to expand her influence over the political climate in ancient Rome. By utilizing the authority of those around her to gain her own, Clodia Metelli effectively
Lucretia and Dido are both viewed as ideal Roman women. The story of Lucretia is found in Livy’s Early History of Rome, while Dido is written about in The Aeneid by Virgil. By looking at Roman values, the story of Lucretia, the story of Dido, their similarities and differences, a background of Livy and Virgil, as well as the similarities and differences of Virgil and Livy’s views toward them, Dido and Lucretia can be seen as exemplary Roman women.
Hill, Barbara. Imperial Women in Byzantium 1025-1204: Power, patronage and ideology. New York: Longman, 1999. Print.
This paper will discuss the well published work of, Pomeroy, Sarah B. Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity. New York: Schocken, 1975. Print. Sarah B. Pomerory uses this book to educate others about the role women have played throughout ancient history. Pomerory uses a timeline to go through each role, starting with mythological women, who were called Goddesses. She then talks about some common roles, the whores, wives, and slaves during this time. Pomerory enlightens the audience on the topic of women, who were seen as nothing at the time. Men were seen as the only crucial part in history; however, Pomerory’s focus on women portrays the era in a new light.
For the Greeks, Homer's Odyssey was much more than just an entertaining tale of gods, monsters, and men, it served as cultural paradigm from which every important role and relationship could be defined. This book, much more so than its counter part The Iliad, gives an eclectic view of the Achean's peacetime civilization. Through Odyssey, we gain an understanding of what is proper or improper in relationships between father and son, god and mortal, servant and master, guest and host, and--importantly--man and woman. Women play a vital role in the movement of this narrative. Unlike in The Iliad, where they are chiefly prizes to be won, bereft of identity, the women of Odyssey are unique in their personality, intentions, and relationship towards men. Yet, despite the fact that no two women in this epic are alike, each--through her vices or virtues-- helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks.
2. Procopius starts this document stating that Theodora is nothing more than a prostitute. He goes on to say that she was not of class or had any dignity, because she would perform on stage almost completely nude. Procopius portrays her as someone who is ruthless and will do whatever she needs to do to accomplish her goals. Justinian would fall in love with her, but was not allowed to marry her because of his social status, because
Lefkowitz, Mary R., and Maureen B. Fant. Women's Life in Greece and Rome. Baltimore: The John Hopkins University Press, 2005.
--- Goddesses, Whores, Wives and Slaves: Women in Classical Antiquity. New York: Schocken Books. 1995, 2010. Kindle Edition. Location 2733 of 6360.
The Ottoman Empire were Muslims and included Hungary, Syria, Egypt, Bulgaria, and Albania, and they marched on land. The Ottoman Empire is said to have first appeared somewhere around the 1300’s, and can be related to the decline of the Byzantine Empire. They began conquering Christian lands and by the late 1600’s all Christians were afraid of the “terrible Turk”. It is no wonder that many other people were afraid of the Ottoman Empire since they seem to be really rather powerful and they conquered a lot of land. It was in the 1330’s when the Morroccan Abu Abdallah Ibn Battuta passed through Constantinople and became impressed with the Ottomans who seemed to be gaining power rather quickly, he noticed that they had close to 100 forts and
Kyle, D. G. (2003). " The Only Woman in All Greece": Kyniska, Agesilaus, Alcibiades and Olympia.
Any examination of women in Livy’s writing demands not only a literal interpretation of their character development and values, but also must account for their symbolic importance—thus creating a much more complex representation. Livy, an ancient historian, authored The Early History of Rome to be an exploration of Rome from its foundation, focusing on historical events and societal organization. In it, he examines the patriarchal society that stabilized Rome throughout its dominance. However, as a result of this explicitly defined hierarchy in Rome, women were seen as secondary figures in society. Most were viewed as submissive and passive, and it was well within the rights of men to assert their dominance—many women even agreed with these values. This can be seen in Livy’s portrayals of such women as the Sabine women, Horatia, and Lucretia. Yet Lucretia provides an interesting complexity to the exempla of women. On a symbolic level, Lucretia is an important catalyst in affecting the political organization of Rome. This representation is furthered with Livy’s descriptions of Lavinia, Rhea Silvia, and Verginia. Despite the work of Livy to create an accurate portrayal of women in ancient Rome, other authors showed women to actively defy this patriarchal society he describes. However, Livy’s effort to create the most accurate explanation of early Rome through a historical representation drives this discrepancy in characterization through genre. Therefore, Livy’s work serves as both an accurate and complex examination of the role of women in ancient Rome. According to Livy, a woman’s role was defined by her sacrifice; culturally, women were to be subordinate to men in the patriarchal structure of society, but also served as important...
of the book. USA: Simon and Schuster, Inc. 2000. The.. Print. The.. Blundell, Sue. Women in Ancient Greece.
Greek women, as depicted as in their history and literature, endure many hardships and struggle to establish a meaningful status in their society. In the Odyssey, Penelope’s only role in the epic is to support Odysseus and remain loyal to him. She is at home and struggles to keep her family intact while Odysseus is away trying to return to his native land. The cultural role of women is depicted as being supportive of man and nothing more. Yet what women in ancient Greece did long ago was by far more impressive than what men did.
For centuries women have fought to obtain basic civil rights and today, they are still fighting to obtain equal rights. From the right to vote to their right to birth control, women have always been trying to assert their own independence in order to expand their freedom. While much progress has been made, there is still room for improvement. However, the evolution of women’s rights and the role of women is mirrored in literature and can be used to illustrate the progression throughout history. Sophocles’ Oedipus Rex is no different. Through the character Jocasta, Sophocles creates a counterpart to Oedipus and uses her to reveal the oppression of women by contrasting her and Oedipus’ relationships and reactions to the prophecy. Throughout the play Oedipus Rex, Sophocles illustrates Jocasta’s vulnerability and supportive nature in order to women as fragile, doting, and obedient wives and mothers to facilitate the necessity of self-assertion.
She gained power because she had been prepared all her life to be a successful ruler by being very educated in studies, languages, charm, and even in relationships. She studied natural sciences and mathematics all her life. She was even taught from her servants how to be charming. In fact, they say her beauty was not all that striking but it was actually her charm and character that made others admire her. She learned how to speak several languages and was described to be so thoroughly fluent that she did not any need the help from an interpreter. She could easily speak to anyone, from the Ethiopians, Troglodytes, Hebrews, Arabians, Syrians, Medes, or even the Parthians. Despite her Macedonian descent, she was also able to g...