Obedience and disobedience were implicated themes in Renaissance Era poetry, whether the acts of such were toward man in John Donne’s work or toward God in John Milton’s. The concepts of obedience and disobedience can only make sense with a structural ranking or scale of entities. “The Great Chain of Being” is fundamental in the epic poem of Paradise Lost, as well as other poetry of the period. The beings and objects that held the most value were signified at the top of the chain, while the least valued were depicted at the bottom. God and the angels beneath him are positioned at the top end of the chain, existing entirely as spirit forms. Humans, capable of making mistakes and always changing are liable to change position. Spirit, rather,
The worst part is that he does this knowingly that he is positioning Eve above God. God says in Book 3 lines 98-99 “I made him just and right, sufficient to have stood though free to fall.” This makes it clear that fate was not a factor when it came to Adam’s fall. Adam always had the choice to be obedient or not obedient toward God. Adam’s desire for Eve to remain in Paradise was the causation for him putting her on a pedestal above God, disrupting the order and clarity of who his real superior was. Also, interesting to note, in Book 6 lines 864 and 865 it is said that “headlong themselves they threw down from the verge of Heaven…” which suggests that Satan and his group did not fall because they were thrown from Heaven by God, but rather their choices were what caused them to throw themselves out. This again utters the idea that fate is not a reality; that everyone under God has free will to make the choice to listen to him, or be
It seems as though God’s intentions are to give mankind free will to decide upon compliance. If man so chooses to be compliant, then this will cause Earth and Heaven to conjoin as one, just as it is said in lines 160-161 of Book 7 “And earth be changed to Heaven, and Heaven to earth, one kingdom, joy and union without end.” Upholding the structure in which God is the answer for every action will lead to ultimate salvation and reward. Contrastingly, Satan does everything in his power to achieve the opposite; to turn the Chain of Being upside and point all roads to him. His continual sinning is met with degradation and destruction. When God created the animals in Paradise they were all obedient, including the snake. After Satan’s infection, the snake becomes bad. Also, Satan and all of his followers are turned into serpents by God as punishment for what they’ve
In "The Perils of Obedience," Stanley Milgram conducted a study that tests the conflict between obedience to authority and one's own conscience. Through the experiments, Milgram discovered that the majority of people would go against their own decisions of right and wrong to appease the requests of an authority figure.
Disobedience is concretely defined as “The failure or refusal to obey someone in authority”, so it is no surprise - considering the beliefs of the contemporary societies - that it is a prevalent theme in Milton’s ‘Paradise Lost’ and Webster’s ‘The Duchess of Malfi’. Both texts revolve around the disobedience of a central character, Eve in ‘Paradise Lost’ and The Duchess in ‘The Duchess of Malfi’, both authors intelligently explore the inevitable consequences of disobeying those higher than yourself.
“Paradise Found and Lost” from Daniel J. Boorstin’s The Discoverers, embodies Columbus’ emotions, ideas, and hopes. Boorstin, a former Librarian of Congress, leads the reader through one man’s struggles as he tries to find a Western Passage to the wealth of the East. After reading “Paradise Found and Lost,” I was enlightened about Columbus’ tenacious spirit as he repeatedly fails to find the passage to Asia. Boorstin title of this essay is quite apropos because Columbus discovers a paradise but is unable to see what is before him for his vision is too jaded by his ambition.
Milton begins at the middle of his epic with an appeal to music, a universal and fulfilling language, “Restore us, and regain the blissful seat, Sing Heavenly Muse” (I.5-6).He immediately places us after the fall and takes us beyond sentience with an invocation to a muse, only this muse is beyond all muses and this epic is above all epics:
The seat of faith resides in the will of the individual and not in the leaning to our own reasoning, for reasoning is the freedom of choosing what one accepts as one’s will. In considering the will was created and one cannot accuse the potter or the clay, Milton writes to this reasoning, as “thir own revolt,” whereas the clay of humankind is sufficient and justly pliable for use as a vessel of obedience or disobedience (3.117). The difficulty of this acceptance of obedience or disobedience is inherent in the natural unwillingness in acknowledging that we are at the disposal of another being, even God. One theme of Paradise Lost is humankind’s disobedience to a Creator, a Creator that claims control over its creation. When a single living thing which God has made escapes beyond the Creator’s control this is in essence an eradicating of the Creator God. A Creator who would create a creature who the Creator would or could not control its creation is not a sovereign God. For who would not hold someone responsible for manufacturing something that could not be controlled and consider it immoral to do so? To think that God created a universe that he has somehow abdicated to its own devices is to accredit immorality to the Creator. Since the nucleus of Milton’s epic poem is to “justifie the wayes of God” to his creation, these ‘arguments’ are set in theological Miltonesque terms in his words (1. 26). Milton’s terms and words in Paradise Lost relate the view of God to man and Milton’s view to the reader. Views viewed in theological terms that have blazed many wandering paths through the centuries to knot up imperfect men to explain perfect God.
Paradise Lost is an epic poem portraying John Milton’s theological standpoints. The theme is knowledge and the fall of man. Milton uses his poem to state some of his theological beliefs and his personal reflections. Milton wrote Paradise Lost in the 17th century but uses influence from classic poets. Milton’s epic is an extremely important piece of literature. The excerpt used in this commentary takes on the subjects of sin and the punishment with regards to the atonement from God’s point of view. Milton’s states many of his own theological opinions but wants the reader to know that God is justified in everything that he does, and also wants them to know that man has free will.
He knows that they are now doomed, but immediately decides that he cannot live without Eve. Eve wants him to suffer the same fate as she. Adam eats the fruit. Both the Bible and Paradise Lost hold Adam and Eve at fault. But, both accounts place one of them in a more negative account. In the Bible, Adam is held in a more negative light, whereas in Paradise Lost, Eve is put into a more negative light. Neither of these depictions is correct, neither source hold them both in contempt for their actions they both committed. It is always one person’s fault, which is not accurate when both partook in the fateful eating of the fruit.
Milton's introduction of Satan shows the reader how significant Satan is to Paradise Lost. He uses Satan's heroic qualities to his followers, and his ability to corrupt to show the thin line between good and evil. Satan was one of the highest angels in Heaven and was know as Lucifer, meaning, light bearer. This shows he was once a good angel. Milton makes the reader see him as a leader and a strong influence to all in his presence. He best describes Satan's ways when stating, "His pride/ had cast him out from Heaven, with all his host. / Of rebel angels, by whose aspiring/ To set himself in glory above his peers" (Milton Book I). Satan's pride was the main reason that God banned him from heaven. Satan always tried to be number one and a leader, instead of following in God's shadow. He would of lived a life in Paradise forever, but he had to follow his feelings as he states, "Better to reign in Hell than serve in Heaven" (Milton 31). This shows how strongly he felt about not being above everybody else.
Seeing paradise only reminds Satan of what he lost as a result of his fall from Heaven. Satan comes to the conclusion that he is the very embodiment of hell, bringing it everywhere he goes : “The Hell within him, for within him Hell /He brings, and round about him, nor from Hell/One step no more then from himself can fly (20-22).” Compared to the Bible, we actually get to see the torment Satan suffers as he lives his life as God’s adversary. Satan actually takes responsibility for his fall , pointing out the flaws that led to it: “Till Pride and worse Ambition threw me down” ( 40 ) . Unlike the Satan in Genesis and Job, Milton’s Satan clearly understands why he has fallen. As Satan continues to ponder his situation , he realizes that even if there was a chance for his redemption, he would never be comfortable being God’s servant. Sooner or later, the same feelings of inferiority and the desire to overthrow God would rise. Satan becomes bitterer as his soliloquy goes on and resolves that his fate is sealed : “So farwel Hope, and with Hope farwel Fear,/ Farwel Remorse: all Good to me is lost;/Evil be thou my Good;”( 108-110). He then goes on to continue his revenge plot on God. Angry with God for putting him in the position to fall , Satan sees the same potential for failure in Adam and Eve. He then explains that it is in fact God’s fault that he must corrupt them and tells them to “ Thank him
John Milton's great epic poem, Paradise Lost, was written between the 1640's and 1665 in England, at a time of rapid change in the western world. Milton, a Puritan, clung to traditional Christian beliefs throughout his epic, but he also combined signs of the changing modern era with ancient epic style to craft a masterpiece. He chose as the subject of his great work the fall of man, from Genesis, which was a very popular story to discuss and retell at the time. His whole life had led up to the completion of this greatest work; he put over twenty years of time and almost as many years of study and travel to build a timeless classic. The success of his poem lies in the fact that he skillfully combined classic epic tradition with strongly held Puritan Christian beliefs.
In Book IV, Eve recalls awakening to consciousness but she is uncertain of her identity and of her place in the Garden of Eden. Eve's first thoughts are of “where and what [she] was, whence thither brought, and how” (Paradise Lost, IV.451-52), and it is this curiosity about her identity that leads Eve to disobey God eventually. From the moment of her conception, Eve is already distant from God because she awakens in the shade and not in God’s light. Throughout Paradise Lost, Eve is identified with reflections, shadows, and dreams. Representing the “otherness” of Eden, Eve is an outcast and she seeks to find meaning in her life. At the moment of her awakening, Eve is engrossed by her reflection in the water, which she thinks is another being. This watery, wavering image of Eve extends throughout Milton’s poem, and this further puts Eve in a weak position, for Eve is merely a ref...
Criticism. The. New York: Norton, 1975. Fox, Robert C. "The Allegory of Sin and Death in Paradise Lost." Modern Language Quarterly 24 (1963): 354-64. ---.
The story of the Fall of Man is known to many people not so much through the Bible as through John Milton's Paradise Lost. Milton's work presents a version that has become part of biblical custom, and to a certain degree aid in the understanding of the Creation and the Fall based on Milton's additions and explanations. The poem's monumental influence aside, Milton's unparalleled perspective has made Paradise Lost one of the most significant works that is relatable to his own era and the present. However, religion is not the only aspect that can be presented at a contemporary angle. By bringing in symbolic figures he invites allegorical interpretations that allow similarities to be made about community structure. Milton appeals to a modern audience by recognizing the structure of society throughout Paradise Lost. Today’s generation remains familiar with this societal component and its various interpretations.
Milton shows that the potential for evil was innate in these beings and was not the result of corruption from an external force. Lucifer believes himself to be God’s equal and desires omnipotence for himself. Lucifer’s pride is his undoing, and he is cast into hell where he becomes Satan. The pride is intrinsic to Lucifer’s nature and results from God giving angels free will. Indeed, Satan later considers repenting and seeking God’s forgiveness upon seeing Earth and all of God’s creation and being overwhelmed by emotion. However, he realizes that even if he did receive forgiveness, he would grow dissatisfied with his position in heaven once again and fall a second time “book four quote “ . This establishes evil as being a constant part of Satan; the evil could not exist without the good, but it is an inherent part of
Although the epic poem centers around the story of the fall of man, it is interesting that Milton intertwines in this story the fall of Satan from heaven and the consequences it has not only for Satan himself, but for Adam, Eve, and the world as a whole. Milton allows the reader to see the fall from the point of view of Satan, God, as well as Adam and Eve. Because Milton gives insight into these characters feelings regarding the fall, it is no surprise that he uses “eternal providence” in conjunction with the stories of Satan, Adam, and Eve. The providence being described here is the knowledge of good and evil. However, ev...