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Symbolism & Camera Angles and distances in Gattaca (1997) By Umama Fakher CMTM 160:Introduction to Cinema By Dan Wirth Section 01 12:55 PM - 2:10 PM The film “Gattaca” directed by Andrew Niccol mainly uses symbolism and camera angles and distances to highlight the main themes of the film. In the very opening scenes of the Gattaca, we can see the Blue screen and close-ups of falling hairs and nails as the information about the film is displayed. The falling hairs and nails are signifying the importance of genes and genetics and how the genetic will be going to play an important role in the whole movie. Another example of symbolism we can see, the letters G A C T are highlighted in the titles and subtitles and names on the blue …show more content…
The scenes from the film when the parents of the main character named Vincent who has the faith birth, along with him came into the hospital room where they are discussing with their gynecologist to provide the best genetics to their next son, the director frequently uses the close-ups, to show the expressions of the parents while talking to the Gynecologist, the Monitor screen showing the four healthy fertilized cells, to signify the importance of the how much important role these DNA cells were playing in determining the future of the newborns of that society. In the same scene, we can see the low angle was used when the camera turned around to Vincent. A view of the subject as seen from below eye level, with a toy model of DNA strand saying Hi to the Gynecologist. It was not a coincidence that Vincent had the toy model of DNA in his hands while his parents were discussing to provide the best possible genes from both of the parents to their next son but this toy model was placed in the hand of Vincent to symbolize how much a perfect genes and DNA is important to determine the successfulness of one person and how much he has to struggle with his own DNA in the society shown in
This scene is attempting to insinuate to the audience his failure of being a detective. This presents discontinuity due to the fact that the the film is changing space rapidly with no indication of time. This has graphic discontinuity edit because the scene is trying to create dissimilar environments but present the same visual principle. Rhythmic relation in this also contributes to the discontinuity by montage. As each scene is changing within the scene, the musical background has sudden interruption to follow with the intensity. Therefore, as there is no logic connecting the shots, this is to underline and present bewilderment to the audience due to the rapid change in
This film captures this class distinction without subduing the atmosphere through the use of a variety of cinematic devices. “A good film is not a bag of cinematic devices but the embodiment, through devices, of a vision, an underlying theme” (Barnett, 274). The audience can see this theme of the realities of the oppression, poverty and despair of this time period through the use of the things mentioned, but also through the character development that is driven by the character’s hopelessness. Each of the characters associated with the lower class is motivated by the conditions, which are viewed through the cinematic devices mentioned above: color, spherical lenses, long shots, and high angle shots. Sources Cited:.
Spike Lee does many fascinating things from a directorial standpoint, which makes his film (dare I say, joint), Do the Right Thing so interesting to watch. Writer, director Lee makes much use of the high and low angle shots. He does this to draw clear contrasts between the two elders of the block, Da Mayor and Mother Sister and to make conflict more apparent.
...ot where the camera follows a subject within a frame and motion of the subject or its surroundings is involved. In this movie Lee uses the double dolly shot which includes the camera dolly and the actor mounted on a second dolly so the actor is moving along with the camera. The double dolly shot signature move is one of Lee’s favorites and also plays into his technical competence for the movie. This shot stars Detective Keith Frazier and happens just seconds after a hostage is “allegedly” killed by the bank robbers. In this scene the camera tends to shake and Denzel facial expressions display feelings of sadness and anger. In addition, a small cameo of Sal’s Pizzeria pizza boxes are seen when the head bank robbers makes a deal with the officers to get food for the hostages. Lee has lots of these connections within his movies relating back to Do The Right Thing.
I will compare the emotions that both artworks send to the viewers when they first look at them. When I look at the portray 1, I fell sadness. That’s what the artwork is conveying to me. No one in the picture is happy or smiling. Everyone is sad, upset or indifferent. When we look at their gaze, the father is looking traight away, with tired eyes. His gesture shows that he doesn’t want to hear what his wife has to say and is asking her to stop. The mother’s gaze is on something in front of them. Her eyes are big and she seems to be giving more attention to things than the man. She seems sad sad to be spoken that way. On portray 2, the atmosphere is visibly different. The man and woman have a little smile on their faces and the kids are playing next to them. The people in the portray don’t look indifferent to each other or sad like in the other portray, they look pleased and caring. The man and women gaze are relaxed and they seem to be enjoying themselves. They are looking straight away in a pose as if someone is taking a picture of them. The kids gaze are in their
The opening sequence showcases Patrick's ambiguous actions throughout the film as red droplets similar to that of blood droplets fall against a off-white background, highlighting how there are some dark secrets buried under the glamour of the rich society. The non-diegesis plucking of strings serve as a warning to watch for the subtle horror elements that the film has in store. A high angle showcases the sauce accompanying a steak shows the importance of objects to a person's status. The food presented in several high-angle shots complement the clean, vivid colors surrounding the restaurant to compliment ...
The scene starts with a medium close-up of Richie, who is positioned in the center of the fame and looks directly into the camera –which also doubles as the bathroom window- while wearing his signature headband and sunglasses. The medium close-up leads the viewer to focus on Richie’s face during the actions that are to fallow, but it also allows for a sense of place to be established. The scene starts off poorly lit and with a s...
Vertov uses montage make the viewer understand the connection between individual potential and societal potential, and furthermore, how technology is able to factor into this connection. To achieve his goal, Vertov uses one scene which begins with a close-up, eye-level of a woman cleaning her face with a towel (Vertov, 11’42”-12’11”). The use of a close-up, eye-level shot pins the viewer on the woman’s eyes. The woman abruptly peers up, and as she does so, Vertov fluidly cross cuts to a close up shot of blinds of a window looking out the city opening, successfully blending together the motion of both shots. The window of the house is a unit of the community, and by blending the motion of the woman’s eyes with the blinds of the windows house, Vertov establishes the woman as a unit of her greater society. Vertov uses another crosscut to connect the shot of the blinds to a close up shot of a camera. The camera focuses in and out on a subsequent close-up shot of flowers. Just as the woman can use
Long tracking shots are one of the more unique and difficult shots in filmmaking. Film enthusiast Alan Bacchus commented on the difficulty of long tracking shots, “The difficulty arises when the camera is forced to move which complicates the logistics. The things that could be effected are focus Changes, lighting changes, and hiding production equipment.”(P.1, 3) There are some iconic long tracking shots in film history. The opening scene of Orson Welles’s Touch of Evil, Quentin Tarantino’s Kill Bill Vol.1 and more recently in the HBO Drama True Detective. We cannot mention the famous long tracking shots of all time without mentioning this film. The long tracking shot comes when Henry brings Karen to the Copacabana through the back door while there are countless people waiting to get in. The camera follows Henry and Karen as they make their way downstairs, through the kitchen, and out to their table. This whole shot is taken without any interruption and is truly remarkable. In this scene, Karen is introduced to how well known and respected Henry is throughout the city, almost everyone sitting in the restaurant and even the kitchen staff acknowledges his presence. Robert Warshow, the late author and film critic, writes in his book, The Gangster as Tragic Hero, that the gangster character has to be a man of the city,
In the film, two contrasting examples of genetic testing are shown. The first example is of the twins Noah and Alexis Beery, who are stricken with a rare disease that mimics cerebral palsy. Through genetic testing, doctors discovered that the twins could be treated with dopamine. By sequencing their entire genome, the twin’s lives were saved. The second example is Andrew S...
In the story “Recitatif” author Toni Morrison, published in 1983, tells a story of two young girls, Twyla and Roberta, with two different ethnicities, who grow up in an orphanage together. Due to the fact that the story is narrated by Twyla, it seems natural for us the readers to associate with this touching story, as many of us have encounter racial discrimination back in the 1980s, making it clear that Morrison states the two girls grow up to always remember each based on the similarities and the childhood they both encounter together, come from different ethnic backgrounds, and as the story reveals, destiny is determined to bring the girls’ path together.
...ause the look of curiosity of the girl extends beyond the frame. This gives the painting a sense of curiosity.
The opening shot looks like it was taken with a handheld camera, as it is somewhat shaky and we can hear a background noise. We are introduced to the character right away. We see a reflection of him at first, and then the camera proceeds to pan up until we can see his whole body. His head is turned away, so we can only see his profile. He is wearing casual clothing and a red headband. We know he is in New York City because we can see Queensboro subway station behind him. He looks to the side of the camera as it makes a few quick cuts. He crosses the street and the camera is behind him, a safe distance away. It zooms in and out and makes another series of quick cuts as it observes him reading a newspaper. He is never really in the centre of the shot and does not appear to be the main focus of the camera. We see people pass by and block our view and we even see him from the back. The next shot, at 1:50, shows his back as he’s having a conversation with somebody, whose face we also cannot see. The next shot is him sitting on a car, smoking a cigarette. Another man approaches him and they proceed to talk briefly. We cannot hear what they are saying. After another series of cuts, w...
Although in the novel the reader has to decipher and figure out the importance of these symbols, in the movie these symbols are enhanced and are shown more clearly to the viewer. They show Gatsby out on the dock reaching for the green light. When Gatsby is close to finally reaching his dream the light is shown brighter. Then, later on in the movie, they show light flicker and slowly go out after Gatsby’s death, showing how he had failed to gain the one thing he desired most, Daisy. Another example is the eyes of Doctor T.J. Eckleberg, the movie makes it more apparent that they represent the eyes of God looking over the corruption and loss of morality in the Valley of Ashes. While reading the book is more in depth, the movie can help the reader to further understand the meanings of these
Miguel de Cervantes' “Don Quixote” is one of the finest books ever written. Cervantes makes us love Don Quixote and Sancho Panza. He puts that love to the test through various misadventures that seem to come from a place of fantasy. Instead, the Don and Sancho educate one another (and us) in reality through their conversations and cause otherwise hidden aspects of reality to appear.