There are many themes can be found in the play Angels in America by Tony Kushner, such as religion, sexuality and politics. Actually, they are all connected and related to the source of selfishness, because it just acts like a road sign to give a direction to a person. Sometimes, selfishness can lead you the way to save ourselves when you are in different situations; but at the same time, selfishness can hurt and change a person deeply. In these two scenes, act 1 scene 8 and act 2 scene 9, we can see how selfishness appears in these two pairs of couples which are in different situations, Joe with Harper and Louis with Prior.
Joe only cares for himself from the beginning of the play. He doesn’t admit or show others that he is a true homosexual. Not only because of the society still don’t widely accept a homosexual at that time, it is also because of his religion. If Joe decides to be a homosexual, then Mormons consider him is a serious sin person. Therefore, Joe starts to save himself in a nominal marriage with Harper. He treats this relationship as a friendship, because there is no husband in the world will call his wife “Buddy”. Joe doesn’t have an attention to Harper. Even though he knows she is suffering some kind of drug problem, but he still doesn’t care and find out the reason behind the issue. In addition, Harper never receives any sexual gratification from Joe. That makes Harper feels rejected, and she starts to question herself whether she is unattractive than other women or she is an enemy of Joe. “I’m the enemy. That’s easy. That doesn’t change. You think you’re the only one who hates sex; I do; I hate it with you” (Kushner 43) In spite of that isn’t Harper’s fault; Joe doesn’t feel her is attractive, because Joe is ...
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... not Louis and Prior and Prior’s disease.” ( Kushner 84) The Leaving of Louis and the hopeless waiting are the hurtful things for Prior. Louis selfishness makes Prior to wait a promise that will never come true.
The difference between Joe and Louis is Joe want to find a safe haven to cover his sexuality, and Louis doesn’t embrace his boyfriend’s illness. They are both ruin the precious time of their lovers because of their selfishness. This two scenes definitely important and connect to the whole play. Because of their religion and sexuality are the sources of selfishness. Selfishness is leading them to save themselves, but also changing the views of Harper and Prior. For example, maybe they both scare to love another person again. In addition, maybe the selfishness brings Joe and Louis together, because they are somewhat similar in the way of treating others.
“Fallen Angels”, written by Walter Dean Myers, is a novel that tells about the story of young boys going into battle during the Vietnam War. There are many themes in “Fallen Angels” but the main theme is the loss of innocence. The title makes reference to these themes. And the boys in the book have dreams of losing their virginity and drinking alcohol for the first time. They are thrown into a harsh reality when they are shown the trials of war. In the end, they understand that the movies that depict heroicness and honor are just images of a false idea; that war is full of chaos and horror.
After moving to Eatonville and marrying Joe, Janie discovers that people are not always who they seem to be. While Joe at first seemed to be easy-going and friendly, she wa...
Why do you think the author chose the title he/she did? Analyze its deeper meaning. If it is an obvious title, rename it something more symbolic and explain your rationale.
In Janie and Joe’s marriage, Joe tries to force Jaine into submission, abuses her, and makes her lose herself. When Joe constantly brushes off Janie's suggestions to improve his illness he says: "All you got tuh do is mind me. How come you can’t do lak Ah tell yuh" (Ch.6). Joe never wants to be told what to do especially by a woman.
Janie and her second husband Joe Starks did not always see eye to eye some things he did for her were really sweet and compassionate. Joe knew exactly what to say to get Janie with him “De day you puts yo’ hand in mine, Ah wouldn’t let de sun go down on us single. Ah’m uh man wid principles. You ain’t never knowed what it was to be treated lak a lady and Ah wants to be de one tuh show you” (Hurston 35). Joe says that and right then Janie has fell for him he was the one she wanted now. Joe and Janie’s relationship in the movie was very different from the book Janie had a lot to say in the movie she never kept her mouth shut. Janie had more power over Joe in the movie seemed like then Joe had over Janie. Joe was not always the best husband to Janie
In Tony Kushner’s Angels in America, the interconnection of people and events, that might ordinarily be viewed as disconnected or unrelated, is implicitly presented in the characters section. Dual roles are implemented by a playwright that has one actor portraying the roles of two or more characters, with or without thematic intentions. The use of “dual roles” in several scenes of this play can be viewed as a demonstration of Kushner’s effort in maintaining the interconnectedness between characters, communities (i.e. queer, heterosexual, AIDS and political communities) and events to which they are relative. This essay will argue that Kushner’s use of dual role’s effectively interconnects characters, events and their communities that may be seen as usually unrelated. Analysis of four specific characters, Antarctica, Oceania, Australia and Europa, in Act Five, Scene Five of “Perestroika”, will demonstrate the connection of each Act Five, Scene Five character, to the actors main character based on the implicit evidence presented in the actors “primary” and “secondary” roles, the scenes dialogue and the character interactions. As one will see, by implementing dual roles, Kushner is able to expand or preserve the concept of a major character while the actor portrays another character, keeping the audience from having to completely renegotiate their knowledge between what they physically see of new characters and actually use the new context to view triumphs and struggles for a major character.
His voice continuously oppresses Janie and her voice. She retreats within herself, where she still dreams of her bloom time, which had ended with Joe, “This moment lead Janie to ‘grow out of her identity, but out of her division into inside and outside. Knowing not to mix them is knowing that articulate language requires the co-presence of two distinct poles, not their collapse into oneness’ ” (Clarke 608). The marriage carries on like this until Joe lies sick and dies in his death bed.
Tony Kushner, in his play Angels in America, explores a multitude of issues pertaining to modern American society including, but not limited to, race, religion, and sexual orientation. Through his diverse character selection, he is able to compare and contrast the many varied experiences that Americans might face today. Through it all, the characters’ lives are all linked together through a common thread: progress, both personal and public. Kushner offers insight on this topic by allowing his characters to discuss what it means to make progress and allowing them to change in their own ways. Careful observation of certain patterns reveals that, in the scope of the play, progress is cyclical in that it follows a sequential process of rootlessness, desire, and sacrifice, which repeats itself.
In a year that remains undefined beneath a small city lit only by candles, a young man is working. He works without the council to guide him and without his brothers beside him. He works for his own purposes, for his own desires, for the dreams that were born in his own steady heart and bright mind. In his society, this is the greatest transgression. To stand alone is to stand groping in the dark, and to act alone is to be shamed by one’s own selfishness. The elegantly simple society that Ayn Rand has created in the novel Anthem has erased all segregation and discrimination by making every man one and the same with those around him; only Equality 7-2521 defies the norm with his ruthless
her she would still be determined to change without him. Joe seems closer to her ideal, closer to
After the marriage with Logan she met Joe a man she ran off with after an argument with Logan. Joe was the charisma type when you over with talk and charm that's how he won Janie, but little did she know Joe wasn’t who she thought he was. Joe was a controlling man who thought Janie place should be by his side when she is needed or working in the store. “This business of the head-rag irked her endlessly. But Jody was set on it. Her hair was NOT going to show in the store. It didn’t seem sensible at all”. That was because Joe never told Janie how jealous he was.Joe loved Janie’s hair so much that he hated when other men would look at it, Joe was very controlling to the point he made Janie wear rags on her head to cover up her magnificent hair so other men couldn’t enjoy its beauty. Another instances were Joe took Janie individuality was when she had the chance to speak in public because of Joe becoming mayor “Janie had never thought of making a speech, and didn’t know if she cared to make one at all. It must have been the way Joe spoke out without giving her a chance to say anything one way or another that took the bloom off of things. She had the chance to speak to the people of the town, but Joe didn’t give her the chance to speak because he felt like it wasn’t a woman's place to speak in public. Each of those time Joe took a piece of who Janie was.
This play addresses many social issues. It ties in family, truth, righteousness, community, and politics. It really demonstrates how one issue can have many “truths” to it and how different people, even within ones own family, can see the same thing in total different perspectives; and in doing that act out against one another in an attempt to prove that one’s own perspective is the “right” or only one. In human nature, we are not one to compromise. We see so many things as one way or another, right or wrong; rarely do we seek to find the common ground between the two. In this play, common ground is never found, and in the end leaves a family broken up and a society left to wonder.
The ultimate motive of both the altruist and egoist is personal gain. Separating the two ideologies is the method by which this is accomplished. For the altruist, addressing the needs of humanity is purportedly the sole purpose of existence. Egoists, on the other hand, refuse to act if an action does not directly benefit themselves. In The Fountainhead, Ayn Rand addresses the function of altruists and egoists within society through character development. There are four characters in particular who distinctly exhibit the attributes of altruistic and egoistic individuals: Catherine Halsey, Peter Keating, and Ellsworth Toohey possess altruistic qualities; whereas, Howard Roark is explicitly egoistic.
Ethical egoism is diametrically opposite to ethical altruism, which obliges a moral agent to assist the other first, even if he sacrifices his own interest. Further, researchers justify and rationalize the mental position of egoism versus altruism through an explanation that altruism is destructive for a society, suppressing and denying an individual value. Although the ‘modern’ age unsubtly supports swaggering egoistic behavior in the competitive arena such as international politics, commerce, and sport, in other ‘traditional’ areas of the prideful selfishness showing off, to considerable extent discourages visible disobedience from the prevalent moral codes. In some cases, the open pro-egoist position, as was, per example, the ‘contextual’ interpretation of selfishness by famous German philosopher Friedrich Nietzsche, can be described as a ‘grotesque anomaly’.
are two main plots in the play, both based upon the theme of love. The