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Significance of art in the awakening
Analysis of self discovery in the awakening
Edna Pontellier and how she relates to today's society
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Theme of Isolation in The Awakening
One theme apparent in Kate Chopin's novel, The Awakening, is the consequence of solitude when independence is chosen over conformity. The novel's protagonist, Edna Pontellier, is faced with this consequence after she embarks on a journey of self-discovery. "As Edna's ability to express herself grows, the number of people who can understand her newfound language shrinks" (Ward 3). Edna's awakening from a conforming, Victorian wife and mother, into an emotional and sexual woman takes place through the use of self-expression in three forms: emotional language, art, and physical passion.
The first form of self-expression Edna learns is the emotional language spoken by the Creole women. These "mother-women" of Grand Isle freely use language to express their frank emotions and illustrate the stories of their every-day lives. Edna is initially shocked by "their entire absence of prudery" but she later finds it liberating (Chopin 686). Her Creole friend Adele Ratignolle is the most influential in Edna's verbal liberation. They spend a day at the beach together and Edna learns she can face her emotions, past and present, without fear. As she recognizes this change within herself, she begins to question the rules and ideas she has based her life on. Chopin acknowledges, "she [Edna] began to loosen a little the mantle of reserve that had always enveloped her" (690). This first step toward true self-expression are "like a first breath of freedom" for Edna, leaving her wanting more (Chopin 694).
Along with more expressive language, Edna learns to express her identity through art. Her teacher of this method is Mademoiselle Reisz, a Creole pianist. When previously lis...
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...r once again, leaving her devastated.
As Edna nears the end of the novel, she has reached full self-realization and independence through these three forms of expression. Her despair comes in the fact the she has surpassed each of her teachers, leaving her in a free, but lonely world. Edna is convinced her awakening, though liberating, has only led to essential solitude and chooses the ultimate isolation of death.
Works Cited
Chopin, Kate. The Awakening. Anthology of American Literature. Volume II: Realism to the Present. Ed. George McMichael. New Jersey: Prentice Hall, 2000. 697-771.
Davis, Sara de Saussure. "Kate Chopin." Dictionary of Literary Biography, Vol. 12 pp. 59-71. Literature Resource Center. Gale Group Databases. Central Lib. Fort Worth, TX. 11 Feb. 2003
Ward, Selena. "Spark Notes on The Awakening." 11 Feb 2003.
The Awakening is a novel about the growth of a woman becoming her own person; in spite of the expectations society has for her. The book follows Edna Pontellier as she struggles to find her identity. Edna knows that she cannot be happy filling the role that society has created for her. She did not believe that she could break from this pattern because of the pressures of society. As a result she ends up taking her own life. However, readers should not sympathize with her for taking her own life.
Joel pleads for help, making sure to tell the soldier that he thinks Sarah’s leg is broken. After the soldier radios in, asking for advice, it is heavily implied that the soldier is ordered by ear to shoot them. After slight hesitation, the soldier lifts his rifle and fires at the two. Joel practically flies in the opposite direction of the soldier for cover, only causing him and Sarah to stumble and fall down a small hill. The soldier hastily follows them and aims his gun directly at Joel’s head. Joel begs for his life and is saved when the soldier is shot and falls over. Just as Joel picks his head up and looks, the camera also pans left to reveal Tommy, with Joel’s revolver in hand. Immediately after, Joel hears crying and jumps to Sarah’s side who he notices was shot and is excessively bleeding from her abdomen. Joel tries to comfort her and applies pressure to her wound in an attempt to save her life, but in response are only heart-breaking shrieks and cries from Sarah, who is clasping onto her dad, until the cries finally stop and she dies in his arms. Joel breaks down hysterically crying, shaking, and tightly hugging his daughter as beautiful yet dark instrumental music begins to chime in in the background up until the screen cuts to the title of the game, The Last of Us, followed by the opening
Chopin, Kate. The Awakening and Selected Short Stories of Kate Chopin. New York: Penguin Books, 1996.
Chopin, Kate. The Awakening. A Norton Critical Edition: Kate Chopin: The Awakening. Ed. Margo Culley. 2nd ed. New York: W.W. Norton, 1994. 3-109.
Essentially, Edna is not able to fulfill any of the roles that are presented by Chopin in the novel: mother, sister, daughter, wife, friend, artist, lover to either man, and finally the traditional role of a woman in society. She does not quite fit into any niche, and thus her suicide at the end of the novel is the only way for Edna’s story to end. Chopin must have Edna die, as she cannot survive in this restrained society in which she does not belong to. The idea of giving yourself completely to serve another, Edna declares “that she would never sacrifice herself for her children, or for any one” (47). However, her awakening is also a realization of her underprivileged position in a male dominated society. The first sign that Edna is becoming comfortable with herself, and beginning to loosen the constrictions of not being an individual is when she asks Robert, her husband, to retrieve her shawl: "When he returned with the shawl she took it and kept it in her hand. She did not put it around her" (30). Edna is trying to establish herself as an artist in a society where there is no tradition of women as creative beings. For any woman to suggest a desire for a role outside the domestic sphere, as more than a mother or housewife, was perceived as
Chopin, Kate. The Awakening. Anthology of American Literature. Volume II: Realism to the Present. Ed. George McMichael. New Jersey: Prentice Hall, 2000. 697-771.
Throughout Kate Chopin’s novel The Awakening, the main protagonist Edna Pontellier, ventures through a journey of self-discovery and reinvention. Mrs.Pontellier is a mother and wife who begins to crave more from life, than her assigned societal roles. She encounters two opposite versions of herself, that leads her to question who she is and who she aims to be. Mrs. Pontellier’s journey depicts the struggle of overcoming the scrutiny women face, when denying the ideals set for them to abide. Most importantly the end of the novel depicts Mrs.Pontellier as committing suicide, as a result of her ongoing internal
To a certain extent, the reader can attempt believe that Edna finally found her liberation in death. However, a truly liberated woman is going to face the challenges that await her with strength and courage, and will find freedom in her own accomplishments.
Edna Pontellier, the protagonist in the novel The Awakening by Kate Chopin, is followed by the audience through her voyage of self-realization. As Edna’s journey unfolds, Chopin incorporates a vast variety of symbols in order to express Edna’s relationship with society. One of the most present symbols that Chopin uses is the way she addresses Edna’s clothing or its absence. As Edna’s character develops and her desire to liberate herself swells, she removes clothing that she feels are not only constricting to her body physically but to her soul emotionally. While Edna removes her clothing throughout the novel, she is contravening the social norms and rules that the society she lives in has presented to her. This is one of many ways that Edna
Chopin, Kate. The Awakening. The Norton Anthology of American Literature. Ed. Nina Baym. New York: W.W. Norton, 2007. 535-625. Print.
The main argument of this novel has been diluted though a too widened scope of Edna’s life. Throughout the novel Edna mentions countless flat characters that do not bring much to the Awakening that she is encountering. The wide variety of characters makes the novel very frustrating level of work. The audience can become confused with the different characters and the meaning Chopin holds behind each character. The Audience will them spend infinite time trying to incorporate meaning of the characters that they lose the overall journey that Edna is challenged with. While repeatedly reading this novel it became apparent to me that many of the characters could have been excluded from the novel to make the journey more objectified. The audience could still understand the object of this novel without Alcée Arobin, Madame Lebrun, Victor Lebrun, Mariequita, Dr. Mandelet, Mrs. James Highcamp and many others. All of these characters have little to no meaning that enhances the novel. For example, Alcée Arobin played a minor role as the second affair Edna was engaged in during her awakening. Without mentioning the affair between the two, there would still be circumstantial evidence that Edna is breaking free from society. She was already moved out of her husband’s home, abandoned all duties as a
The Norton Anthology of American Literature. 5th Ed. -. W.W. Norton & Co., NY. 1998. The. Chopin, Kate.
It serves as the underlying force in her experience, both at the beginning and all throughout. When she first learns to swim it is a result of Robert recommending a plunge (51) and having given her many lessons (52), and he is there with her after her moment of triumph, playing the dutiful friend (54). When he announces plans to leave she is devastated by the bewildering news (79), and for much of the remainder of the novel desperately seeks any news she can catch of him, inquiring of Robert’s mother, Mademoiselle Reisz (whom Robert writes on occasion; 119), and even her own husband (90). Near the end of the novel Edna confesses her love to him and admits to this, saying “I love you, only you, no one but you. It was you who awoke me last summer out of a lifelong stupid dream” (207). And it is this, alas, which brings both her awakening and her very life to an end. Robert returns from Mexico and is on the cusp of acquiescing to her sensuous entreaties to be her man, but experiences a change of heart and refuses to commit adultery with her, telling her that his love for her forbids it (215). It is at this moment, when the final consummation of happiness seems at hand and is then irrevocably thwarted, that her endeavor for independence and being true to herself comes to an end. Having attempted to live by her own desires and dictates, and to achieve happiness with Robert,
Chopin, Kate. Complete Novels and Stories. Ed. Sandra M. Gilbert. New York: Library of America, 2002. Print.
Social expectations of women affected Edna and other individuals in Kate Chopin’s novel The Awakening. The protagonist, Edna Pontellier, struggles throughout the novel in order to become independent and avoid her roles as mother and housewife in American Victorian society in 1899. This was because women during the 19th century were limited by what society demanded of them, to be the ideal housewives who would take care of their families. However, Edna tries to overcome these obstacles by exploring other options, such as having secret relationships with Robert and Arobin. Although Edna seeks to be independent throughout the novel, in the end she has been awakened but has not achieved independence.