Have you ever been tricked or deceived into doing something? Has anyone ever manipulated you into thinking something was true? Much Ado about Nothing has lots of trickery and deceit. In some cases trickery can lead to good things. It also can lead to bad circumstances. In Much Ado about Nothing trickery leads to romance ,false accusations, and marriage.
Trickery led to romance. It leads to Benedick and Beatrice falling in love for each other. At first it seemed that Benedick and Beatrice despised each other, but since they are both philistines, they can’t see that they were meant for each other. They tricked Benedick into falling in love with Beatrice by saying that Beatrice loved Benedick. At this point Benedick was hiding in the bushes and
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In act four he says,”What man was he talked with you yesternight out at your window betwixt twelve and one?”(4.1.88-89) In this quote Don John had convinced Claudio that Hero had cheated on him. So as they were getting married Claudio confronted her at the altar and disgraced her in front of everybody. Hero was accused wrongly because Don John makes a plan with Borachio to make it look like Hero cheated on Claudio with Borachio but the lady that is with Borachio is really Margaret. In act 2 Borachio says,”Hear me call Margaret “Hero,” and bring them to see this the very night before the wedding..and there shall appear such seeming truth of Hero’s disloyalty that jealousy shall be called assurance and all the preparation overthrown.(2.3.43-49) In this quote Don John is making a plan with Borachio to trick Claudio into thinking that Hero is Disloyal. After Claudio saw the incident, he was furious and wanted to yell out and stop her because what he saw marred his poor heart but the princes stopped him . Consequently the plan seemed to work and Claudio went on to disgrace her at the …show more content…
It led to Claudio and Hero getting married. It also led to Benedick and Beatrice to getting married. The first step is that they tricked Benedick and Beatrice into falling in love and after Benedick was realizing how much he loved her, he asked for her hand. They tricked Claudio into marrying Hero because they faked her death after he disgraced at the alter. After they found out she was accused wrongly Claudio pleaded sorry to Leonato and told him he wants to make it up to him. Then Leonato says, “Since you could not be my son-in-law, be yet my nephew.”(5.1.300-301) In this quote they are making Claudio think he’s going to marry Hero’s cousin. What they are really doing is tricking him into marrying Hero. So as the wedding starts and after Claudio agrees to marry her Hero unmasks herself and Claudio realizes she’s not dead and goes on to marry
Hero is resembled by Claudio as a “well-mannered young lady” who is content with her own unchangeable, elegant personality. This quote shows Hero is matron, and consistent of her elegance throughout the book and it is because of her personality that causes Claudio to be drawn to her. Claudio on the other hand, admits to Don Pedro that he is “hasty in (his) emotions”, which resembles his skeptical and uncertain personality when it comes to actually admitting his love for Hero. This evidence supports how Claudio is unsure of himself, and because of Claudio’s doubtful and unsure qualities he is quick to believe Don John when he says Hero has been unfaithful.
In was in Act 2 Scene 3, when Don John came up to both Claudio and his brother Don Pedro to discuss what he saw, Hero “supposedly” cheating on Claudio with another man the night before their wedding. Even though Claudio is naturally very gullible and naive, he first trusted Don John, who is known as the “Bastard,” when he was told that Hero was cheating on him and not Hero, herself. Also, in Act 4 Scene 1, the actual wedding day is when Claudio confronted her in front of an entire audience when Hero clearly states that what he speaks is completely false information given by Don John. Hero said, “I talk’d with no man at the hour, my lord.” (85) The non-exist amount of trust and loyalty they have for each other is unimaginable
The difference between Beatrice,Benedick,and the other two Claudio and Hero though is that, these two are very headstrong characters with a different outlook on love, but have very much love for one another. Benedick believes in just being a bachelor and spending the rest of his life messing with as many women as he pleases, well as for Beatrice she believes there is no man good enough and willing to show her the love she wants so she much rather be left alone. But the fact that they honestly want to believe what they say is what makes this get way more interesting. What they don’t know is that they are going to soon become curious trying to figure out what they truly feel for one
Benedick and Beatrice both benefit from the deceit that they encounter. At first, both are enemies in a battle of insults and wit, until they are each fooled into thinking that the other loves them. When Benedick hears that Beatrice is supposedly attracted to him, he thinks that it is “a gull, but that the white-bearded fellow speaks it: knavery cannot, sure, hide itself in such reverence” (111). Little does he know, Leonato, the "white-bearded fellow," is also in on the joke (111). Benedick starts to admire her when he is aware that Beatrice might actually be attracted to himself, as well. She is also astonished when she first hears that he loves her. However, when Beatrice comes to terms with their affection, she hopes "Benedick [will] love on... And [she] Believe it better than reportingly" (134). In other words, she falls in love with Benedick as soon as she believes that he, too, is fond of her. They each start to fall in love with one another under the pretense that other was hiding their affection from them. Now that they are both in love, they start to open up to each other and prove that the deception they endured was worth it in the end.
Throughout Act one and two, Benedick repeatedly says that he will never love a woman or get married. At some stage in the duration of the play his mindset changes. In the end he is head over heels in love for Beatrice whom he once quarreled with habitually. The turnabout in his behavior was brought about by the deceiving Claudio and Pedro who indirectly told Benedick that Beatrice loved him.
Beatrice and Benedick show their apparent distaste for each other right from the first scene. Beatrice mocks Benedick to the Governor of Messina, claiming that she always beats him in a battle of wits and the last time they crossed paths Benedict’s “five wits went halting off, and now is the whole man governed by one” (1,1,50). Clearly relishing resuming their ‘merry war’, Beatrice cuts Benedick down at the first opportunity, telling him “I wonder that you still will be talking, Signor Benedick, nobody marks you” (1,1,105). Incredulously, Benedick retorts, “what my dear lady distain! Are you yet living?” (1,1,95). So, the dynamic of the two is set and it goes on from there in the same vein. Yet, the reader, even at this early stage may ponder if the lady doth protest too much.
` Benedick and Beatrice hated each other at first. In the beginning of the play Beatrice makes a statement of “...will happily go to hell with Benedick.” This proves that Beatrice does not like Benedick, more hate. There is clearly tight tension in between them, and some background hatred as well. At the beginning of the play, Benedick and Beatrice had a hateful relationship.
Beatrice asks, Does it make any sense to write and tell him I love you when I have always treated him with scorn?” (2.3.31-34). In this quote all Claudio was saying was that Hero had told him that Beatrice had confessed to her that she was in love with Benedick but was not sure how to let him know That all changed when family and friends helped them both realized they have always been in love with one another. As for Claudio and Hero they are a couple who see eye to eye knowing they are perfect for one another. Even though they had an antagonist that did not want to see them happily married such as Don John, they were able to let it pass and end up happily
He highlights the superiority of relationships based on a deep understanding of character, as opposed to those based on first impressions and physical attraction. Through examples of various relationships he emphasizes the importance of trust in any loving relationship, and of love in any fulfilled life. It is Shakespeare's deep understanding of the varying relationships which exist in the lives of human beings, that gives Much Ado About Nothing its depth, strength and its contemporary relevance. Works Cited and Consulted: Barton, Anne. Introduction.
as they are told, and as Hero, Claudio’s future wife, had not been. faithful and therefore disrespectful, the blame was shifted to her. However, this was embarrassing for Claudio, and his anger was. great, making him seem aggressive. As the play begins to end.
This could be used against her in order to start thinking about marriage. Beatrice and Benedick seem to have been pushed in the right direction but this was the only factor. that actually made them fall in love with each other. As for Claudio and Hero, they were already in love with each other, but this stands to question, if they were really in love wouldn’t Claudio?
In the beginning of the play Benedick is just another soldier with Claudio but is also known for arguing with Beatrice. He is constantly getting in to arguments with her and at the masquerade Ball she pretends to be somebody else to try to interrogate her. When he first arrives in Messina he says “Look, it’s my dear lady distain.” This quote represents the relationship in between Benedick and Beatrice. The relationship they have is one of hatred and anger. However when Benedick is in the Orchid and over hears Claudio and the others he falls in love with Beatrice. When he falls in love with Beatrice he wants to pronounce his love to her himself. AS soon as he sees Beatrice after he was tricked into loving her he started being nice to her and didn’t make fun of her. Benedick also says “Lovely Beatrice, I thank you for taking the pains to tell me that” This highlights his change of heart towards Beatrice and that he is willing to love her. This shows how Benedick was manipulated to love Beatrice by Claudio, Don Pedro and Leonato. Afterward When Claudio shammed Hero in front of everybody and left Benedick wants to help Beatrice clear Hero’s name. Benedick doesn’t believe that Hero cheated Claudio and wants to fix the situation. Also he convinces Leonato of the friar’s plan to clear Hero’s name by faking her death. Benedick even says that “I really
Beatrice and Benedick seem to have had some relationship before the beginning of the book that ended badly. This suggests that the initial situation between Beatrice and Benedick was one of mutual attraction, not of the overt hate they seem to flaunt at the beginning of the play. Scorn of this magnitude is rare among people who dislike each other from the start, and seems very unlikely in a broken up couple. In addition, both Beatrice and Benedick turned out to be very willing to abandon their smear campaigns as soon as they are convinced the other is aching for them. It is ridiculous that one would abandon one's own principals to bail out a hated enemy in trouble. This makes clear that their attitude toward each other is an act. If this is so, what is the purpose of the act...
In William Shakespeare’s play ‘Much Ado about Nothing’, there are many instances of trickery and deception, which seem to surround the whole of the play.
Hero and Claudio represent the Elizabethan norm in marriage. Claudio is the shrewd, hardheaded fortune hunter and Hero is the modest maiden of conduct books and marriage manuals, a docile young woman. It is important to note that Claudio is more concerned with advancement in Don Pedro's army than he is with love. Therefore, Shakespeare illustrates to the reader through the near tragedy of mistaken identity that Claudio must learn that marriage is more than a business arrangement and become worthy of Hero's love and affection. Source: Ranald, Margaret Loftus. "As Marriage Binds, and Blood Breaks: English Marriage and Shakespeare". Shakespeare Quarterly. Vol 30, 1979: 68-81.