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Introduction to William Shakespeare
Literary criticism of William Shakespeare's work
Introduction to William Shakespeare
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Fair is foul, and foul is fair. Good morning ladies and gentlemen, I am the Second Witch from the play, Macbeth and my job is to identify and analyse how I have represented power in Macbeth. Macbeth is an English play published in 1606 by William Shakespeare during the reign of James I. It is based on the concept of the impure thirst for political and social power during the 17th century (Colonial Period). William Shakespeare’s intent of Macbeth is to exaggerate and influence the reader of the damaging physical and psychological effects of the desire for power. In doing so the theme of power is represented through my relationships with other characters in the novel. Shakespeare has utilised my character to represent power in Macbeth through
Shakespeare intentionally constructed Macbeth’s character to be extremely subjected to influence by me and my sister’s prophecies and alleged ‘fate’. Shakespeare also created Macbeth to value societal and royal power during his reign and his tyrannical and oppressive leading style. Physical power is nothing in comparison to having control over one’s mentality and thoughts – physical acts are voluntary whereas mental acts are involuntary. Shakespeare uses imagery and descriptive language when he constructed my character as I exclaim to Macbeth, “Be bloody, bold, and resolute; laugh to scorn; the power of man, for none of woman born; shall harm Macbeth.” (Act 4, Scene 1, Page 4) The descriptive nature of ‘laugh to scorn’ influences Macbeth to stand with confidence and be steadfast in his actions –encouraging him if you will. The power over Macbeth’s mentality is portrayed through his doubtful nature and constant need of reassurance. “Then live, Macduff; what need I fear of thee? But yet I 'll make assurance double sure.”(Act 4, Scene 1) Furthermore, the reader is led to believe the prophecies have such an influence over his emotional and mental state that is indecisive. Macbeth again demonstrates this through his statement to Lady Macbeth, “O, full of scorpions is my mind, dear wife!” (Act 2, Scene 1). The metaphoric nature of the scorpions illustrates the poisonous thoughts and evil ideas I instilled in his mind. This represents the power I have over his mental state and how my power is all-consuming and destructive. Macbeth further references “Ere the bat hath flown, His cloistered flight; ere to black Hecate’s summons, the shard-born beetle, with his drowsy hums…” (Act 3, Scene 2) The use of connotative language behind the bat and shard-born beetle conveys a negative, evil feeling which indicates his upsurge in evil tendencies. The influence
When Macbeth becomes king he controls almost everyone, from servants to assassins. He even attempts to order the three witches to do his bidding. However, Macbeth’s actions and demeanor later in the play are the result of Lady Macbeth, who holds sway over her husband. It is she who at first coaxes and controls Macbeth, resulting in the change in his personality. The supernatural, in particular the three witches, exert control over both Macbeth and his lady. In fact, it is their influences that initiate the sequence of events, and are therefore an integral part of the play.
Fair is foul, and foul is fair, a phrase that has become synonym with Macbeth. It is also the introduction to one of the most important themes of this tragedy: appearance and reality. Shakespeare uses various characters and situations to emphasize this confusion between the real and the surreal, the authentic and the fake, the act and the sincere. In order to discuss this theme, different characters will be looked at : in the first paragraph, the Witches, in the second, Duncan and in the third, Lady Macbeth.
Macbeth, a play written by William Shakespeare, portrays Macbeth as a kinsman, subject and trusted friend to King Duncan I of Scotland. A trusted friend, that is, until Macbeth has a chance encounter with the “three witches” (Shakespeare) or the “Weird Sisters”. The witches predict that Macbeth will become the next King and that his fellow companion, Banquo, will be the father of a line of kings. A change comes over Macbeth after his meeting; he is no longer content to be a follower of the King, he will “be” King at any cost. After killing the King and his friend Banquo, losing his wife to madness and ordering the execution of many, Macbeth is killed in much the same fashion as he has killed. But does this really reflect the real King MacBeth of Scotland? While examining the characteristics and actions of the two Macbeths and decide if Shakespeare’s writing was historically sound or was it just “double, double, toil and trouble” (4.1.22-26) playing with MacBeth’s character.
Humans are always fascinated by power. Sadly, they do not realize the danger of it until it is too late. In the play Macbeth, William Shakespeare's underscores how Macbeth and Lady Macbeth are both consumed by power. In the beginning, Lady Macbeth dominates Macbeth, manipulating him to kill Duncan. After the death of Duncan, Macbeth becomes ambitious, and hires murderers to kill Banquo without notifying Lady Macbeth. Even though he is a decorated soldier, when Macbeth rises to power, he becomes ruthless. On the other hand, Lady Macbeth becomes weak, and insane. Shakespeare illustrates how Macbeth’s obsession with power undermines his moral judgement, leads to his mental deterioration, and ultimately results in his death.
As Macbeth becomes less dependent on his wife, she loses more control. She loses control of her husband, but mostly, of herself, proving her vacillating truth. Lady Macbeth’s character gradually disintegrates through a false portrayal of unyielding strength, an unsteady control of her husband and shifting involvement with supernatural powers.Throughout the duration of play Lady Macbeth’s truly decrepit and vulnerable nature is revealed. Lady Macbeth has been the iron fist and authority icon for Macbeth, yet deep down, she never carried such traits to begin with. This duality in Lady Macbeth’s character plays a huge role in planting the seed for Macbeth’s downfall and eventual demise.
William Shakespeare’s Macbeth is a tragedy in which the main characters are obsessed by the desire for power. Macbeth’s aspiration for power blinds him to the ethical implications of his dreadful acts. The more that Shakespeare’s Macbeth represses his murderous feelings, the more he is haunted by them. By analyzing his hallucinations it is possible to trace his deteriorating mental state and the trajectory of his ultimate fall. Throughout the play Macbeth is never satisfied with himself. He feels the need to keep committing crime in order to keep what he wants most: his kingship. The harder Macbeth tries to change his fate the more he tends to run into his fate. His ambition and struggle for power was Macbeth’s tragic flaw in the play. Macbeth’s rise to the throne was brought about by the same external forces that ensure his downfall.
The essence of Macbeth lies not only in the fact that it is written by the universal talent William Shakespeare; the royal-conspiracy, the political unethical activity, the killin...
Macbeth is a brave general who fights for his country Scotland, defeating the King of Norway. He is loyal to his king Duncan, but Macbeth has ambition to take over the kingdom for himself. He has lots of doubts of if he is doing the right thing, but still murders Duncan and then Banquo who is another general who fought with Macbeth. These murders and guilt about his treason are leading Macbeth to become insane. This essay shows that although Macbeth’s strong desire for power is influenced by the three witches in the play and also the planning and ambition of his wife Lady Macbeth, in the end he is responsible for his self-destruction.
Perhaps the most fundamental theme of Shakespeare’s Macbeth is the inherent corruptibility of even a seemingly good man when ambition turns to greed, and Macbeth himself exemplifies this concept throughout the play. While at the outset he is seen to be loyal to his king, generally considered trustworthy, and displaying numerous other laudable qualities, Macbeth ultimately succumbs to the influence of those around him and becomes unequivocally evil, setting aside all his previously held morals and coming to be driven only by his lust for power. This transition is brought about by a wide variety of factors and plays an integral role in the development of the plot. In his tragedy Macbeth, William Shakespeare employs
Throughout the play, Macbeth, by William Shakespeare, the struggle of gaining power is seen very often among the main characters. The main character, Macbeth, struggles to gain power over others, in addition to Malcolm, for they have internal and external struggles they continue to face throughout the story in hopes of becoming king.
Among the greatest gifts that the renaissance produced was the eloquent and incredible Shakespearean plays. Written mostly in the 1590s these plays have been performed and admired countless times; entertaining mass audiences by providing interesting tales that explore the depth of human insights and the different universal themes. Among the many Shakespearean plays Macbeth, written in 1606, stands out with its short composition but multiple themes. This tragedy narrates the tale of Macbeth and Lady Macbeth’s quest to grasp ultimate power by ignoring their morals and succumbing to their dark desires, which ultimately leads to their downfall. This tragic play portrays the desires, needs, and temptations that accompany ambition in men and women. However the ambition in Macbeth is blind, it does not abide to the morals, but it allows space for dark actions as means necessary for accomplishment. Blind ambition serves as the main driving force that drives Macbeth to subdue to his dark desires, defy his noble behavior, and ultimately his downfall.
A.C. Bradley’s interpretation of Macbeth finds him human, conflicted, and comparable to his wife, Lady Macbeth, in many respects. They share a common ambition and a common conscience sensitive enough to feel the effects of their ambition. But the story, Bradley contends, is built upon the traits that set them apart. He focuses mainly on Macbeth. Macbeth is a character of two battling halves: his reason, or ambition, and his “imagination.” Bradley attributes the hysterical nature of Macbeth’s visions, the dagger, the specter of Banquo, and other ghosts, to his wild imagination. He “acts badly” (Bradley, 136) and loses his composure whenever his imagination triumphs over his practical side; however, Bradley also asserts that Macbeth’s imagination is “the best of him, something usually deeper and higher than his conscious thoughts” (133). Macbeth is therefore unable to make use of the “better” imagination with which he was endowed and instead only appears “firm, self-controlled and practical” when he is “hateful” (136). A product of these clashing sides, Macbeth’s murder of Duncan is borne of his inability to properly acknowledge the conclusions drawn by his imagination. In his soliloquies and in...
Throughout the play we are able to see the change Macbeth has encountered. He started out as a noble thane, content with his life. But as soon as the Three Sisters' have gotten the notion of Power in his head, we see his thrive for power ultimately corrupting him. By studying the impact power has on relationships in Macbeth, it is obvious that Banquo and Macbeth's relationship best represents the impact which the need for power can have on a relationship. This conclusively demonstrates that lust of power can drive people to doing the cruelest things in order to capture it.
Macbeth's excessive pride is now his prevailing character attribute. This feature of his personality is well depicted in Act IV, Scene 1, when he revisits the Witches, without any coercion. His confidence and impression of subjective impregnability are the main cause for his tragic downfall.
In Macbeth, Shakespeare confronts audiences with universal and powerful themes of ambition and evil along with its consequences. Shakespeare explores the powerful theme of the human mind’s decent into madness, audiences find this theme most confronting because of its universal relevance. His use of dramatic devices includes soliloquies, animal imagery, clear characterisation and dramatic language. Themes of ambition and mental instability are evident in Lady Macbeth’s reaction to Macbeth’s letter detailing the prophecies, Macbeth’s hallucinations of Banquo’s ghost and finally in the scene where Lady Macbeth is found sleep walking, tortured by her involvement.