During the course of this study, I have discovered that both the theme of a poem and the poetic elements appeal to me. I perceive nature as a façade; it is primarily identified as peaceful and inferior, however in the long term it can conquer any man-made creation. John Keats, John Kinsella and Sylvia Plath portray the influence of nature in different ways, yet they are united by their use of similar poetry techniques to portray nature uniquely.
On the Sea by John Keats incorporates visual imagery to illustrate the strength of the natural world and its ability to enlighten the soul. Keats has provided a new perspective of nature; a timeless sanctuary that resonates with the natural part of us all that produces a happy and relaxed feeling by addressing the senses. The ocean in this free verse is initially perceived as powerful and overbearing until a Greek goddess of magic 'breaks the spell ' to produce a swell resembling a "gentle temper", this insinuates that the is sea controlled by a greater power or it is able to take the form of a human. This use of personification emphasises Hecate 's embodiment of the sea, where "eternal whisperings" can be heard. The ocean has harnessed the power to rejuvenate the human soul of people with "vex 'd and tired" eyes or "hearts disturb 'd with uproar
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I can now determine that the underlying strength of nature in conjunction with imagery and personification appeals to my particular taste of literature. The theme used in John Keat 's On the Sea and Sylvia Plath 's Mushrooms displays nature 's ability to identify with humans and heavily influence their emotions. Lastly, John Kinsella 's poem Fog has the power to influence the reader 's perception by means of visual imagery. Natural forces exist everywhere and this study has opened my eyes to just how powerful; however small, nature can
...ictures for the reader. The similar use of personification in “Snapping Beans” by Lisa Parker and the use of diction and imagery in “Nighttime Fires” by Regina Barreca support how the use of different poetic devices aid in imagery. The contrasting tones of “Song” by John Donne and “Love Poem” by John Frederick Nims show how even though the poems have opposite tones of each other, that doesn’t mean the amount of imagery changes.
“Ode to Enchanted Light” by Pablo Neruda expresses and “Sleeping in the Forest” by Mary Oliver show deep appreciation of nature using a free form and narrative style formats. Pablo has a positive message about the lights under the trees, and has
Have you noticed that we feel a powerful desire to connect with nature during difficult times? Whether we are injured, depressed or sad our inclination towards nature increases. Patients in hospitals recover faster if they are in a room with a nice view. Why? Because nature is so pure and powerful that can restore our spirits and heal our bodies and minds. The beauty of nature has been praised in art, poetry, writings and films. Naturalists, poets and writers have documented the many benefits of spending time in nature. "Calypso Borealis" by Muir and "I wandered Lonely as a Cloud" by Wordsworth are two great pieces of literature where our hearts are filled with an indescribable emotion. John Muir and William Wordsworth express their relationship
William Faulkner overwhelms his audience with the visual perceptions that the characters experience, making the reader feel utterly attached to nature and using imagery how a human out of despair can make accusations. "If I jump off the porch I will be where the fish was, and it all cut up into a not-fish now. I can hear the bed and her face and them and I can...
Many different symbols were utilized in Kate Chopin's The Awakening to illustrate the underlying themes and internal conflict of the characters. One constant and re-emerging symbol is the sea.
Nature writing can be found in numerous genres and each can portray different opinions, thoughts, examples, solutions, etc. Therefore, setting up a general set of guidelines allows people the opportunity to define what is meant by nature writing. Defining genre can be highly influential when readers are trying to capture the essence of what they are reading. Lawrence Buell’s four criteria for what constitutes an “environmental text,” provide a basic set of understandable guidelines. However, as the criteria stand they are too directed at the factual context and overlook the “experience” or emotional resonance of reading such works.
Blake, Wordsworth, and Keats all represent the Romantic style of literature with their unorthodox themes of nature, art, and life; and how those three points can be tied together and used for creative purposes among humankind. Art and life are counterparts; one is lacking without the other. The Romantic period was about passion; finding inspiration and beauty in things people see every day. Wordsworth found childhood memories in a familiar landscape, Blake found himself captivated by the mysteries of how the majestic tiger was created, and Keats’ urn triggered him to put his inquiries of it into poetry. Each man expressed his individual view within their works; and like many of their Romantic contemporaries, their ideas ran against the flow of their time’s societal beliefs.
Nature is often a focal point for many author’s works, whether it is expressed through lyrics, short stories, or poetry. Authors are given a cornucopia of pictures and descriptions of nature’s splendor that they can reproduce through words. It is because of this that more often than not a reader is faced with multiple approaches and descriptions to the way nature is portrayed. Some authors tend to look at nature from a deeper and personal observation as in William Wordsworth’s “I Wandered Lonely as a Cloud”, while other authors tend to focus on a more religious beauty within nature as show in Gerard Manley Hopkins “Pied Beauty”, suggesting to the reader that while to each their own there is always a beauty to be found in nature and nature’s beauty can be uplifting for the human spirit both on a visual and spiritual level.
In “Kubla Khan,” Coleridge expresses his desire to use the inspirations from nature to create his own “Paradise” of poetry (54, p.1634). In the first stanza, Coleridge creates an exotic oriental garden, where the trees, gardens, hills, and the “Alph” river, together present the beauty of Mother Nature (3, p.1633). Here, the poet carefully observes his surroundings, as the nature will serve as the source of inspiration for his poetry. The “pleasure dome” (2, p.1633) in line two has two functions, one representing the creation of human beings on earth, and the other being the foundation of Coleridge’s poetic paradise. As the clash between nature and humans takes place in the second stanza with a “woman wailing for her demon-lover” (16, p.1633) the poet calls upon nature for his inspiration, represented by the powerful activity of nature. The energy of nature is released in forms of “a might fountain” (19, p.1633), “rebounding hail” (21, p.1633), or “dancing rocks” (23, p.1633) and eventually the natural disasters will accompanied by man-made destruction as “Kubla heard from far Ancestral voices prophesying war” (29-30, p.1634)! Coleridge on one hand reinforces that man and nature are inseparable and one the other uses the energy of nature to represent the spontaneous spurring of emotions in the poet’s mind.
John Keats employs word choices and word order to illustrate his contemplative and sympathetic tone. The tone could be interpreted as pessimistic and depressing because the majority of the poem focuses on Keats’ fear of death. However, if the reader views the last two lines of the poem in light which brings redemption, one might see that Keats merely wants to express the importance of this dominant fear in his life. He does not desire for his audience to focus on death, but to realize that man does not have control of when it comes. The poet uses poetic diction, a popular technique of the early nineteenth century. The poem also demonstrates formal diction that Keats is often known for. Although Keats meant for most of his words to interpret with denotative meanings, he does present a few examples of allusion and connotation. His connotations include “teeming,” defined as plen...
Through the ingenious works of poetry the role of nature has imprinted the 18th and 19th century with a mark of significance. The common terminology ‘nature’ has been reflected by our greatest poets in different meanings and understanding; Alexander Pope believed in reason and moderation, whereas Blake and Wordsworth embraced passion and imagination.
All in all, throughout all the history of American poetry, we can easily find numerous poems concerning nature from different angles, for nature will never betray a nature-loving heart just as William Wordsworth says.
Keats is one of the greatest lovers and admirers of nature. In his poetry, we come across exquisitely beautiful descriptions of the wonder sigts and senses of nature. He looks with child-like delight at the objects of nature and his whole being is thrilled by what he sees and hears. Everything in nature for him is full of wonder and mystery - the rising sun, the moving cloud, the growing bud and the swimming fish.
Many poets are inspired by the impressive persona that exists in nature to influence their style of poetry. The awesome power of nature can bring about thought and provoke certain feelings the poet has towards the natural surroundings.
In William Wordsworth’s poems, the role of nature plays a more reassuring and pivotal r ole within them. To Wordsworth’s poetry, interacting with nature represents the forces of the natural world. Throughout the three poems, Resolution and Independence, Tintern Abbey, and Michael, which will be discussed in this essay, nature is seen prominently as an everlasting- individual figure, which gives his audience as well as Wordsworth, himself, a sense of console. In all three poems, Wordsworth views nature and human beings as complementary elements of a sum of a whole, recognizing that humans are a sum of nature. Therefore, looking at the world as a soothing being of which he is a part of, Wordsworth looks at nature and sees the benevolence of the divinity aspects behind them.