Mirror Image Analysis In the short story Mirror Image the author addresses a great deal of self realization, defining the protagonist Alice throughout the story. An important theme about this character is focusing on how experiences change the views and perceptions we make of ourselves. Within the first few paragraphs the writer distinguishes the significance for the sunglasses Alice wears constantly throughout the story. “Alice took to wearing sunglasses all the time, to remind herself, to keep something constantly in front of her eyes that would remind her she looked different.” (pg.1) This quote implies Alice does not know who she is yet, and she uses the sunglasses to shield herself from her fears and sense of self. Another experience …show more content…
A major conflict is focusing on after Alice’s brain operation, she perceives to everyone and herself she’s the same girl she used to be. Unfortunately, her friends and family don’t agree that she is the same person. “You’re always saying that you are still you because you have the same brain, but who is to say that your whole personality is in your head?” (pg.5) Jenny argues that Alice is a completely different person than who she used to be. Their mother stands up for Alice but secretly does not agree with her, she does not see Alice as the daughter she used to have. “Sometimes I think my sister is dead.” (pg.5) This similar quote is showing how powerful Jenny feels about the new Alice and her failure to see how Alice is truly seeking self reflection. “Alice stared at her mother, but again her mother avoided her eyes.” (pg.5) This final quote impacts the reader 's empathetically and Alice immeasurably knowing that her own mother doesn’t accept her for who she is now. These quotes show the frustration from Alice and her family, skillfully building apprehensive conflict in the rising …show more content…
“At one time looking at her was like looking at a mirror” (pg.2) This simile shows how insecure Alice is with herself and finds comfort looking at her sister remembering that they used to look identical. She finds Jenny’s body more familiar than her own. The mirror symbolizes the way she interacts with everyone throughout the course of the story for the way she views herself. She can 't come to a conclusion of who she is on her own so she looks to others to tell her, until she finds Mr. Jarred. He reassures her self doubts and she evolves with satisfaction and
Though, acceptance of trauma can allow hindered development, eventually allowing full self-acceptance. Bernice, a once strong woman has been verbally, emotionally and physically abused since her childhood. Resulting in a loss of her sense of being. Within the beginning of the novel, when she is reflecting on her past memories, it becomes clear to the reader that in order for her to be able to accept herself, she needs to surface her past traumas. Bernice explains that, “In the tendrils, Bernice realizes there is remorse in her body and she is trying to kick it out. Her shell rejects remorse. Shame. Feeling bad over feeling good” (49). This mindset is negative and expresses her inability to share her emotions due to previous emotional abuse from her family and the many men that have taken advantage of her. This idea of disallowing happiness hinders her ability to accept herself and her past actions. However, through more time of self-reflection (over 200 hundred pages of her lying in bed with the author switching perspectives, confusing the hell out of me lol) Bernice realizes that she must learn to cope with these traumas and attempt to have a positive outlook on life. As Bernice is accepting the damaged part of herself, she comes to the realization that, “She can feel her body now, its loose and stiff at the same time. Her head, though will be the hard part. Part of her lost for so long that it is hard to enunciate what, exactly, she has found” (228). In comparison to when Bernice was unable to acknowledge her feelings and thoughts, it is now clear that she is slowly learning to manage her issues. By Bernice discovering that she is beginning to acknowledge her thoughts, this is the first step to being able to accept one’s self. In Total, It is shown that Bernice is deeply affected by the trauma within her life, however she is able to
Lewis Carroll demonstrates paradoxes within Alice and Wonderland as Alice is tossed within an entirely different world. Yet one of the greatest paradoxes is the transformation of Alice over the course of the novel as well as the transformation of the duchess. Alice begins as an ignorant child; she has difficulties in morphing to the logic and needs of Wonder...
However, in "The Death of Marilyn Monroe", our main character Marilyn Monroe is opposite of our unknown Barbie Doll. She is excepted by society, she has name, and is seen as perfection. She is the model that our girlchild is compared to. But the contrast of these two women is only on the outside. Their inner reflection is a mirror of each other. They are twins inside.
...eir lives, as one is only able to move on from past beliefs if one is willing to fully accept the changes. Both Alice from “Mirror Image” and Barry from “Saturday Climbing” start off struggling to see things in a new perspective, and therefore fails to embrace the changes in their lives. However, as the stories progress through, both of them begin to realize that the changes are unavoidable, and the best solution to facing the changes is to truly accept them. At the end of the story, both Alice and Barry learn to shift their thinking and adjust to the changes in their lives, and successfully move on from their past beliefs. Changes in life can be uncontrollable, but it is up to one’s attitudes towards the transformations and one’s willingness to embrace them that determine whether the changes can inspire new chances, and how one can make the best out of them.
When experiencing regret, a person has the tendency to repeatedly replay the details of whatever caused that emotion. However, recounting past events is only the first step in the healing process, but it is not the end solution. This is abundantly evident in Olsen’s story which begins with the narrator’s rapid emotional descent into regret. This happens when, as she has probably done a thousand times before, an unnamed third party questions the mother about her eldest daughter, Emily, asking how they can “help” and “understand her” better (Olsen 607), for surely she would know. Unfortunately, the answer to this request sends the mother helplessly down memory lane into regret valley. With Olsen’s strong symbolism, the reader becomes more keenly aware of the inner “torment” she feels while reminiscing about her callow method of raising Emily. Consequently, as the mother “moves… back and forth” emotionally, ...
In the story “Two Kinds”, the author, Amy Tan, intends to make reader think of the meaning behind the story. She doesn’t speak out as an analyzer to illustrate what is the real problem between her and her mother. Instead, she uses her own point of view as a narrator to state what she has experienced and what she feels in her mind all along the story. She has not judged what is right or wrong based on her opinion. Instead of giving instruction of how to solve a family issue, the author chooses to write a narrative diary containing her true feeling toward events during her childhood, which offers reader not only a clear account, but insight on how the narrator feels frustrated due to failing her mother’s expectations which leads to a large conflict between the narrator and her mother.
...alized that “a girl was not, as [she] had supposed, simply what [she] was; it was what [she] had to become” she was starting to admit defeat, and then finally when she begins to cry, it is here that the narrator understands that there is no escape from the pre-determined duties that go along with the passage of a child into being a girl, and a girl into a woman, and that “even in her heart. Maybe it (her understanding that conforming is unstoppable) was true”
This extremity of emotion brings her to downfall. Her tendency to limit her own abilities by her nature of fixed habits or unmovable convictions isolates Alice from her community and distorts her features. She had once been a beautiful girl but grows into a woman with a head too large for her body. This is symbolic of her self-consumption, loneliness, and illusions. “I am becoming old and queer. If Ned comes he will not want me.” (Anderson 117). She grows to support the theme of life in death, living within her own imagination and memory to the point that her head is nearly expanding under the stress. She denies herself the reality of life by narrowing the experience to a dream world. By making absolute convictions and believing her own lies, Alice refuses to meld her worlds of dream and reality together. For example, Will Hurley, the man who walks her home from Church meetings, is an impostor into her narrowly constructed universe and thus she does not want to...
“Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise” (Carroll 105). This and advice of this kind are often dispensed by the Duchess in Alice’s Adventures in Wonderland to Alice, and like the transition from child to adult, the advice is generally rarely fully understood if not confusingly difficult to wrap logic around. Many illustrators have undertaken the task of conveying a clear picture of the struggle that Alice goes through in order to triumph over childhood and nonsense into the realm of adults and logic. Angel Dominguez shows Alice’s struggle to grow up and out of childhood, a major theme of the text, in such a way that the audience can almost feel her anxiety. The use of the body language of Alice, the Duchess and the supporting animals, in addition to compositional elements such as proximity and framing, is a principal mechanism of Dominguez in evoking Alice’s anxiety and emphasizing the uncomfortable passage into maturity on one’s own while dealing with the pressures and advances of an adult world.
Although the novel is notorious for its satire and parodies, Alice’s Adventures in Wonderland main theme is the transition between childhood and adulthood. Moreover, Alice’s adventures illustrate the perplexing struggle between child and adult mentalities as she explores the curious world of development know as Wonderland. From the beginning in the hallway of doors, Alice stands at an awkward disposition. The hallway contains dozens of doors that are all locked. Alice’s pre-adolescent stage parallels with her position in the hallway. Alice’s position in the hallway represents that she is at a stage stuck between being a child and a young woman. She posses a small golden key to ...
The author applies sight and personification to accentuate the mirror’s roles. The declaimer of the poem says “I am silver and exact [and] whatever I see I swallow” (1, 20). The purpose of these devices is to convey the position of the mirror in the poem. As an inanimate object, the mirror is incapable of consuming anything but the appearances of entities. Furthermore, the glass’ role accentuates an inner mirror, the human mirror which does not forget instances of misery and contentment. According to Freedman, the mimicking image emulated by the mirror elicits “… a look for oneself inside” as observed from the life of the elderly woman in the sonnet (153). Moreover, as the woman looks into the lake, she commemorates her appealing and attractive and pleasant figure as a young girl. As time passes, the inevitability of old age knocks on the door of the woman, readily waiting to change the sterling rapturous lady perceived by many. One’s appearance can change; it is up to an individual to embrace it or reject it.
Lewis Carroll’s Alice in Wonderland follows the story of young Alice trapped in the world of Wonderland after falling down through a rabbit-hole. The rabbit-hole which is filled with bookshelves, maps, and other objects foreshadows the set of rules, the ones Alice is normally accustomed to, will be defied in Wonderland. This conflict between her world and Wonderland becomes evident shortly after her arrival as evinced by chaos in “Pool of Tears” and Alice brings up the main theme of the book “was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I am not the same, the next question is who am I?” (Carroll 18). After Alice fails to resolve her identity crisis using her friends, Alice says “Who am I, then? Tell me that first, and then, if I like being that person, I’ll come up: if not, I’ll stay down here til I’m somebody else” (Carroll 19). Hence in the beginning, Alice is showing her dependency on others to define her identity. Nevertheless when her name is called as a witness in chapter 12, Alice replies “HERE!” without any signs of hesitation (Carroll 103). Close examination of the plot in Alice in Wonderland reveals that experiential learning involving sizes leads Alice to think logically and rationally. Alice then attempts to explore Wonderland analytically and becomes more independent as the outcome. With these qualities, Alice resolves her identity crisis by recognizing Wonderland is nothing but a dream created by her mind.
The characters in Alice in Wonderland and Through the Looking Glass are more than whimsical ideas brought to life by Lewis Carroll. These characters, ranging from silly to rude, portray the adults in Alice Liddell’s life. The parental figures in Alice’s reality, portrayed in Alice in Wonderland, are viewed as unintellectual figures through their behaviors and their interactions with one another. Alice’s interactions with the characters of Wonderland reflect her struggles with adults in real life. Naturally curious as she is, Alice asks questions to learn from the adults.
Throughout the novel, Alice finds herself lost in untrodden territory that she must adjust to despite the distressing unfamiliarity. Her confusing conversation with the Mad Hatter is the first step in understanding that not everything in life comes with a logical explanation. Similarly, her experience with the Queen of Hearts’ abrupt behavior helps her to become used to quickly adapting to delicate situations that she may be unaccustomed to. Finally, the illogical criminal trial for the Knave of Hearts consolidates the idea that she must forgo her close mindedness to unpredictable situations and be prepared to handle anything. Alice’s lesson could easily be applied to the real world as an individual is often thrown into a depth of water they are unused to, but still must learn how to swim in.