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Recommended: Creon as the tragic hero
The play “Antigone,” by Sophocles, is a Greek Tragedy about a young and loyal woman named Antigone. In the play, Antigone goes to the city of Thebes where she learns that her brothers Polyneices and Eteocles have died. Furthermore, she discovers that under the leadership of King Creon, her brother Polyneices may not be given a proper burial. Throughout the rest of the play, the audience discovers the aftermath of the new law as dictated by Creon. Although several main characters such as Antigone, Polyneices, and Eteocles, demonstrate the tragic flaw of hubris, the true tragic hero is King Creon. In the beginning, the audience meets the new King, and the tragic hero, Creon. Creon’s first action as King is to declare that the corpse of Polyneices may not receive proper burial rights as he was a traitor to Thebes. Furthermore, he proclaims that anyone who does attempt to bury the corpse is to be given “death by stoning publicly” (2006). While this law may appear harsh, it is meant to demonstrate Creon’s …show more content…
authority following the anarchy previously found in Thebes. However, hubris, Creon’s tragic flaw, quickly takes over. Creon refuses to listen to what others, including the blind and wise profit Teiresias, have to say. Despite Teiresias warning that his refusal to bury Polyneices will anger the Gods and cause his demise, Creon remains stubborn and will not allow the burial. As a result of his pride, he wants to appear as a powerful man who does not back down from his declarations. It is not until the denouement, when he agrees to release Antigone, that he realizes the error in his ways. Unfortunately, everyone he loves, including Antigone are already gone. Consequently, Creon must experience the death of those around him to understand the extent of his own hubris. Antigone’s pride and fierce devotion to her family and is on full display when she buries her brother Polyneices.
Even though the King wants to leave Polyneices “for the birds that see him” (2006), Antigone feels he deserves proper burial rights. Thus, out of fierce loyalty and pride for her family, Antigone declares that she “shall be a criminal” (2007) and “[heaps] the earth on the grave” of her brother. Consequently, she is thrown into prison by the King and hangs herself. While being prideful of her family is not a negative character trait, the way that Antigone goes about the burial demonstrates her tragic flaw. Even though Antigone originally has honorable intentions in burying her brother, she becomes overly prideful in them wanting Ismene to “shout” (2008) and “proclaim” (2008) what she has done “to everyone” (2008). Thus, Antigone falls to hubris when she takes the noble action of burying her brother too far and attempts to receive glory for her
deeds. While Polyneices and Eteocles do not utter a word in the play, they are both are main characters illustrating the characteristic of hubris. Before “Antigone” takes place, her brothers argue about who is to become the next ruler of Thebes. Both are power hungry and prideful wanting to become the next leader. They refuse to share the throne out self-pride and cause Antigone and Ismene to lose their brothers “by their hands dealing mutual death” (2006) to one another. As a result, the entirety of the play must take play as Antigone tries to bury the body of Polyneices. Both men demonstrate the tragic flaw of hubris as they are too prideful to share the throne and this mindset is what causes their “battle to the death” (2006). While some may argue that either Antigone, Polyneices, or Eteocles is the tragic hero, the real tragic hero is Creon. A tragic character, as defined by the textbook, is “traditionally a good and noble person of high rank” who is “brought to a disastrous end” but “comes to understand the meaning of his deeds” (A12). Creon fits all of this. First all, he was born into nobility and became king later in his life. Creon is also “brought to a disastrous end” (A12) when all of his loved ones, from Antigone to his wife, pass away. Lastly, he “comes to understand the meaning of his deeds” (A12) in the final lines when he says “it was I that killed her” and pleads for his own death to come quickly. While many characters in “Antigone” demonstrate tragic flaws and hubris, the true tragic hero is King Creon.
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In the play Antigone Sophocles presents the tragic consequence of a bloated ego. The play is set in Thebes, Greece before the Common Era. King Oedipus renounces his throne after discovering that he has unknowingly married his mother and inadvertently killed his father leaving the thrown to his wife’s brother, Creon (725). Oedipus’s two sons, Eteocles and Polyneices, die in war. The newly crowned King Creon, buries Eteocles with full honors for his support of Thebes and refuses the burial of Polyneices as punishment for fighting against Thebes. The play’s name sake and daughter of Oedipus, Antigone, is forced to go against the command of her uncle to bury her brother and is sentenced to imprisonment until death for defying his command. Haimon, Creon’s son, hears of his future bride’s sentence and attempts to reason with his father. However, blinded by rage and ego Creon will not listen to reason.
The crux of the play, the causal factor to all the following events is how the new King Creon deals with the dead traitor Polynices, brother of Antigone. The decree not to bury the corpse must be considered from the viewpoint of a 5th Century Athenian, watching this play. The Antigone was written during a time of great strife for the city of Athens and they were in the middle of their conflict with the Spartans. At a time such as this , concern for the city was foremost in a citizen's mind. Creon's decree not to bury him at this stage then is right. Essentially not burying a body, any body, is an offence to the gods, and the persons spirit will not be able to go down to the underworld and cross the River Styx and Archeron. However, the Greeks believed that for some the sentence was deserved. The sentence of non-burial is appropriate in this case, as the Greeks believed that "those convicted of sa...
In complete disregard to Creon’s threatening laws, Antigone knowingly risks capital punishment and seals her fate by choosing to bury Polynices out of respect for Theban tradition. Antigone declares her independence by stating that “[she] will bury him [herself]. And even if [she] die[s] in the act, that death will be a glory,” (85–86). She takes full responsibility for her own actions, and recognizes that her inevitable death may come sooner than planned due to this deed. Antigone’s self-governing demeanor and ability to make her own decisions allows her to establish the course of her future. She self-determines her destiny by not sitting idle and working hard to honor her family. Antigone’s bluntness towards Ismene while trying to convince
In Antigone, translated by Elizabeth Wyckoff, the struggle between Creon and Antigone’s wills lead to their eventual downfalls. Croen believes that his decision to not have a proper burial for Polyneices is defended by the Gods, among other things. However, Antigone believes that her decision to bury Polyneices is also justified. A compromise is unable to be reached because of their inelastic viewpoints, not necessarily the views themselves. These extreme views are shaped by Antigone and Creon’s personalities, families, and social statuses. The rigidity of their viewpoints leads us to wonder about the principles that these characters hold, and why they hold them.
The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices.
Thinking that the king rules alone and if one ever disobeys the King, they are to bear consequences. The King of Thebes, arrogance leads to tragic endings for his loved ones such as his wife and son. Creon believed that since he was the king, he had the right to make decisions without bothering to discuss it with others, and that he could rule alone, because he was greater than everyone else. King Creon had made a law to not bury Polyneices, if anyone were to break the law the consequence would be death, and yet somebody disobeyed the law leaving Creon furious, stating, “Money!
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Antigone’s firm belief that her brother Polyneices should have a proper burial is established by her conviction in that the law of the gods is above all else. This law proclaims that all men be mourned and honored by family and friends through means of a suitable burial. Antigone’s need to put honor upon Polyneices’ soul is so grand that she ignores the advice of everyone around her, including her sister Ismene, who tries to pull her away from performing this criminal act because it will disobey the law set by King Creon, and lead to her demise. However, Antigone does not care about the repercussions because even though “[s...
Summing up, Antigone decides to express her discontent with what she considers to be the unethical new regime of King Creon by burying her brother's body. By taking this bold step, Antigone shows the strength that an individual’s actions hold in a democracy. Creon, with his stubborn attitude, shows how a democracy where peoples’ voices are not heard can be dysfunctional, and that laws should be made by taking other people into confidence and not on an individual basis. In the end, Antigone resolves to sacrifice her own life in the service of a greater justice. It is this kind of formidable resolve that changes the course of history, and that is something that we can respect equally in the 5th century B.C. and the 21st century A.D.
Though both brothers, Polynices and Eteocles, died at the hands of each other at the same time, Creon only paid proper respects for Eteocles because he died protecting the country. However for Polynices, he issued “a proclamation [that forbid] the city to dignify him with burial, morn him at all” and allow “his corpse, carrion for the birds and dogs to tear, an obscenity for the citizens to behold” (lines 227-231). Though it is typical for people of exile to have a different burial than regular Theban citizens, Creon’s barbaric instructions for Polynices burial is beyond immoral. Instead of being buried outside the city, Creon’s order is to not have him buried at all. This is a very torturous ending because when people die they need some type of burial to enter into the underworld, so Creon’s issue of this law meant that Polynices’ soul would be lost and without a home. Creon’s bizarre instructions are rooted in his personality as king and has less to do with Polynices himself. Instead of being a Theban king of honor, Creon let his pride get in the way which spoiled his leadership skills. His arrogance goes so overboard that he mocks the gods more than once. After proclaiming Antigone’s death, he first mocks Zeus by stating “let [Antigone] cry for mercy, sing her hymns to Zeus who defends all bonds of kindred blood” and again when he says “there let her pray to her god she worships” (lines 735-736) (line875). His outrageous mockery here is an example of how obnoxious he is and has no respect for his citizens or the gods they worship. It is safe to assume the Creon thinks he has taken the place of a god because of his position as king. However, in the end Creon finds out that he was wrong for the proclamation and sentencing Antigone for standing up for what was
In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of Greece as it is an unspoken law of the Gods. Antigone goes to bury her brother so his afterlife will be better. She does it in spite of the law that Creon has made. “It is the dead, not the living, who make the longest demands” (192) She tries to explain to her sister, Ismene, that they must bury Polyneices, but even that close relationship has trouble because of the law. Ismene is unwilling to suffer the consequences of the law, to save her brother’s soul “Forgive me but I am helpless: I must yield to those in authority” (192) Even the two sisters who have just lost both of their brothers have different views on the matter. One will not stray from the law and what is deemed right by their king, while the other will accept any punishment, even death just to do what she believes is right.
The failures of Creon leadership represent the limitations of autocratic government and thereby serve to promote democracy. At the play’s opening, Creon is portrayed sympathetically. He presents his decree preventing the burial of Polynices as just retribution for his crimes against Thebes and as an effective way to prevent pollution (Sophocles 62). He feels further vindicated because the chorus, consisting of elder representatives of the populace, supports the decree. Even Antigone’s impassioned defence, which invokes the “unwritten and unfailing” (73) laws of the gods, appears to have no impact on the chorus, who states that “she does not know how to bend amidst her troubles” (74). This perception of Creon begins to shift upon Antigone’s death sentence. Although the punishment seems as cruel and excessive, Creon firmly believes it to be a necessary deed. He is “eager to display his full control of a crisis barely averted...
Antigone risks her own life to bury her brother, therefore, she goes against Kreon’s edict that Polyneices should be left unburied; she believes Polyneices deserves to reach the afterlife. Antigone tells Ismene, “I will bury him myself. If I die for doing that, good: I will stay with him, my brother; and my crime will be devotion” (Sophocles 23). Antigone is willing to risk her own life by disobeying the king’s authority; She stands up for her religious belief that Polyneices should be buried. Kreon tells Antigone before she takes her own life, “I won’t encourage you. You’ve been condemned” (Sophocles 57). Kreon believes that Antigone’s crime is severe, and righteousness should be used to justify her crime. At this point of the play, Antigone realizes she will be put to death, but she does not regret her act of loyalty. In Antigone’s last speech before she takes her own life, she exclaims, “Land of Thebes, city of my fathers… see what I suffer at my mother’s brother’s hand for an act of loyalty and devotion” (Sophocles 57). Here, Antigone addresses the nation’s leaders and declares that they should notice th...