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Essay on horror genre films
Genre of horror introduction
Essay on the genre horror
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In the 1954 piece of film making genius being Godzilla directed by Ishirō Honda has often been interpreted as a horror movie. Which is a surprising categorization considering the film doesn’t focus on blood and gore as a scare tactic like many traditional horror films relay on. Instead Godzilla uses the horror elements in order to portray its underlying themes. One of these themes being the idea of the fear of unknown, which is a very real fear that most people face at some point in their life’s and relating to these basic human attributes makes a whole new genre and form of fear inducing cinema. A notable example from the film is when Godzilla is attacking the city in a scene of destruction and fear from the cities citizens. During this chaos
Which I’m sure was an empowering moment when those effect by the bomb first watched the film. Another example of monsters symbolizing our fears are vampires. Vampires have been used in a variety of angels, but they started out as the fears of the unknown. They were conceived during the outbreak of the plague and other diseases. Dracula on the other hand was a metaphor of human evil. He can help us understand the monsters we meet in everyday life disguised as everyday people. Dracula is known as the prince of darkness. In “Dracula as Metaphor for Human Evil” author, Steven G Herbert claims ”Count Dracula is the quintessence of the evil creatures we meet in our everyday life, the darkness embodied in our fellowmen and in our own hearts. The vampires symbology can help us recognize the monsters without even as we confront their reflection within.” (62) Godzilla, Frankenstein, and Dracula are all prime examples of societies fears and vulnerabilities and the hidden truths for why we create
Throughout history we see monsters taking many different shapes and sizes. Whether it be a ghoul in the midst of a cold nightly stroll or a mass genocide, monsters are lurking everywhere and our perception of what monsters truly are, is enhancing their growth as a force with which to be reckoned. Fear of the unknown is seen throughout time, but as humans progress we are finding that things we once were afraid of we are less frightening than they once were. Monsters can evoke fear in their targeted victims rather than physically harm their victims. For instance, every year a new horror film is released with the next scary beast, but why do we call something a monster even if we know it is not real? Even certain people and creatures are classified as monsters, but are they really monsters, or do their actions speak of monstrous doings? In his article and book chapter Monsters and the Moral Imagination and chapter 5 of On Monsters, Stephen Asma suggests that monstrosity, as we know it, is on the rise as humans progress, and how we perceive monsters can often define monstrosities in itself, providing evidence as to why monster cultures are on the rise, and showing how human progress has evolved our perception of how we think on the topic that is monsters.
Monsters like Godzilla are important for humans who are coping with a fear of death. The use of monsters is to lessen the fear of that pending imminent threat and or distress of waiting for a catastrophe to happen. The symbolism in these films shows how humans see other humans as monstrous. They have no other way to represent that so they show it through huge threatening, bugs or monsters. In movies
Imagine waking one day to witness the tragic state of hundreds of thousands of homes being left in ruins, along with the ashes and rubble of major cities, and the casualties of millions of citizens. This was evident on August 6, 1945 in Hiroshima, Japan when the first ever atomic bomb dropped. A mere three days later, and Nagasaki, Japan was also bombed, and the world was taken by storm. Even though WWII is in the past, the long-term effects on Japanese citizens and the debate on possible outcomes of the war is still discussed decades after the events. According to Peter H. Brothers in “Japan’s Nuclear Nightmare: How the Bomb Became a Beast Called Godzilla,” these events inspired film director, Ishiro Honda, to create the monster movie Godzilla,
“When you say 'fear of the unknown', that is the definition of fear; fear is the unknown, fear is what you do not know, and it's genetically within us so that we feel safe. We feel scared of the woods because we're not familiar with it, and that keeps you safe.” – M. Night Shyamalan
There have been many films in the horror genre that have inspired fear nature for example Jaws and The Birds. The film Jaw directed Steven Spielberg inspected people to fear sharks as written by Tim Donnelly published in New York Post, ¨The taut tension of the film, aided by Spielberg’s economical use of the actual shark on screen combined with John Williams’ iconic, haunting score, plucks fear strings so effectively, it even transfers completely off-screen”. (Why ‘Jaws’ terrifies even phobia experts). This is the truth since many people were scared of going into the water after the film came out. Furthermore, the film was saw by many people since it made $ 260,000,000 on it opening weekend. This film song is still used to this
First thing to remember, Humans react to the horror by the amount of fear they have inside of them. In fact, King's short story “Strawberry spring” causes fear to the people because it’s something that would come around every eight years.(Strawberry
The true measure of success for any film lies in its ability to establish a relationship with its audience. Perhaps more than in any other genre, the horror film must be aware of this relationship and manage it carefully. After all, the purpose of a horror film is not necessarily to invoke thought, but rather to evoke an emotional reaction from its audience. Horror films of all types have used frightening images, disturbing characters, and thrilling sequences to inspire fear. Within the genre, 'tried and true' methods have become staples in evoking this response from the viewer. From serial killers 'around the corner' to monsters under the bed, the horror genre has employed these methods to guarantee a scare from its audience. The result is often a predictable film that only touches the surface of this relationship. Every once in a while, however, a film comes along that explores the possibilities and experiments with the depth of this relationship. Such films are presented in ways to attach themselves inside of the human psyche and remain there long after the film is over.
One might argue that the scariest horror films are those films which horrors portray a sense that something of that nature might actually happen in the real world. The beauty of horror films is that anything could theoretically be possible, like Freddy Krueger sticking his tongue through Nancy’s phone as he says, “I’m your boyfriend now, Nancy” or a horde of zombies stampeding through the cities of the United States wiping out humanity in its path. If one thinks about it long enough, anything we can perceive could happen. However, there is a line between the pure science fiction and those horror films which attempt to tackle a more realistic, social, cultural, psychological, or political problem in society.
Suárez’ moving depiction of a young boy’s empathy for and identification with the movie monster, Godzilla. The narrator recalls how by the age of twelve he knew what it felt like to be “unwanted, exiled” and to “move from one country to another where nobody wants you” (Suárez, 2000/2012, pg. 679-680). This vivid image conjures feelings of isolation, loneliness, inadequacy, and being an outcast that most readers find intimately relatable. Second, the narrator described how he understood the heartache of rejection that echoed in Godzilla’s pained and tortured bellows as a fearful community rejected the powerful, fictitious outsider. Third, the mother’s recognition of “that monster, that island” assigned a secondary meaning to the monster, as she referred to Fidel Castro, the
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
In Japanese, the word Kaiju means a giant monster. It is a word that describes a different type of beast of a human-sized nasty portrayed in movies. Giant monsters have the capability of eating a person wholly and wreck cities by way of stomping. Their use in the Japanese Kaiju films has made these movies the most important in the genre. Newitz (1) describes various Japanese Kaiju films that one must watch to understand the usefulness of giant monster in these movies. Some of the Kaiju films in Japan include the Godzilla (1954), Mothra (1961), Ghidorah (1964), King Kong Vs. Godzilla (1962), Mothra Vs. Godzilla (1964), and The Mysterians (1957) among others. This research paper aims at discussing a selected Japanese Kaiju Movie. The paper will focus on various aspects of the movies including its history, how it compared to the western monster films and American Godzilla films among other aspects.
Monstrosity is the unknown. Monstrosity drives fears. Monstrosity is a word that people put their fears into. Monstrosity reveals that in human nature, people have a strange desire to fear. One way or another, everyone fears something, whether they know why or not.
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
Would you rather be horrified beyond repair or thrilled to the point of no return? In horror, the main purpose is to invoke fear and dread into the audience in the most unrealistic way. Horror movies involve supernatural entities such as ghosts, vampires, teleportation, and being completely immortal. As thriller films are grounded in realism and involve more suspense, mystery, and a sense of panic. Though both genres will frighten the audience, it will happen in two different ways. Whether the horror thrills or the thriller horrifies, a scare is always incorporated.