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Metaphor in the catcher in the rye
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Fear and Foresight: An Uncertain Tomorrow
The concept of adversity brings with it a sense of formidability and opportunity for growth. But with every adversity comes change and change harbors a sense of fear. Fear of change is quite distinct from a fear of insects or nose picking toddlers. The individual trapped in this predicament of angst begins to foresee few outcomes that are favourable and more that are doomed and. Thus, the judgement of the individual making the life-altering decision is hindered. This fear is born when foresight no longer comforts, when a tomorrow is no longer certain.
J.D Salinger exceptionally explores the interdependence and omnipresence of the two forces,: fear and foresight, through the novel, Catcher in the
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Holden is misguided to the point where he is unable to comprehend the true meaning of the most important overarching symbol in the book, the catcher in the rye. Irony at its finest, Holden mistakes the words in the song much as he mistakes the cause of his torment - it comes from himself not from those around him. Holden thinks the words are “‘if a body catch a body comin’ through the rye’ ” The actual line has ‘meet’ in the stead of ‘catch’ and is a justification for casual sex. This is the furthest concept from what Holden is pursuing. Holden’s misunderstanding it only reasserts how his perfect utopian world where children are caged in and restrained in a world that does not reflect reality and or not allowed to grow is essentially …show more content…
Holden’s obsession with removing the profanity is notable, for it shows his distaste for anything that may corrupt the innocence of the children. Holden wishes to shelter children from adult experiences, revealing his fear of maturity and further establishing his dream of being the catcher in the rye. He sees more profane language marked on the wall of the school in marker and scratched in, asserting how his cause is ‘hopeless anyway... impossible’ (222). The museum a place that is supposed to be frozen in time also has a ‘F*** you’ written in crayon. The museum represents the world Holden wishes to live in: it’s a world of his catcher in the rye fantasy, a world where nothing changes. Holden is still avoiding his fear and as he visits the museum it confronts him
I would like to discuss how Holden’s misinterpretation of the Robert Burns poem, “Coming Through the Rye”, sums up his deepest desires by taking a journey through his troubled adolescence and his journey to self–discovery that results in his breakdown. According to Phoebe, the original line in the poem is “if a body meet a body”. However, Holden’s misinterpretation of “if a body catch a body” removes all sexual connotations from the original poem. Holden is a deeply disturbed adolescent in search of a way to preserve his childhood innocence. His “red hunting cap” is a symbol of his uniqueness and his rejection to conform to society.
J. D. Salinger’s novel, Catcher in the Rye explores the ambiguity of the adult world Holden must eventually learn to accept. Throughout the novel, Holden resists the society grownups represent, coloring his childlike dreams with innocence and naivety. He only wants to protect those he loves, but he cannot do it the way he desires. As he watches Phoebe on the carousel, he begins to understand certain aspects of truth. He writes:
The novel “The Catcher in the Rye,” revolves around the protagonist Holden Caulfield as the story is told from his perspective. J.D. Salinger constructed Holden Caulfield as a cynical person who cannot accept to grow up. Throughout “The Catcher in the Rye,” J.D. Salinger uses symbolism to reveal and reinforce critical aspects of the protagonist Holden Caulfield. Three important aspects Holden acquired through Salinger’s use of symbolism are: his stubborn, uncompromising mentality; his softer, more caring respectful side; Holden’s cowardly way of acting and thinking.
Holden wants to shelter children from the adult world (Chen). In Chapter 16, the catcher in the rye finally appears. This is also a symbol for what Holden would like to be when he grows older. He pictures a group of many kids playing in a field of rye, where it is his job to catch them from falling off the cliff. This shows Holden’s love for childhood and his need to preserve it in any way he can. According to Alsen, “The way Holden explains why he wants to be the catcher in the rye shows the kindness and unselfishness of his character. However, the surreal nature of the metaphor also reveals his unwillingness to face the real life choices he needs to make now that he is approaching adulthood.” By the end of the book, Holden realizes in order for kids to grow, there can’t be protection from all of potential harm. “He therefore gives up his dream of being the catcher in the rye and is ready to make a realistic choice of what he wants to do with his life” (Alsen). Holden’s dream world, that doesn’t involve change, is unrealistic. He is terrified by the unpredictable changes of the adult world, but there is no way for Holden to avoid the experiences and changes that the
The form of diction used in The Catcher in the Rye is a topic on which many people are strongly opinionated. Because the narrator speaks solely in the vernacular, the novel is ripe with vulgar language. Most of this language is used to characterize Holden, the protagonist and narrator, as a typical American teenager living in the late 1940s or early 1950s, but some of it is utilized to convey Salinger’s theme of innocence versus corruption. When Holden is walking through his sister Phoebe’s school, he sees a scrawl on the wall saying “Fuck you.” He imagines the writing was etched by “some perverty bum that’d sneaked in the school late at night to take a leak or something” (260-61). Again in the museum, Holden encounters another such sign. Both the school and the museum are places he identifies with his childhood, but they have been perverted by the corruption of the world. He is concerned for the children who will inevitably see these signs and be told what they mean by “some dirty kid…all cockeyed, naturally” (260), spoiling the children’s innocence. This is just one more step towards adulthood and corruption. He is disgusted by the people in the world, saying “You can’t ever find a place that’s nice and peaceful, because there isn’t any. You think there is, but once you get there, when you’re not looking, somebody’ll sneak up and write ‘Fuck yo...
Holden Caulfield, the main character in J.D. Salinger's novel, The Catcher In The Rye, feels that he needs to protect people around him, because he failed to protect his brother Allie from death. Holden feels that he has to care for those close to him. He watches over Jane, Phoebe, and even Mrs. Murrow when he meets her on the train. Holden tries to shield these people from distress. He does not want to fail anyone else.
Holden wants to save all the children, not just some, from changing into adults and becoming phonies. Evidence to support this is Holden saying, "If a body catch a body comin' through the rye" (Salinger 224). This is how Holden views the poem because he imagines making himself into some worth, rather than being a nobody by saving all the kids before they fall of the "cliff" being adult life. Phoebe corrects him by saying, "If a body meet a body comin' through the rye" (Salinger 224). This is the way the real poem is and when Holden finds out Phoebe knows the poem already word for word, that he can't save her becasue she is already too grow up.
When Holden hears the quote, “if a body meet a body coming through the rye,” he hears it as, “if a body catch a body coming through the rye.” Holden says, “I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around – nobody big, I mean – except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff.” (47-50.2) Holden believes that maybe if he catches the kids, and saves them from the cliff, maybe that means he can protect their childhood purity innocence as well. Another article, “Dealing with the Death and Loss of a Sibling.” states that, “this brother or sister’s death can make you feel older.” This may be where Holden's connection innocence comes from, like other surviving children, he feels as if he had to grow up too fast to deal with his
good and got all the girls but in fact he was a slob. His razor that made him
The first symbol shows Holden’s desire for children to embrace their childhood innocence just as he would like to. The second symbol, Phoebe, displays the maturity which Holden refuses to grasp onto. The last symbol, The Museum of Natural History, represents how Holden would like to freeze time. J.D. Salinger's use of symbolism in The Catcher in the Rye develops Holden's character and provides insight as to why he does not want to grow up. The three models, the poem, Phoebe and the Museum of Natural History individually provide the reader an impression of what operates within of Holden's head, yet even when it is not openly
During his trip to New York City, Holden goes to Edmont Hotel and finds it full of perverts. He meets an elevator operator, Maurice, who offers to set him up with Sunny, a prostitute. Holden tries his best to appear casual, but he shows his youth and inexperience in his words and actions. Here, we can see he puts his inner world to the test through the sexual values of his peers, the teachings of his education, and his own emerging sense of self. The novel Catcher in the Rye expresses a common aspect of human nature because if someone does not understand anything, they often make illusions to help themselves cope with reality, as Holden has done to deal with the transition from childhood to
...ginal tune, by Robert Burns, has the line "If a body meet a body comin thro' the rye," not "If a body catch a body comin thro' the rye." This is not the first time Holden has distorted something, though this lie has meaning. The original poem talks of the love of two people meeting each other, while Holden's image is that of falling children being caught. Love is replaced by Holden protecting children, who are facing a death-like situation, a change showing how much of an impact Allie's death made on Holden's life. One might also see that Holden himself is falling out of innocence and needs a Catcher in the Rye himself, the book's central paradox.
In The Catcher and the Rye, J.D. Salinger displays the power of isolation and loneliness through his characters.
Holden tries to preserve his own innocence, and the innocence of others by not letting go of childhood memories and through his desire to suspend time. Holden views the adult world as corrupt and full of phonies. He admires childhood because of how it is free of corruption, and untouched by the adult world. IN order to preserve his own innocence Holden often attaches himself to childhood memories. The Museum of NAtural History is one of Holden’s favourite places . He mentions that his grade one teacher Miss. Aigletinger used to take his class there every saturday. While writing about the museum he says, “The best thing, in that museum was that everything always stayed right where it was” (121). This shows how Holden wants to preserve his innocence because he expresses how he likes how everything stayed the
Everyone’s mother always told them that childhood innocence is the best thing in the world, but for Holden it is the world. When reading The Catcher in the Rye some people disdain Holden, because they think he’s cynical and immature, but really he is a representation of us all. Unlike other books, the protagonist isn’t someone you want to be friends with, it’s someone you realize you are. The Catcher in the Rye by J.D. Salinger is Holden’s chronicle of running away from his boarding school and living on his own in New York City. While there, he meets interesting people that he calls phony but in reality reflect characteristics of himself and the appalling qualities of the culture he lives in. At first he’s pessimistic towards everyone and everything but by the last scene, when he’s watching his sister on a merry go round, he does a complete 180 and starts feeling better, the sun comes out from behind the clouds and it’s a new and better Holden. It’s this last scene that sets the stage for the future of Holden. He changes in a good way, now less cynical and more open minded, a better and healthier person.