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The use of magic and fairies in a midsummer night's dream
Summary analysis of the play "A Midsummer's Night Dream" by William Shakespeare
The use of magic and fairies in a midsummer night's dream
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One of William Shakespeare's famous play A Midsummer Night’s Dream is well known for its romantic, comical and magical plot line. It tells the story of young lovers, their encounters with fairies, and curses to seek revenge. All of which takes place in mythal Athens and a enchanted forest. In the opening scene Hermia is desperately arguing with her father Egeus who wants her to marry Demetrius an Athenian man who deeply is in love with Hermia. In her defense she compels her father to change his mind because in reality she is in love with Lysander. Therefore to escape this arranged marriage she decides to run away with Lysander. However, along the way Demetrius secretly follows them, and little does he know that he too has a companion behind him. Helena, Demetrius’ former lover still loves Demetrius and she follows him through this forest, ironically Helena happens to be one of Hermia’s closest friends. And from then a love quadrangle is formed within these young lovers. Apart from this group of lovers, fairies also have a contribution to this play. Oberon the king of fairies with his queen Titantia live in this forest with the rest of the woodland fairies. One fairy in particular that stands out from the rest is Puck. He is mischievous, fast and a powerful dominant character in this play. Unlike the rest of the fairies that we talk about, Puck reminds the audience that the fairy world is not all that magical and nice. From the bunch Puck is seen as the rotten apple. He brings a dangerous and humorous element to this play as well as to Oberon and Titania’s fairy clan. After a short dispute between Oberon and Titania, and her refusal to give up her little Indian boy to Oberon. In fury Oberon wishes to punish Ti... ... middle of paper ... ...thence all error with his might, And make his eyeballs roll with wonted sight. When they next wake, all this derision Shall seem a dream and fruitless vision, And back to Athens shall the lovers wend” (III.ii. 383-39) After placing the spell on Demetrius and correcting his mistake, he knew that these young Athenian lovers were off to a better start. Shakespeare creates Oberon to show the how fun and delirious the fairy world is. Oberon’s character sets the magical plotline of this play, although he might have caused confusion, his intentions were good and at the end he happened to be responsible for everyone’s happiness. Puck Oberon’s sidekick happens to have a very important part in the play as well. He lets the audience know that in the fairy world its not always rainbows and butterflies. Puck brings a little darkness to the fairy world, he alway is very funny.
The hilarious play, A Midsummer Night’s Dream, by William Shakespeare, tells the twisted love story of four Athenians who are caught between love and lust. The main characters: Hermia, Helena, Lysander, and Demetrius are in a ‘love square’. Hermia and Lysander are true love enthusiasts, and love each other greatly. Demetrius is in love with Hermia, and Helena, Hermia’s best friend, is deeply and madly in love with Demetrius. Hermia and Lysander try to elope in the woods because Egeus, Hermia’s father, disapproves of Lysander.
The play moves into the woods which is haunted by fairies who are there to bless the wedding of Theseus and Hippolyta. The quarreling between Oberon and Titania over the changeling boy leads to the king wanting to embarrass Titania with the love juice by making her fall in love with a monster. The first person she sees is Bottom and she falls violently in love with him.
Puck, or Robin Goodfellow, is established in the play as the jester to the King of Fairies, Oberon. He first appears in Act 2, Scene 1 when he and another fairy discuss the disagreement between Oberon and Titania are having. The fairy gives us some indication of Puck's character as she describes how Puck “frights the maidens of the villagery” and “Misleading the night wanderers” (Act 2.1, line 35). When Titania refuses to give up the boy servant that Oberon wants, he comes up with a plan to steal the child, and enlists Puck's help to do so. Oberon is fully aware of Puck’s desire to have a good time at the expense of others, but trusts him with the task of retrieving the flower to make Titania fall in love with “Lion, Bear, Wolf, or Bull.” (Act 2.1, line 180) The idea here is to convince Titania to hand over the changeling boy while she is infatuated with a beast. Being attracted to mischief, Puck seems excited to be tasked to this adventure, and claims to return “Within forty minutes” (Act 2.1, line 176) so that they can get started on their plan.
... happy outcome, while Shakespeare is not. INSERT SECONDARY SOURCE HERE. The characters may be happy or unhappy as the play demands, and as writer Shakespeare shows no apparent preference for one outcome over the other. In a comedy such as A Midsummer Night's Dream the lovers indeed marry in the end, but in a tragedy they can just as easily die. Everything turns out the way Oberon wants it to. He has orchestrated everything, or so he thinks: "There shall the pairs of faithful lovers be / Wedded, with Theseus, all in jollity" (4.1.88-89). INSERT SECONDARY SOURCE HERE. But although Oberon is godlike and enjoys magical control over others, Shakespeare ultimately uses Oberon to ensure the play's resolution. If Oberon is a King, then Shakespeare is a God.
The fairy world then comes into contact with the world of the young lovers. Mischievous Puck causes further complications when he uses magic to anoint a young Athenian male’s eyes, who is in fact the wrong Athenian that Oberon assigned Puck. Puck misuses magic when he plays a silly prank on Bottom who is one of the Mechanicals, by giving Bottom a head of an ass. Strangely Titania falls in love with the creature that Puck has created. This results in Oberon becoming extreamly fu...
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
The funniest part of this play seems to be when Puck, the trickster, keeps mixing up the people who he is assigned to put the love juice on. Even when he did put the love juice into the right people's eyes, they still fell in love with the wrong people sometimes. The first example of this mistake of Puck's is where he puts the love juice in Lysander's eyes, mistaking him for Demetrius. Oberon tells Puck to put the love juice in the eyes of an Athenian man, Demetrius, and to make sure that the first thing he sees after this is the woman whom he hates, but who loves him so much, Helena. Puck ends up finding Lysander and Hermia, lovers, sleeping on the forest floor. He puts the love juice in Lysander's eyes and leaves. Then along come Helena and Demetrius to this spot. They are still arguing and Demetrius leaves her with the sleeping Lysander and Hermia. Helena notices them there and tries to wake Lysander. Lysander wakes and the first thing he sees is Helena. "And run through fire for thy sweat sake. Transparent Helena! Nature shows art, That through thy bosom makes me see thy heart."(2.2.103). This is what Demetrius says to Helena when he sees her. He has fallen in love with her. This is where the comedy of this love mix up begins. Now Helena is confused and thinks that Lysander is playing a trick on her so she runs away. This is a most particularly funny part of the play and these mix ups with whom loves who seem to be the funniest pieces of the play.
Shakespeare creates a situation in which two pairs of young lovers, Lysander and Hermia, are forced to elope from the oppressive authority of their Elders, here we see Lysander asking Hermia to flee to the woods, “there gentle Hermia may I marry thee; and to that place the sharp Athenian law cannot pursue us” Freedom is not permitted in Athens, therefore the two lovers plan to escape into the woods. Hermia has two options given from her oppressive father, ‘either to die the death, or to abjure for ever in society of men’. She disobeys his commands. Shakespeare uses images to reflect Athens, and to magnify and to solidify Lysander and Hermia’s love for each other, which is strong and cannot be broken, without the use of magic. ‘Withering on a virgin thorn, grows, lives, and dies in single blessedness’.
Titania repeatedly refuses to give up the Indian boy and Oberon decides to take action in bringing his insidious plan to reality. While talking to Puck, his fairy prankster, Oberon tells him: “Having once this juice, / I’ll watch Titania when she is asleep, / And drop the liquor of it in her eyes. / The next thing then she waking looks upon, / Be it on lion, bear, or wolf, or bull, / On meddling monkey, or on busy ape, / She shall pursue it with the soul of love” (Shakespeare II.i.176-182). This evil plan shows connections to woman being mistreated. In other words, Titania is being shown as a nobody, as Katherine Koci, author of Feminism in a Patriarchal Society, has stated that a woman is “the equivalen...
A Midsummer Night’s Dream is a play of conflicted love. Thus semi-comedy displays the notion of, the spiritual and natural world working together. The play begins with a noble family discussing a planned marriage. Hermia is arranged to marry a man she does not love. In rebellion she and her lover (Lysander) flees to the woods so they can avoid Athenian law. Before leaving Hermia tells her sister about her plans to run away. In desire to gain revenge and find love herself Helena (Hermia’s sister) chases Hermia and her intended mate into the woods. The forest is where the spirits live, the fairy king, Oberon, is desperate to gain the affection of the fairy queen. He saw cupid shoot his love arrow, which landed on a flower. He is determined that,
... featured one last time in the epilogue to this scene, where he tells the audience that if they do not enjoy the play, they should think of it as nothing more than a dream. If the audience does enjoy the play, they should give Puck "their hands," or applaud. Thus Puck is cleaning up for more than the fairies problems in the last soliloquy, as he cleans up for the entire play as well. Both of the fools were necessary in this play. Puck's tricks and loyalty makes Oberon's goals and the happiness of the lovers possible. Bottom's foolishness provides for comedy for both the characters in the play and the audience, and it’s his transformation which enables Oberon to obtain the boy from Titania. Puck, Oberon's fool, and Bottom, the fool of the play, both provide comedy and some-what intelligent observations, which make them an important part of A Midsummer Night's Dream.
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
The Role Of Puck in A Midsummer Night's Dream & nbsp; The role and character of Puck, or Robin Goodfellow, in A Midsummer Night's Dream, is not only entertaining, but quite useful. & nbsp; William Shakespeare seems to have created the character of Puck from his own childhood. In Shakespeare's time it was believed that fairies and little people did exist. Whenever something went wrong around the farmyard or house or village, incidents such as buckets of milk ‘accidentally' spilling over, or tools suddenly disappearing, or doors opening for no reason, it was blamed on ‘ those damn little people are amazing! i.e. a sym & nbsp; The idea of Puck's character is a lovely one. One can't help but be attracted to him and his innocent, little pranks. He is also known by the name Robin Goodfellow. The audience can only see this ‘Robin Goodfellow' side of. Puck when he is trying to fix something he disrupted, hence the name Goodfellow. & nbsp; When compared to Oberon, King of the Fairies and Titania, Queen of the Fairies and the remaining fairies of the play, Puck does not seem to fit in as well. well. While Oberon and Titania belong to the forest and the world of dainty fairies, a small village setting seems more appropriate for Puck. He is the type of fairy that likes to be around mortals and cause them trouble, as opposed to the snare. to other fairies. This is why Puck's little job with a love potion and a young couple is perfect for him and perfect for the job. & nbsp; Puck is a likable character who tends to create mischief around himself.
In "A Midsummer Night's Dream," William Shakespeare explains the difficulties of the nature of love. Both false love and true love prevail in the end, leading the reader to come to the conclusion that all types of love can triumph. Hermia and Lysander represent the existence of a "true love", while Helena and Demertrius represent the opposite extreme. Shakespeare presents the idea that love is unpredictable and can cause great confusion. Love is something that cannot be explained, it can only be experienced. Shakespeare challenges us to develop our own idea of what love truly is.
To emphasize, in Act III, the reader is presented with the play’s most extraordinary contrast, the relationship between Titania and Bottom. “What wakes me from my flow’ry bed?” (III.i.131). Titania is awoken by the so-called melodic singing of Bottom. In the present scene, both characters are under some particular sort of spell. Titania’s eyes were anointed with the nectar of the love flower, thus causing her to fall in love with the next living thing she encounters. In the meantime, Puck pulled a prank on Bottom, turning his head into that of an ass. Both characters of the play are interpreted as complete opposites. Titania, characterized as the beautiful, graceful fairy queen; Bottom is portrayed as overdramatic, self centered, and as of now, not keen on the eyes. However, the love nectar never fails and seems to bring the two into a state of lust. The contrast between the two is overwhelming. An important scene in the pl...