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Critical analysis of young goodman brown
Where are you going, where have you been? analysis
Where are you going, where have you been? analysis
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The Overpowering Strength of Evil in “Where Are You Going, Where Have You Been?” and “Young Goodman Brown” Xun Zi, one of the most influential philosophers of China in the old time, states that, “Human nature is evil, and goodness is caused by intentional activity”. Indeed, it can be clearly seen in the figures of the protagonists in “Where Are You Going, Where Have You Been?” by James Carol Oates and “Young Goodman Brown” by Natalie Hawthorne. Though written two eras apart in the past by two different authors, these two short stories have much in common. Both stories have several references to evil along with a revolution in the main characters’ lives; therefore, they explore common themes of vulnerability to evil and dangers lurking in the adult world as well as meaningful lessons about the consequences of bad decision-making. Although Goodman Brown and Connie do not seem to be identical characters at first, a closer look at their thoughts and behaviors at the encounters with the two evil figures reveal significant resemblances, suggesting that the writers’ views of human personality and human nature are quite similar.
In “Young Goodman Brown”, the stranger, also the devil in this case, approaches Brown and tries to be his guardian when he says “[Brown’s parents] were [his] good friends. merrily after midnight” (Hawthorne 3). Thus, Brown is finally convinced to make a wrong decision and continues on the journey with the stranger. His intense desire to know what he would find in the forest is greater than his feeling insecure to follow the devil. Unexpectedly, in the darkness of the forest, he meets almost every Puritan citizen of his town who he believed to be honorable and pious such as Goody Cloyse, the minister of the church and Deacon Gookin. He also sees some who seem to be the unwelcomed guests of the “celebration” - the sinners and criminals. Brown's family is also believed to be in the woods, as Hawthorne describes: “As nearly as could be discerned, the second traveller was about fifty years old, apparently in the same rank of life as Goodman Brown, and bearing a considerable resemblance to him, though perhaps more in expression than features. Still they might have been taken for father and son” (2). Everything soon goes from bad to worse when it dawns on him that even his wife, Faith, has joined in the "celebration" in the woods. With the realization that evil could exist even in those he believed to be the most virtuous, Goodman Brown cries out and screams: "My Faith is gone!” (8).
Ever since his discovery of sins in the people who he has always considered to be virtuous due to their involvement with the figure of evil, he has forever lost his innocence and faith in life. Similarly, Connie, a young girl at an age of innocence, has little knowledge about the dangers lurking in the adult world; hence, she is easily convinced by people around her. The moment Connie stands behind the screen door is when she’s on the brink of leaping into a new world. Indeed, she stands on the threshold of adulthood and finds herself surrounded by temptations. She seems to be afraid, but at the same time raising her curiosity about what awaits her behind that doorway to adulthood. In the end, her innocent stage of life is over as she falls into the grasp of Arnold Friend. Overall, the resemblance between the two stories’ themes and meanings is remarkable.
Written two centuries apart, “Young Goodman Brown” by Nathaniel Hawthorne and “Where Are You Going; Where Have You Been” by Joyce Carol Oates are two seemingly different stories. However, if looked at closely, several elements can be tied together. Each story has a similar point of view, but the story is told from two different perspectives. Several themes are unique to the stories, but deep within similarities can be found. The authors conclude their stories in two different ways, but the endings are somewhat the same. These two stories contain elements that are obviously contrasting, yet comparable at the same time.
Having every story been composed in a third-individual account structure, the onlooker knows the deepest emotions of the heroes and watches the fundamental characters change. The spectator takes in what Brown feels as he supposes to himself, "What a bastard I am to abandon her on such an errand!" In "Where Are You Going," the storyteller supplies much of Connie's sentiments, for example, in the first section, "she knew she was pretty and that was everything." However, in Young Goodman Brown, "perspective swings unpretentiously between the storyteller and the title character. Subsequently, book fans are aware of Goodman Brown's deepest, darkest musings, while likewise offering a goal perspective of his conduct" (Themes and Construction: Young 2). Perspective of "Youthful Goodman Brown" diverges from that of "Where Are You Going" in light of the fact that "This account voice stays nearly adjusted to Connie's perspective" (Themes and Construction: Where 2). In spite of the inconspicuous differentiation, both perspectives permit the onlooker to see the progressions in Brown and...
The Devil stealing Goodman Brown’s innocence eventually leads him to a life of despair. All throughout his life, Brown had let the Church dictate his life, and when he finds that it is all a ruse, the foundation that his...
"Why did Goodman Brown leave his wife to fulfill an evil purpose?" "What was his evil purpose?" "Who did he meet in the woods?" "Was it a dream or was it reality?" These are just a few of the questions that ran through my head after reading the short story, Young Goodman Brown. After several nights of reading, rereading, thinking, and debating I've received many revelations of this story; one being the true identity of the "fellow-traveler" mentioned throughout this adventurous tale. You see, he was not just any man, he was the devil himself.
“By the sympathy of your human hearts for sin ye shall scent out all the places--whether in church, bedchamber, street, field, or forest--where crime has been committed, and shall exult to behold the whole earth one stain of guilt, one mighty blood spot” (Hawthorne pg. 21). “Young Goodman Brown”, an American short story by Nathaniel Hawthorne, does well to blend together a dark, mysterious storyline with a lesson fixated upon the battle between good and evil. Hawthorne was born into Salem, Massachusetts, a small village whose citizens had once accused and executed each other for being “witches.” During these times, the conflict between good and evil and its effect upon one’s overall happiness took its toll upon the lives of the Puritans of
In "Young Goodman Brown," Hawthorne analyzes the Puritans’ consciousness and the hidden wickedness of their nature. He takes a naïve Puritan man and takes him on a journey into the dark forest to meet an old man whom we presume, is the devil. As the naïve Puritan embarks on his journey, his wife "Faith" kisses him good bye. The Puritan has an overwhelming feeling of guilt as he is entering the forest to meet with the Devil. He realized what he is doing was forbidden and none of his forefathers or fellow Puritans would ever commit such a sin. During his meeting with the Devil his naïveté dissolves. He sees Deacon Gookin, his old catechism teacher, and other upstanding members of the community, whom he looked up to and feared, dancing around the Devil’s fire. He is told that the Devil has helped his father and Grandfather in years past. His innocence is completely destroyed when he sees his own wife Faith dancing around the Devils circle . He screams in agony: "My faith is gone. There is no good on earth; and sin is but a ...
During Goodman Brown’s journey, he recognized Goody Cloyse, his catechism teacher, the preacher, and Deacon Gookin is going to the devil’s meeting. However, after seeing his church members at the devil’s meeting, Goodman says, “My Faith is gone! and There is no good on earth; and sin is but a name. Come devil! for to thee is this world given” (Hawthorne 27). “But, where is Faith?”, asked Goodman Brown (Hawthorne 29). As hope came into his heart, he trembled when he found the pink ribbon of his wife, Faith, in the forest. At that moment, Goodman Brown lost his faith in his family and church members. Goodman becomes unforgiving of others and believes only evil can be created from evil and there is nothing that anyone can do to change it. Here, Hawthorne demonstrates that a naive faith in our family, friends, and church member’s righteousness could lead to distrust. While, “Young Goodman Brown” lives a long life with Faith, he never loses his meanness toward humanity and the evil in the world, “for his dying hour was gloom” (Hawthorne
Young Goodman Brown is about a young, newly wedded man who leaves his wife, Faith, and to go on a journey into the forest one night. Young Goodman Brown has an innocent and maybe even naïve soul and was looked upon by townspeople as a “silly fellow” (Hawthorne 83). He is accompanied by a mysterious, older man who is later on revealed to be the devil. As they are walking, Young Goodman Brown tries to turn back several times and at one point succeeds in getting rid of the devil. However, when he sees that even his wife has surrendered to the same evil path that he was on, he stops resisting and continues into the forest. He ends up at a witches’ sabbath where he sees familiar faces of people whom he previously looked up to for spiritual guidance; he also finds Faith there and becomes devastated. In the end, he cries out to resist the devil and then wakes up to find himself alone in the forest.
In Young Goodman Brown, Nathaniel Hawthorne tells the tale of a man and his discovery of evil. Hawthorne’s primary concern is with evil and how it affects Young Goodman Brown. Through the use of tone and setting, Hawthorne portrays the nature of evil and the psychological effects it can have on man. He shows how discovering the existence of evil brings Brown to view the world in a cynical way. Brown learns the nature of evil and, therefore, feels surrounded by its presence constantly.
In Nathaniel Hawthorne's short story "Young Goodman Brown,” the author uses danger and mystery to represent the struggle of good versus evil. Young Goodman Brown journeys into the night and comes to realize an unforgiving truth. Everyone is in danger of abandoning their faith or is inherently evil. Nathaniel Hawthorne has filled this story symbolism, after reading this story the reader may have questions about Young Goodman Browns’ determination to journey towards his evil purpose. Nathaniel Hawthorne implies strong faith can endure but when that faith is destroyed, what view does a person have towards mankind? Let us take a look at Nathaniel Hawthorne’s use of significant symbols throughout “Young Goodman Brown.”
Rubin attempts to convey the idea that Connie falls asleep in the sun and has a daydream in which her “…intense desire for total sexual experience runs headlong into her innate fear…” (58); and aspects of the story do seem dream like - for instance the way in which the boys in Connie’s daydreams “…dissolved into a single face…” (210), but the supposition that the entire episode is a dream does not ring true. There are many instances in which Connie perceives the frightening truth quite clearly; she is able to identify the many separate elements of Friend’s persona - “… that slippery friendly smile of his… [and] the singsong way he talked…” (214). But because of the lack of attachment with her own family, and her limited experience in relating deeply to others, “…all of these things did not come together” (214) and Connie is unable to recognize the real danger that Arnold Friend poses until it is too late.
...Brown, like all humans, sees that everyone can be corrupt and immoral, that it is possible for people to make mistakes. This is extremely disappointing to brown and ruins him. Brown felt that he made the right decision and did not follow the devil, but everyone else around him did. Even his own wife follows the devil. She is supposed to represent holiness and faith, and she is just as corrupt as everyone else. This portrays how even the church, which is supposed to be holy, can be corrupt. The story symbolizes that everyone in society is flawed and no one is perfect. However this idea drives Goodman brown to become insane. He dwells on this fact and loses his ability to see the good in people as well as the bad. Brown couldn't realize that even if people are evil at times, they can still be good people. This is what caused brown to change so drastically.
At the beginning of his journey, Goodman Brown’s will and pride were both embedded in the belief that he was a pious man. Goodman’s pride in piety evidently fails him, as he discovers that his faith was based on the principles of individuals who had sworn allegiance to the devil. This deplorable truth destroyed his conviction, and in this sense the devil prevailed against Goodman Brown.
At first, the reader might think that this short story is about a stereotypical teenage girl but there are a few symbols that hint at a more gothic, or grotesque nature. For example, after the main antagonist, Arnold Friend, shows up at Connie’s home unannounced and uninvited, he gives her a secret code. The passage states, “He read off the numbers 33, 19, 17 and raised his eyebrows at her to see what she thought of that, but she didn’t think much of it” (Oates 328). But why was this code given? Arnold was unsuccessful with his hidden innuendo to Connie. If the numbers that were given are added up they make the number 69. This is a sexual act, so therefore Arnold Friend is dropping hints of wanting to perform sexual acts with Connie. With her consent, or without it. The antagonist’s name and physical characteristics can be seen as a hidden message of danger. "Arnold Friend", if one were to take out the “R's”, the reader is left with is "An Old Fiend". This is a reference to the
Late one night he finds himself in the middle of the woods with the Devil, on his way to a meeting of the Devil's followers. After seeing respected townsfolk at the Devil's meeting, including his minister and his wife, Faith, he loses hope in humanity and all that he had known to be true or real. Goodman Brown wakes up in his bed immediately following the Devil's meeting and wonders if what had happened was reality or simply just a dream. Despite his confusion about the events that took place, he was unable to forget what had happened and lost faith in religion and his com... ...