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Hamlet's relationship with Claudius
Hamlet's relationship with Claudius
Hamlet's relationship with Claudius
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¨The distracted multitude” {Claudius of Hamlet (Act 4, scene 3, p.82)} of Denmark adores Hamlet from Shakespeare 's play, Hamlet. The love of the people does not guarantee a grand personality, however, as Hamlet follows the stages of grief, he hurts those around him to appease this grief induced rage. Spurred on by his father 's ghost, Hamlet begins his quest of revenge where everyone: Ophelia, Gertrude, Rosencrantz, and others have stationed themselves in the crosshairs, painting Hamlet as a pseudo saint.
Hamlet first slights those simply trying to help, such as Rosencrantz, Guildenstern, and Polonius, because they have wronged Hamlet by unwittingly aiding a murderer, Claudius. One may think Hamlet may spare Polonius since he “loved Ophelia”
Ophelia genuinely cares for Hamlet and for that affection Hamlet tells her to “Get thee to a nunnery” {Hamlet (Act 3, scene 1, p.55)} because she has sinned, as all individuals have sinned, and “Why, wouldst thou be a breeder of sinners?” {Hamlet (Act 3, scene 1, p.55)}. How rude to say she should never marry when she, like Horatio, behaves properly and sticks with Hamlet through and through. Hamlet even goes as far as to say that he would “give [Ophelia] this plague for thy dowry” {Hamlet (Act 3, scene 1, p.55)} if she “dost marry” {Hamlet (Act 3, scene 1, p.55)}, all this for her wishing to “redeliver” (Act 3, scenes 1 p.54) “remembrances” (Act 3, scenes 1 p.54) Hamlet had given her with “words of so sweet breath composed” (Act 3, scene 1, p.54). Not only does Hamlet repay Ophelia’s kindness with cruelty but he also kills her with the same grief he suffered when he stabs Ophelia’s father without a single thought beforehand. Furthermore, Hamlet cannot seem to allow the dead to rest in peace because after Ophelia dies he finally claims his love for this dead girl while extravagantly attempting to outdo Laertes, Ophelia’s brother, by jumping into Ophelia’s grave and asking Laertes if he
Hamlet doles Gertrude a rather bruising blow for a mother to take, saying she has “Stew’d in corruption,” (Act 3, scene 4, p.74) “In the rank sweat of an enseamed bed” (Act 3, scene 4, p.74). Hamlet punishes Gertrude with his words so severely the ghost eventually appears again to command Hamlet to “step between [Gertrude] and her fighting soul” (Act 3, scene 4, p. 75) because he has taken the slander further than condoned, even for her unfaithfulness toward her dead husband. Not only has Hamlet disregarded his queen, but he has also unceremoniously disrespected his mother as an elder and as his parent when, as his parent, she has only ever looked out for his well being. At the first sign of his madness and possible unhappiness, Gertrude called in the cavalry, sending for Guildenstern and Rosencrantz “instantly to visit/ [her] too much changed son” Gertrude (Act 2, scene 2, p.34) rather than allow Hamlet to suffer a second longer. Regardless of Gertrude’s insignificant wrong doings, Claudius has performed many worse: murder, incest, and conspiring murder all for a crown and alleged love; yet, Hamlet has done worse. Hamlet blatantly hates Claudius for the deeds he has committed, justifiably angry perhaps, but Hamlet goes so far as to refrain from killing Claudius while praying
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
When reading the text, one can comprehend that Ophelia is caught in the middle between two opposite sides. Her family (father and brother) believe that Hamlet is a womanizer rather then the philosopher that he is. They also believe that he will use her in order to achieve his own purposes, and that he would take her precious virginity only to discard it because he would never be her husband. But, Ophelia's heart mesmerized by Hamlets cunning linguistics is set on the fact that Hamlet truly loves her or loved her, even though he swears he never did. In the eye of her father and brother, she will always be a pure, wholesome girl, an eternal virgin in a sense, (due to a parents nature to always see their offspring as a child) they want her to ascend into her stereotypical role in life as a vessel of morality whose sole purpose of existence is to be a obedient wife and a committed mother. However, to Hamlet she is simply an object used to satisfy and fulfill his sexual needs. He also seems to hold her at a distant which suggests that he may...
Many sources on grief declare it to be something that must be faced or it will never go away. Ophelia never faces her grief, but it does go away when she drowns herself. She resorts to singing to solve her problems, while Laertes takes to violence. He believes he will feel relief once Hamlet is dead. Hamlet, on the otherhand, grieves for his father and does not take action for some time. He also has strong feelings on how his mother should take a longer time to grieve for her former husband. These three characters endure the same sort of grief at times, but choose toreact differently. There is no right or wrong way to grieve, but as many of the characters in Hamlet discover, grief can overtake one’s life and lead to downfall.
He allows his true feelings and emotions to pour out at her grave for the last time before she is buried and gone forever: “I loved Ophelia. Forty thousand brothers / Could not with all their quantity of love / Make up my sum,” (V.i.285-87). Regardless to the amount of love Ophelia’s brother had for her, Hamlet claims that he loves her more than Laertes ever could. Similar to the symbolism in his letters, he expresses his abundant love for Ophelia and how she is the girl he truly cares about. The prince comes straight out with his feelings and does not act insane during the funeral, he is simply being honest straight from his heart. Now that she is gone, Hamlet cannot protect her and has no reason to hid his true emotions towards
Hamlet’s apparent antics with Ophelia prove that their relationship begins to fall apart and become unhealthy. Hamlet mistreats Ophelia when she attempts to return the gifts he has given her, and he responds in a harsh manner, asking about her chastity and beauty, saying “that if [she] be honest and fair, [her] honesty/should admit no discourse to [her] beauty” (3.1.117-118). Hamlet continues to belittle her, calling her two-faced and admitting that he “did love [her] once” (3.1.125), his feelings for her now absent. Hamlet’s facade becomes personal through this. The entire exchange shows how Hamlet prioritizes his revenge, over his love because he eventually figures out that Polonius and Claudius spy on him. Hamlet soon speculates Ophelia’s association in their plan and decides to put on a facade for her too. Claudius’s facade also affects his relationship with Gertrude and Hamlet. After his speech to the court, Claudius approaches Hamlet in a way that appears as if he cares about him, even addressing him as “my cousin Hamlet and my son” (1.2.66), despite being aware of Hamlet’s sensitive and depressive state because of his father’s death. Moreover, Claudius expresses his deceitful love when he admits to Laertes that he won’t put Hamlet on trial because he mentions how much he loves Gertrude, and that she “is so conjunctive to my life and soul/that, as the
In the play Hamlet by William Shakespeare, Hamlet struggles with the abrupt death of his father at the hands of his uncle. It is in the very beginning of the play that Hamlet voices his opinion that death would be a peaceful release. But as the play progresses his attitude begins to slowly doubt the serenity in death. Hamlet had been surrounded by death but had yet to come face to face with it, escaping the lessons the world was trying to teach him. It is within Act 5 scene 1 that Hamlet has a direct confrontation with death, manifested primarily through the discovery of Yorick’s skull, a dear friend from his green world childhood. It is through this experience that Hamlet realizes that death is the true equalizer, that all men are the same in death, stripped of all power and position, and that he too will crumble into dust.
Being that death is a universally explored topic, William Shakespeare, a master of English literature, opted to thoroughly investigate this complex notion in his play Hamlet. Shakespeare cleverly and sometimes subtly brings the reader/viewer through a physical and spiritual journey of death via the several controversial characters of Hamlet. The chief element of this expedition is undoubtedly the funerals. Every funeral depicts, and marks, the conclusion of different perceptions of death. Shakespeare uses the funerals of the several controversial characters to gradually transform the simple, spiritual, naïve, and somewhat light view of death into a much more factual, physical, serious, and down to earth outlook.
"To be or not to be? That is the question." (Shakespeare 57) Hamlet opens his famous soliloquy with the question whether it is harder to live and endure the many vicissitudes of life or to die and face the unknown territory of death. He wondered what happens after one dies, and what awaits each of us. The uncertainty in knowing what is to come of us after death, led Hamlet to believe that fear is generated by the unknown, for it makes people fear the things they cannot see and control. He reasoned that if our certitude of what happens after death is absolute, then people would willingly bear the grief that life so kindly offers. Hamlet raises the following philosophical question, is it harder
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...
Many things contribute to the fact that Hamlet gets himself in trouble. It is not Hamlet’s poor attitude that gets him in trouble, but the way he over analyzes every situation and event. The first thing is when the ghost of Hamlet’s father tells him about his uncle’s betrayal towards him. Rosencrantz and Guildenstern spy on him, which makes Hamlet examine their every move. Polonius sets up deceiving and devious plans toward Hamlet, making him act mad. Hamlet’s Mom, Gertrude, displeases Hamlet by marrying Claudius so quickly after his father’s so called "accidental death". Hamlet does not know how to deal with this situation, so he thinks about what to do for many weeks. To deal with all of the problems, Hamlet decides to put on his "antic disposition" to fool those around him. In this essay I will investigate the behavior and the actions that the Ghost, Rosencrantz and Guildenstern, Polonius, Laertes, and Gertrude do, to make Hamlet acted the way he does.
Hamlet treats Ophelia like property and because he does not care for her. This is proven because he insults Ophelia, uses her to get his revenge on Claudius and uses her as a way to get attention. To begin with, Hamlet abuses Ophelia by accusing her of having impure motives. To him she “jig[s]… amble and …lisp” (3.1.145) to seduce other men. He also accuses her of being deceitful because she changes the “one face [that]…God hath given” to her by putting on cosmetics. Hamlet verbally abuses Ophelia because he believes that she is worthless. Hamlet is not concerned about the effect that these insult have on Ophelia’s psyche. In addition to verbally abusing Ophelia, Hamlet uses Ophelia as a pawn. Hamlet uses Ophelia as a way to get to Claudius by also physically abusing her. Ophelia description of Hamlet’s abuse exhibits Hamlet’s unruly behaviour towards her: “He took me by the wrist and held me hard; then goes he to the length of all his arm” (2.1.88-89). Hamlet physically abuses Ophelia because he knows that Ophelia will report it to her father who in turn will tell Claudius. By doing this, Claudius will think Hamlet is insane and will then lower his guard and will not suspect that Hamlet intents to kill him. Hamlet does not stop to consider what kind mental toll will take on Ophelia, all he cares about is to finishing what his father asked of him. It is apparent
On the other hand, Hamlet cares for Ophelia just as much as Laertes. Hamlet is in love with Ophelia as their relationship is very intimate. Through Ophelia, she reveals how Hamlet has demonstrated love towards her and “with almost all the holy vows of heaven” (1.2.114). With holy and pure vows, Hamlet demonstrates his love and affections towards her are real. At one point, many people believed his love for Ophelia has gotten extreme to a point in which he went mentally unstable because of his love for her. Although Ophelia is commanded to stay away from him, she still loves Hamlet as they continue to write their love through notes and letters. Both of these men adore Ophelia in different manners, but their love for her is unconditional and exact. The intense feeling for Ophelia reflects the sensitive side of Hamlet and Laertes and displays another element in which they’re exact foils. Another factor to support this idea is how they both couldn’t be there for her when she needed them most. Hamlet changed his attitude for the sake of his plot against Claudius, causing him to be vulgar and push Ophelia
Hamlet and Ophelia's relationship is very unconventional. Like many other sad romantic movies they are not allowed to show their love for one another due to the cruel forces pushing them apart. In the beginning, Ophelia listens to her brother Laertes and her father Polonius when they tell her Hamlet is only young and just wants to use her for passion. This is shown when Laertes says, “For Hamlet, and the trifling of his favor, hold it a fashion, and a toy in blood, a violet in the youth of nature, forward not permanent, sweet, not lasting, the perfume and suppliance of a minute, no more”(1.3.5-9). Instead of following her heart Ophelia listens to the words of her father and brother and cuts Hamlet out from her life.
In the play, Hamlet seeks revenge on his uncle Claudius. Claudius killed Hamlet’s dad and then married his mom to become the leader of Denmark. Later in the play, Hamlet sees his dad’s ghost and is informed of the horrific act committed by his uncle. Hamlets’ dad’s ghost says, “Revenge his foul and most unnatural murder” (I. V. 25). Hamlets’ dad says this to Hamlet so that his uncle could get retribution for his action. Hamlet has many opportunities to kill Claudius but is unable because of the wrong timing. While Claudius is praying, Hamlet has an opportunity to slay him but doesn’t because if he killed him in his prayers he will make him go to heaven instead of hell. Another minor reason for Hamlet’s revenge against his uncle is his affection towards his mother. As the play progresses, we are able to determine that Hamlet’s relationship with his mom is close to incest status. With this information, we are able ...
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society, coupled with his innate tendency to over-think his actions, leads to an unfocused mission of vengeance that brings about not only his own death, but also the unnecessary deaths of nearly all of the other main characters in the revenge tragedy.