"I'm not afraid of death; I just don't want to be there when it happens," is a quote by Woody Allen. Death is something unavoidable, because to live means to die. After experiencing death, outlooks on life can change, and the reality of when and what will happen sets in. Yet it can also be a motivating factor to live as much as possible with no regrets, before the last days come. In the Epic of Gilgamesh, the theme of death plays an important role by becoming a motivating factor for Gilgamesh, who didn't want to end up like his friend Enkidu. Enkidu's death affected Gilgamesh by making him come to the realization that it is inevitable, to finally realize what's important, and to become compassionate by thinking and caring for people other than …show more content…
Enkidu is the representation of the wilder side of life, having lived with animals and nature, "He fed on grass with gazelles, With beasts he jostled at the water hole." (Pg. 102, Lines 102-103) Gilgamesh, on the other hand, was the King of a civilization, known for his greatness and strength. They were two sides of a coin, and one could relate to the other. After Gilgamesh insults the princess Ishtar, she pleads with her father, Anu, to send the Bull of Heaven to attack Gilgamesh for revenge. Enkidu and Gilgamesh battle the bull, and win, but Enkidu had been injured, and ends up dying. This forced Gilgamesh's eyes open to the reality that everyone can die. Until then, he had thought nothing much about it, being a Demigod and the best at everything, he could afford to be brave. However, Enkidu, who was the only person in the world to be considered equal to him, was taken down, and the implications of that struck Gilgamesh hard, making him realize that he's not immortal. This causes him to become emaciated, and obsessed with the idea of finding immortality. He wanders aimlessly for a while, before remembering Utanapishtim, a man who was granted immortality by the …show more content…
At the beginning of the Epic, it is plain to see that Gilgamesh beliefs he is entitled to anything he wants, with no regard to how it will affect others. It is shown how Gilgamesh even goes so far as to take women the night before their wedding for himself. "Bold, superb, accomplished and mature! Gilgamesh would leave no girl to her mother! The warrior's daughter, the young man's spouse, Goddesses kept hearing their plaints." (Pg. 101, Lines 64-67) Even though Gilgamesh was thought to be the best and no one was his equal, he was also selfish and entitled, leading to the complaints of his subjects. These complaints caused the Goddesses to create Enkidu, an equal to Gilgamesh, and for the first time, he showed friendship and compassion to another human being. After Enkidu's death, he had no reason for compassion, but in the end, he still managed to realize that Uruk, the kingdom he had built, was what was important, as were its people. Never before had Gilgamesh given a thought to the well-being of others, but Enkidu's death was the start of his journey into becoming a better
After the death of Enkidu, Gilgamesh grieves deeply and is horrified by the prospect of his own death. “Bitterly Gilgamesh wept for his friend Enkidu; he wandered over the wilderness as a hunter, he roamed over the plains; in his bitterness he cried, ‘How can I rest, how can I be at peace? Despair is in my heart” (Gil.
In the Epic of Gilgamesh, we see a significant transition or development of the main character as the story progresses. Throughout the epic, we see Gilgamesh act as a tyrant, fearless warrior, depressed man, a man filled with fear, and a man who has finally accepted his fate. The epic begins by describing Gilgamesh as a king who tyrannizes his people. “He will couple with the wife-to-be, he first of all, the bridegroom after” (pg 15). We see that Gilgamesh abuses his power as king and terrorizes the people. The people of Uruk plead the gods to ease Gilgamesh’s burden. The gods answered the prayers created an equal to match Gilgamesh. Enkidu a wild-born chimera, part animal and part man, would
The second significant change in Gilgamesh was caused by the loss of his brotherly companion, Enkidu. Gilgamesh couln't bear the loss of a love so powerful. Despite his astonishing power and leadership, something in his life was missing. Moreover, he wept for seven days and nights, thinking his friend would come back because of his weeping. It is in this stage of the epic that one can see the truly sympathetic and compassionate side of Gilgamesh. The grief in his heart had far surpassed the magnificent pride that he had previously displayed so boldly. Enkidu's death left Gilgamesh frightened and confused. However, the despair in his heart was so great that he could not rest; would he ever be at peace? Thus, he became terrified of his own death.
Gilgamesh’s fear of death than leads him to go on a quest in search of immortality. Along the way Gilgamesh runs into Enkidu who was created to end Gilgamesh’s reign, but instead Gilgamesh and Enkidu begin to fight and some how a start of a new friendship emerges. “Gilgamesh and Enid have a furious and prolonged wrestling match but emerge from the contest as friends.” (Gilgamesh, 205) Enkidu Accompanies Gilgamesh on his quest in search of immortality but instead ponders off to slay an innocent servant, referred to as Humbaba, although Humbaba begged for his life. Gilgamesh and Enkidu still take his life, angering the gods. Ishter the goddess than falls in love with Gilgamesh but he rudely insults her making her rage with anger. “Ishter ask her father for Amu to make the Bull of Heaven, to destroy Gilgamesh and Enkidu. Gilgamesh and Enkidu kill the Bull of Heaven, and throws the thighbone of the Bull in Ishter’s face, a terrible form of disrespect.” Gilgamesh has no compassion nor does he have sympathy or respect, killing off spiritual servants and disrespecting the gods. The Actions of Gilgamesh and Enkidu Angered the god terribly. Enid was created to stop Gilgamesh but instead made the situation messier than it need to be, therefore the gods punish him with dead. “Ana, Enlil, Es and heavenly Shamash took counsel together, and Anu said to Enlil, ‘Because they have killed the Bull of Heaven, and because
This story teaches that death is an unavoidable and inevitable circumstance of mortal life, which is the most significant precept Gilgamesh learns. Gilgamesh is resentful that only the gods can exist eternally. Gilgamesh is frightened by the idea of his own destiny. Mesopotamian divinity proposes a perception of an afterlife; the deceased spend their period being dead in a netherworld. Death is inevitably entwined within the structure of creation. Life is also entwined, although mortals die, humanity maintains to live. The message that Gilgamesh returns with from his adventure is not primarily about death, but about life. Fragment of a tablet of The Epic of Gilgamesh is figure C down
Gilgamesh is an example of someone who had many flaws and faced many struggles but, in the end, changed his attitude and became a better person. In the beginning of Gilgamesh, he is described as doing whatever he wants and being juvenile in a way. For example, in the text it says, “he was their shepherd, yet powerful, superb, knowledgeable and expert, Gilgamesh would not leave young girls alone, the daughters of warriors, the brides of young men.” With his second half, Enkidu, they entered into the first step in becoming a hero according to Campbell, the separation, by going on an adventure. At this point in the story, Gilgamesh is very arrogant. While traveling to Cedar Forest, Gilgamesh tells Enkidu, “let me go in front of you, and your voice call out: ‘Go close, don’t be afraid!’ If I should fall, I should have won fame. People will say, Gilgamesh grappled in combat with ferocious Humbaba… ensure fame that will last forever.” Next is stage two, the initiation, of the Campbell’s hero journey. Gilgamesh undergoes a trail to begin his transformation, he must fight the Bull of Heaven. Gilgamesh’s supportive side is starting to show when he tells Enkidu that they will win if they fight together. After killing the Bull of Heaven, Gilgamesh’s confident attitude is shown once again. The next trial he faces is the death of Enkidu. He starts to show emotion when he says, “for you Enkidu, I, like your mother, your father, will weep on your plains… I will lay you to rest on a bed of loving care… and I myself will neglect my appearance after your death.” At this point his character has been greedy and then he showed his fear and supportive side. The last stage in the hero’s journey is the return. Enkidu’s death sent Gilgamesh on an adventure to fight death. From this adventure he learned his biggest lesson from Utnapishtim. He learns to appreciate life, and
Gilgamesh was two thirds of a god who possessed beauty, a gorgeous body, and great amounts of courage and strength that surpassed all other humans. His greatness was established through the wonderful walls he built around Uruk, a rampart, and a temple for Anu and Ishtar (Gilgamesh & Sandars, 61). Enkidu on the other hand was initially an uncivilized man created by the goddess of creation, Aruru. His appearance was strictly barbaric with his long hair and hairy body, whose innocent mind knew nothing of a civilized human culture (Gilgamesh et al., 62). He ate grass and lived among the other animals in the woods until a trapper spotted him while trying to catch his game and noted to his father that he “was the strongest man in the world [and] is like an immortal from heaven” (Gilgamesh et al., 62). The trapper indicated his feeling of inferiority to Enkidu in the woods as he says he is afraid of him. One could say that Enkidu rules the woods of the uncivilized just as Gilgamesh rules over the city of Uruk; over the civilized. Both men are characterized as powerful, strong men in their domain yet Gilgamesh is in fact stronger and more powerful than his brother, Enkidu whom he calls his servant, fore he is the king of Uruk and is two thirds god. Enkidu also dies halfway through the adventure the two have while Gilgamesh, who is afraid of death, goes on to find a way to live immortally. Though inferior to his king brother, Enkidu completes the other half of Gilgamesh: while Gilgamesh knows the ins and outs of the city he rules, he is not familiar with the woods or nature in the ways that Enkidu is. Though they are different from each other, they both hold parallels with one another by bringing out the best in each other, thus reasonabl...
Death and Immortality in The Epic of Gilgamesh The search for immortality has been a major concern for many men and women all throughout history. True love and immortality in life would be a dream come true to many. To spend time with a special someone, the person one feels closest to, and never have to say good-bye would greatly appeal to most people. But when death steps into the picture, even with all the pain and devastation, one starts to re-evaluate themselves. In The Epic of Gilgamesh, Gilgamesh explores the possibility of immortality following the saddening death of his friend and brother, Enkidu.
In, Gilgamesh, the quest for immortality is important in order for Gilgamesh to cheat death, after his one and only best friend’s quick fatal fall to illness. Gilgamesh being two-thirds God and one-third human has many great obstacles to overcome, especially with the Gods. The search for immortality and overall self may be a great accomplishment for Gilgamesh to overcome.
Gilgamesh is a mixture of God and man so he is always struggling with trying to be a god like figure for example he tries to become immortal. When Enkidu dies, gilgamesh is very confused and in my opinion feels like life can be stripped away from you so easily. This frightens Gilgamesh because he doesn’t ever want to die. Gilgamesh goes
Some of Gilgamesh’s qualities are that he had a “beauty… surpassing all others” and was “two thirds… god and one third man” (13). Before Enkidu, Gilgamesh acted horribly. He was a terrible ruler and a terrible man. Gilgamesh was not all good, for example, “his lust leaves no virgin to her lover, neither the warrior’s daughter nor the wife of the noble…” (13). He was a terrible ruler. Gilgamesh was arrogant, but very powerful in his country. His people had no choice but to listen to him. They were forced to go along with his unlawfulness and stubbornness.
The story itself reflects an image of the cultural situation in which it was conceived. One major difference between this ancient society and our own is the way in which we sustain our leaders. Gilgamesh's character, whether based on an actual person or not, is portrayed as a very powerful and proud person. He was created to be better and stronger than common man and he is favored by the gods. This portrayal of a super-human king indicates a deep respect for leadership by those who told this story. Likely, these people lived under the rule of a monarchy in which the King was the all powerful leader and lawmaker. In today's society though, it is not common for one person to have unlimited power. Our governments are designed to divide ruling power between numerous parties; in order to keep any one person from becoming all powerful. Today's society would not tolerate a king who could do as he pleases, even if he were a noble and just man. In the story, Gilgamesh's super-human strength and power are not always convenient to his subjects. "His arrogance has no bounds", and "his lust leaves no virgin to her lover," yet the people respect his authority. The supremacy of Gilgamesh in the story reflects the feelings toward leadership held by that society which created the story. The respect they had for an all powerful monarch is hard for us to understand today. Our society looks down on those who rule as dictators and labels them tyrants and enemies. It is odd to imagine living in a society where a king is to be respected.
The Epic of Gilgamesh is a moving tale of the friendship between Gilgamesh, the demigod king of Uruk, and the wild man Enkidu. Accepting ones own mortality is the overarching theme of the epic as Gilgamesh and Enkidu find their highest purpose in the pursuit of eternal life.
Death it is something we all must face at one point in our lives or another. It is either a death of a loved one, friend or co-worker. Sometimes it’s the devastation from a natural disaster. No matter what makes us face the idea of death it is how we handle this realization that truly matters. When Gilgamesh is faced with the horrendous loss of his dear friend and comrade Enkidu he begins to fear death. In Gilgamesh’s youth he is proud without fear of death, it is not until he watches his friend die that his own mortality becomes a fear.
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).