“The reputation of a thousand years may be determined by the conduct in one hour” (“Japanese Proverb Quotes”). In Othello, a tragedy by William Shakespeare, dramatic irony is used through the villain Iago. Iago manipulates Cassio, Othello, and Desdemona in his deadly scheme to ruin their reputations for “sport and profit” (Shakespeare 22). He reveals this plot in asides, but keeps his victims in the dark. Iago creates evidence against Michael Cassio in order to instill the suspicion that Cassio and Desdemona are having an affair in Othello’s mind. After getting Cassio drunk, Iago suggests to Montano, the governor of Cyprus, that Cassio is unfit for his position as lieutenant because of his alcoholism. Othello is an admired general, but …show more content…
Iago confesses his manipulation of each character to the audience, but refuses to reveal his plot to destroy the reputations of his victims even after he is caught. He portrays Cassio as an irresponsible drunkard and creates evidence to convince Othello that Cassio is sleeping with his wife. He is able to convince Othello that his wife is cheating on him because he takes advantage of his trusting nature and role as an outsider. Iago uses Desdemona’s mistake in marrying the Moor against her father’s wishes and social standards and her kindness against her in order to convince Othello and others to ruin her pure reputation. The destruction of reputations was essential to Iago’s plot. Reputation is the most important quality a person has, and without it they have lost a “jewel” or essential part of “their souls” (Shakespeare 55). Shakespeare uses dramatic irony to highlight the importance of this theme. Iago is able to entirely destroy the reputation and the lives of Othello and Desdemona by using their weaknesses against them. Iago’s destruction of Cassio was not complete because he created flaws instead of taking advantage of the one’s Cassio already had, which is why Cassio did not die and was able to restore his good name when he became governor. English writer, Charles Caleb Colton explains, “There are two ways of establishing a reputation, one to be praised by honest people and the other one to be accused by rogues. It is best, however, to secure the first one, because it will always be accompanied by the latter” (“Charles Caleb
Othello, a play by William Shakespeare, tells the tragic tale of the black Venetian general, Othello, and how he is manipulated by his ambitious friend, Iago. Iago becomes angry at Othello when he promotes Michael Cassio rather than Iago to the lieutenancy. Iago then schemes a plot to take down Othello. Iago uses Desdemona, Othello’s new wife, to take down the great general. He leads Othello to considering that his wife is cheating on him with Michael Cassio. This causes Othello to become suspicious and eventually drives Othello into killing Desdemona. In the end, Othello learns that his wife was faithful, and Iago had lied to him. This upsets Othello and causes him to also kill himself. Iago’s many motives are never revealed to the audience or the characters as in the last scene he states, “Demand me nothing. What you know, you know. From this time forth I never will speak word.” (Othello. Act 5 Scene 2: 355-356). In the play Othello, Iago is the master manipulator that formulates devious plots against the characters of Roderigo, Cassio, and Othello by using their desires to his advantage to reveal their underlying weaknesses.
Othello is such a gullible character with so much trust in the wrong people. He trusts Iago before he trusts his own wife, Desdemona; he let Iago get into his mind. Iago arises any doubt Othello has for anyone he ever trusted making them all seem untrustworthy. More then anything Iago uses pathos to appeal to emotion. “ But I will wear my heart upon my sleeve For daws to peck at. I am not what I am” (Othello, Shakespeare, Act I Scene I Line 65-66). Iago talks about being open and honest; although this is not true it makes the other characters feel secure. Othello is a strong character, but Iago is his downfall. Blinded by jealousy and questions Othello will no longer trust Desdemona nor Cassio, because of this he will meet his
In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self. Iago is angry because Othello chose Cassio to hold a position which he thinks he deserves, so he seeks revenge by playing upon Othello’s main flaw—his lack of trust—and putting Cassio in a position that would turn Othello against him.
Iago’s persistence and villainous intentions made Othello become jealous of Cassio and break down his emotions towards Desdemona and want to kill her with fierce rage. Othello would not do such a crime if he knew it was a lie because Othello loves Desdemona and would die for her. Othello was madly in love with Desdemona and they were compassionate for each other, but he was misguided and confused with jealousy and hatred which steered him off course to his sinister fate. Othello cannot be justified as a bad person because of one incident, especially after all the great things he’s done and achieved for the city. Iago is the real antagonist and has become the bad man of the play as his roles are to protect the crown in which was Othello and stay loyal to fellow soldiers but throughout the play he was the complete opposite with characteristics such as being a liar, un loyal to every character in the play.
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
The situation above leaves an opening for Iago to fulfill his vital plan to bring down Othello through Desdemona. Cassio was a mental wreck and told Iago that his reputation was ruined. Iago told him that he can get his rank back through Desdemona and get back on Othello's good side. "Confess yourself freely to her, importune her help to put you in your place again (p. 54)." Once Cassio talks to Desdemona, Iago will speak with Othello and get him to think of his wife's trust. In Act three Scene three Iago is speaking to Othello and warns him to look out for Cassio and Desdemona. Othello asks Iago if it was just Cassio that left from speaking with his wife.
In this tragedy, Othello, Shakespeare, has created a villain who behaves in this manner. Iago’s hatred, method of revenge, and vengeful hatred are the reasons for the lives lost in this play and the reasons that led to Iago’s downfall. Iago’s hatred of Othello and Cassio causes him to seek revenge, and he is able to succeed because his victims are too innocent to suspect him. Iago is a Machiavellian Shakespearean character who cunningly convinces his victims of his full moral support and proves his innocence in a way that his victims do not suspect him. When Cassio finishes his conversation with Desdemona about how he will not have his job back, Iago unfolds his mischievous plan against Desdemona when he says that, “so will I turn her virtue into pitch, And out of her own goodness make the net that shall enmesh them all” (Shakespeare, 49).
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
Iago is one of the most complex characters in William Shakespeare’s Othello. To most of the characters, he is “Honest Iago” (Shakespeare, 5.2.73). however, the audience knows that Iago is the furthest thing from honest. Iago is a devil bent on destroying the lives of everyone around him. At the beginning of the play, the audience learns that Iago is determined to ruin Othello’s marriage to Desdemona. He has appointed a new lieutenant, Michael Cassio. This angers Iago because he feels that he has much more military experience and should be the lieutenant. Iago has also heard rumours that both Othello and Cassio have slept with his wife Emilia. He concocts a malicious plan to ruin the lives of all who have wronged him, and consequently establishing
Iago longs to hurt Othello. He is Othello's footsoldier, an ancient, his right-hand man, and long-time friend. Iago was enraged when Othello did not promote him to lieutenant, choosing instead the handsome, young, affluent, Cassio. Iago felt that he was more entitled to the position than Cassio. Cassio was a brillant strategist, but had very little experience on the battlefield. Iago, on the other hand, had an abundance of battle experience and felt that he was passed over only for appearances' sake. This idea may very well be true. Othello needed someone who would make him look better in the eyes of important state officials and people of high standing in the community. The Moor was a black man, a fact that is often referred to in the play and which also causes Othello much insecurity. He saw his race as a drawback and something that could prevent him from gaining further success. So Michael Cassio was the perfect "face" to bring along to state functions; the perfect white face. He was a very presentable, educated, good-looking man from a middle-class background. To get back at the Moor, Iago decides to poison his mind against his wife and against Michael Cassio, by conjuring up images of an illicit sexual affair between the two.
In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins to construct Othello’s downfall. Iago is declaring an all-out covert war on Othello, Cassio, and anyone else who gets in his way. In Iago’s first speech in Act I Scene II, he proclaims hatred for Othello and lays out his plan for seeking vengeance. “After some time, to abuse Othello’s ears that he is too familiar with his wife (Shakespeare 1473).”
Othello's reputation also plays a big role in this play and the outcome of it. He has the reputation of a no nonsense military general. This status in fact partly causes Desdemona's death. He becomes so distraught when he hears from Iago that Cassio and Desdemona and cheating on him he becomes angry and wants to kill her. "I will chop her into messes! Cuckold me?" He is surprised and astonished that she would go behind his back and do this. His reputation doesn't allow him to confront her with the situation and talk things over. He is also angry that his reputation would be tarnished when found out that he is a cuckold. He proves that his reputations means a lot to him when he says, "For nought I did in hate, but all in honour." Othello believed that reputation was everything, because of his status as a general and the fact that those under him and above him respected him. Othello's reputation played a big role in the outcome of the play and in part caused Desdemona's death and his own.
Iago used reputation to his advantage in order to fulfill his plan to get revenge on Othello and Cassio. He uses each characters reputation to bring out their weaknesses, which he uses to his advantage. This includes his own. Over and over, Othello calls Iago, “Honest Iago.” Because his reputation is known for being honest, he tells Othello lie after lie because he knows Othello will believe him. This in turn helps him fulfill his plan because Othello falls right into his trap. Othello believes Iago when he says that Desdemona is cheating on him. He believes when Iago tells him how Cassio had a dream about Desdemona, and he believes Iago when he says that Desdemona gave Cassio the handkerchief. Another example of Iago using reputation to his advantage is with Desdemona. She is known for being sweet and innocent, and he exploits that with Cassio and Othello. When Cassio is desperate to get his job as lieutenant back, Iago simply tells him to get help from Desdemona because, “Our generals wife is now the general” (II.III.314-315). What this is saying is that because Desdemona and Othello are now married, she can control him, because it is his job to please her as she wishes. When Cassi...
Throughout the drama, Othello let Iago control him as if he was a puppet under his master’s hands. When Iago first brought up the idea that Desdemona and Cassio might be having an affair, Othello did not believe him, he had faith in his wife. After many lies that Iago planted in Othello’s ears, Othello started to believe him and he dropped most of the faith that he had in Desdemona. Iago told Othello that in his sleep, Cassio said “Sweet Desdemona, let us be wary, let us hide our love”. Cursed fate that gave thee the Moor” (III.iii.416-417).
What should be noticed in particular is that, essentially, Shakespeare invented Iago; set him down in his dramatis personae with the single epithet “a villain”; and devoted most of the play’s lines and scenes to showing in detail the cunning, malignancy, and cruelty of his nature, including the cowardice of his murder of his wife. It seems to me therefore impossible to believe, as some recent critics would have us do, that the root causes of Othello’s ruin are to be sought in some profound moral or psychological deficiency peculiar to him. (137)