More handpicked essays just for you.
Character analysis of iago in othello essay
The theme of love in Shakespeare plays
Critical analysis of characters in othello
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Character analysis of iago in othello essay
Beneath every person lies a deeper meaning of a person's characteristics. Their intentions are desired to bring down anyone or anything that stands between them and their goal. Iago, the monstrous of any Shakespeare's character, has intentions no different than those cruel and evil people. Iago best describes the theme of appearance vs reality, as he appears to be honest and helpful, vs his reality, a manipulative character who causes mayhem and confusing between characters for revenge. Iago uses his skill set of manipulating people, just to determine their weakness, so he can exploit them later. He takes advantage Cassio's friendship and Roderigo's love for Desdemona and converts Othello's mind into a confusion machine. Iago uses his skills throughout the story to manipulate his enemies by using their weaknesses: Cassio's trustful nature, Roderigo love for Desdemona, and Othello's uncertainty, against them.
Firstly, Iago uses Cassio trusting nature by pretending to be his friend/adviser, while trying to guide him in wrong way. Once, Iago suggest Cassio to drink, which gets him dr...
Iago and Othello plan to murder Desdemona and Cassio. Instead, Iago once again betrays his word and sets Othello up for failure and the evil that lurks within this stage devours Othello. The mighty dragon which the hero must slay at the end of the journey proves to be Iago himself all along which kills Othello ending his journey before he can even finish it. Manipulation is Iago’s ultimate power, “he frequently takes the audience or reader into his confidence, manipulates his prey, and watches his deceptions wreak havoc”
Iago takes on many different persona’s to enact his plan of revenge upon Othello. He plays the friend, a trustworthy and credible source of information for Othello in his feat of drama with his innocent wife, Desdemona. He also plays the wingman for Roderigo who is madly in love with Desdemona, encouraging him to make advances towards her to woo Desdemona away from Othello. Iago even persuades Roderigo to kill Cassio with his lies about Cassio and Desdemona’s affair. “...you may take him at your pleasure: I will be near to second your attempt, and he shall fall between us.” Iago promises to assist Roderigo in the murder of Cassio and he will be rewarded with Desdemona’s love (Navigators.) Iago’s true persona, though, is a heartless, woman-hating villain who would go to great lengths to get revenge against Othello for preferring Cassio over him for the military promotion.
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Iago’s Subconscious Motive Iago, the antagonist of Shakespeare’s work, Othello, is often considered purely evil or sociopathic. At first glance, Iago appears to be a static, two-dimensional villain, but he is much more. Shakespeare, renowned for his awareness of the human condition, leaves many important aspects of Iago’s life up to interpretation. In published works and critical interpretations, Iago is commonly associated with a myriad of mental illnesses and personality disorders. Because it seems that Iago’s life revolves around Othello and Desdemona, it is understandable how people may suggest that Iago is in love with Othello, or that he is a psychopath with no true motives.
Iago is widely known as one of Shakespeare’s most famous villains and this is because of the way in which Shakespeare has presented him. Iago is presented to be a man of pure evil who eliminates any form of happiness of hope within the play. The quotation: “Virtue? A fig! 'Tis in ourselves that we are thus or thus. Our bodies are our gardens, to the which our wills are gardeners” shows Iago diminishing the virtue of Othello and pointing out that everyone is willful and has virtue until their true intent comes to light. Iago’s attitudes towards women are also very poignant within the play and are one of the aspects of his archetype that are remembered the most. Furthermore, a majority of villains have a reason or an intention to want to cause havoc or to turn to the side of evil. For example, in Hamlet, he is motivated by revenge and achieving what was once lost. In Romeo and Juliet, honour is a prominent theme, alongside the need to keep an age old rivalry that has descended from other generations. However, Iago has no real intentions apart from despising Othello for not offering him the promotion and then later suspects that Othello could be having an affair with his wife, Emilia. Therefore, the fact that he has no hard intention for wanting to ruin the life of Othello and others, is a reason as to why he may be despised by
the scene, Iago makes it seem that he doesn't want to discredit Cassio, but his
His plan is to continue giving Roderigo unfulfilled promises. Iago continues to manipulate Roderigo. He convinces him that Desdemona will soon grow tired of Othello and begin to search for a younger, handsome man to fulfill her desires. Continuing to build on Roderigo’s rationality, Iago tells him that Desdemona will fall for Cassio, and the only way to win Desdemona is by taking Cassio out of the picture.... ...
As a result, he uses his craftiness and his “power of language” to take revenge on Othello. Although his plan foils, he causes Othello to kill his wife Desdemona and commit suicide, all the while he deceives and exploits other characters for his plan. In Othello, Iago demonstrates his power of language through his manipulation of Roderigo, Michael Cassio, and Othello, for his use and liking. After witnessing Desdemona proclaim her love to Othello and Brabantio, her father, acknowledging their marriage, Roderigo, suitor of Desdemona, tells Iago that he is going to drown himself.
Appearances can be deceiving as often what appears to be real is in truth an illusion. This notion is presented in Othello as it explores how appearances and societal perceptions are often fraudulent in comparison to true. This is evident when the antagonist, Iago employs dramatic irony stating that, “Men should be what they seem”. Here, Iago is hypocritical as he is perceived to be honest by the Venetians. However, this social façade is only masking his duplicitous nature. Iago’s character is further revealed through the use of metaphor, “The Moor has already changed with my poison”. In this instance Iago is attempting to conjure up the insecurities of Othello, such as Desdemona’s fidelity and devotion to
The three characters of Iago, Desdemona and Othello are gradually revealed to the audience as Act One unfolds. All three are linked to one another and talk to and about each other. Their characters unfold through their interaction with others and how they behave in isolation. The first impression formed of Iago comes from what Roderigo says. Being gullible, Roderigo has given Iago his purse. A character who accepts an offer like this is likely to be of doubtful reputation. The first words spoken by Iago are a strong oath. Already it is obvious that he has little respect for religion. Iago also sees little point in fighting purely in theory. He despises Cassio, partly because he has never fought physically. It becomes apparent that Iago is the dominant one in his "friendship" with Roderigo. He talks the most and has many opinions. Iago looks down upon those who serve others and explains that he is only serving Othello for his own gain:
Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs Shakespeare's Othello.
One person Iago deceives is Roderigo. Throughout the play, Iago tells him that he hates Othello and that Roderigo should make some money so he could give gifts to Desdemona, who he admires from afar. Thinking that this is sound advice, Roderigo does just that. However, Iago is actually keeping the gifts that Roderigo plans to give Desdemona for himself. Eventually, Roderigo begins to catch on to the act and confronts Iago, but he falls right into Iago’s trap again when he tells him that killing Cassio will help him win over Desdemona. Roderigo is then lead to his death by the hands of "Honest Iago."
Iago continues masking his pure identity, until his genuine self is revealed once tragedy strikes. Iago pretends to be Cassio’s best friend but really ends up using him to prove to Othello that Desdemona is ...
Iago, the evil villain of Shakespeare's Othello, is more than just a villain. In many ways he is the most intelligent and appealing character in the play. Iago shows superiority over the rest of the characters in the play. He has the ability to manipulate the characters in the play, therefore controlling the play with every sequence of events. His intelligence shines through his ability to deceive, his ability to strategize, and his ability to twist the truth. Iago is appealing to the characters of the pay because he gives them what they want. Iago is appealing to the reader as well. His character is totally unconflicted about being evil, making him known to some authors as the villain of all villains. Iago is, in many ways, the most intelligent and appealing character in the play.
Throughout the mind bending play Othello we are deceived from the characters and their innocence and the tragedies that set out to do. During the play Othello by William Shakespeare, we meet a few iconic characters. Iago, the mischievous man who deceives everyone into believing he is the good guy and is there to help when all along he is trying to bring Othello down. Continuing through the play Iago takes charge into his plan, using anything he can get his hands on. Further bringing us to the scene that Iago gets a hold of Desdemona’s handkerchief from Emilia. Iago tries to use that to his advantage to turn Othello and Desdemona on each other. The archetypal perspective helps the audience understand what Shakespeare is trying to accomplish