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The three short stories, “A & P,” “Araby,” and “A White Heron,” though fictional in nature, all depict how significant mental growth can stem from an unexpected occurrence or temporary person entering our lives. The authors of these short stories employ an analogous structure to portray inner reflection and growth. Initially, an unexpected character of the opposite sex enters the main character’s life temporarily and produces a lasting effect on their mindset and even status. This is followed by a turn that ultimately enables the main characters, regardless of the triggering person’s obliviousness of their impact, to move from ignorance of life’s realities to the light offered by reflected and hard-earned maturity.
In “A&P,” Sammy, the nineteen-year-old main character, states that three girls walk into the store he works in wearing “nothing but bathing suits” (230). Now, while this is anything but a normal occurrence, as the store is relatively far from the sea and clients do not customarily wear bathing suits, the girl who leads the pack attracts his attention and has the potential of changing his life within minutes without his even expecting it (232). The narrator has a mundane, day-by- day life, and his job, clerking at the A&P store, most probably will not lead him to a higher end position in this lifetime. “Queenie” the girls’ leader, gives him the gateway towards dreaming about a fancier world, especially when she comes in to purchase a can of “Kingfish Fancy Herring Snacks in Pure Sour Cream” (233).
After the manager admonishes the girls for their appearance, Sammy impulsively quits, trying to be a hero within his own narrative. This represents the culminating points of the story. “Queenie” never notices his actions; she...
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... are fleeting nothings compared to nature’s love and offerings for her. Nature’s love for her and sticking to her values will remain her reality, not the hunter. All of that is not worth losing over a romantic fantasy.
In all these short stories, the three main characters learn that romantic fantasies can distract them from staying true to themselves and reality. While the characters they meet in their lives are temporary, the lessons they make the main characters learn are valuable for the long term. They all mature more by learning how personal choices can affect their life drastically or for the better within seconds or days, and that there is a big leap between the dreamy idea of love and actual reality. Whether a youthful spark that evolves into an unrealistic obsession or true love tested by time and life’s trials, love has a way of changing us all.
The main character in John Updike's short story “A&P” is Sammy. The story's first-person context gives the reader a unique insight toward the main character's own feelings and choices, as well as the reasons for the choices. The reader is allowed to closely observe Sammy's observations and first impressions of the three girls who come to the grocery store on a summer afternoon in the early 1960s. In order to understand this short story, one must first recognize the social climate of the era, the age of the main character, and the temptation this individual faces.
In, “A&P,” Updike depicts an unusual day for Sammy working in the A&P store. Sammy’s days are usually mundane but his day is changed when a group of scantily dressed girls walk into the store and they leave an everlasting influence on his life. Updike’s demonstrates these events through colloquial language and symbolism, allowing the reader to connect with Sammy and see his growth as a character.
At the beginning of A&P, Sammy notices that three girls have walked into the store with only there bathing suits on. At first, poor Sammy cannot see the girls because he was at register 3 with his back toward the door. When they finally get into his sight, he immediately size the girls up. "The one that caught my eye first was the one in the placid green two-piece. She was a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it, where the sun never seems to hit, at the top of the backs of her legs." He also gives a description of the other two girls. He says one has "a chubby berry-faces, her lips all bunched together under her nose and the tall one, with black hair that hadn't quite frizzed right, and one of these sunburns right across under the eyes and a chin that was too long--you know, the kind of girl other girls think is very "striking" and "attractive" but never quite makes it, as they very well know, which is why they like her so much." This comments illustrate his immaturity. Sammy refers to one of the girls as queen. He calls her queen because she seems to be the leader. ...
While it's true that Sammy finds the three scantily-clad girls who enter the supermarket attractive, as would any normal nineteen-year-old male, what is most notable about his descriptions of the girls, and particularly of the "leader" of the group, is that Sammy holds them in contempt. Once we get beyond the descriptions of their bodies, we see nothing but derogatory comments directed at them, including the derisive nicknames that Sammy assigns to them. Nowhere is this more evident than in Sammy's description of the leader, "Queenie." The nickname assigned to her by Sammy points out the stereotypical snap judgment that Sammy makes about her personality and social status initially, and to which Sammy rigidly adheres despite no real evidence of its accuracy. From the description of her "prima donna" legs, to his imagining of ...
Sammy watches every step the girls take while criticizing and admiring them at the same time. His observations of the leader who he refers to as Queenie and her followers give him an insight of who they are personally. Sammy likes Queenie as she possesses confidence which sets her apart from the group. Sammy, still being a young boy likes that her bathing suit has “slipped on her a little bit” (Updike 158). Updike conveys the obvious that Sammy cannot look away from Queenie when “there was nothing between the top of the suit and the top of her head except just her”. Updike includes these small details and imagery to indulge the reader in the perception that Sammy at this point in his life is a clueless teenage
As the student develops his essay, Sammy begins to compare the girls to other customers in the store. From “houseslaves in pin curlers” to “an old party in baggy gray pants” (2192 ), Sammy negatively characterizes customers in contrast to the leader of the girls, Queenie. To Sammy, the girl is someone that is not from their town. She is everything that every girl envies and wants to be. In contrast to Sammy, she will spend her summer vacationing while he spends it working. It is clear to Sammy that their worlds are different, however it is also obvious that he would like to explore hers.
A & P takes place in a community inland that is sandy, yet near the coast. It starts out in the supermarket in which three girls in bathing suits walk in. One of these girls catches the eye of Sammy, which is working at the supermarket, Queenie. “The one that caught my eye first was the one in the plaid green two-piece. She was a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it, where the sun never seems to hit, at the top of the backs of her legs.” Sammy sees these girls and wants to be like them, free in a sense. As time goes on the girls finally get what they wanted and decided to check-out. They make there way to Sammy’s register where there comes Sammy’s manager, Lengel, to complain to the girls about their dress attire.
Interpretation of A & P This story takes place in 1961, in a small New England town's A&P grocery store. Sammy, the narrator, is introduced as a grocery checker and an observer of the store's patrons. He finds himself fascinated by a particular group of girls. Just in from the beach and still in their bathing suits, they are a stark contrast, to the otherwise plain store interior.
John Updike’s “A&P” is a short story about a nineteen year old boy during the 1960’s that has a summer job at the local A&P grocery. The main character in the story, Sammy, realizes that life isn’t always fair and that sometimes a person makes decisions that he will regret. Sammy sees that life doesn’t always go as planned when three young girls in bathing suits walk in and his manager Lengel gives them a hard time, and he comes to term with that sometimes you make bad decisions.
Stories about youth and the transition from that stage of life into adulthood form a very solidly populated segment of literature. In three such stories, John Updike’s “A & P,” Richard Wright’s “The Man Who Was Almost a Man,” and James Joyce’s “Araby”, young men face their transitions into adulthood. Each of these boys faces a different element of youth that requires a fundamental shift in their attitudes. Sammy, in “A&P”, must make a moral decision about his associations with adult institutions that mistreat others. Dave, in “The Man Who Was Almost a Man,” struggles with the idea that what defines a man is physical power. The narrator of “Araby,” struggles with the mistaken belief that the world can be easily categorized and kept within only one limited framework of thought. Each of these stories gives us a surprise ending, a view of ourselves as young people, and a confirmation that the fears of youth are but the foundation of our adulthood.
In John Updike’s short story, A&P the writer takes you on a youths memory that involves the choices and consequences that life can deal to anyone who has not had time to test a rash decision. The narrator is an immature nineteen-year-old cashier who is about to make a giant leap from adolescence to manhood. Sammy narrates with opinions of not only his life, but also the people in the town. Sammy opposes with the way these people live their lives, and is determined to set a different course for his future. The author uses characterization, symbolism, and setting to explain Sammy's life issues such as decision-making, result of action, and responsibility. The story illustrates that part of growing up is about making choices and a willingness to accept consequences of one’s own choices.
The beginning of “A & P” starts with the main character, Sammy, at work when three girls in nothing but bathing suits walks in. According to Lawrence Dessner, the A & P check out counter showed Sammy a sample of insult and indignity of ordinary people (317). He may not have liked the people that shopped there, but he received insight of the real world. A woman that was currently at Sammy's counter was middle aged and brought Sammy no sympathy to the shoppers; he sometimes mention them as sheep. His names of the shoppers also include insight of Sammy's view of the ordinary shoppers; Sammy did not care much for others.
“A&P” starts off with three girls walking into a grocery store “in nothing but [their] bathing suits“ (14). The A&P is “five miles from a beach” (16), in the middle of town. They are having fun and enjoying themselves although the way they are dressed is not appropriate for where they are, but it does not bother them at all. Soon after their entrance, they catch the eye of Sammy. Sammy follows the girls around the store with his eyes, describing them very thoroughly, even describing one of the girl’s “sweet broad soft-looking can, with those two crescents of white just under it” (14). Sammy’s sharp and critical observations about the people around him confirms that he is discontent with the norms of society.
At the end of the story, Sammy quits his job. Sammy that by quitting the girls are going to fall madly in love with him because he shows them support. Sammy decides to do quit when the manager of the store calls the girls out on their scandalous clothing option. Sammy recognizes that the manager has hurt the girl's feeling and says, "the girls, are in a hurry to get out, so I say ‘I quit'" (Updike 4). Sammy quits so the girls will see that he is on their side of this argument and is stepping up as the "man". After Sammy quits from A&P, he goes out of the store to meet the girls, when "[he] looks around for the girls, but [they are] gone" (Updike 4). Sammy takes in the fact that his massive, masculine attempt to support the girls means nothing to them. Sammy starts to see that the world is just and states, "[he is feeling] how hard the world [is] going to be to [him] hereafter" (Updike 4). Sammy clearly sees that his decision to support the attractive girls he barely knows is going to affect him in a negative way. Sammy realizes he cannot make rash decisions out of the blue as well as logically think about how they are going to affect him. When the girls leave Sammy outside without a job, Sammy's little world he made in his head broke apart into pieces and he sees that the world is not a fair
What they did not realize was that they were making both employees and the store’s other customers uncomfortable with their appearance by the comment from one of the cashiers “Oh Daddy, I feel so faint” (150). The narrator, Sammy, quickly gave each girl a nickname in his mind and calls them “Queenie and Plaid and Big Tall Goony-Goony”(150). “Queenie” lead the pack, showing the other two girls how to walk in the store, head held high, body straight. “She had talked the other two into coming in here with her, and now she was showing them how to do it, walk slow and hold yourself straight” (149). The other two girls appeared to be more uncomfortable walking around the store in just their swim suit. The leader, “Queenie” most likely enjoyed the attention she and her friends were receiving from the people in the store considering she came in with the straps of her suit down below her shoulders. When Lengel, the store manager, saw and confronted them, they got embarrassed and tried to tell Lengel that they are wearing decent clothing. The girls were no doubt more embarrassed about being confronted than they were about what they were wearing when even Sammy “began to feel sorry for them” (150). With the employees and other customers watching the encounter, the girls quickly left the store after they paid for the snack with hopefully a