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Zora Neale Hurston was a preeminent African American female writer who was prominent in the Harlem Renaissance an era essentially popular for black cultural movements in the 1920’s and 1930’s. Hurston was born in Florida in 1891 a time and place surrounded with sexism and racism.
Zora Neale Hurston is the author of the novel “ Their Eyes Were Watching God”. The story was published in 1937, an amazing accomplishment considering the complications faced by black female authors at the time.
She projects her self image within protagonist thus the novel being semi- autobiographical
Revolves around Janie Crawford a young African American woman who lives with her grandmother, Nanny. Nanny has a troubled past, being raped by her masters many
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In this novel, women are expected to be wonderful little wives, wives who don’t voice their opinions or disobey their husbands. Women who could only gain power through their marriages, preferably to a wealthy powerful man.
Janie is a strong and independent protagonist. Zora Neale Huston is a talented female author who writes on the issues of female inequality in marriages. Hurston makes subtle arguments to forward the cause o feminism.
Hurston short story is shaped by her race
African American’s constantly face obstacles that prevent them from succeeding. Zora is celebrated as a talented author however they celebrate her s a “Black female” author she is automatically lumped into a category with the rest of the black writers of the Harlem Renaissance and was underpaid for her talented work.
Janie’s gender plays a major role in how she is seen by society. Janie and many women are simply known in reference to their husbands, rather then “Janie Starks” the Mrs. Mayor. Although Joe Starks is a black man he gives out a persona of domination and displays traits of the white man, while looking down at others especially Janie. Janie feels the need to please Joe to suit her expectations of
Zora Hurston’s novel “Their Eyes Were Watching God” depicts the journey of a young woman named Janie Crawford’s journey to finding real love. Her life begins with a romantic and ideal view on love. After Janie’s grandmother, Nanny, soon grows fearful of Janie’s newfound sexuality and quickly marries Janie off to Logan Killicks, an older land owner with his own farm. Janie quickly grows tired of Logan and how he works her like a slave instead of treating her as a wife and runs away with Joe Starks. Joe is older than Janie but younger than Logan and sweet talks Janie into marring him and soon Joe becomes the mayor of an all African American town called Eatonville. Soon Joe begins to force Janie to hide not only her
Oprah’s first mistake, changing Janie’s character to making her equal to men, strengthened Janie in order to show that she controlled her life. Zora Neale Hurtson wrote Janie as a woman subordinate to men, such as Logan Killicks or Joe Starks. “‘She’s uh woman and her place is in de home’” (Hurston 51). By making Janie lesser to men, Hurston portrays the way that men treated women in the 1920s and 1930s and how their husbands expected their wives to act. Janie, a wife, and strictly that, bound to the things that wives existed, at the time, to do had known that she had to follow these unspoken rules and act subordinate to men. Oprah’s change creates an essence of strength for her character in order to make Janie independent and that she does what she wants. In the movie, she played checkers with the people of Eatonville, mouthed off to Joe in front of the town, and even worked in the field with Logan Killicks. Joe Starks nor Logan Killicks would not allow Janie to do these things as the men believed that a wife should do her womanly duties of cooking and cleaning, not a man’s work. Oprah’s alteration created equality with Janie’s character, ther...
Walker, Kristen. "Feminism Present in Zora Neale Hurston's Their Eyes Were Watching God." 7 February 2007. Yahoo Voices. 27 January 2014 .
Appiah, K.A. and Gates, Henry Louis, Jr. eds. Zora Neale Hurston: Critical Perspectives Past and Present. New York: Amistad Press, Inc., 1993.
Hurston, Lora Neale. Their Eyes Were Watching God. New York: Harper & Row Publishers, 1990.
Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.
Zora Neale Hurston grew up in Eatonville, Florida also known as “Negro Town” (Hurston, 1960, p.1). Not because of the town was full of blacks, but because the town charter, mayor, and council. Her home town was not the first Negro community, but the first to be incorporated. Around Zora becoming she experienced many hangings and riots. Not only did Zora experience t...
4. Hurston, Zora Neal. Their Eyes Were Watching God. New York: Harper Collins, 1937. Print.
Janie represents all of the independent women of her time because she never gave up her happiness. The one moment that brought the whole story together and the one moment that really showed Janie as one strong woman, was the moment she let down her hair. After many years and multiple men burdening her of societal expectations she finally became a woman that she wanted to be. The moment quoted when she became herself was, “She went over to the dresser and looked hard at her skin and features. The young girl was gone, but a handsome woman had taken her place. She tore off the kerchief from her head and let down her plentiful hair. The weight, the length, the glory was there”(Hurston 86), was the climax of the story, and the beginning to Janie’s
It is strange that two of the most prominent artists of the Harlem Renaissance could ever disagree as much as or be as different as Zora Neale Hurston and Richard Wright. Despite the fact that they are the same color and lived during the same time period, they do not have much else in common. On the one hand is Hurston, a female writer who indulges in black art and culture and creates subtle messages throughout her most famous novel, Their Eyes Were Watching God. On the other hand is Wright, who is a male writer who demonstrates that whites do not like black people, nor will they ever except for when they are in the condition “…America likes to see the Negro live: between laughter and tears.” Hurston was also a less political writer than Wright. When she did write politically, she was very subtle about stating her beliefs.
The Harlem Renaissance was all about freedom of expression and the search for one's identity. Zora Neale Hurston’s, Their Eyes Were Watching God, shows these goals through the main character Janie and her neighbors. Janie freely expressed what she wanted and searched for her identity with her different husbands. Even though Janie was criticized by everyone except her friends, she continued to pursue. She lost everything, but ultimately found her identity. Hurston's writing is both a reflection and a departure from the idea of the Harlem Renaissance.
Both Zora Neale Hurston and Langston Hughes were great writers but their attitudes towards their personal experience as an African American differed in many ways. These differences can be attributed to various reasons that range from gender to life experience but even though they had different perceptions regarding the African American experience, they both shared one common goal, racial equality through art. To accurately delve into the minds of the writers’ one must first consider authors background such as their childhood experience, education, as well their early adulthood to truly understand how it affected their writing in terms the similarities and differences of the voice and themes used with the works “How it Feels to be Colored Me” by Hurston and Hughes’ “The Negro Mother”. The importance of these factors directly correlate to how each author came to find their literary inspiration and voice that attributed to their works.
Once a slave, Nanny tells of being raped by her master, an act from which Janie’s mother was brought into the world. With a
In conclusion, Hurston was a modernist writer who dealt with societal themes of racism, and social and racial identity. She steps away from the folk-oriented style of writing other African American authors, such as Langston Hughes, and she addresses modern topics and issues that relate to her people. She embraces pride in her color and who she is. She does not hate the label of “colored” that has been placed upon her. She embraces who she is and by example, she teaches others to love themselves and the color of their skin. She is very modern. She is everybody’s Zora.
I agree with you where you said that Zora is very optimistic. She is looking for a fun and positive aspect in everything she was doing as “Colored”. Hurston was not bitter by her circumstances unlike other black people, Zora did not mind being colored: In addition, to her the slavery problem ended sixty years before, thus she did not let the racism problems and prejudices enter her being. I like Zora’s views because I think if you give too much importance to a negative issue, you are rather promoting it instead of discouraging it. In my opinion, people should at first focus on what they want such as peace, justice, and equality. Therefore,