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Theme of nature in literature
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Theme of nature in poetry
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Escaping the Wasteland
The fishing trip within Ernest Hemingway’s The Sun Also Rises provides a pilgrimage of rejuvenation to the novel’s participating characters, Jake Barnes and Bill Gorton. Escaping the wasteland that is Paris, the two men “shove off,” (Hemingway, VIII), to Burguete, Spain, where they fish for trout on the Irati River.
The protagonist and narrator of the novel, Jake was left impotent from an injury incurred while serving with the Italian Front in World War 1. His inability to consummate his love for the insatiable Brett Ashley, and the sterile social backdrop of Paris provide a striking similarity to the Arthurian Fisher King motif of a man generatively impaired, and his kingdom thusly sterile. Bill Gorton, an amicable ally of Jake, and one of the few morally sound characters in the novel, serves as Galahad, gently kidding Jake about his injury, promoting self-acceptance and healing.
Hemingway often depicts nature as a pastoral paradise within the novel, and the fishing trip serves as his epitome of such, entirely free from the corruptions of city life and women. Doing away with modern modes of transportation, they walk many miles gladly to reach the Irati River. While fishing, Jake and Bill are able to communicate freely with each other, unbound by the social confines of American and European society. The men also enjoy the camaraderie of English Veteran, Harris. This is quite different from the competitive relationships that can develop between men in the presence of women. Bill is able to express his fondness for Jake openly without it “mean[ing] [he] was a faggot,” (VIII), and Jake has no qualms over his fish being smaller than Bill’s, in what could be interpreted as an admission of lesser sexual virility.
The fresh air of Burguete provides clarity of mind beyond the scope of the Parisian lifestyle and it is evident within Hemingway’s prose and style. Jake’s diligence and dedication to each of the steps involved in fishing are indicative of his separation from his life and the woes that constitute it. Throughout the novel, Jake has a shrewd, practical outlook on life that is omitted here. His focus and attentiveness reveal the sensitive, reflective man that Jake is, free of inhibition. His thoughts undulating like gentle waves, Jake uses worms for bait as opposed to a fly, so he can peacefully drop his line and contemplate life instead of concentrating on the constant casting and jerking inherent to fly fishing.
To elaborate, after the narrator asks Sheila on a date, he brings his fishing rod because he never went anywhere that summer "without a fishing rod" revealing that fishing is what he likes to do and is important to him. He adds when he wasn't trying to impress Sheila Mant, he "was fishing the river for bass" explaining that he spends a lot of time fishing and he enjoys it very much. Before Sheila Mant, fishing has been his true passion. Nonetheless, the narrator becomes torn between Sheila and fishing. During the date, as the narrator discusses fish, Sheila pronounces that she believes "fishing's dumb" which created a dilemma with the narrator because fishing is what he cherished as extremely as Sheila. His rash desire masks his true passion and provokes the narrator to hide his passion from Sheila. Furthermore, the narrator hooks the largest fish he has seen inside his fishing pole and realizes that "Sheila must not know" because he would have given anything not to "appear dumb in [her] eyes." His superficial values and hunger for Sheila cause him to hide his passion in exchange for the possibility of Sheila's love. His desire for Sheila forces him to try to seem sufficient enough Sheila's love even if it means endangering his passion. Instantly, the tug of Sheila was too great for him and he extracted a knife and "cut the line in half" forcing his passion
Although Jake was spared his life in the great war, he lost another part of his life and future. Jack tries to compensate his lack of any real future with Brett or any other women with his passion for bullfighing and other frivalties. In John Steele Gordon’s article, “What We Lost in the Great War” Gordon laments the loss of hope and future the generation of the war felt. The characters of the novel, and especially Jake, exemplify the lack of direction felt after the war. Their aimless drinking, parties and participation in the fiesta is an example of the absence of focus in their life.
Hemingway’s narrative technique, then, is characterized by a curt style that emphasizes objectivity through highly selected details, flat and neutral diction, and simple declarative sentences capable of ironic understatements; by naturalistic presentation of actions and facts, with no attempt of any kind by the author to influence the reader; by heavy reliance on dramatic dialogue of clipped, scrappy forms for building plot and character; and by a sense of connection between some different stories so that a general understanding of all is indispensable to a better understanding of each. He thus makes the surface details suggest rather than tell everything they have to tell, hence the strength of his “iceberg.” His short stories, accordingly, deserve the reader’s second or even third reading.
The world of Ernest Hemingway’s “Big Two-Hearted River” exists through the mostly unemotional eyes of the character Nick. Stemming from his reactions and the suppression of some of his feelings, the reader gets a sense of how Nick is living in a temporary escape from society and his troubles in life. Despite the disaster that befell the town of Seney, this tale remains one of an optimistic ideal because of the various themes of survival and the continuation of life. Although Seney itself is a wasteland, the pine plain and the campsite could easily be seen as an Eden, lush with life and ripe with the survival of nature.
Coming home from the grueling experience of being a soldier in World War I, he felt ecstatic when he saw a trout swimming in the stream. The perils of war took a devastating toll on Nick, as he suffered from a physical wound while in action. The camping trip here is like an oasis, which will let Nick to recover from all the distress. “Nick looked down into the pool from the bridge. It was a hot day. A kingfisher flew up from the stream. It was a long time since Nick had looked into a stream and seen trout. They were very satisfactory...Nick’s heart tightened as the trout moved. He felt all the old feeling.” (178) The healing process begins here with Nick re-acclimating himself with one of his favorite hobbies: fishing. “He started down to the stream, holding his rod...Nick felt awkward and professionally happy with all the equipment hanging from him...His mouth dry, his heart down...Holding the rod far out toward the uprooted tree and sloshing backward in the current, Nick worked the trout, plunging, the rod bending alive, out of the danger of the weeds into the open river. Holding the rod, pumping alive against the current, Nick brought the trout in...” (190,193,195) Nick finally reels in a trout after the big one got away, getting to the feeling of relaxation and washing away the horrors of war. By pitching his tent out in the forest and being able to function by himself so smoothly, Nick shows how he represents the trait of stoicism. He did not complain or stop living, coming back with the trauma of war. Going camping, he is able to relieve himself through using all the nature around him, showcasing his
The Sun Also Rises was one of the earliest novels to encapsulate the ideas of the Lost Generation and the shortcomings of the American Dream. The novel, by Ernest Hemingway, follows Jake Barnes and a group of his friends and acquaintances as they (all Americans) live in Paris during 1924, seven years after World War I. Jake, a veteran of the United States, suffers from a malady affecting his genitalia, which (though it isn't detailed in the s...
Baker, Sheridan. "Hemingway?s Two-Hearted River." The Short Stories of Ernest Hemingway: Critical Essays. Ed. Jackson, J. Benson. Durham: Duke UP, 1975. 158.
Reading the opening sentences, grand visions of my childhood danced through my head. The story took me back to happy times of summers spent alone with my grandfather in the mountains of West Virginia. Like Nick, the camping and fishing trips were a welcomed relief from the city life and school for me. Although we were in a different area of the country the wilderness seems to be the same. Like Nick I remembered being dropped off near the edge of the wilderness to hike in and go camping near the river. “The river just showed through the trees” (Hemingway 480). As with the main character the river always intrigued me as a child. It was many things such as the smell, the sound, and the being apart of nature that I liked. Most of all I really loved having the one on one time spent with my grandfather. Just as Hemmingway describes, we to would tromp through the mountains for what seemed like forever. We make the trek all in order to find that perfect spot to set up camp. I often felt as Nick did “His muscles ached and the day was hot but…felt happy” (Hemingway 468). When we came across that spot, a quote from the story says it best “He was there, in the good place” (Hemingway 471), and “The river was there” (Hemingway 467). A sense of happiness filled my body because I knew what was soon to come. We would set up the camp and get something to eat. I could feel Nick’s pain of being “very hungry” (Hemingway 470); this was one of the down sides of the trip. My grandfather would not stop just to eat we would have to find are site then we would take a break for a quick snack before setting up camp. First we would survey the site and plan the best placement for our things. Hemingway wrote “He pegged the sides out taut and drove the pegs deep” (470), this passage brought flash backs of my grandfather telling me how important it was to get the lines tight and drive the tent pegs deep into the ground.
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...
Hemingway’s characters exemplify the effects of combat because World War I had a negative impact on them; the veterans lead meaningless lives filled with masculine uncertainty. Jake and his friends (all veterans) wander aimlessly throughout the entire novel. Their only goal seems to be finding an exciting restaurant or club where they will spend their time. Every night consists of drinking and dancing, which serves as a distraction from their very empty lives. The alcohol helps the characters escape from their memories from the war, but in the end, it just causes more commotion and even evokes anger in the characters. Their years at war not only made their lives unfulfilling but also caused the men to have anxiety about their masculinity, especially the narrator Jake, who “gave more than his life” in the war (Hemingway). Jake feels that the war took away his manhood because he is unable to sleep with Brett as a result of an injury. Although he wants to have a relationship with Brett, and spends most of his time trying to pursue her, she rejects him because he cannot have a physical relationship with her. At several points in the novel, Brett and Jake imagine what their lives could have been like together, had he not been injured during the war. Thus, his physical injury gives him emotional distress because he cannot have a relationship with the woman he always wanted. The traditional American perception of...
The Cambridge Companion to Ernest Hemingway; edited by Scott Donaldson; Cambridge U. P.; New York, NY; 1996
He is madly in love with Lady Brett, who loves him in return. However, they cannot complete their relationship because of Jake’s injury. Therefore, all he can do is helplessly watch as Brett dates other men. Their forbidden love is similar to the story of Romeo and Juliet, however this novel tells us about the scary ventures of love. Hemingway uses dialogue, imagery and omits descriptions of the characters’ emotions to show the tragedies of love.
The novel The Sun Also Rises, by Ernest Hemingway, is about a journalist, named Jake, and his friends with their complicated relationships between them and the love interest, Brett. The short sentences try to convey the small talk between them and talking about food or wine while also giving insightful information about the characters. The longer sentences are more about deeper memories or trying to forget their past memories. In the novel, Jake and his friend, Bill, go fish in the countryside of Burguete, Spain while their other friend, Robert Cohn, waits for the others at the train station. While they are out fishing, they bring chicken, eggs, and two bottles of wine so that they can eat lunch while fishing. During the fishing scene, Jake and Bill get really drunk off of the wine, which causes them
In the story, Santiago’s bravery is unsurpassed, but it is not until he hooks the “great fish” that we truly see his valor and perseverance. Through Santiago’s actions, Hemingway teaches the reader about bravery and perseverance in the face of adversity. He demonstrates that even when all is lost and seems hopeless, a willful heart and faith will overcome anything. Santiago had lost his “luckiness” and therefore the respect of his village. Through the description of his cabin, we also suspect that Santiago is a widower.
Fishing is a way a person can catch nature with a hook. Fishing can represent life problems and portray the journey throughout it. The extensive trip that Santiago takes to fish represents the long journey in life. The fight that Santiago has with the marlin parallels the fights and troubles in life that happen along the way. When the old man comes home empty-handed from his fishing trip symbolizes the uncontrollable factors in life. Ultimately, Hemingway used the symbol, fishing, to show the course in life, fighting with problems, and the fate that he has when he returns from his fishing trip.