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Chaucer and the seven deadly sins
Characteristics of characters in Canterbury tales
Religious perspective of The Canterbury Tales
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In Geoffrey Chaucer’s, The Canterbury Tales each of Chaucer’s characters relates to one of the seven deadly sins. In the story Chaucer and twenty-nine other characters, go on a pilgrimage to seek the place where Saint Thomas Becket was martyred. The tales are the pilgrims’ stories, two on the way there and two back. Each story itself relates to one of the seven deadly sins, mocking the church’s corruption. Through the prologue of The Canterbury Tales, Chaucer creates a fictional character the miller to illustrate the sin of wrath.
The miller is described as a large young man in the story. When one think’s of an angry person they tend to think of a larger person, which is why Chaucer illustrates him this way. At this point is the prologue Chaucer’s character, as the narrator is describing the miller to the reader. Chaucer writes “The Miller was a chap of sixteen stone, a great stout fellow big in brawn and bone.” (561). The miller being described as a large man and the fact that he was big in brawn illustrates to the reader that the miller was not afraid to fight.
Generally speaking, large men have no fear of fighting. As Chaucer continues describing the miller he writes,” He did well out of them, for he could go and win the ram at any wrestling show.”(563). Chaucer explains that the miller was an exceptional wrestler. In wrestling participants exhibit anger by fighting with others. The men are usually strong, and show little pain.
Many men that exhibit wrath can be show offs and not think things through all the way. In the story Chaucer illustrates the miller as a bit stupid and very conceited.” Broad, knotty, and short- shouldered, he would boast He could heave any door off hinge and post, Or take a run and break it with his h...
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...he miller is stealing from his own customers illustrates to the audience that he is an angry man; he could be stealing because he feels that they owe it to him. In the millers head he could see himself as if on a pedestal.
The miller’s anger is illustrated to the audience when he is illustrated as a man of large stature, and intimidating. Chaucer continues to vividly describe the miller to the reader by writing that, he wins all the wrestling shows, carries weapons, and uses words to fuel his anger, and takes his anger out on others. All of these traits that the miller has illustrate to the audience that he is an intimidating character that is full of anger and demonstrates it well in the way that Chaucer describes him. The Canterbury Tales are important to study now days, because the audience can learn from the bad traits that that each character has and portrays.
Miller presents the character of John Proctor in an important way to show two sides to his character. These qualities make him have the most important role in ‘The Crucible.’ The key events that show him in this way is when the audience find out about the affair, how he tries to defend his wife, his confession in court and his hanging for the sake of others. Through the events in The Crucible, Miller then portrays John Proctor’s character with tension and suspense. This then makes the audience question whether or not he is a good man.
Such comments as, “I pray to God his nekke mote to-breke” quickly reveal that the ver-bal game of “quite” involves much more than a free meal to the Reeve in “The Canterbury Tales” (I 3918). This overreaction, which grabs the attention of the audience and gives it pause, is characteristic of the Reeve’s ostensibly odd behavior, being given to morose speeches followed by violent outbursts, all the while harboring spiteful desires. Anger typifies the Reeve’s dialogue and his tale, which begs the question why. It appears to be a reaction to the Miller’s insults, but they are not extreme enough to provoke such resentment. He seem-ingly has no hesitation in articulating his bitterness, yet he and his story are as much marked by suppression as expression. Silence resounds as loudly as any noise in the Reeve’s Prologue and Tale. The reader is as puzzled by his utterances as the lack of them: his sudden sermon on death is matched by the quietness of two couples copulating in a small room of five, none of which are able to hear what the others are doing. The reality is that the behavior of the Reeve and the characters in his tale are not random or unaccountable. The Reeve is continually si-lenced by other pilgrims and himself, which is paralleled in his tale, and in turn suppresses his emotions, which leads to even more explosive conduct.
How Secrecy is Presented in The Miller’s Tale Secrecy is a prominent theme in The Miller’s Tale and Chaucer uses it to not only make the tale more interesting but also to give the characters more depth, or in the case of Alison less depth. The way that secrecy is presented and what effects it has will be discussed. Chaucer introduces the reader to secrecy at the beginning of the tale in The Miller’s Prologue, indicating its importance, ‘An housbande shal not been inqusitif of Goddes privetee,’ and this immediately makes the reader assume that at least one of the characters will in fact be inquisitive of ‘Goddes privetee’ and that there will be secrets in The Miller’s Tale. The element of secrecy is evident in the characters and their descriptions. This is necessary as the characters in the tale are of a fabliau sort and the incorporation of sex with ‘low-life’ characters requires secrecy, and the description sets the tone for the tale.
The Merchant's revealed nature, however, combats the very destruction of creation and individual that he tried to attain. As the Merchant tries to subsume the reality of marriage, love, and relationship under his own enviously blind view, Chaucer shows us another individual, significant and important in his own way. Instead of acting as a totalizing discourse, Chaucer uses the Merchant's tale to reveal his depraved envy and to reveal him as no more than a wanton cynic. Thus, Chaucer provides the very perspective that the Merchant tries to steal from his audience.
Gluttony, Avarice, Wrath, Lust, Pride, Envy, and Sloth are all commonly known as the “Seven Deadly Sins”. Each of these seven sins plays a major role in development of the different characters. In Geoffrey Chaucer’s “The Canterbury Tales”, the Pardoner committed sins through gluttony and avarice; the Wife of Bath through Pride and Lust; and also the Monk through gluttony and wrath. However, omnipresent on all the characters are the different deadly sins that led to their development and morality.
In “The Pardoner’s Tale,” Geoffrey Chaucer masterfully frames an informal homily. Through the use of verbal and situational irony, Chaucer is able to accentuate the moral characteristics of the Pardoner. The essence of the story is exemplified by the blatant discrepancy between the character of the storyteller and the message of his story. By analyzing this contrast, the reader can place himself in the mind of the Pardoner in order to account for his psychology.
In the Crucible, Miller uses jealously to help amplify the numerous conflicts that occur. Other key elements like manipulation also play into this story and almost all of the characters encounter either conflict or jealously and they all deal with it in different ways. Throughout the story, Jealously incorporates essentially leads to create these conflicts and result into larger situations.
Cornelius, Michael G. "Sex and Punishment in Geoffrey Chaucer's 'The Miller's Tale.'" Human Sexuality. New York: Bloom's Literary Criticism, 2009. 95-104. [ILL]
All in all, Chaucer conveys human corruption through Simkin and makes him the example of justice. Although all his tales describe similar morals, it is evident to say that those who lie and deceive will always be punished. In more ways than one, we find ourselves often disagreeing with this sentiment and harbor anger towards those who cheat because they always seem to be the most successful. Chaucer empathizes with that and shows the audience that although the miller continually cheats, he eventually gets punished by Alan and John thus showing that patience is a key role within
The narrator is the first element of humor Chaucer uses in his story. The Miller is rude and drunk but generally a jolly fellow. This sets the tone of story as being fun and even a bit coarse, just like the Miller himself. He tells a few jokes before he tells his story: "One shouldn't be two inquisitive in life? / Either about God's secrets or one's wife. / You'll find God's plenty all you could desire"(53). As well, the Miller wants to punish the Reeve, a ...
In Arthur Miller’s The Crucible, the plot is filled with copious amounts of grudges between characters. It is these enmities that cause...
In both the Miller’s Tale and the Wife of Bath’s Tale, Chaucer uses his characters and stories in order to project various stereotypes to the reader. Although varying a tad bit throughout the book, the tone that seems to be drawn from the stories is that women are manipulating, sinful, and power hungry, while men are considered gullible and rash. Its through understand and analyzing these stereotypes that we can fully understand what Chaucer’s stories are trying to convey to us.
Florio, Thomas A., ed. “Miller’s Tales.” The New Yorker. 70 (1994): 35-36. Martin, Robert A., ed., pp.
... immediate effects on the Miller, who cares not a bit for courtesy or order but only reckless lust. Hence, the Miller follows with a tale that Palamon could have appreciated, had he not known the ways of chivalry, but only those of lechery.
The Canterbury Tales is a great contemplation of stories, that display humorous and ironic examples of medieval life, which imitate moral and ethical problems in history and even those presented today. Chaucer owed a great deal to the authors who produced these works before his time. Chaucer tweaked their materials, gave them new meanings and revealed unscathed truths, thus providing fresh ideas to his readers. Chaucer's main goal for these tales was to create settings in which people can relate, to portray lessons and the irony of human existence.