Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The role of women in a patriarchal society
Feminism in literature essay
Feminism in literature essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The role of women in a patriarchal society
I am a black feminist woman living in a word dominated and controlled by men. This does not indicate that I am anti-man, but instead that I am pro-woman. The 21st century has seen a major progression in the establishment of political, economic and social equality between men and women, but there is still a long way to go. Women’s struggles have been an issue for hundreds of years as they combat the stereotype of being subordinate, weak, powerless and fragile, among other degrading notions. Feminist activists have and to this day, are fighting for women to have equal opportunities as men. As a feminist, I am regularly looking at the world and the society we live in and viewing the ways in which women are treated; whether positively or negatively. …show more content…
From doing this I noticed that the novelists, whether male or female, incorporated various characters that stem from the patriarchal society that they occupied. Women in the Victorian era had very defined and rigid roles; they were considered to be physically and emotionally weaker than men yet virtuously superior, which meant that they were best suited for the private or domestic sphere. This pertains to the idea that it was their job to stay at home and take care of the household duties such as cooking, cleaning and caring for the children. It was their duty to rectify the moral taint of the public sphere dominated by the men. It is important to realize that notion of inferiority connected to women stems from the male gaze. The male gaze is a key aspect of feminist theory and it refers to the way that men look at women. It is an oppressive and sexualized way of “looking” that objectifies women and empowers men, which is deeply rooted in patriarchal ideologies and discourse. The male gaze also affects how women look at themselves, as they start to internalize these male-driven perceptions about women and compare it to themselves and their bodies thus leading to feelings of …show more content…
Rosamond is the epitome of beauty and charm so much so that the men view her as an angel and the best girl in the world. Her aspirations are linked to the traditional female conventions in Victorian society of marriage, wealth and social status. To achieve this, she marries the young, ambitious doctor, Tertius Lydgate, who represents the concept of the male gaze. During their first encounter, Lydgate instantly falls in love with Rosamond after witnessing her abilities as an actress. When Lydgate is conversing with her afterward, it is evident that he is viewing her through the gaze. He visually assesses her and paints her in a sexualized light because he is captivated by her beauty; “Lydgate was almost forgetting that he must carry on the conversation, in thinking how lovely this creature was, her garment seeming to be made out of the faintest blue sky, herself so immaculately blond, as if the petals of some gigantic flower had just opened and disclosed her; and yet with this infantine blondness showing so much ready, self-possessed grace” (149). In this moment, the omniscient narrator takes control of Lydgate’s mind, and provides the reader with his sexualized perspective of Rosamond’s beauty and leaves. Lydgate becomes aware of himself and resumes his attention to the conversation. Rosamond is Lydgate’s idealized female image and he regards her allure as
Misogynistic Confinement Yellow Wallpaper depicts the nervous breakdown of a young woman and is an example as well as a protest of the patriarchal gender based treatments of mental illness women of the nineteenth century were subjected to. The narrator begins the story by recounting how she speculates there may be something wrong with the mansion they will be living in for three months. According to her, the price of rent was way too cheap and she even goes on to describe it as “queer”. However, she is quickly laughed at and dismissed by her husband, who as she puts it “is practical in the extreme.” As the story continues, the reader learns that the narrator is thought to be sick by her husband John, yet she is not as convinced as him.
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
Prior to the twentieth century, men assigned and defined women’s roles. Although all women were effected by men determining women’s behavior, largely middle class women suffered. Men perpetrated an ideological prison that subjected and silenced women. This ideology, called the Cult of True Womanhood, legitimized the victimization of women. The Cult of Domesticity and the Cult of Purity were the central tenets of the Cult of True Womanhood. Laboring under the seeming benevolence of the Cult of Domesticity, women were imprisoned in the home or private sphere, a servant tending to the needs of the family. Furthermore, the Cult of Purity obliged women to remain virtuous and pure even in marriage, with their comportment continuing to be one of modesty. Religious piety and submission were beliefs that were more peripheral components of the ideology, yet both were borne of and a part of the ideology of True Womanhood. These were the means that men used to insure the passivity and docility of women. Religion would pacify any desires that could cause a deviation from these set standards, while submission implied a vulnerability and dependence on the patriarchal head (Welter 373-377).
In “the Yellow Wallpaper,” Gilman used that the first feminist wave, which was the period that she raised up, for the background. Especially, she used the men’s power in the book when she started to telling the story:
In Charlotte Perkins Gilman's short story "The Yellow Wallpaper," the reader is treated to an intimate portrait of developing insanity. At the same time, the story's first person narrator provides insight into the social attitudes of the story's late Victorian time period. The story sets up a sense of gradually increasing distrust between the narrator and her husband, John, a doctor, which suggests that gender roles were strictly defined; however, as the story is just one representation of the time period, the examination of other sources is necessary to better understand the nature of American attitudes in the late 1800s. Specifically, this essay will analyze the representation of women's roles in "The Yellow Wallpaper" alongside two other texts produced during this time period, in the effort to discover whether Gilman's depiction of women accurately reflects the society that produced it.
A woman driven crazy by post partum depression and a dangerous treatment summarizes the short story of “The Yellow Wallpaper”. The story was influenced by the 19th century women’s depression and their vision of life. Through phantasmagoric symbolism in “The Yellow Wallpaper” Gilman is able to speak volumes on the destruction and autonomy of feminist self-expression, the restrictions of gender roles, and the patriarchal paradigm.
Over the years, the roles of women have drastically changed. They have been trapped, dominated, and enslaved by their marriage. Women have slowly evolved into individuals that have rights and can stand on their own. They myth that women are only meant to be housewives has been changed. However, this change did not happen overnight, it took years to happen. The patriarchal society ruled in every household in earlier times and I believe had a major effect on the wives of the families. “The Story of an Hour”, “The Yellow Wallpaper”, and Trifles all show how women felt obligated to stay with their husbands despite the fact they were unhappy with them
"The Yellow Wallpaper," by Charlotte Perkins Gilman, tells the story of a woman's descent into madness as a result of the "rest and ignore the problem cure" that is frequently prescribed to cure hysteria and nervous conditions in women. More importantly, the story is about control and attacks the role of women in society. The narrator of the story is symbolic for all women in the late 1800s, a prisoner of a confining society. Women are expected to bear children, keep house and do only as they are told. Since men are privileged enough to have education, they hold jobs and make all the decisions. Thus, women are cast into the prison of acquiescence because they live in a world dominated by men. Since men suppress women, John, the narrator's husband, is presumed to have control over the protagonist. Gilman, however, suggests otherwise. She implies that it is a combination of society's control as well as the woman's personal weakness that contribute to the suppression of women. These two factors result in the woman's inability to make her own decisions and voice opposition to men.
Throughout time women have been written as the lesser sex, weaker, secondary characters. They are portrayed as dumb, stupid, and nothing more than their fading beauty. They are written as if they need to be saved or helped because they cannot help themselves. Women, such as Daisy Buchanan who believes all a woman can be is a “beautiful little fool”, Mrs Mallard who quite died when she lost her freedom from her husband, Eliza Perkins who rights the main character a woman who is a mental health patient who happens to be a woman being locked up by her husband, and then Carlos Andres Gomez who recognizes the sexism problem and wants to change it. Women in The Great Gatsby, “The Story of an Hour,” “The Yellow Wall Paper” and the poem “When” are oppressed because the fundamental concept of equality that America is based on undermines gender equality.
"The Yellow Wallpaper" motivated the female mind of creativity and mental strength through a patriarchal order of created gender roles and male power during the nineteenth century and into the twentieth century. While John represented characteristics of a typical male of his time, the yellow wallpaper represented a controlling patriarchal society; a sin of inequality that a righteous traitor needed to challenge and win. As the wallpaper deteriorates, so does the suppressing effect that male hierarchy imposed on women. Male belief in their own hierarchy was not deteriorating. Females began to think out of line, be aware of their suppression, and fight patriarchal rule. The progression of the yellow wallpaper and the narrator, through out the story, leads to a small win over John. This clearly represents and motivates the first steps of a feminist movement into the twentieth century.
In her novel Middlemarch, George Eliot’s job is to compare different types of existence and their relevance to one another—where each character is faced with a struggle to resolve his/her desires with the realities of life. In the novel, both the characters of Dorothea Brooke and Dr. Lydgate share a similar form of imagination, where both create an image in their mind of the ideal marriage. Such images can be seen as illusions and it is through these illusions the characters must surrender to reality, as they must make an effort to understand the desires that sparked their imagination from the start, and must attempt to make peace with their existing situations. Eliot, through her narration, attempts to exemplify through these two characters this common inclination of human nature to create what we desire as a tool when dealing with life that is both limiting and disappointing. The vision of the ideal marital partner, for both Dorothea and Lydgate, is oddly chanced.
As Virginia Wolfe once stated, “For most of history, Anonymous was a woman” ( ). The word female has had countless meanings throughout its lifespan. Females can be seen as lowly and cheap, regal and sophisticated, or weak and underutilized. It has only been in the last 70 years that women have gained a foothold in society, to gain the rights they deserve. In the late 1800’s a new writer Charlotte Perkins Gilman questioned society’s views on the idea of being female and tried to make them understand that females are a force to be reckoned with and not a doormat for men to step on. She would not stand to be labeled anonymous.
The Yellow Paper is a short story published in 1892, and written by Charlotte Perkins Gilman. Charlotte tells of a disheartening tale of a woman who struggles to free herself from postpartum depression. The Yellow Paper gives an account of an emotionally and intellectual deteriorated woman struggles to break free from a mental prison her husband had put her into, in order to find peace. The woman lived in a male dominated society and wanted indictment from it as she had been driven crazy, because of the Victorian “rest-cure” (Gilman 45). Her husband decided to force her to have a strict bed rest by separating her from her only child. He took her to recuperate in an isolated country estate all alone. The bed rest her husband forced into made her mental state develop from bad to worst. The Yellow Paper is a story that warns the readers about the consequences of fixed gender roles in a male-dominated world. In The Yellow Paper, a woman’s role was to be a dutiful wife and she should not question her husband’s authority and even whereabouts. Whereas, a man’s role was to be a husband, main decision maker, rational thinker and his authority was not to be questioned by the wife.
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.