Charlotte Perkins Gilman—a facet of feminist literature—contributed to the genre through her works, such as “The Yellow Wallpaper”, published in 1892. The story has gained immense popularity and has been reviewed in journal article analyses. A journal article dedicated to the analysis of “The Yellow Wallpaper” is, Women Entrapment and Flight in Gilman’s “The Yellow Wallpaper”, by Azra Ghandeharion of Ferdowsi University of Mashhad. Ghandeharion claims that Gilman’s story is more than a work of fiction, it is a statement of freedom for women that shows the harms of a patriarchal society. To successfully support this claim, Ghandeharion uses literary theories from philosophers such as Cixous, Lacan, and Freud, to analyze the feminist aspects of “The Yellow …show more content…
“The Yellow Wallpaper” tells the tragic story of a woman dealing with postpartum depression who is diagnosed with hysteria and forced to be bedridden. The woman’s husband enforces this sedentary life and forces her to sleep in a horrid room decorated with taunting yellow wallpaper. Eventually succumbing to her “hysteria” and postpartum depression, the woman tears the yellow wallpaper off due to the desire for freedom from her husband and her life. Postpartum depression affects many women, including Charlotte Perkins Gilman, who used her life as inspiration for the narrator in “The Yellow Wallpaper”. The narrator and her husband are visiting their summer home due to the stress of having a child on the wife, who has “a slight hysterical tendency” (Gilman 648). Hysteria was a common diagnosis of women during the 19th century, as supported by psychologists such as Freud, and his other contemporaries (Guerin et al., 2011; cited by Ghandeharion, 2016). But—as detailed by Ghandeharion—hysteria wasn’t purely a medical diagnosis, it had societal implications as
Studs Terkel published a nonfiction Working which consists many interviews among different people’s descriptions of their jobs. Through this book, Terkel demonstrates the meaning of work to different people and how their work experiences shape their attitudes about their lives. Among these interviewers, Maggie Holmes is a domestic while Dave Bender is a factory owner. Although their wages are different, Maggie Holmes and Dave Bender’s attitudes about their works are contradictory. People who love their works are passionate and happy about their lives and express less complain than those people who do not like their jobs.
After reading Charlotte Perkins Gillman's "The Yellow Wallpaper" I have come to think that the narrator does not suffer from hysteria. I have reached this idea from comparing the research I have done on hysteria to her symptoms in the story. In this paper I will discuss why I feel the narrator does not suffer from hysteria but may be suffering from postpartum depression.
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
The story is Gilman’s way of throwing off the restraints of the patriarchal society so that she can do what she loves, to write and advocate for women’s rights. In her story of “The Yellow Wallpaper” Gilman challenges the roles of women in this time period; such as viewing women as children, as prisoners, as domestic house slaves, their sanity and the dangers of being the quintessential passive, submissive woman. Gilman embraces as a writer that there is more to her as a person than that of what has been shoved on her by society. She embraces feminism which by definition is the belief that women and men should have equal rights and opportunities.
There are various interpretations of what causes the narrator to go crazy in the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman. These interpretations include suggestions that the narrator is possessed, that she is oppressed by society and is acting out, that she has suffered from a traumatic childbirth, and so on. While all of these ideas hold merit and are supported by evidence in the short story, there is an alternative explanation that fits the story just as well, if not better. That explanation is that the reason the narrator in “The Yellow Wallpaper” acts strangely and sees images in the wallpaper of her room is that she is suffering from the disorder of postpartum psychosis. During this essay I will be going into depth on a psychological analysis of “The Yellow Wallpaper”.
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
Although both protagonists in the stories go through a psychological disorder that turns their lives upside down, they find ways to feel content once again. In Charlotte Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, damp room covered in musty wallpaper all play important roles in driving the wife insane. Gilman's masterful use of not only the setting, both time and place, but also of first person point of view, allows the reader to process the woman's growing insanity. The narrator develops a very intimate relationship with the yellow wallpaper throughout the story, as it is her constant companion. Her initial reaction to it is a feeling of hatred; she dislikes the color and despises the pattern, but does not attribute anything peculiar to it. Two weeks into their stay she begins to project a sort of personality onto the paper, so she studies the pattern more closely, noticing for the first time “a strange, provoking, formless sort of figure that seems to skulk about behind that silly and conspicuous front design” (Gilman). At this point, her madness is vague, but becoming more defined, because although the figure that she sees behind the pattern has no solid shape, she dwells on it and
As man developed more complex social systems, society placed more emphasis of childbearing. Over time, motherhood was raised to the status of “saintly”. This was certainly true in western cultures during the late 19th/early 20th century. Charlotte Perkins Gilman did not agree with the image of motherhood that society proposed to its members at the time. “Arguably ‘The Yellow Wallpaper’ reveals women’s frustration in a culture that seemingly glorifies motherhood while it actually relegates women to nursery-prisons” (Bauer 65). Among the many other social commentaries contained within this story, is the symbolic use of the nursery as a prison for the main character.
Haney-Peritz, Janice. "Monumental Feminism and Literature 's Ancestral House: Another Look At 'The Yellow Wallpaper '." Women 's Studies 12.2 (1986): 113. Academic Search Complete. Web. 24 Nov. 2014.
Advocating social, political, legal, and economic rights for women equal to those of men, Charlotte Perkins Gilman speaks to the “female condition” in her 1892 short story “The Yellow Wallpaper”, by writing about the life of a woman and what caused her to lose her sanity. The narrator goes crazy due partially to her prescribed role as a woman in 1892 being severely limited. One example is her being forbidden by her husband to “work” which includes working and writing. This restricts her from begin able to express how she truly feels. While she is forbidden to work her husband on the other hand is still able to do his job as a physician. This makes the narrator inferior to her husband and males in general. The narrator is unable to be who she wants, do what she wants, and say what she wants without her husband’s permission. This causes the narrator to feel trapped and have no way out, except through the yellow wallpaper in the bedroom.
MacPike, Loralee. "Environment as Psychopathological Symbolism in 'The Yellow Wallpaper.’” Twentieth-Century Literary Criticism, edited by Thomas J. Schoenberg, vol. 201, Gale, 2008. Literature Resource Center, go.galegroup.com.gmclibrary.idm.oclc.org/ps/i.do?p=LitRC&sw=w&u=mill30389&v=2.1&it=r&id=GALE%7CH1420082948&asid=562f132388d74c4bd92439b5842a2fe7. Accessed 25 Oct. 2017.
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has fabricated that includes a woman trapped in the wallpaper. The narrator of this story grows obsessed with the wallpaper in her room because her husband minimizes her exposure to the outside world and maximizes her rest. Academic essayists such as Susan M. Gilbert, Susan Gubar, and Elaine Showalter have a feminist reading of the story, however, this is not the most important reading. The author experienced the turmoil of the rest cure personally, which means that the story is most likely a comment on the great mistreatment of depression, hysteria and mental disorders in general. Despite the claims of Gilbert, Gubar, and Showalter that “The Yellow Wallpaper” is solely feminist propaganda, their analysis is often unnecessarily deep and their claims are often unwarranted, resulting in an inaccurate description of a story that is most importantly about the general mistreatment of psychosis and the descent into insanity regardless of gender.
The woman behind this work of literature portrays the role of women in the society during that period of time. "The Yellow Wallpaper" written by Charlotte Perkins Gilman, is a well written story describing a woman who suffers from insanity and how she struggles to express her own thoughts and feelings. The author uses her own experience to criticize male domination of women during the nineteenth century. Although the story was written fifty years ago, "The Yellow Wallpaper" still brings a clear message how powerless women were during that time.
Early nineteenth century hysteria in women was extremely common. It was the first mental disorders attributed only to women. However, there was a grave misconception; the symptoms of hysteria at the time were seen as nervousness, hallucinations, emotional outbursts, various urges of sexual variety, sexual thoughts, fainting, sexual desire or frustration and irritability (Pearson). Although there were many symptoms they were not limited to this list. Many of these symptoms were just signs of expression that women had; however, society immediately decided that these women had hysteria with no real proof. These women then had a label, holding them back from their normal everyday lives that they were unable to fix because they were not allowed to. Because most doctors were men, they relayed the cure to these symptoms with sexual acts which were masked by portraying them as a cure such as “hysterical paroxysm” (Pearson). These so called “treatments” carried on for centuries after but are no longer used as a cure to hysteria. Charlotte Perkins Gilman, the author of The Yellow Wallpaper was a feminist who at one point in her life was said to be labeled as hysteric. She then began expressing these feelings that she had through her writings. Most of these writings were based on her personal experiences with the disease. She believed that if she wrote about her situations and how she was able to push away from society to better herself that it could help other women with hysteria or the symptoms of it. Her representation of hysteria in The Yellow Wallpaper does not really differ from what women at the time expressed about themselves. Gilman’s representation and first hand experiences wit...
Home, in contemporary literature, often plays an integral role often symbolizing security, unison, and support; although, things were not always this way. “The Yellow Wallpaper”, by Charlotte Perkins Gilman, depicts the all-too-real struggle many women faced in the nineteenth century and earlier. This short passage portrays the narrative of female intellectual oppression – an examination of nineteenth century social mores. The passage voices the common practice of diagnosing women with “rest cure” who displayed symptoms of depression and anxiety with a supposed treatment of lying in bed for several weeks, allowing no more than twenty minutes of intellectual application per day. Women, at this time, were considered to be the second sex – weaker and more fragile, unable to grapple the same daily activities as men – and such the “rest cure” prevents women from using any form of thinking, trusting the notion that naturally the female mind is empty. Not even were