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Critics on the oppression of women in literature
Repression of women in literature
Repression of women in literature
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Critique of Hume’s Summary
In her article Gilman’s “Interminable Grotesque”: the narrator of the “yellow wallpaper", Beverly A. Hume argues that the unnamed narrator of the story "misreads the yellow wallpaper" not because of her mental illness, but because of her failure as an artist to appreciate the "comically grotesque texture" of her story (477) . While there may be some validity to this point, by providing a relevant information of how women were treated harshly by the nineteenth century society. But I feel she goes a bit too far by stating that the unnamed narrator had misread the yellow wallpaper. I would maintain that the narrator didn’t misread the yellow wallpaper, but rather wrote with the aim of empowering those who have lost
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In this quote Hume does not discount the critics who have said that Gilman’s theme behind “yellow wallpaper” is patriarchy, but with her grotesque interpretation of the yellow wallpaper in her article she indicates another dynamic looking at the role of the female, repressed narrator than what critics have done. In addition to Hume article there is a comically grotesque texture as Hume described John “as one more victimized than victimizing” (478) Hume didn’t mean to say that John now lack power and unable to resist his wife under his rules. However, John victimization towards his wife is painful followed with gender hostility. So Hume point was to show a grotesque texture about John but not to make him a weak person who is incapable to rule his …show more content…
Since then, her obsession started to intensify with the yellow wallpaper because she believes that writing can make her feel better, as well as, she wanted to share her experiences with other women who agonize from the gender misconception by a chance of saving somebody’s life. John and Weir Mitchell both agree that narrator would recover faster without being actively involved in writing diaries. “Weir Mitchell is a psychiatrist from the nineteenth century” (477) he also has gender misconception about the women. In this manner, the narrator doesn’t agree with this part of her treatment and hates not being allowed to practice writing while she rests. However, she suspects that writing and being creative could speed up her recovery much faster. Moreover, in Hume article John locks and isolate his wife away in order to enhance by providing her a treatment. Nevertheless, his wife encounters a dilemma as it mentioned that “ghostly presences live in ancient, decaying mansions” (479) It is ironic; by indicating that he controls nearly everything about her, also he can make her feel ungrateful for not valuing his help. The narrator felt unpleasant as John kept her inside his hereditary mansion. She concluded that it is not a colonial mansion, but it is more of a haunted estate; “it reach the height of romantic felicity, but that would be asking too much of fate”
In everyday day life we go through changes and sometimes we even break down to the point we do not know what to do with ourselves, but in Charlotte Perkins Gilman’s short story” The Yellow Wallpaper” the narrator is an obsessive person. The story focuses on a woman who is going through postpartum depression and has had a nervous breakdown. Her husband John moves her into a home where he wants her to rest in isolation to recover from her disorder. Throughout her time in the room the narrator discovers new things and finally understands life.
In “The Yellow Wallpaper”, Gilman has carefully crafted her sentences and metaphors to instill a picture of lurid and creepy male oppression. The surface of the text contains clues about Gilman’s perceptions of the treatment and roles of women, the narrator stumbling over words like “phosphates”, her being uncertain whether the correct term was “phosphates or phosphites” (Gilman 1684), which clearly shows that in her time women had been overlooked in education and because for a time, only men had that privilege, they were able to learn what they had to in order to earn jobs, which is illustrated in her husband and her brother both being “a physician of high standing” (Gilman 1684). The character Gilman has set up has the qualities and traits of the Victorian woman...
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
The stories “Shouldn't I Feel Pretty?” and “The Yellow Wallpaper” feature a dynamic protagonist who undergoes a character development which reveals the consequences of oppression caused by societal standards. Gilman crafted the narrator in “The Yellow Wallpaper” with the purpose of exposing the tyrannical role of gender roles to women. In the story, the narrator suffers a slight postpartum depression in the beginning, but her condition gets progressively worse because her husband John believes “that there is nothing the matter with [her] but temporary nervous depression-- a slight hysterical tendency” (331). He concludes that the best treatment for his wife is for her to be “absolutely forbidden to ‘work’ until [she is] well again” (332).
Both the narrator and Mrs. Marroner are searching for peace in her male conquered world. The narrator of the story, “The Yellow Wallpaper”, is symbolic for all women in the late 1800’s and early 1900’s, a prisoner of a confining society. Just like society, her husband, John, controls and determines much of what his wife should or should not do, leaving her incapable of making her own decisions. Because he is a man and a physician of high standing, she accepts his orders. When reflecting on men’s behavior, Hausman said, “Gilman tried to prove that what the men think is a biologically ordained pattern of behavior was, in fact, a convention specifically related to their society and the biohistorical organization of human culture” (Hausman). Men treated their wives poorly because that is what they experienced in previous generations. Repression of women’s rights in society stereotype that women are fragile. Men believed they should not work and be discouraged from intell...
They are written during a time period when women were not viewed as important as men. The narrator from the yellow wallpaper is suffering from post-natal depression and has been recommended the rest of her cure by her husband and her brother, both physicians. Instead of curing her, it worsened her condition. The protagonist did try to convince her husband about what she would prefer, but she could not overcome the powerful authority figure. The narrator is restricted from working, writing, which leads to her obsession with the yellow wallpaper and suffocates her into madness.
Throughout “The Yellow Wallpaper,” Charlotte Perkins Gilman tells her readers the story of a woman desperate to be free. Gilman’s use of symbolism is nothing short of brilliant in telling the story of a new mother suffering from postpartum depression and fighting her way through societies ideas of what a woman should be. When her husband, John, also known as her physician, tells her nothing is wrong with her mind, at first she believes him because she knows that society tells her she should. However, with her husband’s misdiagnosis, or attempt to keep his wife sane for the sake of their reputation, comes a short journey into madness for his wife, Jane. Jane’s downward spiral, as one may call it, turns out to be not so downward when the reader
She analyzes the significant languages, images, and symbols used in the text. After Barbara analyzed the short story, it basically pinpoints that Gilman’s was trying to make a feminist statement. Suess also goes into details about the representation of patriarchy in society and she tied it to text. The article showed that a form of patriarchy is introduced in the story, and that Gilman used John to represent a patriarchy and society. Barbara stated that in the story, John is a clear representation law, order, and reality. The article revealed that John 's suppression of Jane 's efforts to gain control of her own life through her choice of medicine and the opportunity to write reflects the more general oppression of Jane, as a woman and as a mentally ill person. I believe this article would be beneficial for my research paper because it goes into details about the story and talks about specific symbols used in the text that point towards my theory of how Gilman is making a feminist statement in the
She finally escapes her life of depression and divorces her husband. The imagery the narrator gives this story lets you see how this woman uses the yellow wallpaper to show that not only was the narrator going through the imprisonment of her marriage and the psychological struggles in the late 1800’s but other women also was faced the same issues. “I 've got out at last ... in spite of you.... And I 've pulled off most of the paper so you can 't put me back!” (“The Yellow Wallpaper,” p. 53). The narrator uses metaphor in comparison of the wallpaper to the bars that held her captive in the room. One would say that the resolution of “The Yellow Wall paper” established a victory for women in the early twentieth century. After reading The Yellow Wallpaper Mitchell changed his treatment on women with and Gilman advocated for women
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.
Prior to the early twentieth century men dictated women’s role in society. Charlotte Gilman uses her novella “The Yellow Wallpaper” (1892) as a symbolic reflection of oppression of women in a paternalistic society. Her novella challenges the idea of women being depicted as weak and fragile.
In this passage from Ann Heilmann’s essay entitled “Overwriting Decadence: Charlotte Perkins Gilman, Oscar Wilde, and the Feminization of Art in “The Yellow Wall-Paper,” the author is introducing a story based upon her own knowledge with a “rest cure” for mental disease. “The Yellow Wall-Paper” has a significance as a feminist text. According to Gilman’s story, he expresses a general worry with the part of women in nineteenth-century society, particularly within the kingdoms of marriage, maternity, and domesticity. This means, “The Yellow Wall-Paper” develops as a symbol of this oppression to a woman who feels trapped in her roles as a wife and mother. The original impulse by her is so solid that she adopts the risk of covertly writing a journal, which she hides from her husband.
In literature, women are often depicted as weak, compliant, and inferior to men. The nineteenth century was a time period where women were repressed and controlled by their husband and other male figures. Charlotte Gilman, wrote "The Yellow Wallpaper," showing her disagreement with the limitations that society placed on women during the nineteenth century. According to Edsitement, the story is based on an event in Gilman’s life. Gilman suffered from depression, and she went to see a physician name, Silas Weir Mitchell. He prescribed the rest cure, which then drove her into insanity. She then rebelled against his advice, and moved to California to continue writing. She then wrote “The Yellow Wallpaper,” which is inflated version of her experience. In "The Yellow Wallpaper," the main character is going through depression and she is being oppressed by her husband and she represents the oppression that many women in society face. Gilman illustrates this effect through the use of symbols such as the yellow wallpaper, the nursery room, and the barred windows.