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Recommended: Use of Symbolism
The Yellow Wallpaper - Gilman
The Yellow Wallpaper is a short story written by Charlotte Perkins Gilman. Gilman used a great amount of symbolism, imagery, allegories, and other literary devices while writing this story. The Yellow Wallpaper is briefly about a woman who believes she is mentally ill, but her husband who is a physician does not want to believe her. Though he does not believe her, he gives her what he describes as treatment, which involved the two of them leaving for a summer together, into ancestral halls. The woman did not get to decide the room she would be staying in, instead of the once she likes with roses spread around, John, her husband chose the one that was previously used as a nursery with “awful” yellow wallpaper. The
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Gilman used other literary devices in the story as well, such as imagery, metaphors, as well as allegories. Symbolism in “The Yellow Wallpaper” include the wallpaper itself, the house, the garden, the baby, and last but not least, the journal. The way Gilman uses the symbols really made the story a good …show more content…
The yellow wallpaper symbolizes the protagonist's mindset and thoughts during the treatment she is experiencing throughout the story. The words she uses to describe the wallpaper have very negative connotations, which can be related to the way she feels about her condition. She explains the wallpaper has all these different shapes and curves that do not seem to fit, kind of like her feelings do not fit into what she is supposed to feel based on her husband’s preferences. After two weeks of being in the room, she starts explaining that she enjoys the room, just not the wallpaper, she was starting to gain a positive outlook however the wallpaper was still holding her back, much like a person’s depressed thoughts could have potential to do. Eventually, she begins seeing a woman behind the wallpaper who seems to be behind bars, this is later revealed to be herself trapped in the room. Finally, near the end of the story, she tears down the wallpaper in search of the woman behind it, though she never sees the woman, but she is finally content with herself at this point because she has taken out the one thing that has been really negative to her during the time she stayed in the mansion. Her tearing the wallpaper down symbolizes her finding herself once again and get rid of the wallpaper that has been bothering her since her rest cure
The wallpaper in her bedroom is a hideous yellow. "It is a dull yet lurid orange in some places, a sickly sulphur tint in others" (pg 393) The wallpaper is symbolic of the sickness the author has by the end of the story. Yellow is often a color associated with illness. It’s been suggested that she herself was clawing at the paper during moments of insanity. But there are many times when she is sane, and sees the marks on the wallpaper, and she writes about how others who had spent time in this room tried to remove the paper as well.
The woman in "The Yellow Wallpaper" is slowly deteriorating in mental state. When she first moves into the room in the old house, the wallpaper intrigues her. Its pattern entrances her and makes her wonder about its makeup. But slowly her obsession with the wallpaper grows, taking over all of her time. She starts to see the pattern moving, and imagines it to be a woman trapped behind the wallpaper. The total deterioration of her sanity is reached when she becomes the woman she imagined in the wallpaper and begins creeping around the room.
The Yellow Wallpaper The story, ‘The Yellow Wallpaper,’ is one of intrigue and wonder. The story was written by Charlotte Perkins Gilman, and it happens to be the story under analytical scrutiny, hence the title as well as the first sentence. The characters in the story consist of the narrator, Jennie, the wet nurse, the narrator's husband John, and the women in the wallpaper. In the story, the narrator and her husband, as well as her newly born daughter and the nanny for the daughter, take a summer trip to a house away from the city.
Although both protagonists in the stories go through a psychological disorder that turns their lives upside down, they find ways to feel content once again. In Charlotte Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, damp room covered in musty wallpaper all play important roles in driving the wife insane. Gilman's masterful use of not only the setting, both time and place, but also of first person point of view, allows the reader to process the woman's growing insanity. The narrator develops a very intimate relationship with the yellow wallpaper throughout the story, as it is her constant companion. Her initial reaction to it is a feeling of hatred; she dislikes the color and despises the pattern, but does not attribute anything peculiar to it. Two weeks into their stay she begins to project a sort of personality onto the paper, so she studies the pattern more closely, noticing for the first time “a strange, provoking, formless sort of figure that seems to skulk about behind that silly and conspicuous front design” (Gilman). At this point, her madness is vague, but becoming more defined, because although the figure that she sees behind the pattern has no solid shape, she dwells on it and
Likewise, in “The Yellow Wallpaper”, the wallpaper is used as symbol of the character’s imprisonment within the domestic sphere. Throughout the story, the wallpaper becomes the narrators’ imagination and appears as a female figure. The narrator’s husband, John, who has a higher
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.
The yellow wallpaper itself is one of the largest symbols in the story. It can be interpreted to symbolize many things about the narrator. The wallpaper symbolizes the mental block mean attempted to place on women during the 1800s. The color yellow is often associated with sickness or weakness, and the narrator’s mysterious illness is an example of the male oppression on the narrator. The wallpaper in fact makes the narrator more “sick” as the story progresses. The yellow wallpaper, of which the writer declares, “I never saw a worse paper in my life,” is a symbol of the mental screen that men attempted to enforce upon women. Gilman writes, “The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing” this is a symbolic metaphor for restrictions placed on women. The author is saying subliminally that the denial of equality for women by men is a “hideous” act, and that when men do seem to grant women some measure of that equality, it is often “unreliable.” The use of the words “infuriating” and “torturing” are also descriptions of the feelings of women in 19th century society.
Gilman, Charlotte P. "The Yellow Wallpaper." The story and its writer: An introduction to short fiction. Ed. Ann Charters. Compact 8th ed. Boston: Bedford/St. Martins, 2011. 340-351.
This yellow wall-paper of all the papers is most significant because of the yellow color. Yellow is usually a happy color it stimulates the brain in a positive way (Changing Work). Irony is created in the story because the usual meaning of yellow contradicts how it affects the woman. From the beginning the majority of what the narrator talked about was the wall-paper, and how she hated it. She described it in many ways; she described the patterns, the colors, and anything else she imagined about it. Her description of it at one point was “The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing” (653). The narrator from the beginning thought of the wall-paper in a negative way, but was constantly interested in figuring it out. The woman became obsessed with figuring out the wall-paper. At one point she was so intent on figuring out the mysteries of the wall-paper that she would stay awake at night, she admits that by saying “John was asleep and I hate to wake him, so I kept still and watched the moonlight on that undulating wallpaper till I felt creepy” (652). She even got to where she thought there was a woman trapped in the wall-paper behind the front pattern, and that she moved and shook the paper. The narrator that she sees in the wall-paper is a representation of herself and how she has gone crazy. Paula A. Treichler explains “The woman in the wallpaper represents (1) the narrator herself, gone mad” (64). The woman she imagines causes her to be more and more interested in the wall-paper. The last night they were at the house, she was alone in the room and “As soon as it was moonlight and the poor thing began to crawl and shake the pattern, I got up and ran to help her” (655). The woman’s obsession with the paper got so bad over time, that combined with the other negative factors in her life she became completely crazy. Her
The woman behind this work of literature portrays the role of women in the society during that period of time. "The Yellow Wallpaper" written by Charlotte Perkins Gilman, is a well written story describing a woman who suffers from insanity and how she struggles to express her own thoughts and feelings. The author uses her own experience to criticize male domination of women during the nineteenth century. Although the story was written fifty years ago, "The Yellow Wallpaper" still brings a clear message how powerless women were during that time.
There is far more meanings behind the yellow wallpaper than just its own color. The pattern plays an immense role in causing the woman to become so entranced and obsessed with the wallpaper, as well as the source of her ever diminishing mental health. Gilman narrates, “I never saw a worse [wall] paper in my life. One of those sprawling flamboyant patterns
The Yellow Wallpaper is overflowed with symbolism. Symbols are images that have a meaning beyond them selves in a short story, a symbol is a detail, a character, or an incident that has a meaning beyond its literal role in the narrative. Gilman uses symbols to tell her story of a woman's mental state of being diminishes throughout the story. The following paragraphs tell just some of the symbols and how I interpreted them, they could be read in many different ways.
The wallpaper, the narrator's obsession, destroyed the peace of mind for all parties concerned. The imagery, used in the short story "The Yellow Wallpaper", paints a vivid picture and the reader becomes a front row spectator to the mental deterioration of the narrator to utter insanity.
In “The Yellow Wallpaper,” it reveals the oppression women had gone through during that time period, but then escaping from the confinements of men's hold against them. The narrator is the woman whose only job was to sleep in bed all day, not to write, not to strain herself from the bedroom. She listens to her husband’s requests because of his doctoral status, thus making it difficult for her to really do as she pleases; she doesn’t want her husband to stress. The yellow wallpaper is a hideous horrid thing that she hates at first, but as she continues to stay in that room she less disgusted when she sees the patterns and the woman in the wall, who is in relation of her situation. Towards the end of their three month stay she’s suspicious with everyone including her “loving” husband messing with her wallpaper, not wishing for anyone else to figure out the pattern of the wallpaper, but her.
The first example of an element of fiction used in The Yellow Wallpaper is symbolism. One symbol is the room. There is are bars on the windows to make the reader feel that the narrator is more than likely staying in psychiatric holding room than a room where she can get over her anxious condition. In most sanitariums, there are bars on the windows. The narrator’s husband went against her wishes to stay in the room downstairs with open windows and a view of the garden and put her in a barred prison cell contributing to the theme freedom and confinement. The second symbol is the bed. The bed is big, chained, and nailed to the floor. The reader could say the bed symbolizes sexual repression because a bed is where it happened during the 1900s and with a bed of such large size being nailed and chained down can represent sexual repression.