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The yellow wallpaper by gilman critical essay
Analysis of the yellow wallpaper by charlotte gilman
Women's roles in literature
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Charlotte Perkins Gilman’s story, The Yellow Wallpaper, portrays the life and mind of a woman suffering from post-partum depression in the late eighteenth century. Gilman uses setting to strengthen the impact of her story by allowing the distant country mansion symbolize the loneliness of her narrator, Jane. Gilman also uses flat characters to enhance the depth of Jane’s thoughts; however, Gilman’s use of narrative technique impacts her story the most. In The Yellow Wallpaper, Charlotte Perkins Gilman uses interior monologue to add impact to Jane’s progression into insanity, to add insight into the relationships in the story, and to increase the depth of Jane’s connection with the yellow wallpaper it self.
First, Gilman’s use of interior monologue adds strength and power to the impact of the progression of Jane’s mental illness, by allowing the reader to experience the decline first hand through Jane’s secret journal. Carol Margaret Davison mentions Jane’s journaling in her essay Haunted House/ Haunted Heroine: Female Gothic Closets in “the Yellow Wallpaper.” Davison remarks, “ ‘Authority’ is, in fact, crucial to her concerted act of secretly chronicling her side of the story, her unofficial version of events, is outlawed by her paternalist husband who consistently refuses to believe that she is seriously ill,” (56). Gilman’s choice of interior monologue enhances the “outlawed” nature of Jane’s writing and the denial of her husband to believe his wife’s illness (325). Indeed, the refusal of her husband to believe her illness and the tiring nature of her secret writing (326), all influence Jane’s already fragile mental state. Jane states in the beginning of the story, “I get so unreasonably angry with John sometimes. I am sure I...
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...th to her story. The way in which Gilman uses setting, character, and subject matter all add realism and strength to The Yellow Wallpaper. However, Charlotte Perkins Gilman’s use of the narrative technique of interior monologue to tell her story adds enjoyment and, more importantly, impact for the reader.
Works Cited
Davison, Carol Margaret. "Haunted House/Haunted Heroine: Female Gothic Closets in "The Yellow Wallpaper." Women's Studies 33.1 (2004): 47-75. Academic Search
Complete. EBSCO. Web. 28 July 2010.
Hochman, Barbara. "The Reading Habit and 'The Yellow Wallpaper.'." American Literature 74.1 (2002): 89. Academic Search Complete. EBSCO. Web. 28 July 2010.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Kennedy, X.J. and Dana Gioia.
Literature: An Introduction to fiction, Poetry, Drama, and Writing. Sixth. New York: Pearson Longman, 2010. 325-336.
The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression. " In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
Charlotte Perkins Gilman, in "The Yellow Wallpaper," describes the account of a youthful mother who goes to a mid-year home to "rest" from her apprehensive condition. Her room is an old nursery secured with a terrible, yellow backdrop. The additional time she burns through alone, the more she winds up plainly fixated on the backdrop's examples. She starts to envision a lady in jail in the paper. At last, she loses her rational soundness and trusts that she is the lady in the backdrop, attempting to get away.
Despite the fall of its popularity in the 18th and 19th centuries, Gilman uses this form of writing to show the narrator’s thoughts as well as her point of view. The Yellow Wallpaper uses the narrator’s journal as a way to seeing into her mind and giving another perspective to the tale. Although not being permitted by her husband and his sister, “[Jane] did write for a while in spite of them” (2). The journal is very important to the story because without it, it would not be possible to know what she’s thinking and the story wouldn’t make much sense. With the journal, Jane’s thoughts are revealed and her actions are justified. The journal is also important due to it being her first sign of rebellious behavior. It is the flame that lights the fire of her discovering what she really wants. The journal to Jane is a method of self-expression that helps her cope with all the difficulties of being left alone in creepy nursery. The story and her behavior escalate after she writes in her journal. She starts to think about what it would be like if she got out of there and even asks John if they could move out. The journal leads her to second guess what she is doing and it is the beginning of her
Kasmer, Lisa. "Charlotte Perkins Gilman's 'The Yellow Wallpaper': A Symptomatic Reading." Literature and Psychology. 36, (1990): 1-15.
Throughout “The Yellow Wallpaper,” Charlotte Perkins Gilman tells her readers the story of a woman desperate to be free. Gilman’s use of symbolism is nothing short of brilliant in telling the story of a new mother suffering from postpartum depression and fighting her way through societies ideas of what a woman should be. When her husband, John, also known as her physician, tells her nothing is wrong with her mind, at first she believes him because she knows that society tells her she should. However, with her husband’s misdiagnosis, or attempt to keep his wife sane for the sake of their reputation, comes a short journey into madness for his wife, Jane. Jane’s downward spiral, as one may call it, turns out to be not so downward when the reader
The Yellow Wallpaper is a very astonishing story written by Charlotte Perkins Gilman that daringly reaches out to explore the mental state of a woman whose mind eventually begins to be broken down to a state of insanity by the appearance of a creeping woman who is trapped behind a revolting yellow wallpaper. This short story takes a look at the causes of the narrator’s insanity by how she was confined in a house alone, trapped with only her mind and a dull wallpaper; while dealing with depression and consuming strong
The unnamed narrator finds herself trapped within a large room lined with yellow wallpaper and hidden away from all visitors by her husband-physician John. In “The Yellow Wallpaper” by Charlotte Perkins Gilman, a summer spent in the large ancestral hall to find healing through rest turns into the manic changes of her mind. The overbearing nature of her husband inspires a program designed to make her better; ironically, her mind takes a turn for the worse when she believes the wallpaper has come to life. In Janice Haney-Peritz’s “Monumental Feminism and Literature’s Ancestral House: Another Look at ‘The Yellow Wallpaper’ ”, she tells that until 1973, Gilman’s story was not seen with a feminist outlook. “The Yellow Wallpaper” was misunderstood and unappreciated when it was published. The patriarchal attitudes of men in this era often left women feeling they had no voice and were trapped in their situations. Although originally interpreted as a horror of insanity, this initial perspective misses the broad, provocative feminist movement that Gilman supported. With the changes in perspective, over time this work has come to have a voice for women and the husband-wife relationship through the theme of feminism.
Ford, Karen. “The Yellow Wallpaper and Women’s Discourse.” Tulsa Studies in Women’s Literature 4.2 (1985): 309-14. JSTOR. Web. 6 April 2011.
Kennedy, X. J., & Gioia, D. (2010). Literature an introduction to fiction, poetry, drama and
“I never saw so much expression in an inanimate object before.” (The Yellow Wallpaper) In order to understand Charlotte Gilman’s stories one must first know about the life she lead. In 1884 Charlotte married her husband Charles Walter Stetson and began to sink into depression. During this time Gilman wrote her famous story The Yellow Wallpaper (Radcliffe). Within the story the reader can pick out parts of Gilman’s own life woven into it. Gilman, like the main character Jane had postpartum depression as a result of this she divorced Stetson and sent their daughter to live with him and his second wife. In 1900 Gilman subsequently married her first cousin George Houghton Gilman. Unlike her first marriage this one was happy and fulfilling until
Kasmer, Lisa. "Charlotte Perkins Gilman's 'The Yellow Wallpaper': A Symptomatic Reading." Literature and Psychology. 36, (1990): 1-15.
In Charlotte Perkins Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, dank room covered in musty wallpaper all play important parts in driving the wife insane. The husband's smothering attention, combined with the isolated environment, incites the nervous nature of the wife, causing her to plunge into insanity to the point she sees herself in the wallpaper. The author's masterful use of not only the setting (of both time and place), but also of first person point of view, allows the reader to participate in the woman's growing insanity.
The short story titled, “The Yellow Wallpaper” is given its name for no other reason than the disturbing yellow wallpaper that the narrator comes to hate so much; it also plays as a significant symbol in the story. The wallpaper itself can represent many various ideas and circumstances, and among them, the sense of feeling trapped, the impulse of creativity gone awry, and what was supposed to be a simple distraction transfigures into an unhealthy obsession. By examining the continuous references to the yellow wallpaper itself, one can begin to notice how their frequency develops the plot throughout the course of the story. As well as giving the reader an understanding as to why the wallpaper is a more adequate and appropriate symbol to represent the lady’s confinement and the deterioration of her mental and emotional health. In Charlotte Perkins Gilman’s “The Yellow Wallpaper”, the color of the wallpaper symbolizes the internal and external conflicts of the narrator that reflect the expectations and treatment of the narrator, as well as represent the sense of being controlled in addition to the feeling of being trapped.
Gilman, Charlotte. “The Yellow Wallpaper.” Literature a World of Writing: Stories, Poems, Plays, and Essays. Ed. David Pike, and Ana Acosta. New York: Longman, 2011. 543-51. Print.