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Analysis of comedy in twelfth night
Critical analysis of twelfth night
Critical analysis of twelfth night
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Recommended: Analysis of comedy in twelfth night
The Ways in Which Shakespeare Entertains his Audience in Twelfth Night
One of the main themes throughout Twelfth Night is that of confusion
and mistaken identity. This is illustrated mainly by Viola as Cesario,
confusing all of the characters into thinking that she is a man. The
only people that know of her true identity (apart from the sea captain
at the very beginning) are the audience. This makes it more enjoyable
and entertaining for the audience as they know exactly what is going
on and can see the comedy in the plot as it thickens. This links to
the other main theme of the play, that of entertainment and comic
characters. This is illustrated through Sir Toby Belch; who is quite
clever and enjoys playing tricks on people such as Sir Andrew
Aguecheek and Malvolio who are less intelligent and more unaware of
their humorous characteristics.
The scene in which Sir Toby and Maria trick Malvolio into thinking
that Olivia is in love with him is a good example of a humorous and
entertaining scene.
"Observe him, for the love of mockery, for I know this letter will
make a complete idiot of him"
Malvolio, although he is a servant, often looks down on Sir Toby as if
he is better than him.
"Is there no respect of place, persons, nor time in you?"
This is obviously one of the reasons that Sir Toby dislikes Malvolio
and enjoys playing tricks on him, but is also an example of the
hierarchy being turned upside down. This is something which
Shakespeare's audiences would have associated with twelfth night, a
time of misrule and abandonment of the rules, of fun and confusion.
These are all highlighted throughout the play, meaning t...
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...lways entertaining for the audience.
There are many examples; Viola's disguise, love triangles and
(particularly at the end), characters changing who they love quickly.
I think that the ending of the play is very effective. Shakespeare
manages to combine the two plots for the first time by creating a
humorous sense of confusion between the main characters as they
discover the secrets about each other,
"So comes it, lady you have been mistook"
something which until then had only been a part of the sub plot. This
is satisfying and entertaining for the audience as the characters find
out the things which they had had hidden from them. This coming
together and the ending of the chaos is also symbolic as it represents
the end of the holiday season as the rules come back into place and
everything returns to normal.
Feste is a jester, clown or fool who moves between the homes of Olivia and Orsino. During the Renaissance, monarchs and some noble families had fools or clowns in their households as entertainers- to sing, make witty observations and play practical jokes. Shakespeare usually includes at least one clown in most of his comedies. This is how Feste earns his living, along with giving other characters shrewd advice. Despite being a professional fool, Feste often seems the most intelligent person in Twelfth Night. Feste seems to be a pivotal character in the play, and his presence makes the play much more than just a tale of romance.
They also had an argument on how long ago they both went to a masked
In the words of Harvey Fierstein, “What looks absolutely fabulous in rehearsal can fall flat in front of an audience. The audience dictates what you do or don't change”. Clearly, the success or failure of any work of art depends, almost entirely, on its ability to engage and connect with its audience. Shakespeare, one of the greatest playwrights in history, certainly understood this concept. He targeted his Elizabethan audience skillfully, drawing them in and manipulating the way they interpreted his works. This is evident in one of his renowned plays, Hamlet. Attempts to target the audience are evident throughout the play, but focusing on one speech can provide a greater appreciation for Shakespeare’s deliberate efforts. In act four, scene two, while explaining that Polonius is dead, Hamlet says:
upon her. She knew she had fallen in love with Duke Orsino and had the
Andrew is funny, it is not intentional. His faults include a lack of wit, a
In the tremendous play of ‘Romeo & Juliet’, Shakespeare’s ways engages the audience straight away. The astounding methods he uses hooks the audience into the play and allows them to read on, wondering what will happen. The tragic love story of Romeo & Juliet, as mentioned in the prologue, sets a variety of themes throughout Act 1 Scene 5. Many of the recognisable themes are: youth and age, revenge, forbidden love, fate, action and hate. The main idea of the play is a feud that had been going on between two families, The ‘Montagues and Capulets’, the son of the Montagues and the daughter of the Capulets fall in love and the story tells us how tragic, death, happiness and revenge find them throughout the play.
Feste, the fool character in Twelfth Night, in many ways represents a playwright figure, and embodies the reach and tools of the theater. He criticizes, manipulates and entertains the other characters while causing them to reflect on their life situations, which is similar to the way a playwright such as Shakespeare interacts with his audience. Furthermore, more so than the other characters in the play he accomplishes this in a highly performative way, involving song and clever wordplay that must be decoded, and is thus particularly reflective of the mechanisms at the command of the playwright. Feste is a representation of the medieval fool figure, who is empowered by his low status and able to speak the truth of the kingdom. A playwright speaks the truth by using actors and fictional characters, who are in a parallel low status in comparison to the audience, as they lack the dimensionality of real people. Thus, the role Feste plays in the lives of the characters in the play resembles the role the play itself plays in the lives of the audience watching the performance. This essay will explore this comparison first by analyzing similarities between the way in which Feste interacts with other characters and the way the playwright interact with the audience, and then focus on the similarities between the aims and content of these interactions.
After Duke Orsino asks Cesario (disguised Viola) to make Olivia love him, although she had stated that she would not marry for seven years due to her sadness from her brother’s death, Cesario tells him “I’ll do my best to woo your lady.” Then Viola tells the audience “(Aside) yet, a barful strife—Whoe'er I woo, myself would be his wife,” meaning that she has to convince another woman to love the man she loves. The exchange of words in this scene exemplifies dramatic irony since the reader now knows that a love road that connects Duke Orsino, Viola, and Olivia has formed while Orsino is clueless about the situation. Situational irony can also be withdrawn from this conversation because it is shocking that Viola is in love with Orsino. Viola’s sudden love for Orsino illustrates a universal truth about life that sometimes people fall in love too quickly without thinking far ahead.
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
Hamlet makes use of the idea of theatrical performance through characters presenting themselves falsely to others – from Rosencrantz and Guildenstern spying on Hamlet to gain favor with the King, to Hamlet himself playing the part of a madman – and through the play within the play, The Mousetrap. This essay will discuss the ways in which Hamlet explores the idea of theatrical performance, ‘acting’, through analysis of the characters and the ‘roles’ they adopt, specifically that of Hamlet and Claudius. The idea, or the theme of theatrical performance is not an uncommon literary element of Shakespearean works, the most famous of which to encompass this idea being As You Like It. This essay will also briefly explore the ways in which Hamlet reminds its audience of the stark difference between daily life and dramatization of life in the theatre.
Humor in William Shakespeare's Twelfth Night In Twelfth Night we see different types of humour. There is the witty
The difference between comedy and tragedy, success and failure, good fortune and catastrophe often seems to turn on a seemingly chance event. In All's Well that Ends Well, Helene's pilgrimage to win back Bertram succeeds on the basis of her chance meeting with the mother of a virgin whom Bertram is courting. Time is another crucial determinant. Often a split second or brief interval is the difference between life and death. In this small but all important gap of time, the character of life is revealed most clearly. In As You Like It, Orlando came in time to save Oliver from the serpent that was winding around his neck. Out of context, these events would appear as a very thin and frail fabric upon which to build great comedy and tragedy were it not for the fact that they are true to a deeper level of causality in life. Suzanne Langer has called comedy 'an image of life triumphing over chance.' It may be otherwise stated that in comedy the seemingly chance events of life move in favor of a positive resolution, whereas in tragedy they seem to conspire toward disaster. Helene Gardner observes that 'comedy is full of purposes mistook, not "falling on the inventor's head" but luckily misfiring altogether. In comedy, as often happens in life, people are mercifully saved from being as wicked as they meant to be.' 5
The Role of the Fool in Twelfth Night by William Shakespeare In English Literature, a fool is a person professionally counterfeits. folly for the entertainment of others. They are always regarded as comic figures, which provide mediation under tensional circumstances. As Twelfth Night is an atypical romantic comedy, the jester is not the.
The perfect lives that make up the routine of the Illyrian citizens portrays a society in which enjoyment, and personal gain are held in utmost priority. Shakespeares mocks the passivity of the Illyrian lifestyle to explain to the audience that excess of such festivity has negative side effects such as ego and lack of true love. He expresses that the pursuit of expression and truth in itself invokes enjoyment. Sir Aguecheek mirrors the uncertainty of a person through lack of self-confidence and the desire to openly reveal his true self when lamenting “Is it a world to hide virtues in?” (1.3.131). While uncovering aesthetic and emotional mysteries, the Illyrians find that disport restrains them from actual enjoyment and love. The play follows the audience to motivate them towards dissemination of feelings and expression of passion as a “locus of growth and self discovery” (Logan 223) and to obtain true happiness by ridding themselves of excessive, meaningless fun.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...