Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Cultural aspect of moviegoing
Mateship in australian films today
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Cultural aspect of moviegoing
Good morning/afternoon ladies and gentlemen), It is my delight to welcome you to The Australian Film Festival where we will be showcasing a variety of Australian films. I’m Reef Rohde, the organiser of this year’s film festival and will be showcasing you ‘The Water Diviner’. It was directed by the iconic films, the leading role performed by actor Russel Crowe and written by Andrew Knight and Andrew Anastasios. The Water Diviner pays recognition to a significant period in our nation’s history and I am thrilled to present to you at the Australian Film Festival this chosen film. This film I have chosen clearly demonstrates Australia’s prominent and authentic culture of mateship and family values. It was released in 2014 and has received 13 wins …show more content…
for … and 13 nominations since. The film begins in 1919 just after World War 1 has ended, and centres the characters, Russel Crowe as Joshua Connor, an Australian farmer and Water diviner.
His three sons Arthur, Edward and Henry served with the Australian and New Zealand Army Corps (ANZAC) during the military campaign for Gallipoli. Following the suicide of his wife after four years, Connor travels to Turkey in search of his three sons which never returned home after the war. A dominant theme of mateship and family can be seen throughout the entirety of the film within as Connor and his three sons have developed an imperishable relationship at the initial stages of the movie. It is clearly noticeable by the audience and can be witnesses that a fond relationship develops throughout the film. This overriding theme of relationships (family relationships) is conveyed through a variety of …show more content…
techniques. In the creation of the Water Diviner, Andrew Knight and Andrew Anastasios wanted to focus on the battle of Gallipoli as the pinnacle of Australia’s involvement in World War One, yet the directors were eager to paint a more all-inclusive picture of the Ottoman Empire at the time.
The water diviner is one of Australia’s most famous cultural artefact as it thoroughly explores all aspects of The Gallipoli Battle from all perspectives. The film exhibits cultural representations through characterisations and settings. The accents and slang of the characters in the film display a strong Australian heritage, which educates the audience about Australian’s and their culture. Throughout the initial stages of the movie the setting of the scenes is placed in the rural Australian outback. The Outback is a common name in Australian culture that represents vast, unpopulated and mostly parched areas that are apart of Australia’s remote regions.
From these film techniques, the audience can perceive that Australia is an open landscape, rich in vegetation and wildlife but on the other hand the landscape appears to be a barren wasteland of red dust.
The soundtracks used throughout the film are mainly composed from prominent Australian Orchestras. The majority of soundtracks are derived from Australia’s own, Sydney Scoring Orchestra. The camera angles and types of shots in the film, assist the audience to experience the landscape of Australia in full view. The camera angles and shots are mainly
long shots as these types of shots let the viewer experience the whole object or figure and is intended to place it in relation to its surroundings. The pan shot of the windmill represents rural Australia and gives the audience a sense of vastness of the land. The sound of the windmill squeaking in the wind as it rotates emphasises to the audience the harsh environmental pressures on the barren land. In the background light, soft music is playing as this scene has sentimental aspects. Another shot that stands out in terms of defining Australia’s Culture is the shot of the character Connor and his son Arthur. This part of the scene displays the technique of “point of view shots” as the camera angles change when one of the characters speak. This technique builds suspense as Connor tells his eldest son to look after his brothers while in G Gallipoli, at war. The slang used in this shot displays the Australian Culture in the terms such as “mate”, “reckon” and “bloody’. This shot defines Australian culture as the value of unity within the three brothers and father is prominent. Australian families display this value of unity as it is a cultural belief to care for one another. The audience feels empathy for Connor as he in fret for his three-son’s wellness. One influential shot throughout this scene was the shot of the three brothers on horseback riding into the distance fare welling their dearest father. This shot is a pan shot as the camera is used to show more of the setting and scene. The camera angle and movement displays to the audience the sparse barren outback of Australia. The warm pink tones of the sky in contrast with the red dust displays Australia’s beautiful outback. Arthur, Henry and Edward riding on horseback is a depiction of Australia’s rich history. The horse was an Australian icon transport in the 19th century. To conclude this Australian Film Festival, I’m going to propose the statement that the Water Diviner is an iconic film, derived from Australian culture. This is a film that Australians will remember for its recall on The Battle of Gallipoli and its heart wrenching story.
The Australia Outback is portrayed in films as vast and red. Of Course Australia is not completely this description. In the film, Crocodile Dundee, Sue Charlton (heroine character) is a New York journalist visiting Sydney. The Irony is the complete contrast between the desert landscape, shown as a bird’s eye view in the helicopter (Scene 2 Crocodile Dundee). In Priscilla, Queen of the Desert the imagery of a “never-ending” road reaffirms the idea that Australia is an isolated place. Similarly to Crocodile Dundee, Priscilla, Queen of the Desert exposition began in Sydney. The main difference between the films the ‘outback’ where both film plo...
The soldiers are remembered for maintaining courage and determination under hopeless conditions. The ANZAC legend owes much to wartime correspondents who used the Gallipoli landing to generate a specifically Australian hero. Among the many reports, which reached Australia, were those of Ashmead-Bartlett. His Gallipoli dispatches described Australians as a 'race of athletes ... practical above all', whose cheers, even in death, 'resounded throughout the night'. Ashmead-Bartlett helped in...
Since the beginnings of cinema in Australia from around 1896, Australian films have charted a range of views of the Australian identity, most specifically Australian Rules directed by Paul Goldman and Sapphires directed by Wayne Blair. Movies like these two gems deserve to be recognised and put into “The Hall of Fame” along with all the other masterpieces produced.
The distinctively visual provides a means of which a composer can connect with his or her audience in order to create a clear, distinct visual image of other people and their worlds - conveyed through the use of visual or literary techniques in their media. Composers such as Henry Lawson and Dorothea Mackellar are able to effectively depict an image through an exceptional use of language and techniques that help shape our understanding of the Australian people and their world. In particular, Henry Lawson’s short stories ‘The Drover’s Wife’ and ‘The Loaded Dog’ and the Dorothea Mackellar Poem ‘My Country’ are able to effectively depict the unique environment of the Australian bush landscape.
Distinctively visual allows one to explore the ways images are created through the use of visual and literary techniques. The Australian bush is a harsh, dangerous and lonely land with no one around for miles. Henry Lawson clearly identifies this as he highlights the difficulty and consequences if one doesn’t adapt to it. The prescribed texts ‘The Drover’s Wife’, ‘In a Dry Season’ and ‘The Bush Undertaker’ by Henry Lawson and related material ‘Spelling Father’ by Marshall Davis-Jones as well as ‘Australia’ directed by Baz Luhrmann paint an image of what is normal for someone in their position as well as what they need to be. This can be seen through the concepts love for the family, the harsh Australian environment and the eccentric minds stereotypically found in the bush.
It is in conclusion of viewing Radiance that gave the impression that it composed such significant issues to the public. The delicate subjects that needed to be expressed were efficiently presented by Deborah Mailman, Rachelle Maze and Trisha Morton-Thomas. Such a modern approach concerning the issues was constructed for the viewer and this film and will be remembered by many as a masterpiece in Australian cinematography directed by Perkins. The movie itself, and is agreed personally, that it is perfectly clear that there is a strong cultural and political message demonstrated to the public.
The film Australia by Baz Luhrmann displayed numerous misrepresentation of Indigenous Australians. King George or better known as the “magic man” according to Nullah demonstrates an inaccurate and stereotypical view of Aboriginal Australians as being mysterious and spiritually powerful. Australia depicts Aboriginal Australians as being in touch with nature which is a positive stereotype. Nature plays an important role in the Aboriginal culture since they live off of the land by hunting, gathering, and farming the land. Aboriginal Australians were also portrayed as the “other” in this movie and their culture was viewed as being primitive compared to that of the white culture. Movies portraying Aboriginal Australians as being exotic, mysterious,
I will also discuss how the young, naive soldiers arrived at war, not knowing what warfare entailed. They were shocked by the conditions and the casualties. I will also discuss the bravery shown by the ANZACS in the most dangerous conditions. I will conclude with my reasons for why the Gallipoli campaign holds such value and importance in Australian history and ideology. Australian men were very keen to get involved in the war because they felt that it was their duty and if they didn’t go to war it would make them look cowardly.
H - Poetry and song have had a major impact in portraying how Australians are represented in a variety of ways, depending on their background, experience and the time period in which they lived. I –Australians view themselves as being a welcoming community and acknowledging their past. However, non-Australians stereotypically see Australians as rowdy and known for enjoying a “shrimp on the barbie”. This shows that Australians have been represented in many different ways.
This movie was filmed among Australian land and in each shot the outback was clean, healthy and wasn’t proposed in any way dirty. The extreme wide and broad shots shown in this film capture the aspects of Australia which aren’t always seen. The visual of the panning camera and the bird’s eye view shots show Australian for its true natural beauty, which should not be taken for granted. If people at this year’s film festival notice how beautiful our country is and truly can be, this could help to promote discussion on how to keep Australia alive and
Through the director’s use of cinematography, The Man from Snowy River exhibits the magnificent landscapes of Australia such as the Snowy Mountains. In addition to the sandy beaches and the dry and dusty outback, Australia is also home to the untameable yet gorgeous high country. This film captures the beauty of these rugged mountains through aerial and extreme long shots, which display the landscape in its entirety. These shots reveal the vastness of the mountains and the bush, which appeals to tourists looking for a relaxing holiday away from the bustle and vibrancy of the city life. Highlighting the breathtaking scenery that our country has to offer, The Man from
Peter Weir’s 1981 film Gallipoli can in every sense of the phrase be called an ‘Australian classic’. The impact and effect this film has had upon the psyche and perspective of several generations of Australians has been significant. Whilst it can be argued that every Australian is aware of the ANZAC legend, and the events that occurred on the Turkish beaches in 1915, Weir’s film encapsulates and embodies a cultural myth which is now propagated as fact and embraced as part of the contemporary Australian identity. The film projects a sense of Australian nationalism that grew out of the 1970’s, and focuses on what it ‘means’ to be an Australian in a post-colonial country. In this way Gallipoli embodies a sense of ‘Australian-ness’ through the depiction of mateship and through the stark contrast of Australia to Britain. A sense of the mythic Australia is further projected through the cinematic portrayal of the outback, and the way in which Australia is presented in isolation from the rest of the world. These features combined create not only a sense of nationalism, but also a mythology stemming from the ANZAC legend as depicted within the film.
Distinctively visual language and cinematic techniques highlight to the responder the particular literal and metaphorical experiences characters are faced with, within a text. Peter Goldsworthy’s novel Maestro, Don McLean’s song ‘Vincent’ and the intriguing film Australia by Baz Luhrrman, explore the ways in which the human experiences of an individual’s connection to landscape is fundamental in shaping one’s sense of identity, personal growth and development. Composers further explore the realisation that our lives can be enriched by an understanding and appreciation of art as well as a deeper understanding of the importance of love and lust. The depiction of characters is conveyed through distinctively visual images to highlight the subsequent development of courage and resilience leads responders to a deeper understanding of how human experiences can create a sense of individuality.
But familiar landmarks and also the unfamiliar ones aren't the whole make-up of Australia's heritage. It's the people that make a difference. Australia is made up of people from all walks of life who have migrated here for different reasons. Among these, the most common migrants are from Greece, Italy, Russia and Asia. Australia is made up of material culture: the places and objects, but also Living culture: In forms such as Music, Crafts, Literature etc. It is an interplay between international cultures and beliefs, the claims of nationalism and ethnic and religious traditions, as well as the local and community priorities that’s make up the unique Australian heritage.
b) What Australian images or themes are depicted in the song There are Australian images/themes that run throughout the entire song. Each line has some sort of relation to an Australian concept. First, obviously the kookaburra as it mentioned throughout the entirety of the song, and is an Australian image. As mentioned earlier, in the first line Marion used the phrase ‘gum tree’ representing a eucalyptus tree, which is the most populated native tree in Australia. So the gum tree can also be seen as an Australian theme.