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Representation of women in frankenstein
Female gender in Frankenstein
Representation of women in frankenstein
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The Victorian Women of Shelley's Frankenstein
She is a daughter, a wife, and a mother who faithfully carries out her domestic duty in subservience and passivity. She's a willing sacrifice to her father, her husband, and her children. She's sentimental, meek, and docile in nature. She's also flawless in every physical aspect. She's her superior man's play-thing and possession--she's his to protect and cherish. She is a typical nineteenth-century Victorian woman of England. Such typical images of the Victorian women are clearly and accurately depicted in Mary Shelley's Frankenstein through one of the female characters, Elizabeth.
Subservience is one of the main characteristics of Victorian English women. They were "taught to be submissive and manipulative" (Kanner 305). Qualities of "selflessness, patience, and outward obedience" were also "required" in women (Prior 96). In contrast to men's "masculine energy," women were thought to possess "feminine passivity" that made them incapable of actively venturing into the world with curiosity (Kanner 208). Such false belief on the men's part, not women's "feminine passivity," is what hindered the women from venturing into the world and confined them to the home. Such confinement is evident in the following woman's diary:
All this time my Lord was in London where he had all and infinite great resort coming to him. He went much abroa...
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...ence, through the images of Elizabeth, Mary Shelley clearly and accurately depicts attitudes toward Victorian women of nineteenth-century England. Elizabeth lives, and dies, the role both Shelley and society had written for her and her real-life sisters.
Works Cited
Kanner, Barbara, ed. The Women of England: From Anglo-Saxon Times to the Present. Hamden: Archon Books, 1979.
Prior, Mary, ed. Women in English Society, 1500-1900. New York: Methuen, 1985.
Shelley, Mary. Frankenstein. Ed. Johanna M. Smith. Boston: Bedford Books, 1992.
Wollstonecraft, Mary. A Vindication of the Rights of Women: An Authoritative Text, Backgrounds, Criticism. Ed. Carol H. Poston. New York: W.W. Norton, 1975.
Shelley began writing ‘Frankenstein’ in the company of what has been called ‘her male coterie’, including her lover Percy Shelley, Lord Byron and his physician John Polidori. It has been suggested that the influence of this group, and particularly that of Shelley and Byron, affected her portrayal of male characters in the novel. As Ann Campbell writes:
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
The Yellow Wallpaper was written as a realism story. It showed how woman felt they had the same opportunities as men in their personal choices. In this story, the woman expressed her worries to her husband who through good intentions, required that his wife stay in bed 24/7, and not do any of the things she would normally do. In effect his wife became worse until she reached the limit. The behavior of the husband at this time was completely normal. Men were the higher power over women and women, like the one in this story, felt that they couldn?t stand count for themselves.
“Romanticism, is an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century and in most areas was at its peak in the approximate period from 1800 to 1850” (Wikipedia).
Bob Dylan started his life as Robert Zimmerman from Duluth, Minnesota and raised in Hibbing from the age of six. He first learned how to play guitar and harmonica, deciding to start a band called the Golden Chords in high school. After graduating in 1959, Bob Dylan would go on to study art at University of Minnesota. It would be his time at college when would start to perform folk music at coffee houses under the name, Bob Dylan. He drew his inspiration and even last name from poet Dylan Thomas. Blues musicians like Hank Williams and Woody Guthrie would influence Dylan’s music. In the Summer of 1960, Dylan would meet blues artist Jesse Fuller where Dylan would pick up the harmonica rack and guitar combination (allmusic.com). By the time of his return, Bob Dylan had grown substantially as an artist and now was determined to become a professional.
In “Frankenstein” penned by Mary Shelley, one cannot help but notice the role of women in the novel compared to men. Even though Mary Shelley is the daughter of Mary Wollstonecraft, a mother advocating for women’s rights in society, she displays the roles of Caroline, Elizabeth, and Justine as passive women. This may be the time period when women were considered inferior to men. Caroline, Elizabeth, and Justine are depicted as possessions by men, admired for their superficial beauty, and do not take action without the permission of men. On the other hand, Shelley illustrates Safie as a woman who speaks up for her own rights when her father forbids her to find Felix. The three points that contribute greatly to the passive role of women are the lower of rank women in society compared to men, women being seen as possessions for men to protect, and women admired for their superficial beauty.
When reading Frankenstein by Mary Shelley, one cannot help but notice that the women characters seem to have little substance compared to the male characters. This may have been caused by the time period in which she wrote: one in which females were considered inferior to males. This difference between the sexes can be looked at using a variety of different perspectives. Johanna M. Smith, a professor at the University of Texas at Arlington, discusses this issue using feminist eyes in her essay entitled "'Cooped up': Feminine Domesticity in Frankenstein." The main points in Professor Smith's essay are that the female characters are there only to reflect the male characters, and that the Frankenstein family has a weird style of living, which she describes as a "bookkeeping mentality" (Smith 279).
Anne Mellor, author of “Frankenstein: A Feminist Critique of Science” argues that Victor Frankenstein represents the patriarchal society. Mellor also argues that Victor is afraid of the female sexuality. “A fear of female sexuality is implicit in a patriarchal construction of gender” says Mellor. She continues with her argument, saying that the death of Elizabeth Lavenza, Victor’s bride-to-be, is extremely significant to the feminist backbone of the story.
In late August of 2012 a fisherman known as Vitaly Vershinin sighted Yeti in the Kemerovo region near Myski Village. In the boat the fisherman first thinking they were bears and then people he tried to get their attention. Later, the yetis “rushed away, all in fur, walking on two legs, making their way through the bushes and with two other limbs, straight up the hill” (“Just the Facts”). The fact that this fisherman sighted Yeti without looking for Yeti simply makes it more believable. Furthermore, a creature that walks on two legs and is covered in fur just resembles the concept of “yeti.” Although many people may discredit this sighting and others similar to it simply due to the lack of evidence, situations like this are the main reasons sightings occur. If a Yeti researcher goes out into the forest looking for Yeti they most likely will not see a Yeti due to the noise they make and the scent they output through the wind. When just fishing on a boat the Yeti may not notice anything menacing and just carry on. Yetis are not stupid and this is why it remains so challenging to scientifically prove yeti’s existence, however the eyewitness accounts present an undeniable existence of
As a child Dylan was comfortable being the center of attention, often writing creative poetry for his mother and on occasion singing. Dylan had no formal music lessons, but none the less he began to compose. Later at age 14, he took up the guitar and shortly after formed a band, one of many he played the guitar in. Always plunging ahead, performing to his up most potentional, Dylan absorbed his surroundings as a source of inspiration. Even during his early efforts Dylan responded very positivly to mainstream musicians, such as country star Hank Williams. Yet, he responded especially well to early rock stars such as Little Richard, Elvis Presley and Jerry Lee Lewis. In the summer of 1959, after graduation Dylan began to work at a cafe, where he began to pay increasing attention to folksingers such as Judy Collins and Jesse Fuller. Finding an instant connection with their songs, songs relevant to social issues. Dylan was drawn into both the musical style and the social message of these indivisuals.
For centauries, women have been forced to live life in the outskirts of a male dominated society. During the 1800’s, the opportunities for women were extremely limited and Mary Shelly does an excellent job in portraying this in her gothic novel, Frankenstein. Furthermore, in this novel, Mary Shelly shows how society considers women to be possessions rather than independent human beings. In addition, the female characters rely heavily on men for support and survival, thus proving their inability to do it on their own. Lastly, the female characters in this novel are in many ways victimized by the male characters. In conclusion, in Mary Shelly’s novel Frankenstein, the female characters always fulfill the limited and archetypical roles that are set for them by society.
Within Frankenstein, the level at which a female is portrayed is quite low. Like we have heard in class, women were not necessarily respected as much as men were when the novel was written. Published in 1818 by Mary Shelley, her story tells of the adventure of young Victor Frankenstein and the creation of his creature. Though deep within this narration of Frankenstein’s life, there seems to be an underlying theme seeping through Shelley’s writing. Shelley seems to venture into the idea of feminism and grotesquely show how men are treated much better than women. Her novel includes various concrete examples to support this hypothesis.
By examining the climate of the world at the time of war, and given all other alternatives, the United States had no choice but to drop the bomb. If we had not, many thousands more American lives would have been lost, most likely on the shores of Japan during the inevitable land invasion. Once on Japanese soil our boys would have had to face off with arguably the most dedicated and fiercest warriors the world has known, willing to sacrifice their lives and those of their families for their emperor and country. While there are still many who would argue the cruelty of nuclear weapons, it is apparent that Harry S. Truman was acting in the best interest of America and the world when he authorized the use of the most devastating weapon mankind has ever created.
In “Frankenstein” penned by Mary Shelley, the author depicts the roles of passive women through the roles of Caroline, Elizabeth, and Justine. Caroline marries Victor’s father, Alphonese Frankenstein, despite the huge age difference between them, and gets approval from her husband to make Elizabeth part of the Frankenstein family. Elizabeth joins the Frankenstein family after Caroline takes her from the orphanage, has superficial beauty, and constantly writes letters to Victor, waiting for his return and his hand in marriage. Justine cannot prove her innocence in court without the appearance of Victor. On the other hand, Shelley depicts Safie as a woman willing to stand up for her religion, disobeying her father’s orders of going to Constantinople, and finds Felix. Through the portrayals of Caroline, Elizabeth, and Justine, women are depicted as possessions by men, admired for their superficial beauty, and do not take direct action without the appearance of men. However, Safie’s portrayal in “Frankenstein” symbolizes a woman who longs to have her own rights and a woman who goes against the role of passive woman.
having heard stories of the yeti he demanded to see one himself, but the local people told him they were unable to present one because the creatures could not survive at that altitude”(nat geo wild). the first recorded report of the yeti was when a team of people found a yeti track thing it was another animal. Some more recent evidence was when Howard Bury found footprints in the snow.”In the book, Howard-Bury includes an account of crossing the Lhakpa La at 21,000 ft (6,400 m) where he found footprints that he believed "were probably caused by a large 'loping' grey wolf, which in the soft snow formed double tracks rather like a those of a bare-footed man"(wikipedia).